Print, engraving, Jacob Jordaens (1593–1678) (after Sir Anthony Van Dyck) by Pieter De Jode II (Antwerp 1606 - England c.1674) printed c 1630-1645
Half-length portrait of man with left hand across chest. He is wearing a ruff, with short beard and moustache and leaning against a building/pillar.Size 10" by 7.25" water marked and old collection notations on back.
Inscribed 'IACOBUS IORDAENS./ PICTOR ANTVERPIAE, HUMANARUM FIGURARUM, IN MAIORIBUS./ Ant van Dyck pinxit. Pet de Iode Sculp...
An original 17th century etching, "God Appears to Moses in the Burning Bush", plate 30 from the well-known series of 52 published in 1615 in Rome by Giovanni Giacomo Rossi, the artist being ORAZIO BORGIANNI (1578-1616). These works are after the frescoes by Raphael on the second floor of the Apostolic Church in the Vatican. Borgianni, a Baroque painter who adopted the style of Caravaggio after settling in Rome in 1604, turned to etching in the final years of his short life...
Wenceslaus Hollar Hanns Holbein Portrait c 1647
Self-portrait of Hans Holbein as 45-years old in 1543. This copy was engraved by Hollar in 1647.
Fair condition mounted corners on left side may have restoration . good image a bit over 5.5" and a bit under 4.5"
Original etching RICIULINA AND METZETIN by Jacques Callot printed in 1621 from the series BALLI DI SFESSANIA. Series depict one of the most delightful festivals of Commedia dell’Arte based on fertility dances held in the Tuscan village of Sfessania. Pairs of popular entertainers are framed against the scenes of a fairground. One print from the series of 24 etchings, Lieure catalog number 386, first state of two, on laid paper, cut to the plate. Paper size 72x93mm...
Portrait of Abraham Bloemaert. On the background a landscape with buildings and a windmill. 58th plate of the series. Inscription on the bottom: 'ABRAHAMUS BLOEMAERT, / BATAV, PICT. / Pictor naturâ est, usus vix ille magistro: / Arte hic egregiis nec tamen inferior. / Pinxit Aves, Naves, Homines, Herbásque Ferásque, / Et laetos Flores FLORIDUS innumeros'. Etching and engraving, varg type paper with a mitre like watermark ; total:8.5 by 5"
Nicolas Mignard, French, 1606-1668, "Perseus Slaying Medusa". Etching by Nicolas Mignard after the frescoes of Annibale Carracci depicting scenes from Homer's Odyssey. Plate size 9 7/8 x 17 5/8, published by Pierre Mariette in 1637, with lettering in Latin below the image. Printed on a very early watermarked laid type paper.
Etching on thin laid paper, 3 3/4" by 2 3/4" (14" by 11" in modern day frame), from the series "Beggars and other low life", by the noted early Dutch artist JAN GILLISZ VAN VLIET (1605-1668). The etching is one image out of a series of ten or eleven similar views by the artist, who, despite information to the contrary, was not strictly a pupil/student of Rembrandt...
Original etching by Jacques Callot LE MASSACRE DES INNOCENTS printed in 1622 in Nancy. Lieure catalog number 427, second state of two, good size margins, excellent impression of this important print. Small crown watermark on the paper, slight darkening in the corners where the print was mounted, overall in excellent condition. Plate size 134x110mm, paper size 157x127mm.
Original etching by Jacques Callot LE MASSACRE DES INNOCENTS printed in 1618 in Florence, powerful violent biblical scene represented in a European city setting. Lieure catalog number 278, second state of two, excellent impression of this important print. In excellent condition, framed and glazed, not examined outside of frame. Plate size 13,5 x 107 mm (5 3/8 x 4 3/16 inches), frame size 11 x 9 inches.
Antoni Waterloo
1609-1690
Dutch
This is an original period printing of The Antoni Waterloo etching, Mercury and Argus. This etching is the 2nd state of three showing the artist initials upper left corner, a proof before letters, The image is in the Barsch catalog as image number 127ii. The image measures 11 1/2X9 1/2 inches. The sheet measures 14X11 1/8 inches. Collectors annotations and stamps on the back of the sheet, From the A. Coppenrath and Frierich Kalla, Moscow collection...
Original 1618 etching by Jacques Callot LE GRAND ROCHER (The Great Rock) from his series “Paysages Graves pour Jean de Medicis”, Lieure catalog number 276, second state of two. Powerful design, excellent clean print. Framed and glazed, not examined outside of frame. Print size 109 x 243 mm (9 9/16 x 4 1/4 inches), frame size 10.5 x 18 inches.
Original 1627 etching by Jacques Callot L'ENTREE DE MONSIEUR LE PRINCE DE PFALTZBOURG from LE COMBAT A LA BARRIERE, Lieure catalog number 576, the only state. From a series of 10 etchings by Callot to commemorate a tournament sponsored by Charles IV of Lorraine in honor of the Duchess de Chevreuse. The print depicts chariots and processions for one of the participants - the Prince of Pfaltzbourg...
Wenceslaus Hollar (23 July 1607 – 25 March 1677) was a prolific and accomplished Bohemian graphic artist of the 17th century, who spent much of his life in England. He is known to German speakers as Wenzel Hollar; and to Czech speakers as Václav Hollar Czech: [ˈvaːtslav ˈɦolar]. He is particularly noted for his engravings and etchings...
The size of Book: 12 1/4" x 9 1/2" x 1 1/8", Weight of Book 3 Lbs. Louis Icart, "The Complete Etchings". West Chester, Schiffer Publishing, Ltd., 1990. First edition hardcover with dust jacket. 245 pp. A great reference book on the artist Louis Icart the French Art Deco painter and illustrator. Trained in engraving, he started out illustrating for the French fashion press. In the 1020's his portraits of women and Parisians seduced the public...
A large contemporary print by artist Tanaka Ryohei. Scene of a garden gate opening to the rising morning sun, a green grasshopper crawling along the latch. Signed in pencil, numbered 69/100 in it series, dated 2001.
Dimensions: 26" x 26 1/2" H (entire frame) 15" x 15 1/4" H (artwork only)
"Barn and House" framed etching and aquatint print by Tanaka Ryohei. The Japanese artist is best known for his intricate prints of rural Japan. This print is most striking in it's simplified, dramatic composition. The roofs are pictured from the side against the black sky. Signed in pencil and numbered 60 of 120. Dated 1993.
Framed: 24" high x 29" wide
Size of artwork: 18" high x 14" wide
This is a rather early landscape etching in brown ink, signed at lower right in pencil by the renowned southwestern artist MICHAEL B. COLEMAN (1946-). The work is numbered 20/20 at lower left margin. Judging from the auction record, which shows that oils have exceeded $50,000, the number of etchings by Coleman's hand is apparently rather limited. This one probably dates to early in his career, perhaps the late 1970's or early 1980's. Coleman was born in Utah and still lives there...
Original etching on BFK Rives paper, "Issachar", from the Twelve Tribes of Israel series, 1973, signed by the artist SALVADOR DALI (1904-1989) at lower right margin and numbered 21/195 at lower left. The work is generally clean and comes with quality gold leaf framing, but no glass. There is slight oxidation within the mat opening. Print is taped at top edge only. Measurements are 22 1/2" by 15 1/2" inside the mat; sheet measures 25 1/2" by 19 3/4"; and finally, 32" by 25" framed.