Around 1960 Haku Maki probably did the Ox as a woodblock print. He was then a young artist in Tokyo. He may have done some Ox images before James Michener did his now wellknown book, but probably not many: 510 were used in the book The Modern Japanese Print". The prints of Japanese artists included in the book are large-ish, it is not embossed...

Set of FOUR woodblock prints on special Kizuki Hosho paper from the Book-of the-Month Club series, circa late 1960's/early 1970's, each signed and bearing a red seal, by the important post-war Japanese sosaku hanga artist KIYOSHI SAITO (1907-1997). Saito was one of the first woodblock artists from Japan to be widely accepted by an international audience...

A beautiful Taiwanese woodblock of the famous cave paintings measuring 22” x 35” framed amd matted

Woodcut color print "Jeremiah", 23" by 15 1/2" (33" by 25" framed), signed in pencil at extreme lower right corner and dated there 1957, by the well-known Jewish artist JAKOB STEINHARDT (1887-1968). The work is numbered in lower center margin 1/30. Steinhardt is a significant figure in the Jewish art scene of the 20th century. Born in present-day Poland, he attended art school in Berlin in 1906, studying with Lovis Corinth and Hermann Struck...

Limited edition print of two sumo wrestlers titled TACHIAI by Clifton Karhu. The print is perfectly rectangular - any distortions of the paper are from photography. The tachi-ai (a combination of two Japanese words that mean “stand” and “meet”) is the initial charge between two sumo wrestlers at the beginning of a bout. Clifton Karhu (1927 – 007) was an American artist who settled in Japan after serving there in the U.S. military during WW II and returning as a missionary...

TWO wood engraving prints of the posthumous late 1960's/early 1970's edition of "L'Enfant", each sheet 16 1/2" by 12 7/8", with stamp signature in lower margin, by the important French twentieth century artist ANDRE DERAIN (1880-1954). These are from The Collectors Guild, New York edition, the imagery in red on a black background, each stamped lower right margin "a. Derain". They were found without glass so are in good presentable condition though not mint...

Farm scene, issued ca. 1960s

Printed from a single block on thick paper. The block is inked in different colors with shading effects to imitate a stencil print.

Overall size: 9 x 12 in.

Artist’s proof of two sumo wrestlers titled KOTOZAKURA by Clifton Karhu. The print is perfectly rectangular - any distortions of the paper are from photography. An artist's proof is a print that is set aside as a reference by the artist and usually marked AP rather than being numbered and included in the main edition. Kotozakura Masakatsu (1940 – 2007) was a Japanese professional sumo wrestler who made his professional debut in 1959, reaching the top division in 1963...

This is a work by highly regarded American artist THOMAS WILLOUGHBY NASON (1889-1971), titled in pencil "Rockport" at lower left and signed at lower right "TWNason (M.W.N.)". This would appear to be a posthumous signature by a relative after the artist's death. This example measures 4 1/4" by 6 1/4" inside the mat and 11 1/4" by 13 1/4" framed. The print appears to be in generally good condition with some scattered foxing, especially in the margin area...

Leonard Baskin, American, 1922-2000, "Portrait of a Man," Wood engraving, image size 20 x 13 1/2 inches, c. 1950s. This is a very rare unsigned proof, which does not appear in the Fern & O'Sullivan catalog. We believe this portrait to be of 17th century French artist Jacques Callot, whom Baskin greatly admired and included in his series of etchings, "Portraits of Ten Artists" in 1964.

First edition Japanese woodblock print, large Oban 9.5” x 12.5”, of “Owl” by Iwao Akiyama. Printed on handmade paper, it is numbered 130/200, and dated 1973. Measures including frame 12” x 15”. Note: Color is excellent, any variations is from reflections in the glass.

During the 1970s, Haku Maki liked occasionally to do haniwa, depictions of terracotta figures that were funerary objects used during the 3rd to 6th centuries in Japan. This one—71-2—is a face rather than a complete figure. Created in 1971, the print is 50 of an edition of 151. It measures 5.75in x 8.5in. The print is in very good condition, with faint tape residue on the two top corners of the back, with no impact on the face.

Kyoto Storefront, undated, purchased from a Kyoto gallery in 1978

Signed and titled in pencil on lower margin, very good color and condition

Paper size: 10 x 13 in.; image size: 7 ¾ x 10 ½ in.

Sake Shop, undated, purchased from a Kyoto gallery in 1978

Signed and titled in pencil on lower margin, very good color and condition

Paper size: 10 x 13 in.; image size: 7 ¾ x 10 ½ in.

A framed woodblock print by the hand of one of the masters of 20th century Japanese printmaking, 8 1/2" by 11 1/4" inside the existing mat, 15" by 18" framed, signed in pencil by the artist at lower right and numbered 43/120 at lower left margin in pencil. The image is of a nighttime snowfall in front of a traditional Japanese structure. Sekino was creating art before age 20. He knew Shiko Munakata, the famous printmaker, while still young, as they were from the same area...

These are three images of a very rarely seen Maki series,the Drop series.If any friend can send me images of Drop 1, 4, or 5, I would appreciate it.

Barry Moser, American, 1940-, "Timing Devices". A dramatic triptych wood engraving, the three images are individually titled, "The Dump", "The Burying Ground", and "The Eucharist". The overall image size is 8 x 9 3/8 inches, 1977, pencil signed.

Sabra Field (American, born 1935)
Going Home
Date: ca 1980 (as noted on separate board)
Paper size: 13 x 8.5 inches.
Image size: 9.5 x 5 inches.
Medium: Woodcut print.
Condition: Light scuff on mountain.