The size of Print: 21 5/8" W x 25 3/4" L,
Image size : 20" W x 22 3/4" L,
Artist : Virginia Stroud (1951- )
The Title: Chillies-Southwest Delight
Published in: 1988,
Printed on heavy paper, Offset Lithograph
Signed on the plate.
Condition : Excellent, never been framed.
Please note there is tiny nick at upper right corner
where will be covered when it is framed.

This is beautiful Offset Lithograph by renown Indian artist, Virginia Stroud...

This pieces is a signed work number 221/285 Patrick Nagel (November 25, 1945 – February 4, 1984) was an American artist and illustrator. He created popular illustrations on board, paper, and canvas, most of which emphasize the female form in a distinctive style, descended from Art Deco and Pop art...

The paper size: 23" W x 35" H (with border margin)
Unframed Original Lithograph by Artist, Charles Cobelle, (1902-1994)
The title, "Casino Paris"
Medium: 100% Rag content Acid Free Paper.
Condition: excellent, never been framed.
Edition number : 174/500, on lower left in pencil.
Signed Cobelle in pencilon lower right.
Edition size 500 plus some aritist proof existing.
It was published in 1979 by The Graphic House...

The paper size: 23" W x 35" H with border margin.
Image size: 15 1/2" W x 29" H.
Unframed Original Lithograph by Artist,
Charles Cobelle, (1902-1994)
The title, "Monaco"
Medium: 100% Rag content Acid Free Paper.
Condition: excellent, never been framed.
Edition number: 182/500...

By the noted illustrator artist RICHARD STINE (1941-) this is a print, "I am an alien creature", hand signed in pencil at lower left near the printed signature. This does not seem to be a limited edition but it is hand signed. Stine is a familiar name due to his uniquely humorous and whimsical images, which though cartoonish delve into philosophy, and, an online description writes, "love, art, freedom, isolation, desire, conflict, dreams, creativity"...

An original gallery poster from Old Town Circle Gallery, San Diego, for a September/October 1981 exhibition of the works of the artist, YAACOV AGAM (1928-). In typical style, the artist has HAND SIGNED the poster in color markers at lower right; he did it in that vibrating, repeating style for which he is known, each signature in a different color marker. Agam's works have sold at auction to about the $700,000 level, and frequently into six figures, making him an important Israeli artist...

This is a print on metal process, the sheet measuring 34" by 28", and the subject being "The Burning Bush". The work was created to celebrate the 1996 opening of the Skirball Cultural Center and Museum in West Los Angeles. The Skirball is known for its focus on American and European Jewish culture. This work is numbered 629/900 on the reverse in marker and is signed at lower right in marker by the artist...

Haku Maki Poem 71-25 63/100 This print is the cover image of my book ,The life and works of Haku Maki I have never offered it for sale. the Front edicts Maki’s rendering of I or Me It is a bold big Red the red is embossed on a black ink field this print is 20 ‘ x 30” after being restored in the US by Michael Minckler it is in very good shape there is a crease on the front only visible from the back The print has great red kanji...

Poster of 1986, "EGE ART LINE TOUR", 27 1/2" by 19 3/4", unframed, hand signed in somewhat faded marker by the noted Danish modern artist, PER ARNOLDI (1941-). This offset poster is not in great condition, having been tightly rolled for a long time, and it is dusty and has some digs in the paper, and edge damage as shown (what appears as diagonal scratch at upper right is light reflecting in scratch on the Plexi)...

Sheet Size : 25 1/2" W x 19 3/4" H
Image Size: 24" W x 17 3/4" H
Artist : Joseph Sambataro
Title: The Print Vendors
Medium: Offset Lithograph on thick art Paper.
Signed: On lower Right, Sambatro in pencil.
Edition No. : 158/750 lower left in pencil.
Publisher: R. H...

A rare print by surrealist print maker Ozaku Seishi, professor emeritus from Tama Art University. He is best known for small edition prints, usually up to 30 copies, limitless experimentation with printing techniques and surrealist, often graphic imagery resembling distorted reality ¬neither quite explicit nor quite horror, but rendering a fairly dark version of dreams. This aquatint is from a 1974 portfolio titled “World of Children” (子どもの世界), which consisted of 30 aquatints...

Dramatic linocut print, the sheet 26 1/4" by 17 7/8", unframed, numbered at lower left 3/6 and pencil signed at lower right and dated there 1971, the "HB" blind stamp adjacent, by the important and still highly underrated Swiss-California modernist HANS GUSTAV BURKHARDT (1904-1994). The subject is somewhat uncertain; perhaps a look at a catalogue raisonne of the artist's graphic works would provide the title. Burkhardt was born in Switzerland and arrived in America in 1924...

Original offset lithograph poster for the Tate Gallery, London, 1980 exhibition "Travels with Pen, Pencil and Ink, Drawings and Prints 1961-1979". The exhibition took place from July 2 through August 3, 1980, when Hockney would have been in only his early forties. This poster is very clean and fresh, and attractively framed in brushed silvery metal. There is a little even vertical rumpling of the paper----just enough to prove its earned vintage status at roughly forty years of age...

Large size lithograph print in elegant shades of gray, blacks and cream, 34" by 19 1/2", (and 41 1/2" by 26 1/2" in quality mid century frame), numbered 36/95 at lower left, and pencil signed at lower right, by the only recently deceased important Swiss modernist artist, HANS ERNI (1909-2015) . The subject is essentially an allegory of motherhood---a nude standing woman holding in her arms a nursing child. Even among Erni's many lithographs, this particular image stands out as monumental, iconi...

The size of Sheet: 22" x 16 1/2"
The size of Image: 20" x 14"
The Artist: Dennis Schmidt(1950- ).
The title: "Calling a Flush".
The year of made: 1980.
Signed and numbered in lower left, Edition numbered: 39/900
This is limited edition print done by Texas artist, Dennis Schmidt who was self taught artist. You can view his profile from the following site, www.swgallery.com/bio.aspx?artist_id=119 This print was specailly made for one of company which showing in Certificate. The p...

Poem 72-47 (road) 32 X 21.5 inches textured paper The sun is the inner part of the kanji for road. This is a very big and stunning Maki print It was done in 1972 at the height of his artistic powers. It depicts the kanji for Road or Way, e.g.the Way of Taoism (Daoism). As if done with a brush, the character whooshes across the well-textured paper. At the middle of the print, Maki has added a White Sun.

Poem 70-10 is the kanji for day 日. It is a striking, simply executed print. Created in 1970, it is now over a half-century old. The print is 17.5in W x 24.5in H, large (but not huge). As Daniel Tretiak has said: In 1970 quite suddenly Haku Maki started producing truly large prints. He tells us that this one was large but Maki was destined to do even larger ones, that year and in 1973.

William Hogarth FRSA (/ˈhoʊɡɑːrθ/; 10 November 1697 – 26 October 1764) was an 20th century Impression. English painter, printmaker, pictorial satirist, social critic, and editorial cartoonist. His work ranges from realistic portraiture to comic strip-like series of pictures called "modern moral subjects",[2] and he is perhaps best known for his series A Harlot's Progress, A Rake's Progress and Marriage A-la-Mode. Knowledge of his work is so pervasive that satirical political illustration...

Decorative lithograph in colors, 13 1/4" by 19 3/4" (22" by 28" as framed), unsigned, with The Collector's Guild label affixed to the backing, 1973, (titled there as "Homecoming", but from what I can determine, "Monumental" is the title in common use). This is a decorative print in excellent condition, the paper white and fresh and colors unfaded. There was an unsigned edition of 10,000 on Arches, with a center fold, printed by Mourlot but this example does not have the fold, so I am not certa...

This larger (19 3/4" by 36") work "GRAVITY -- Commission Ellwood Kieser" dates to the year 1973. The message, reading "gravity-like, He draws us lovingly into that deep dark center which is Himself. Ego dying. Soul reborning. Meaning revealing. Psyche healing. Shackle bursting. Mind spreading. Love empowering. Ellwood E Kieser" is placed in the rich green area. This colorful print is by SISTER MARY CORITA KENT (1918-1986). Sister Corita, as she is known, became an artist of internationa...

Red Blue Takeshi Kawashima Limited edition serigraph Title #2 17/30 limited edition serigraph print . The graphic has some flaws and a small tera on the left side and marks selling as is see images ask for more if you need framed a matt board would cover most all flaws. Size 26.2" by 21" listed Japanese/American artist, Takeshi kawashima Painter, sculptor and print-maker Takeshi kawashima lived and worked in New York City since 1963. Born in Takamatsu City on Shikoku, Japan, Kawashima studied a...

For the collector of wildlife and sporting art, here is a large (19" by 33 1/2" inside the mat), offered UNFRAMED*** pencil signed print, by renowned wildlife artist DAVID SHEPHERD (1931-2017), the oils of whom have sold for over $100,000 at Sotheby's auctions. This print is not numbered as in a limited edition, though obviously the artist hand signed a limited number. The painting from which it was made is dated 1979 and is titled "Three Happy Jumbos". It is issued by Solomon and Whitehead U...

Color lithograph "Firebird", 26 1/2" by 19 1/2" inside the mat, (33 1/4" by 26" as framed), signed at lower left in pencil the typical manner, and penciled "E.A" (epreuve d'artiste---artist proof) at lower right, by the noted Mexican modern contemporary artist LEONARDO M. NIERMAN (1932-). Now well known and internationally collected, Nierman has been a prolific artist. Nierman's work is instantly recognizable; paintings are inspired by surrealism, with strange swirls, shapes and images. Works a...

This is Maki's print 71-2, which tells us it was the second print that he created in 1971.

An original photograph of gauchos (Aregentine cowboys) on their horses, wading through a river, by the noted Argentine photographer PEDRO LUIS RAOTA (1934-1996), signed by him in marker at lower right. The work measures 17 1/4" by 12 3/4" (24" by 20" in metal frame). The paper has an unusual texture, seen best in the photos of the signature area. Raota has been called the "Ansel Adams of Argentina" for his excellent work in black and white photography, often featuring strong contrasts between...

#1147 W. Frehling lithograph, measuring 20x23” In a beautiful hand carved gold f

This note shows two book plates depicting flowers. They were provided by Michael Minckler. The plates are signed Takako. Maejima Takako is the name of Maki's wife.

CHRISTO (1935-2020) in close collaboration with his late wife JEANNE-CLAUDE (1935-2009) is considered one of the most important "installation" artists of modern times. Born in Bulgaria, he was in Europe in 1957 and became an American citizen in 1973. Around the early 1970's he came to world attention with a fresh approach to art---creating new ways of seeing the familiar landscape. His projects, then (and still) controversial and thought to be outrageous, were ambitious and unprecedented. Pr...

Vintage poster, 27 1/2" by 19 3/4" in present metal frame, the subject a woman in profile holding flowers, doves in the composition as well, titled "This poster was presented to the Egyptian Delegation on the occasion of President Sadat's Peace Mission to Jerusalem November 1977", the artwork by IRENE AWRET (1921-2014) and her husband AZRIEL AWRET (1910-2010), both noted Holocaust survivor artists. Sadat of course, sadly, was assassinated in 1981. The print is published by Jerusalem Art Prints...

This is a museum poster or flyer issued by the Long Beach Museum of Art in 1972, advertising an exhibition that year of the paintings of the important and still highly underrated Swiss-California modernist HANS GUSTAV BURKHARDT (1904-1994). The unframed sheet measures 24 1/4" by 18", and bears the complementary signature of the artist in blue ink at lower right just below the black area of the central image. Burkhardt was born in Switzerland and arrived in America in 1924. He attended Cooper Uni...

A most interesting Mid-Century, as late as 1980's perhaps, multiple: a so-called "cast stencil", "cast paper", or "relief" print, therefore three dimensional, featuring a grid pattern of elongated shapes, with air brush paint application on the striking blue and red sections, signed at lower right in pencil and numbered 34/250 in pencil at lower left by noted Arkansas-associated artist PAUL MAXWELL (1925-2015). This is typical imagery by the artist and sculptor. The online Encyclopedia of Arkans...

In 1976 Haku Maki did his eight-volume San Mon Ban--a total of 96 different embossed images. These included many items Maki had just used, would use soon and used later. I first show images of two prints like those in San Mon Ban but slightly larger. Then two images of insects in San Mon Ban and then 4 images of insects long hidden in my archives--even to me. These might all be called Maki Lite. The two shown here are Insect 2 Fleas; Insect 3 ants There is also a simple Insect and an...

What fun this print is—a swirl of kanji virtually unreadable but a delight to the eye. 79-9 was done in 1979 and measures 9.25in W x 10.75in H. The print is in excellent condition.

Leo Meissner, American, 1895-1977, wood engraving, "Hannah," image size 10 x 8 inches, numbered "Trial Proof 10," signed in pencil.

An original lithograph on heavy paper, unframed, pencil signed at lower left by the noted Israeli contemporary artist MENASHE KADISHMAN (1932-2015). The print, featuring Kadishman's trademark imagery, of a sheep's head, measures 29 7/8" by 19 3/4". The artist was born in Tel Aviv and by the late 1940's was already studying with sculptors Moshe Sternschluss and Rudi Lehman. In the early 1950's, the young Kadishman lived on a kibbutz, where he was exposed to sheep and shepherding; the experienc...

Lithograph on paper, the sheet 19 1/4" by 25 3/4", signed in pencil at lower right and numbered 156/275 at lower left, by important 20th century Spanish artist EMILIO GRAU-SALA (1911-1975). This is an example of the accomplished lithography of this major European artist, the paintings of whom command well into five figures at auctions in Europe and the USA. The subject is a young red-haired girl holding her Japanese kimono-clad doll, at a table covered by a complex decorative cloth, the table la...

Haku Maki was undoubtedly Japan’s most prolific print maker of the second half of the 20th century. Many of his works were serious works of kanji and also ceramics. These three are perhaps a bit frivolous. They are actually pretty: each one has seeming globs of color The blue one on the left has kanji in the blue stone; the central one has a wonderful black kanji for Mountain in the center; and the one on the right four globs, each of a different color. And one splash.

Big Green shows 4 moving figures.A similar image is in the US in the kas frane but it is 3 moving figures. I think these were not frequent uses for Maki Poem 71-84

These Lithograph each title were published on Saturday Evening Post illustration
Painted by Norman Rockwell. We are proudly presenting first time.
All of these each offset lithograph which were kept last 32 years in our stored box.
We just opened the Box after 32 years later last weekend.
All of colors are fresh as 32 years ago, 1990.
All items are mint condition, they never been framed.
It is published by Curtis Publishing Co./ Published by Donald Art Co., Inc. CT...

In his book Daniel Tretiak says: “Maki’s kanji prints were normally of one main color against a white or black background. Poem 71-29 below is an exception—and all the more interesting because of it. In this print, Maki has created an abstract Person—the splashes of color show the head, eyes, shoulder, and two legs.” It measures 8.75in W X 12in H and is no. 73 of an edition of 152.

This short note looks at print 75-29, a beautifully painted kanji for wine.

In 1976 Haku Maki did three pairs of prints in which the black and white were reversed. One set is shown here. The cement blocks were used to print the white on black, then cleaned to do black on white. These were done in such themes as Mind Wind and Cloud. These are strong sweeping images in rather large prints. The two Wind images here are typical of the type. They are all about 15" x 20" and in editions of 150.

An example of the 1976 poster for the Pasadena Art Center College of Design exhibition of the works of then-already famous American fashion and portrait photographer RICHARD AVEDON (1923-2004), measuring 26 1/4" by 19 1/2", unframed. The stark black and white imagery features photos of artist Willem de Kooning at his Long Island studio (1969) and dancer John Martin (1975). Avedon hand-signed in marker with his typical sweeping, dramatic signature, at lower center. The work was found unframed,...

A gallery poster of the year 1977 promoting a Fifth Avenue exhibition at the Robert Miller Gallery, for Pop Artist LARRY RIVERS (1923-2002). The colorful and complex image is signed by Rivers with felt marker at lower right and numbered 46/100. Larry Rivers, born in the Bronx of Ukrainian Jewish parentage, is considered a major figure of the second generation of the New York School. According to the Wikipedia listing, he is considered by many art scholars to be the "Godfather" or "Grandfather...

Ten of Staves chromolithograph by Salvador Dali from the Lyle Stuart Tarot Cards series produced in the late 1970s. The print is signed in pencil on the bottom margin and numbered in a set of 250. The print is in a black suitable for hanging frame, but we suspect that the new owner will wish to reframe. Authenticity guaranteed. Dimension: 37 1/2" x 26"

Original lithograph poster issued in 1974 in an edition of 5,000, for the unveiling of a mural by Marc Chagall at the Four Seasons, Chicago. The colors are bright and unfaded. Measurements are 33 1/2" by 22 1/2" (42" by 30" framed) . Due to the danger posed by shipping glass, even when taped, this will be shipped flat or if preferred by buyer, can be rolled in a hard plastic tube (at a significantly lower shipping cost). Email to discuss.

This note concerns Poem 70-38, a rarely seen Big Red. NOTE: Daniel Tretiak created the term Big Reds for Haku Maki's large works centered on large kanji in red, usually on a black background and often done in broad strokes. Large ones in blue or yellow or green came to be termed Big Blues, Big Yellows, Big Greens, and so forth.

Poem 70-19 is one of the fairly small group of deep blue prints that Maki made. This one is 5.75 in W x 8.5in H and created in 1970. It is in good condition, with some toning due to its once having been framed.

Original 1974 Marc Chagall (1887-1985) color lithograph on lustrous Japon Nacre paper, the title "King David" (1974)---Sorlier #721, the sheet 11 1/2" by 8 1/4", measuring 9 1/2" by 7 1/2" inside the present mat, and 16" by 13" simply framed. The print is not laid down, but is taped to the mat, at the corners, on the reverse side. Several photos illustrate some brown discoloration staining, in a horizontal band in the lower portion, and some paper fiber disturbance at extreme right of the signa...

This Lithograph title Wicket Thoughts was published on Saturday Evening Post illustration
September 5, 1931. Painted by Norman Rockwell.
We are proudly presenting first time.
This lithograph on Canvas which was kept last 32 years
in our stored box with other lithographs we are offering
We just opened the Box after 32 years later last weekend.
All of colors are fresh as 32 years ago, 1990.
The condition is mint condition, it never been framed.
It is publish...

The dramatic Poem 70-37 is the kanji for Self已. It measures 17.5in W x 24in H and is in very good condition.(There is slight toning in the margins.)

Poem 71-76 is a yellow-gold print with a bit of a paisley influence. It is number 28 of an edition of 154. Created in 1971, it measures 13in wide x 19.5in high. It is in very good condition. There is tape residue on the back but the front is perfect. .

For the Norman Rockwell fan who can't quite swing a real drawing or painting, (a painting brought a record $22 million at New York auction in 2014), this is most definitely the next best thing.....a PENCIL SIGNED BY THE ARTIST limited edition print, numbered 55/200. This image was created by one of America's best known and best loved illustrators for the cover of the Saturday Evening Post edition of October 4, 1919. The print was produced in the mid 1970's in an edition of 200 with, I believe,...

Pencil signed and numbered lithograph print of a Civil War subject (Confederate soldiers with their flag, surrounded by gigantic black-eyed Susans), 13" by 11", 19" by 17" framed, by the well listed Louisiana artist ROLLAND HARVE GOLDEN (1931-2019). The juxtaposition of the oversized flowers and Confederate warriors is in keeping with Golden's self-described "borderline surrealism". He is known for his Louisiana landscapes, often executed in watercolor, and often featuring roads, with which he h...

Pencil signed limited edition print "Watering Hole", circa 1970's, by the important Western American artist OLAF WIEGHORST (1899-1988). The print measures 21" by 26" and 30" by 35" framed in grayish wood. It is numbered 364/1500 at lower left margin and the artist has signed it in soft pencil at lower right. Wieghorst's works sell at major auctions of western American art, into the hundreds of thousands. Rumor has it that his "Navajo Madonna" masterpiece sold privately for $1.5 million. The...

A pencil signed limited edition color print "We The People 1787", featuring Ben Franklin at printing press with assistants, evidently producing copies of the Constitution for distribution in the colonies. The work measures 18 3/4" by 25 1/4" and 25" by 32" framed/matted (wood frame, no glass). The artist signed in pencil at lower left margin and at lower right the piece is numbered 344/2000. MORT KUNSTLER (1931-) is an important American illustrator, with works having exceeded $30,000 at New ...

These are 3 different “takes” of the kanji for Stone. Red is Work 74-58 (Stone) ; Green is 76-56 (Stone); Blue is 76-54 (Stone). The green one is larger than the other two. All have the striking black sun as one stroke of the kanji.

This print--Haku Maki's Poem 71-9--is the kanji for woman.

A rare print by surrealist print maker Ozaku Seishi, professor emeritus from Tama Art University. He is best known for small edition prints, usually up to 30 copies, limitless experimentation with printing techniques and surrealist, often graphic imagery resembling distorted reality ¬neither quite explicit nor quite horror, but rendering a fairly dark version of dreams. This aquatint is from a 1974 portfolio titled “World of Children” (子どもの世界), which consisted of 30 aquatints. ...

A large clean lithograph print in the advanced naive style of acclaimed Jewish artist SHALOM OF SAFED (SHALOM MOSKOWITZ), 1895-1980. The imagery is colorful and comprehensive, featuring blue sky with clouds, architecture, figures, animals, and interiors, along with embedded messages in Hebrew. The Hassidic artist was a watchmaker by trade, and only late in life turned to his artistic talents. His original paintings have brought into five figures. He lived in Safed in the Galilee Hills for mos...