Large format Japanese limited edition woodblock print depicting a path through traditional buildings titled in kanji at the lower left "Kashiwabara" (station 60) from the series "Kisokaido" by Katsuyuki Nishijima (b. 1945). Pencil-signed and with the artist's red seal at the lower right margin. Numbered 1/500 at the lower right margin corner. "Kisokaido" is printed in kanji at the center of the bottom margin. Paper size 14 3/4" x 20 3/4" (image: 12 3/8" x 18 3/8")...

A color print of the year 1932, issued by Frost and Reed of Bristol and London, titled "Going Out at Epsom", after a painting by the famous English equestrian artist ALFRED JAMES MUNNINGS (1878-1959), measuring 20" by 19 3/4" inside the existing linen mat and 31" by 30 1/2" in the wood framing. The print is NOT pencil signed. Munnings is perhaps the pre-eminent painter of all things horses, at least among 20th century artists...

A most interesting Mid-Century multiple: a "cast stencil", three dimensional print featuring a grid pattern of roughly rectangular shapes, signed at lower right in pencil and numbered 10/75 in pencil at lower left by noted Arkansas-associated artist PAUL MAXWELL (1925-2015). This is a typical image by the artist and sculptor...

Pencil signed limited edition print "Watering Hole", circa 1970's, by the important Western American artist OLAF WIEGHORST (1899-1988). The print measures 21" by 26" and 30" by 35" framed in grayish wood. It is numbered 364/1500 at lower left margin and the artist has signed it in soft pencil at lower right. Wieghorst's works sell at major auctions of western American art, into the hundreds of thousands. Rumor has it that his "Navajo Madonna" masterpiece sold privately for $1.5 million...

Lithograph on paper, unframed, the sheet 13 3/4" by 17 3/4", pencil signed at lower left and dated there 1949, and signed again in Hebrew and dated 1949 at lower right in pencil, by the noted Russian-born Israeli artist MIRON SIMA (1902-1999). According to a Wikipedia listing, Sima was born in Czarist Russia shtetl in 1902. By 1921 he was in Odessa, Russia for art study, and the following year saw him in Dresden, Germany...

A circa 18th century engraving of stone arch bridge over a river, more than likely in Italy, 10 3/8" by 15 7/8" inside the ornately drawn mat and 16 1/2" by 22 1/2" in a contemporary distressed style complementary silvery-colored frame. The work is not visibly signed. A google reverse image search did not turn up a matching image...

This is a 32 1/4" by 28 1/2" poster from California's "The Upstairs Gallery", showing one of Max Papart's colorful, cubist-inspired images, but as a bonus, there is an ORIGINAL FELT TIP PEN DRAWING by the artist filling the lower right corner, AND I am including a withdrawn library copy of the 1984 first English true monograph on the artist, by Roger Green. This monograph includes an original lithograph created just for the book...

This is a monotype (generally considered an original work, the artist creating the art on a glass or metal surface which is then pressed against paper to create the final image---usually only one impression is made, so while some consider this a print, others might feel it is unique work). The artist, Pat Berger of Los Angeles (signed in pencil in margin and label on reverse) has been an active member of the art community in Southern California for many years...

Offered together as a matched pair (and see ANOTHER example of this artist's printmaking in my shop), these are etchings on paper, identically framed, each 11" by 8" inside the mat, 20" by 15" framed. Each print is signed at lower right in pencil by well known New Orleans artist EUGENE F. LOVING (1908-1971). Both prints are titled at lower left, one "Pirates Alley/Old New Orleans", the other "Maison Seignouret Court/Old New Orleans; and each bears the artist's notation "Ed/200"...

A Fine and Rare 1893 Etching and Aquatint by the Well Regarded Belgian Artist, Felicien Rops (1833-1898). Image size is about 3 1/2" by 4 1/4", sheet size about 7" by 10 1/2". Monogramed lightly F.R. in red pencil under image.

An enhanced, dramatic color Cibachrome print photograph, hand titled "Cairo Cityscape Egypt 1979", also hand signed in the same silvery ink by the photographer, LYDIA CLARKE HESTON and numbered at lower center mat 10 of 20 examples. HESTON (1923-2018) was for 64 years the wife of the famous American actor, but was an independent woman who carved her own path despite being in the shadow of one of America's most famous faces of the 20th century...

The print (8 1/2" by 9 3/4" inside the mat, 15" by 20" as framed) is a very detailed etching typical of the meticulous style of the artist, renowned for his prolific printmaking. Popular and rare images by the artist, of New York City scenes, can sell for five figures. He traveled widely in Europe and architecture, especially Gothic architecture, especially revered by the artist, was a favored subject. This print is of a Gothic style building in Princeton, New Jersey...

A color poster "Fragments", 1985, hand signed in marker at bottom by the noted California sculptor of human figures, ROBERT GRAHAM (1938-2008)...

A black and white photograph image (not sure if actually an original photo) titled at lower left margin "The Meadow Pool", and pencil signed by the artist in lower right margin, the subject a meadow near mountains, measuring 9" by 11 1/4" and 16 1/4" by 17 3/4" framed. This is an example of the now sought-after mid century photographic work of STEPHEN H. WILLARD (1894-1966). Willard was born in Illinois and was in Southern California at age two. By 16 he already had a camera and was actively ...

A striking black and white lithograph, 10 1/2" by 16 1/2" inside the mat, 14 3/4" by 20 3/4" simply framed, the subject matter a landscape with trees and structures, the imagery artistically distorted in a Cubist fractured style, pencil signed at upper left "Wheelock" by the artist and dated there '29. The handling is reminiscent of Andrew Dasburg, Howard Cook, and some other modernists working in New Mexico. The artist is Massachusetts-born WARREN WHEELOCK (1880-1960). Wheelock served in the...

Woodblock Landscape of wooded scene done circa 1900 13x10” This work by the artist C. Rosa

J-10 is an exciting example not only of Haku Maki’s depiction of Chinese characters but also his use of a hard gold-edged board (instead of simple single or multiple sheets of paper). In the last year of Maki’s life, Daniel Tretiak tells us, he was ill but continued to work. He did lithographs on shikishi board, which was a hard board covered in white rice paper. The back was yellow with a small design in gold and the whole board is gold-edged. These words apply to J-10 as well. J-10 meas...

This is a restrike of the large folio, popular and well-known lithograph "Winter in the Country---The Old Grist Mill" by Currier and Ives. Measurements inside the mat are 18" by 26 1/4", and the piece as framed is 26 1/2" by 33 1/2". The original 19th century lithograph is in the "Best 50" list, and it inspired many paintings after its publication. This image was originally painted by important artist George Henry Durrie, who was known for his charming classic scenes of mid 19th century New ...