The dramatic Poem 70-37 is the kanji for Self已. It measures 17.5in W x 24in H and is in very good condition.(There is slight toning in the margins.)

Anton Schutz etching

New York City skyline view from Weehawken

1927

Image size - 13 11/16" x 10 1/8"

Signed in pencil [LR]

Framed

Very good condition

18th c Scottish Engraving Janet Muttie. Of Pencaitland. Centenarian Published: London by S. W. Fores, No. 3, Piccadilly. Hand colored mat 14" by 18" image approx. 9.75" by 5". There is a copy on display in the National Galleries of Scotland and a copy in the collection Of The Library of Congress.

This is Maki's print 71-2, which tells us it was the second print that he created in 1971.

Engraving with German head line reading: Survey of silver pagan tableware and coins, so found in 1633 at Wettingen under the earth and excavated.
The treasure was hidden in the wake of the Alemannic incursions of the 3rd century AD.
Matthaeus Merian was commissioned to document the finds before they were melted down and distributed among the Swiss cantons of the time.
The large size plates were carefully decorated and inscribed...

Hand-colored page with an attractive woodcut showing heavily armed Amazons, who must have appeared very alien at the time...

Among several works I am offering by the artist, this is a set of EIGHT offset color prints after watercolor paintings **(ONLY FIVE ARE SHOWN IN THE PRIMARY IMAGE; EMAIL FOR IMAGES OF THE FINAL THREE)**, each hand signed in lower margin, and each titled, (each 10 1/2" by 13", unframed), by California master watercolor artist MILFORD ZORNES (1908-2008). Zornes is an icon in the world of California watercolor painting, which has come to be known as the "California Style"...

A highly detailed etching in brown ink, featuring canal-side classic old architecture of Amsterdam, 12 1/2" by 9 3/4" plus narrow wood frame, pencil signed at lower left margin by the very important Dutch-born 20th century artist WILLEM GERARD HOFKER (1902-1981). At right in pencil is "epreuve d'artiste" and "no. 24" in ink. Hofker was born in The Hague and received early art instruction from his father's friend, the famous artist Isaac Israel...

A group of THREE 19th century English botanical prints, two framed identically in gold with closed corners, the third framed in a different gold frame with beading. The matching pair measure 19 1/2" by 17 1/2" in the frames; the final piece slightly smaller at 19" by 16". The print in that latter piece, by artist Fitch, has horizontal creases, one sharp; the year "1846" is written in pencil at bottom edge...

This is an original etching, 11" by 16 1/2" (17" by 21" as framed), by American artist Kerr Eby (1889-1946). The title of the work is "Cattle Ford", and it was executed in 1945, in an edition of 100 apparently. Eby was born in Tokyo to Canadian missionaries but was in the United States by age 3. At 18 he went to New York City for art education, working for a lithographic firm to enhance his financial situation, gaining valuable experience that served him well later in life...

Classic mid 19th century print of a large bird perched on a branch, 20 5/8" by 14 7/8" inside a hand drawn ornate mat, 27" by 20 3/4" framed, with hand coloring of the subject. This print reminds of the Audubon period of ornithological art---in style and overall presentation. There is no indication as to artist, engraver or printer. The print, like many old Audubon examples, has been in a humid environment, as it is heavily foxed, especially at top right, but, really overall...

An example of a black and white poster (29" by 24") of the 1971 work "Canal, Netherlands", by important American photographer BRETT WESTON (1911-1993), the poster published by the Photography West Gallery, Carmel, California. The poster is HAND SIGNED in marker by the photographer above the large printed signature. Brett Weston (1911–1993) was born in Los Angeles, the second son of renowned photographer Edward Weston...

"William Hogarth" Scholars at a Lecture and The Company of Undertakers The Works of William Hogarth" as published by Baldwin, Cradock and Joy in 1822 with the original plates restored by James Heath, engraver to His Majesty. The Heath edition was the last to print directly from Hogarth's original engraved plates. All William Hogarth prints appearing after this date are copies of these original graphic works of art. Heath edition 1822 An original copperplate engraving — over 195 years old...

"William Hogarth" The Sleeping Congregation The Works of William Hogarth" as published by Baldwin, Cradock and Joy in 1822 with the original plates restored by James Heath, engraver to His Majesty. The Heath edition was the last to print directly from Hogarth's original engraved plates. All William Hogarth prints appearing after this date are copies of these original graphic works of art. Heath edition 1822 An original copperplate engraving — over 195 years old. Sheet size: approx...

Original lithograph print, 7 1/4" by 10 3/8" inside the mat opening, the sheet 8 1/4" by 12 3/4", the title "Greeting Card for Aime Maeght", printed by Mourlot in the year 1960 in an unknown edition, on heavy Arches paper. The print is taped at top on the reverse...

"William Hogarth" The Bench and Five Orders of Perriwigs The Works of William Hogarth" as published by Baldwin, Cradock and Joy in 1822 with the original plates restored by James Heath, engraver to His Majesty. The Heath edition was the last to print directly from Hogarth's original engraved plates. All William Hogarth prints appearing after this date are copies of these original graphic works of art. Heath edition 1822 An original copperplate engraving — over 195 years old...

78-2 (Water) In 1978 Haku Maki was nearing the end of his artistic effort using kanji (Chinese characters) as the main theme of his work. This print is one bold kanji, for Water. To make it easier for his gaijin admirers to know what it meant, he wrote "water' in the bottom margin. The effect if the print is bold, the character stretches across the paper; it has a gold Sun (akin to a splash for accent and decoration, near the center of the print), and the characteristic Maki seal in the lower r...

This is a fine, limited edition wood engraving by the highly regarded American artist THOMAS WILLOUGHBY NASON (1889-1971). The print is signed in pencil at lower right and dated there 1956, when the artist was 67 years old. At lower left in pencil is "Ed. 100". Nason was a Boston-born artist who by the late 1920's had taught himself the fine art of creating prints in the wood engraving process. This process was popular for illustrating books in the 19th century but by the twentieth it had falle...