Please check our new category 'Vintage Tea Bowls', where we present once in a while high quality vintage chawans. This is a vintage Japanese hand-shaped pottery tea bowl of Seto ware, which was made about 50 years ago.

The seal of the potter is stamped on the bottom. Very artistic Tenmoku glaze.

Size: 8,8 cm height x 13 cm in diameter...

A very elegant and mature tsutsu style chawan created by Ito Tozan III (1900-1970), third generation of the Ito Tozan line of potters. Tozan, who at one time worked in the kiln of Hamada Shoji, learned pottery from his father Ito Tozan II (1871-1937) and his grandfather Ito Tozan I (1846-1920) from a very young age...

Tsuchiya Koitsu
Ginza in Rain, 1933.
Size: Oban. Approximately 15.5 x 10.5 inches.
Publisher: Doi Hangaten. Doi watermark.
Carver: Harada. Printer: Yokoi. This seal combination indicates an early post-war edition.
Reference: Koitsu catalogue no. TK-DH-9.
Medium: Japanese woodblock print.
Condition: Fading in yellows and greens.
Note: This print is rare in any edition. Old cars are seldom seen in shin hanga.

Sumptuous in its expression of the sensual qualities of glass, this stylized sculpture of a figure in repose by Livio Seguso is signed and in excellent condition. The solid glass sculpture weighs 12.5 lbs, measures 6"w x 6"d x 8"h, and was well protected over the years by four felt pads at the corners.

This carved ivory statue of a girl holding a flower basket was carved around 1970. It is 7 inches tall (with the base, it is 8 ¼ inches high), 2 inches wide and 1 ½ inches thick. Her left hand is holding a woven flower basket and her right hand is gently grabbing the tassels from the basket. It is in excellent condition.

Kawase Hasui
Rain in Maekawa, Soshu
Series: Selection of Views of the Tokaido
Date: 1932.
Size: Oban. Approximately 15.125 x 10.25 inches.
Publisher: Watanabe Shozaburo. This design often has in either lower corner a black 6mm Watanabe publisher's seal nearly invisibly on a black background, which would indicate a lifetime edition...

A classic sterling silver double jigger by Kirk & Son. The two cups measure 1 and 2 ounces. Rather than being bell-shaped, the cups have straighter sides for a more contemporary look. The interior is fully hallmarked by Kirk.

• Origin: America, ca. 1960.
• Condition: excellent, no dings or monograms.
• Dimensions: 3-11/16" tall.
• Weight: 56.5 grams.

This impressive han-tsutsu Shino chawan was made by the late 13th generation Mino potter Kato Seizo (1930-1979, Kagekiyo). Kato’s works are well-regarded throughout Japan and he has won a number of honors and awards over the course of his career as an artist. Not surprisingly, he is equally appreciated abroad and by foreign experts of Japanese pottery...

Oversized limited-edition Japanese sosaku hanga woodblock print by Okiie Hashimoto (1899-1993) titled "Evening Garden No. 16." The bottom margin is pencil-signed, titled in kanji, dated 1960, and numbered 16/60. The artist's red seal is at the lower left corner of the image. The lower right margin holds a black 5-character self-published mark. Paper: 22 3/4" x 18 1/4" (image: 21 1/4" x 16 3/4"). Very good overall condition. The margin corners are creased. From a Scottsdale, AZ estate.

A set of five yunomi by Suzuki Osamu enclosed in the original signed wooden box titled Kao no Aru Yunomi. Each cup has a small face on one side, pale glaze covering all but that smiling fellow and the foote. Each cup is 3 inches (8 cm) tall and in fine condition...

A hand-embroidered Hazara prayer cloth, made to protect the prayer stone, with a stylized depiction of the prayer niche, probably from Ghazni or Bamiyan province, circa mid 20th century. This exquisite embroidery on a white linen background depicts the severed hands of Hazrat Abbas, alluding to the battle of Kerbala. Silk thread in bright colors executed in a fine satin stitch and tassles on each of the four corners. These cloths are used in prayer to place the forehead...

A vintage sterling silver vermouth dispenser in the form of a syringe by Gorham. These were called “Martini Spikes” when sold by Gorham in the 1960s. The functioning plunger allows vermouth to be drawn up into the syringe and then dispensed in precisely-calibrated medical dosages into your favorite cocktail. The syringe originally cost $10...

A Japanese print done by the noted contemporary Japanese artist, Tadashi Nakayama (1927~). The image is a view of a section of a shrine building at Heian Jingu in Kyoto. Tadashi Nakayama is known for creating prints combining traditional elements from ukiyoe woodblocks and Western oil paintings. Age: 1961. Size: length 28.75" height 24.5"

This stylized interpretation of a waterbird illustrates the inspiration that the environment of the Venetian Lagoon has provided for centuries of artists. The waterbird sculpture is done in sommerso, with wine red blending masterfully into light cobalt blue. I have seen this design attributed to both Archimede Seguso and Alfredo Barbini. The waterbird is in good condition, no chips at the feet, polished base, unmarked.

A vintage sterling silver vermouth dispenser in the form of a syringe by Gorham. These were called “Martini Spikes” when sold by Gorham in the 1960s. The functioning plunger allows vermouth to be drawn up into the syringe and then dispensed in precisely-calibrated medical dosages into your favorite cocktail. The syringe originally cost $10...

A Keyaki (Zelkova) root burl bonsai stand with twisty gnarly roots supporting a flat surface. Beautiful original patina.

Age: Mid Century (1950-1960's)

Dimensions: 14 1/2" Wide by 13" High by 12 3/4" Deep

Kawase Hasui
Spring Snow, Kiyomizu Temple, Kyoto
Date: 1932.
Size: Oban 15.0 x 10.5 inches.
Hasui signature and seal lower right.
Publisher: Doi Hangaten. Carver: Harada. Printer: Yokoi.
Edition: Early postwar (1950-63).
Reference: Hotei No. 276.
Medium: Japanese woodblock print.
Condition: Top margin partially trimmed. Toning at lower left corner. Slight margin creasing.

This is a wonderful vintage Japanese Raku style tea cup of Ohi ware with an amazing amber glaze which was made about 50-60 years ago by Rakusai Ohi. The seal of 'Ohi' is stamped on the bottom. The original wooden box with the signature and the seal of the artist is also included.

Ohi ware has become well known for its use of Ame-gusuri, or amber glaze. Being a Raku style, it was low-fired and is quite light and soft in the hands...