Lithograph with hand coloring and gum arabic highlighting in the leaves, from the Imperial folio quadrupeds series circa 1848, plate number 144, depicting three species of mole-like rats (Townsend's Arvicola, the sharp-nosed Arvicola, and the bank rat), by the important American naturalist artist and lithographer JOHN JAMES AUDUBON (1785-1851). Audubon was assisted by his son John Woodhouse Audubon, and the printing was by J. T. Bowen of Philadelphia...

Printed by Delatre in Paris, this Felix Bracquemonde frontispiece measures 14 x 9 3/4 inches, published by Alfred Cadart, Paris. Created in 1865, this bold allegorical etching was created as the frontispiece to a volume of the renowned periodical of the Société des Aqua-Fortistes, a group promoting etching as a fine art. Richly inked on watermarked Aqua-Fortistes laid paper, which was made especially for these publications.

Migata Toshihide 1863-1925-Battle of Anjoto “Gosai”1894, published by Sasaki Toyokichi 15x30” frame size 26x39

Artist Henry Thomas Alken, born in London in 1785, was one in a long line of family artists, which included his father, two brothers, and son. Alken first studied under his father, whose influence as a sporting artist can be seen in Henry Thomas Alken prints featuring hunting and racing scenes. Alken was later taught by John Thomas Barber Beaumont, a miniaturist painter, who inspired him to show several of his miniature portraits at the Royal Academy...

Sherman’s March To The Sea by F.O.C.Darley 1883 25x34” Print lithograph by J.P. Fitch

Japanese woodblock print by Kunitero Utagawa (1808-1876) in three sheets, depicting the war council of the forty seven ronin. These ronin, the loyal retainers, had been Samurai in the service of Lord Asano when he was obligated to commit seppuku for drawing his sword at the Palace of the Shogun. He was provoked to drawing by many insults from Kira Yoshinaka...

Eighteenth Century Print “In Bridewell Beatling Hemp”, engraving by William Hogarth 13x16 inches

A hand colored lithograph of the interior of a Damascus house showing a cistern below a very high ceiled room surrounded by arches and a relatively small doorway to the outside on the opposite side of the point of view. Men in both robes and trousers fez and keffiyeh in various attitudes occupy the foreground and a servant (?) enters near the outside door.

The lithograph surrounded by a thin line with the printed information: “R CLIVE DELT.” (lower left)...

Set of 6 large size 19th century engravings which when assembled comprise the bird’s-eye map of “The Siege of La Rochelle” engraved by Jacques Callot in 1629, Lieure catalog number 655. All images and paper are properly rectangular - distortions are due to photography, let me know if you want additional images...

"William Hogarth" The Times of the Day suite of 4 graphics. The Works of William Hogarth" as published by Baldwin, Cradock and Joy in 1822 with the original plates restored by James Heath, engraver to His Majesty. The Heath edition was the last to print directly from Hogarth's original engraved plates. All William Hogarth prints appearing after this date are copies of these original graphic works of art. Heath edition 1822 An original copperplate engraving — over 195 years old...

Original 1870s Cabinet card photograph of the Capital pale depicting horse and carriages out front. 8.5" 5.25"

A wood engraving, late 19th century, titled at bottom center "The Yosemite Valley, California", the image a breathtaking panorama of the waterfalls and sheer cliffs of the world-renowned natural wonder, set off by foreground trees and rocky ledges. Although the vintage print is perhaps not an actual Harper's Weekly work, it is in that vein and style. Not examined out of the frame, which is an attractive dark distressed burl wood or quality wood simulation...

A fine print by the noted artist THEOPHILE STEINLEN (1859-1923), titled "La Rafle" (The Roundup----of prostitutes!), color lithograph, pencil signed in olive-green at lower right, numbered in same pencil 99 lower left, with the blind stamp lower left of Ed. Kleinmann, Paris. The work measures 13 1/8" by 10 1/8" inside the mat (not examined out of frame, appears clean)...

One of a number of Whistler lithographs I am offering: "Firelight: Joseph Pennell No. 1", 1896, sheet approximately measuring 13 3/4" by 10 1/4", currently in a mat, taped at top edge, though not laid down, unframed. Generally clean, with some imperfections along edges. Whistler created some 179 lithographs in his career, in addition to more graphic art as etchings, along with paintings, pastels, and watercolor...

Possibly purchased at the Chicago 1893 Worlds Fair Exposition.,where photographs were sold of Egypt at the pavilion This work shows the famous entrance to the Souk market

This attractive and interesting print is a cover of the November 19, 1897 issue of the famous Parisian literary periodical "Gil Blas", which was issued between the years 1879 and 1914. Named after Alain-Rene Lesage's novel, it was a popular read in the late 19th and early 20th century among the fashionable. It serialized famous novels before they appeared as books...

Nineteenth Century French Artist A.L. Simpson “The Blue Shop,Tunis, fine woodblock measuring 22x16” ,signed and titled

Utagawa Yoshitsuya, Japanese, 1822-1866, "Senjubo Aiming at Harunaga-Ko". This is a an original color woodblock print by Utagawa Yoshitsuya from his series '54 Battle Stories of Hideyoshi". The image size is 12 7/8 x 8 7/8 inches, 1864, lifetime impression, framed. Hideyoshi was a 16th century Samurai warrior in the who rose through the ranks of the army to become general, leading the forces of Japan in several brutal conflicts...