A Karl (Carl) Schultheiss numbered etching circa 1930. This 8-3/4" x 6-5/8" numbered, limited closed edition engraving probably of Angers Cathedral is by the German engraver Karl (Carl) Max Schultheiss (1885-1961). Starting out in Germany, he moved to the U.S. in the 1930s, where he had a 1938 exhibition of his etchings at the Art Institute of Chicago...
William Lee Hankey, European, 1869-1952, etching, "Field Workers", image size 6 3/8 x 8 1/4 inches, pencil signed, blindstamp
Hermine David, French, 1886-1971, etching, "Dockside, Seine", image size: 9 7/8 x 12 1/2 inches, c. 1930, pencil signed lower right
Peter Moran, American, 1842-1914, etching, "Church of San Miguel, Santa Fe", image size 4 15/16 x 6 3/4 inches, plate signed lower left
Martin Hardie, American, 1875-1952, etching, "Bathers", image size: 8X10 3/4 inches,1922,pencil signed
Lawrence Kupferman, American, 1909-1982, etching, "Victorian House", image size: 13 7/8 x 9 5/8 inches, pencil signed
Arthur William Heintzelman, American, 1891-1965, "Ma Petite Voisine", drypoint etching, image size: 11 1/8 x 7 3/4 inches, ed. 80, 1935 cat. Smith-204, pencil signed lower right
Sir Francis Seymour Haden, British, 1818-1910, "Wareham Bridge", drypoint on copper etching, image size: 6 x 8 15/16 inches, 1877, cat. Schneiderman-156, V state, signed and dated in the plate l.l., pencil signed l.r.
Joseph Pennell, American, 1857-1926, etching, "The Foreign Office", image size: 10 7/8 x 8 3/8 inches, 1904, edition of probably 25, cat. Wuerth-297, pencil signed lower center, framed
Arthur Bowen Davies, American, 1862-1928, soft ground etching and aquatint, "Angled Beauty" 8 x 11 7/8 inches, 1918, IV state, edition of about 21, printed by Ernest Haskell, cat. Czestochowski-60, alternatively titled "Autumn", pencil signed lower right.
Joseph Pennell, American, 1857-1926, etching, "Upper Fifth Ave, New York City", image size: 12 x 8 3/8 inches, 1904, edition of probably 50, cat. Wuerth-323, pencil signed lower center.
Joseph Pennell, American, 1857-1926, etching, "St. Dunstan's, Fleet Street", image size: 11 x 7 3/8 inches, 1903, ed. probably 50, cat. Wuerth-269, pencil signed lower left.
Joseph Pennell, American, 1857-1926, etching, "New York, from Brooklyn Bridge", image size 11 x 8 3/8 in, 1908, signed and inscribed "JoPennell imp" in pencil, edition of about 150 (Wuerth, 490)
John Taylor Arms, American, 1887-1953, etching, "Aspiration, La Madeleine Verneuil-Sur-Avre", image size 15 1/2 x 10 inches, pencil signed and dated 1939, inscribed Roman numeral V in pencil and dedicated "To my friend Timothy Parforman in deep and lasting appreciation, from John Taylor Arms - 1943." Also called Fraternite, Egalite, Liberte.
Jean Louis Forain, French, 1852-1931, etching, "Le Noeud de Cravate", image size 5 3/4 x 3 3/4 in, from CROQUIS PARISIENS, 1880, possibly a later printing (Faxon, 20), pencil signed
Jean Louis Forain, French, 1852-1931, etching, "Le Christ Portant Sa Croix" (4e Planche), image size: 11 1/2 x 15 1/8 inches, first state, (Faxon 116) pencil signed l.r.
Jean Louis Forain, French, 1852-1931, etching with drypoint, "Croquis de Femme Nue, La Tete Contre L'Oreiller", image size 11 1/2 x 13 3/16 inches, first plate (Guerin 69), pencil signed and titled
Thomas Waterman Wood, American, 1823-1903, etching, "Before the Election", 1887, image size: 18 x 14, pencil signed
Charles Adams Platt, American, 1861-1933, etching, "Two Sloops, East River", 1889 Published by Wunderlick New York, pencil signed, image size: 11 1/2X18 1/4 inches
Edith Loring Getchell Pierce, American, 1855-1940, etching, "Solitude, Peck's Beach, N.J.", image size 5 3/4x8 3/4, pencil signed
Edith Penman, American, 1860-1929, etching with remarque, "On the Shoreline", image size: 4 7/8 x 7 3/4 inches, pencil signed
Stephen Parrish, American, 1846-1938, etching, "Evening in Brittany", plate size: 15 5/8 x 23 5/8 inches, image size: 13 3/8 x 21 5/8 inches, 1887-1888, cat. Schneider-133, remarque lower left, inscribed lower right: "Selected for Mr. E. Q. Kennedy", printed by H. Wunderlich & Co., New York, on parchment, pencil signed lower right.
Pierre Bonnard, French, 1867-1947, etching from the series "The Life of Saint Monique", "La Vie de Sainte Monique", image size: 6 7/8 x 4 5/8 inches, 1930, monogram in plate
Armand Mathey, French, 19th - 20th Century, engraving after Van Dyck, "Charles I", image size: 21 x 16 5/16 inches, published by Georges Petit, Paris
Andre, Dunoyer de Segonzac, French, 1884-1974, etching, "Foire de Chaville", image size: 3 1/2 x 5 1/2 inches, ed. 2.45, pencil signed.
Valentine Green, British, 1739-1813, mezzotint after Reynolds, "Self Portrait of Sir Joshua Reynolds", 1780, plate size: 19 x 15 inches, signed in the plate. Water stains along the bottom edge of the sheet, outside of the plate mark.
Ovesized Japanese limited edition copperplate etching titled “Makinohama Beach” by Tanaka Ryohei (1933-1919). Pencil-signed, dated 2006, and numbered 19/100 in the lower margin. Paper size: 24 1/4" x 13" (image: 20 1/8" x 9"). This etching was never framed and is in excellent condition.
Frank Benson, American, 1862-1951, etching, "The Passing Flock", image size: 11 3/4 x 13 3/4 in, 1927, signed in pencil, published state, edition of 150 (Paff 277), on laid paper with "ENGLAND" watermark
Stephen Parrish, American, 1846-1938, etching, "Port of Nice", image size: 3 7/8 x 5 inches, 1888, cat. Schneider-145, pencil signed lower right
Stephen Parrish, American, 1846-1938, etching, "A By-Way in Trenton", image size: 5 7/8 x 9 7/8 inches, 1881, cat. Schneider-52, ed. 38, pencil signed lower right
William Lee Hankey, European, 1869-1952, etching, "Trincket Box", image size: 4 5/8 6 3/8 inches, pencil signed, blind stamp.
Arhtur Heintzelman, American, 1891-1965, etching, "Edouard, Musician - Montmartrois", image size: 11 3/8 x 9 1/4 inches, 1923, cat. Smith-85, pencil signed lower left, Keppel label on reverse, framed.
Arthur Heintzelman, American, 1891-1965, drypoint etching, "Adolphe Appia, Jeune Artiste Philosophe", drypoint etching, image size: 12 3/8 x 8 1/4 inches, 1934, cat. Smith-92, edition of 100, pencil signed.
Arthur Heintzelman, American, 1891-1965, etching, "Cafe Montmartrois", BPL 114, plate destroyed, Characters from French art culture of 1925; Scene features Heintzelman, left, bending over table, the Parisian model, Kiki who appears in Planche aux Cinq Croquis. To her right, Fredie, subject in Fredie du Cafe "Le Lapin Agile" and of Le Poete regarded by Heintzelman as the last of the great Montartre singers, Young man with the guitar is Fredie's son.
Arthur Heintzelman, American, 1891-1965, etching, "Planche Aux Cinq Croquis", 1925, edition 100, image size: 4 1/8 x 5 5/8 inches, pencil signed
Stephen Parrish, American, 1846-1938, etching, "Sunset, Gloucester Harbor", image size: 4 7/8 x 8 3/4 inches, 1880, cat. Schneider 40, SP number 40, first state of two, pencil signed. A beautiful, rich impression, Parrish makes excellent use of plate tone to imbue the scene with atmosphere. The second state, which has much less ink in the sky and sea, was later published in American Etchings.