Pastel on paper drawing of a blonde, very Nordic-looking woman, 17 1/2" by 13 1/2" (25 1/2" by 21 1/2" as framed), signed at lower left Ruth Sammons. I cannot find any information on the artist but she was surely talented. The drawing is very strong and in excellent, fresh condition, and it is very nicely framed with a burl wood type frame and quality matting...

Pastel drawing of a path among trees at day's end, 9 1/2" by 5 3/4" (13" by 9" framed), signed at lower right by artist E. W. Rost, or possibly E. Vyrost (Vyrost is a Czech surname). The work has a Tonalist or Barbizon feeling. There is an American artist Rost but with different initials, and that artist created mostly etchings. Condition of the drawing is excellent, though the frame has considerable wear, especially at bottom and left.

Pastel drawing of a mountain landscape, 9 3/4" by 14 1/4" (17 1/2" by 21 1/2" as framed), signed at lower left corner with the name "I E Cutler". The scene is likely to be of Colorado as there is an old framer's sticker from Turner Art Gallery of Denver. Below that is what appears to be a date, in pencil, "2-19-31". Even though the frame is mid century, it appears that the old original backing paper with label was retained when the work was re-framed...

A fine landscape drawing in pastel by a skilled hand, Swiss-born artist MAXIM (MAXIMILIAN) SEIBOLD. The drawing measures 9 1/4" by 12 1/2" (13 1/4" by 16 1/2" in attractive probably original old gold framing---very light wear). Seibold was a competent and talented artist, very active around the year 1920, who seems to have left behind little biographical information. Born in Switzerland, he evidently came to America at least by the 'teens, as drawings of Florida and elsewhere are known...

Ramstonev modernist abstraction - crayon and pastel on paper

Circa 1939

Dimensions - image - 18" x 24"

Estate stamped on verso

Framed

Condition - very good

This work was done during the late 1930's as part of the 'Cooperative' project in the New Hope, Pa. modern art community. Charles Ramsey, Louis Stone and Charles Evans worked collectively on many drawings and paintings during this time...

For the collector of vintage plein air art, this is a classic drawing on tan paper executed in Italy in the year 1924 by well listed, frequently auctioned California plein air artist DANA BARTLETT (1882-1957). This drawing measures 8 1/2" by 11 1/2" inside the framing (12 3/8" by 15 1/4" as framed). It is signed in a longhand signature at lower left, and at lower right is inscribed "Venice Italy" and the date 1924 once again...

Pastel on paper laid on thick paperboard, 22" by 18", unframed, signed at lower left and dated 1921 by the artist, DAVID COMBA ADAMSON (1859-1926). In this drawing the artist shows his skill with the pastel medium. This is a sensitive portrait of an attractive young lady against an interesting striped pattern background, a red rose before her. There is no indication as to who she might have been (no writing/labels on reverse)...

Pastel on paper painting of an outdoorsman cooking his dinner over an open fire alongside a creek or lake, the setting sun reflected on the waters where his boat is tied up, the work measuring 17 1/2 " by 25" (23 1/2" by 28" in its vintage circa 1920's frame). Signed at lower right "Gillette", this is by an American artist who was a member of the early century pastel school, now best known for works by William Henry Chandler, Glatthaar, Gunderson, and others...

Pastel on thin paper board seascape of waves and distant shipping on a gray, overcast day, 10" by 18" (15" by 23" as framed) signed at lower left "Mangold". This is an early work by an obviously talented artist who does not appear to be "listed". This pastel comes with its original old early 20th century frame. There is a circa 1920's or 1930's red circular Seattle framing sticker on the reverse...

Pastel on soft old board, the subject a light green and white sensitive spring landscape, measuring 14 1/4" by 19 1/8" (19 1/2" by 24 1/2" as framed), not signed on the front that I can see but on the reverse in old hand is written "Blossom Time/F J Girardin/The Old Watering Place/To Leighton DeMen"...

Pastel on paper drawing of desert mountains and cacti, 17" by 23" (24" by 30" framed), signed at lower right in pencil and dated there 1922 by listed southwestern American woman artist BETH MacLAFFERTY BLAKE (1901-1993). This would have been among the earlier works of an artist who was born in Berkeley, California and went on to become a well regarded talent in the Southwest. Blake was a pupil of Perham Nahl, Ray Boynton, Hans Hofmann, Chiura Obata, Karl Neuhaus and Millard Sheets...

Crayon drawing of two nude females, 13 1/2" by 9 1/2" inside the mat, 20" by 16" framed, bearing at lower right the stamped atelier signature of the important French artist ACHILLE-EMILE OTHON FRIESZ (1879-1949). On the reverse, a modern label gives the title as "Nude with Veil". Friesz was born in Le Havre to a family of shipbuilders and sea captains...

Large size (39" by 27 1/2" framed) pastel of hollyhocks in bloom, apparently unsigned, drawn on canvas. The work probably dates to the first third of the 20th century, when the flower was more popular and more commonly planted around houses. Most pastels are on paper, so a work on canvas is more unusual. Due to the size and the glass, a local Southern California buyer would be very welcomed. Except for a small bit of contact with the glass, the drawing is in fine condition.

This is a finely executed pastel drawing of a soldier of approximately the 17th century in Europe, 22 1/2" by 16 1/2" (27" by 20 1/2" framed), signed at lower left with the initials "A R". I have been unable to connect this to a known artist but the quality is evident...

A vintage, old, pastel on paper drawing of old steep-roofed houses in a mountain landscape, 10 1/2" by 15 1/2" (14 1/2" by 19" as framed, no glass), signed at lower right corner with initials that appear as "SHC.". The work probably dates to the 1920's or 1930's, judging from the style, and framing materials. The old paper has browned heavily and one can see a ghost image of the drawing on the reverse side. This should be re-framed with non-acidic materials, and room should be left for a prop...

An early 20th century pastel landscape of trees and a small creek at left, 20" by 27 1/2" as framed behind glass, no mat, signed at lower right by artist H. W. Carr. This was a period of great activity in pastel landscape painting; displaying original art in one's home, instead of a mere print, was considered a symbol of status. The frame is worn, with chipping.

Everett Shinn (November 6, 1876 – May 1, 1953) was an American painter and member of the urban realist Ashcan School. Shinn started as a newspaper illustrator in Philadelphia, demonstrating a rare facility for depicting animated movement, a skill that would, however, soon be eclipsed by photography. Here he worked with William J. Glackens, George Luks and John Sloan, who became core-members of the Ashcan School, led by Robert Henri, which defied official good taste in favour of robust images o...

American circa 1910 or at least early twentieth century pastel on paper drawing of grapes, apples and a banana, 17" by 20 3/4" framed in an oval, unsigned. The work is typical of pastel still life of the period, though I do not believe it by the "Chandler" workshop. Modest homes of the period were lucky to have an original work of art rather than a print. This one has survived in very good condition. The frame has a bit of wear consistent with age, including a broken off piece of the outer r...