This is a study in pencil by FERNAND LUNGREN (1859-1932) for an oil landscape of arid desert mountains of the American west. It measures 8" by 10 1/2". There's a mat but the work is not framed. This is a subtle work that is best viewed in person; it's very, very hard to photograph. The artist has made notations like "shaddow" (spelled like that), "all golden in warm sun", and "warm rosy gray".........showing the creative process...

One of dozens of drawings by this artist that I recently acquired, (ask to see others, not shown in my shop) not many with any color, this is a fine image in soft pencil and a little color crayon on paper, the drawing itself 12" by 18 3/4", in an oak frame without mat, signed at lower left by California and Massachusetts listed artist DAISY MARGUERITE HUGHES (1882-1968). Hughes was born and died in Los Angeles but in between she spent much time in the Provincetown art colony on Cape Cod...

A **PAIR** of ink on paper drawings with some pencil guidance visible under magnification, both signed at lower left margin "C. Weitbrecht inv.", one measuring approximately 4 1/4" by 13" (11 cm. by 32 cm), the other 4 1/4" by 11" (11 cm. by 28 cm). These are fine works by the early 19th century German artist CONRAD WEITBRECHT (1796-1836), **GUARANTEED to be original drawings**, and not prints or engravings or etchings of any kind...

A quite old pencil drawing on thin card, 8 1/2" by 5 1/2" inside the mat, 13" by 10 1/4" framed (no glass), apparently by a "Grandmother Stevenson" according to a notation on the reverse side of framing materials...

Original unframed drawing on old Brownie art board, in ink and marker with hint of pencil underneath in a few spots, each box measuring 2 15/16" by 3 1/2", dated "3-20" and signed at far right "Schulz". Also appearing is "(COPY) NOT FOR REPRODUCTION" and the name "j. f. bufton" on the bench next to the bat. Believing that the work could possibly be an authentic work by Schulz, I have researched the drawing through the Charles Schulz Museum in Santa Rosa, California...

**ONE OF SEVERAL WORKS BY THE ARTIST IN MY SHOP, all acquired at the same time and place**, this is a pencil drawing on paper, 11 1/4" by 9" as framed, signed at lower left with the initials H.L. and dated there "62". HARRY LIEBERMAN (1876-1983) was a Polish-born, long-lived artist who didn't begin his artistic career until late in life...

One of dozens of drawings by this artist that I recently acquired, (ask to see others, not shown in my shop) this is a fine image in soft pencil and ink on paper, the drawing itself 10" by 13 1/2", in a simple frame without mat, signed with initials at right and dated '65, by California and Massachusetts listed artist DAISY MARGUERITE HUGHES (1882-1968). Hughes was born and died in Los Angeles but in between she spent much time in the Provincetown art colony on Cape Cod...

"Girl with Hat" attributed to major German Expressionist Max Pechstein. Dated 1917. Framed Ink Drawing. 10 x 7“. Frame Size 23 x 21“ Max Pechstein, (born Dec. 31, 1881, Zwickau, Ger.—died June 29, 1955, Berlin), painter and printmaker, who was a leading member of the group of German Expressionist artists known as Die Brücke (“The Bridge”)...

Sketch of a Skye Terrier

by Edward F.D. Pritchard (British 1809-1905)

Ink on paper, signed. Paper Size: 3.5" x 5.5" (Unframed)

Pritchard was a marine, landscape and architectural painter living in Bristol and London, who exhibited at the Royal Academy, the British Institution, the Society of British Artists, Suffolk Street and elsewhere...

Beautifully executed drawing in soft pencil, 8 1/2" by 11 1/2" sheet, 6 1/2" by 9 1/2" inside the rectangular border drawn by the artist, and 10 1/4" by 13 5/8" as framed, signed at lower right "Davis F. Schwartz", showing a copse of trees in a hilly landscape. This drawing, which reminds of works by Ralph Holmes or Maynard Dixon, is nicely framed in a 1930's or 1940's frame. Schwartz (1879-1969) has a sizable listing in Hughes' "Artists in California 1786-1940"...

Albert Kotin abstract expressionist, pen and ink on paper.

Exhibitions - Museum of Modern Art, New York, Woodstock NY Art Association, ASL among others.

Image measures - 11 1/2" x 12 1/2".

Condition - excellent.

Unframed.

Estate stamped on verso.

Henri Laurens, Paris, 1885-1954.These 4 pieces are Cubiste Head ink on paper signed LR. They are 22.8cm by 18.5cm (9" by 7.3"...

By the listed South African modern artist STANLEY NKOSI (1945-1988) is this PAIR of charcoal on paper drawings celebrating the nobility of manual laborers, identically framed in silvery metal, the drawings measuring 22 1/2" by 17 1/2", both signed at bottom and dated there "73". Nkosi was an interesting figure. Born in Natal he moved to Dukathole near Germiston in the Transvaal (now Gauteng). In 1962 he moved to Johannesburg and studied briefly with established artist Cecil Skotnes, and for ...

Portrait of a Lord signed by Thomas Bridgton ARCHA, 1840. Graphite on Paper. Frame size 23 x 19.5"

The Box Framed Size: 14 1/4" L x 11 1/4" Hx 1" Thick
The Image size: 10 3/4" L x 7 1/2" H
The Title: " Turtle Creek"
Artist: Eiichi Edward Kawanabe
Medium: Pen and Indian Ink Drawing on Water Color Paper
Signed by artist: Lower Left: Eiichi 1979
The year of Work: 1979
The condition of Drawing: Excellent.
The condition of Box Frame: Some wear from age.

This is very unique Pen and Ink Drawing with washed Ink mixed works.
It is drawing of Tur...

Pencil on paper drawing of a southern-style house with large tree and foreground dog, dated 1967 lower right, 5" by 6 3/4", 13" by 15" framed, by the well listed Louisiana artist ROLLAND HARVE GOLDEN (1931-2019). The dog resembles an ancient breed of dog, such as would be seen in a museum of Egyptian sculptural antiquities--perhaps, the pet of a pharaoh. The juxtaposition of the dog in front of the typical and familiar southern architecture is in keeping with Golden's self-described "borderlin...

A charming pencil on paper study of a human hand, the sheet 9 3/4" by 9", annotated at lower left "For Papa Apl. 28. 1832" and is signed at lower right "T T P dd." (Latin abbreviation commonly used in 19th century by artists---means "del delineavit" (he/she drew it) Florence". This drawing possibly by a youngster is a true survivor, coming up on two centuries of age. It is in good condition with corners glued to a backing sheet, and lower right corner is missing. The seller from whom I acqui...

Original 16" by 18" ink on paper drawing of two men in slickers in an overloaded canoe in a rainstorm, their faces reacting to the increasing challenges as they are apparently taking on water, signed at lower right by the noted American illustrator HENRY "HY" SUMNER WATSON (1868-1933). The drawing was evidently produced for eventual publication by Outing Publishing Co., as their violet "PAID" stamp dated April 10, 1907 and "Book Department" appears on the reverse. Also there, giving some insig...

"Winter Landscape with Grazing Cows" by Ernest Fiene. 1939. Framed Print. 18 x 17".

A PAIR of Mid Century drawings, consisting of concentric line patterns and overlapping forms, typical of the imagery, whether in sculpture, drawing/painting or graphics, of acclaimed Spanish modern artist AMADEO GABINO (1922-2004). Each is drawn in brown ink and measures 12 3/4" by 15 1/2" (13 3/4" by 17" in black shadowbox type framing over an inch deep). Some of the darker lines are interestingly also scored into the paper, like deep cuts. Each drawing is signed with "AG" monogram at lower ...

Black ink on paper drawing, 13 1/4" by 10 1/4" inside the mat, (21" by 17 1/2" as framed), signed at lower left in the typical manner, and dated there 1976, by the noted Mexican modern contemporary artist LEONARDO M. NIERMAN (1932-). This is an early self portrait of the then-40 something artist. There are a number of extant self portrait drawings from that period. Now well known and internationally collected, Nierman has been a prolific artist. Nierman's work is instantly recognizable, Pa...

Fernand Leger, French,1881-1955.Fernand Léger was born in 1881, the same year both Picasso and Braque were born, in Normandy; his father was a substantial cattle grazer.

Original ink on paper drawing of four ducks in flight over a swamp or marsh, circa 1930's, signed at lower right with initials "P.Z.", which appears to correspond with inscription on backing "Painted or sketched by Paul Zeeze". At top on backing, is written "James Zeeze". Online research suggests the name may be found in Minnesota, which would make sense with duck habitat. Measures 10" by 6 1/4" inside the mat and 14 3/4" by 10 3/4" in black strip frame.

TWO pen and ink drawings, identical size and frames, 9 7/8" by 7 5/8", one titled "Down the Gulch" and the other "Slave Quarters, Glen Haven, Colo.", each signed "A.C." and one dated 1936. I don't know who "A.C." might be/have been, but, if you collect Colorado art, you might like this pair of drawings of a mountain road and a mountain cabin. You might wish to reframe them. If anyone knows who the artist is, please do let me know.

Black ink on paper drawing, 8 1/4" by 10 1/2", unframed, signed in the center of the image and dated in the image at lower left center "7 26 1999", and titled in the lower margin "TRUCK PLATE", by the noted contemporary sculptor, ceramicist, designer and painter PETER SHIRE (1947-). This complex modern drawing is imaginative, colorful, three dimensional, and whimsical, and could only have been created by a true artist. Shire was becoming known on the art scene with his now famous teapot sculptur...

INDIAN/PERSIAN SCHOOL , 19TH CENTURY, TWO FRAMED MANUSCRIPTS, 9 X 5 1/4 In. Frame: 12 1/2 X 9 In.

**One of several works by the artist in my shop** Ink drawing on heavy Strathmore art paper, the subject the familiar cathedral at San Miguel de Allende, Mexico. The unframed work measures 28 3/4" by 23", and is signed by the artist at lower left and dated there 1953. The Illinois-born Lutz is known today for his urban landscapes and genre subjects, often painted with bright color and with heavy impasto. In the late 1920's he began art instruction at the Art Institute of Chicago, at which time...

Ink on paper drawing of the narrow streets of an old town likely in eastern Massachusetts, possibly Marblehead, two women chatting casually, the work signed by the artist at lower right and monogrammed and dated in Roman numerals 1896 at left, by the noted American artist and illustrator EDMUND HENRY GARRETT (1853-1929). Garrett was born in Albany, New York at mid century, and died near Boston at the end of the 1920's. His art career appears to have started slowly, with little art education pr...

Two finely executed pencil drawings, one titled "Mount Hood", the other of a mounted cowboy rounding up calves, the scene, I have been informed by a distant relative of the artist, being in Big Timber, Montana. The drawings are essentially unframed, currently just protected. Both measure roughly 5" by 7 3/4"; the Oregon scene has an uneven top margin area, and both open up, almost as if they were intended to be greeting cards, but there are no messages inside. Parsons was born in New York's G...

A 19th century European pencil drawing of a classical male figure seated on a drape, holding a staff and a round object, signed with initials at lower right with what appears as "MLB". There is no other hint as to the identity of the artist. The paper has no watermarks. Measurements are 9 1/2" by 7" inside the mat, 14 7/8" by 11 1/4" in inexpensive modern frame behind non glare glass.

An early pencil drawing of a charming country house (barn/hayloft?) with thatched roof, a group of figures conversing outside. A pair of mules, a split rail fence, and plane tree complete the scene. The work is unsigned. Measurements are 8 1/2" by 11 1/2" inside the mat. Someone decided to re-use a modern mat that had evidently been used on a print, as there are numbers on it as if from an edition. The drawing is glued to this mat at right and left, though you could likely free it by using ...

Original pencil figural drawing, 15" by 9" plus a gray mat, unframed, signed at lower right "K. Delaney" and dated there 1979. I do not know who the artist might have been but he or she certainly had a talent as a draftsperson. The condition is generally good save for modest paper browning and there is tape residue on the reverse from clumsy attachment to the mat. Fit a frame on this and you'll have a pleasant, nicely executed drawing.

An ink on paper drawing of a man holding a cigarette, unsigned, 6 3/8 " by 5 3/4" inside the mat (12 1/2" by 10 1/2" simply framed). When I first saw this my thoughts drifted to accomplished ink line drawings by the American master artist Ben Shahn, or, possibly, German Expressionism (Georg Grosz, etc.). The drawing was found in Oregon, with no further information available. It probably dates to about 1950 give or take a few years, and is probably American. The work is slipping around under ...

A charcoal or soft pencil drawing of an unidentified young girl, executed circa 1950's, signed at lower right by the important New Hope School impressionist, JOHN FOLINSBEE (1892-1972). The work, 12" by 10" inside the mat, (19" by 17 1/2" in old frame with Trenton, NJ framer label on backing) is in excellent condition save for browning at edges from mat contact. Folinsbee was born in Buffalo, New York, where he studied for a short time. He took lessons from painter Jonas Lie, then, later, at ...

Pencil drawing on paper, 4 1/4" square inside the mat, 9 1/4" by 9 1/4" as framed, signed at lower right "Luce", the subject an elderly man at left and elderly woman at right, both reading a letter or periodical. The paper is browned with age, though, evenly, and there's a small crown-shaped stain that looks like an ink blot, irregularly shaped, at lower right. The work is affixed to a board on which is written in old hand "No. 20". The mat, with its hand-drawn border, seems to be glued down ...

A small pencil sketch on irregularly shaped scratch paper, roughly 4 1/4" by 4" (5 1/2" square in its simple wood frame from which it was removed for photography). The subject is an empty vase casting a shadow while resting on a narrow tabletop. Of possibly great interest to any researcher of the artist's life and career, the work is clearly a sketch, perhaps for a finished painting or pastel. On the reverse side, and to a lesser extent at lower right on the front, are columns of numbers and ...