A print titled, “LE DEPART D’UNE FIORE” on heavy paper with the colors brown blue red/pink and black on white paper. Sometimes I find it difficult to determine if the colors have been applied to a single plate or if the print has been made with a separate plate for each color. This print feels as if it was printed with more than one plate because of the mixing of colors in some places and the clean separation in others...

Diane d’Ephese Lithograph dated 1794 Measuring 15x9”

1760 Lithograph by artist L. Boilly, “Les Medecins” 12x9”, Frame size 18 x 14, c Louis-Léopold Boilly, self-portrait Louis-Léopold Boilly (French 5 July 1761 – 4 January 1845) was a French painter and draftsman. A gifted creator of popular portrait paintings, he also produced a vast number of genre paintings vividly documenting French middle-class social life...

18th c Venetian View of the Church of RR. PP of the Madonna di Seru, hand water colored engraving by Domenico Lovisa known for his "Venduta" views of Venice . Good condition for its age hand hand colored and matted . Image paper is 19" by 25" there are slight tears at paper edge from handling. see images.

A PAIR of copper engravings circa 1766, by noted English entomologist and illustrator/engraver MOSES HARRIS (1731-1785), featuring a number of species of moths of the British Isles, as published in The Aurelian, or a Natural History of English Insects. These both measure 18 1/4" by 14 3/4" as identically framed (20th century simple black wood strip frames). Harris' drawings were displayed at the Royal academy in 1785...

A fine quality late 18th century copper plate etching by Francesco Londonio (1723-1783) of Milan, Italy. This Georgian period etching is from the Costumes Pastoris (Pastoral Customs or more commonly, Pastoral Scenes ) series. Image size (taken from the plate indentation lines) is 36 cm. x 27 cm. (14-1/4" x 11"). This series was produced for Consigliere Mellerio...

Joseph Addison (1 May 1672 – 17 June 1719) was an English essayist, poet, playwright and politician. He was the eldest son of The Reverend Lancelot Addison. His name is usually remembered alongside that of his long-standing friend Richard Steele, with whom he founded The Spectator magazine. His simple prose style marked the end of the mannerisms and conventional classical images of the 17th century. This work is part of a series all dated London 1748, measuring 15x9”

Napoleanonic War Figures in Russia, Russian Town of Tcherkask Lithograph circa 1800 21x18 inches

G Zocchi C 1754 view of The Church and Piazza Ognissanti . The 24 plates in this work show views in Florence. The scenes are enlivened by human activity. The first edition was published by Giuseppe Allegrini in 1744. Hand water colored mounted on paper board back good condition . Size 20.3 x 27.9 inches same image in The Morgan Library . Note upper r corner has been reinforced from the back.

A very fine English Eighteenth Century Etching of a Gentleman 20” x 17”

Young Flute Player is the title of an oil painting by Benedetto Luti from the 1720’s, now in the Hermitage. An earlier version by Luti depicted a young boy in a blue jacket without any instrument. This engraving, made by Victor Marie Picot was published in London in 1780 as Boy and Lute, obviously mixing up the motif and the artist (!). Contributing to this is probably the Walpole family crest having been pushed in between the letters of the title...

18th c Mrs Ogee Engraving "Pub Aug. 1 1775 by MDarly, Strand"a woman with a bonnet wig and ogee-shaped profile, in an oval. 1 August 1775. Rare print nice condition matted 14" by 18" A copy of this print is in the British Museum

18th c English engraving Published by Ms by Hannah Humphrey engraving Dec 16 1797 St James st. "Thirty years have I lived in the parish of Covent Garden" good condition no apparent foxing mat 14" by 18" sight approx 6.5" by 10"

c.1780 "View of the Fleet of Otaheite" printed London 1780 . Capt Wallis discovery of Tahiti. size 9" by 6.5"

Pierre Aveline, French, 1656-1722, engraving after the painting by Georgion de Castel-Franco", "Moses Presented to the Daughter of the Pharoh", circa 1740, provenance: Gray Collection, Fogg Museum (on Verso #123) image size: 12 7/16 x 24 7/8 inches

Very decorative truly antique, 1770's print of an elegant lady standing, in the sanguine color, crayon technique (also known as "chalk-manner") perfected by talented eighteenth century artist GILLES DEMARTEAU (1722-1776). The print, executed after a painting by the great French Rococo master Jean-Honore Fragonard, measures 15" by 10 5/8" inside the fine French matting, with gilt border and numerous outlines, that in turn housed in a gold leaf antique frame measuring 22" by 18"...

This is a decorative, hand colored print, possibly dating to 1784, issued as a plate in "New and Complete British Traveller", titled at bottom "View of Hackney in Middlesex". Presently the print itself measures 6" by 6 3/4" (10 3/4" by 12 3/4" in simple black wood frame). I see from online research that this example seems to have been cut down, with all decorative border areas, and the name of the publisher, Alex Hogg, at the Kings Arms, No. 6 Paternoster Row, trimmed away...

Copper engraving of a rocky landscape by the sea, in the foreground a romantic couple fishing. After a painting by Joseph (Claude-Joseph) Vernet (1714 – 1789), number 303 from a series of engravings after the works of famous artists edited in the 1760’s by Johann Georg Hertel in Augsburg. Nice frame in green and gilt. Image size "8 ¾ / 22.5 cm x "6 ½ / 16.5 cm, frame "14 / 35 cm x "11 ½ / 29 cm. Condition: the edge of the paper with some minor spots.