Pastel and gouache mixed media work on red paper, measuring 18 1/4" by 13 1/2" plus thin old black wood frame, signed at lower right with what appears to be "Macero Arbuckle" and dated '04 (1904). I don't see any information on the artist. This is an interesting illustration work that is quite subtle, and being subtle, doesn't lend itself to being photographed easily. Condition is excellent. There is an old sticker on glass at lower left corner with "13" written on it.

Pastel on paper, 21 1/2" by 16" and narrow frame, signed at lower right by well listed WAYNE LA COM (1922-). La Com is known for his skilled watercolors in the 20th century California Scene style. See the askart listing on him and his work. Photos taken at angles to minimize reflections.

For the collector of vintage plein air art, this is a classic drawing on tan paper executed in Italy in the year 1924 by well listed, frequently auctioned California plein air artist DANA BARTLETT (1882-1957). This drawing measures 8 1/2" by 11 1/2" inside the framing (12 3/8" by 15 1/4" as framed). It is signed in a longhand signature at lower left, and at lower right is inscribed "Venice Italy" and the date 1924 once again...

PAIR of original drawings of a traditionally dressed Moroccan man and woman, executed in pastel, each 10" by 7 3/4" (16 1/2" by 14 1/4" as framed), each signed by the noted American artist LOUIS J. ENDRES (1896-1989) and bearing the notation "Maroc". Endres hailed from Cincinnati and studied with Frank Duveneck. By his late 20's he was to be found in North Africa, in Morocco, where he found a wealth of artistic subject matter that continued to engage him throughout his life...

Pastel on paper, 20" by 25" and silvery frame 3 3/4" wide on a side, the subject a schnauzer dog in an arid mountain landscape possibly in the Palm Springs, California area. The drawing is by an artist skilled in the use of pastel. JOSEPHINE CRUMRINE (1917-2005) of Alaska was perhaps best known for her work depicting Eskimos and other familiar Alaska themes such as sled for the menus of the Alaska Steamship Company, but she also experimented with other subject matter...

A PAIR of early portraits in pastel on paper, of a middle-aged man and woman (about 45 or 50 years of age), the male portrait signed along the lower right edge "E. Yohn 1841". The works measure 20 3/4" by 17 3/4" as framed. Considering the advanced age, condition of these fragile works is excellent. There is a small edge tear at extreme upper edge of the female portrait...

Vintage charming pastel on old paper, 12" by 8", the scene a quiet city street or lane with 19th century buildings, signed at lower right by the artist, E. R. VAN DEMAN, and dated 1901. Rather little information on the artist appears on the net, but a member of the board of the Delaware County Historical Society in Ohio contacted me to say that the organization has seven of her pastels in their collection, the subjects local places circa 1900...

This is a drawing of traditional subject matter in a contemporary style, evidently by a youngster who lived at the Taos Pueblo in northern New Mexico. Measuring 7 3/8" by 11 1/2" inside the present mat (12 5/8" by 17 1/2" as framed), the image is of a bison with a stylized sun at upper left, and scattered stylized trees, with a multi story adobe at lower right serving as the Pueblo itself. On the reverse is written "Age 13/Taos Day School/New,Mexico 87511/Taos Pueblo/U.S.A."...

Pastel on paper, 10 1/2" by 23 1/2" and 2" inch wide very attractive and complementary oak Arts and Crafts appearance wood frame, unsigned, the subject bananas, peaches, and a basket, circa 1920. This is a typical example of the early 20th century American pastel school. Reaching back to artists who created pastels late in the 19th century, pastel artists like William Joseph Chandler, Glatthaar, and others created works for homes that would exhibit more quality than mere reproductions...

Pastel on paper, unframed, 14 1/2" by 12 1/4", signed at lower right with the initials "DP". This is a drawing of the distinctive 10,000+ ft. mountain of the Cascades Range in Washington state, Mt. Baker. The artist was obviously skilled in the use of pastel, but I am not able to say who the artist might have been. I thought it could possibly be Dewitt Parshall, California artist, but don't know if he worked in the Northwest...

Pastel or oil pastel on velvet landscape of the Philippines, the sun setting dramatically over a distant peak, a traditional thatched house at right, signed at lower left "Igning Sarmiento Manila 68". There is a known Sarmiento artist in the Philippines but I am not sure that this is by that artist. The size is 17 1/2" by 24" on the stretchers and 20" by 26" framed. The handling of the color in the sky as the sun disappears and night comes on is exquisite...

A large pastel on paper drawing of a fetching young woman, signed at lower left by CESAR AMORSOLO (1903-1998), a well listed artist and nephew of the Philippine master artist Fernando Amorsolo. Cesar, the son of Alejandro Amorsolo, brother of Fernando, was born in Manila. Orphaned at age six, he lived with his famous uncle and assisted him for some thirty years...

Pastel on soft old board, the subject a light green and white sensitive spring landscape, measuring 14 1/4" by 19 1/8" (19 1/2" by 24 1/2" as framed), not signed on the front that I can see but on the reverse in old hand is written "Blossom Time/F J Girardin/The Old Watering Place/To Leighton DeMen". This is a satisfying impressionistic work by a Kentucky-born artist who early in life painted in downstate Indiana, where he was a fixture in the early 20th century art colony, and who later in li...

A fine contemporary 9" by 12" pastel (19" by 21 1/2" nicely framed) drawing titled "Mission Seating", of a sun-washed stone bench in the historic courtyard of Mission San Juan Capistrano in Southern California, signed at lower right by noted California Art Club artist KAY BONANNO (1935-). The work retains on the backing a label indicating that this work was exhibited in the spring of 1996 at the Carnegie Art Museum in Oxnard, California. The exhibition was named "Puertas del Santuario: Painti...

In the style of mid nineteenth century American folk art is this charming work (27 1/2" by 20 1/2"---33 1/2" by 26 1/2" framed) depicting a young lady with sun bonnet and scythe and wheat in hand, as if she has just come in from the fields. The pastel mastery is obvious; the artist, anonymous. The work is framed and behind heavy non-glare glass which tends to blur detail and is not generally safe to ship, as it is highly likely to shatter in transit. I propose removing this from frame for shi...

Eugenia Grant's floral works in pastel are amazing achievements, often leading people to think they are prints. This is a glorious original work, 22" by 27", framed behind glass (28" by 33" framed), and signed at lower right. The realistic depiction of flowers, Asian porcelain vessels, patterned textile backdrop, and reflection in table top, is very impressive indeed. I have seen a number of works by this highly underrated artist, and they always feature this impressive attention to detail. ...

For the Judaica or Jewish art collector, a SET OF THREE original pastel on paper drawings, all signed in Hebrew and dated 1987 or 1989, all 13 1/4" by 9" (18 3/4" by 13 1/2" as framed), the subjects various ancient buildings in, I would imagine, Jerusalem or another historical city of Israel. I am unable to read Hebrew but a friend thought the signature was "M. Schnase" or something like that. Condition is excellent and in their crisp white mats and simple quality light wood frames, these are ...

Pastel on thin paper board seascape of waves and distant shipping on a gray, overcast day, 10" by 18" (15" by 23" as framed) signed at lower left "Mangold". This is an early work by an obviously talented artist who does not appear to be "listed". This pastel comes with its original old early 20th century frame. There is a circa 1920's or 1930's red circular Seattle framing sticker on the reverse. The work has a definite East Coast appearance; indeed I thought it would be by a Hudson River ar...