This saye gosha (or segusha) shows the dynamic use of line and vivid color for which Uzbek Lakai embroidery is famous. Saye gosha are V-shaped hangings used to decorate piles of quilts while in storage during the day in the yurt. The Lakai are an Uzbek tribe who currently live around Kunduz in northern Afghanistan. Originally more widespread, they were also once found in what is now Uzbekistan and Tajikistan...

This is an Uzbek embroidered cloth from northern Afghanistan. The motifs and colors are typical of the embroideries of Tajikistan and southern Uzbekistan (Sukhandarya). Cross stitch and satin stitch in pink, green, yellow and blue yellow silk thread. This textile was probably made for a dowry. It measures 29.5 x 30 cm. Condition: Excellent, no fraying, no stains, no odors. Estimated age: mid or late 20th century.

Japanese lacquered on Reed Kimono Tray, Ca. 1940's, 26" x 16", 4" high, top trim is almost 1/2" thick wood lacquered frame with gold foliage design on black, brown chestnut color lacquered on woven reed basket. There are some small missing lacquer pieces on the trim and reed basket.

A child's embroidered dress front from Hunza valley, located in the rugged, mountainous northern areas of Pakistan. Silk thread on cotton ground, densely embroidered in cross stitch and petit point. Estimated age mid 20th century. Measures 28 x 48.5 cm (11 x 19"). Some staining on the front with some dye bleeding. The reverse is lined in silk.

This woven textile is from Tibet. Measuring 21.8 x 376 cm, it is in excellent condition. The high lustre of the wool is attributed to the high lanolin content of the goat wool in the high altitude regions of the Tibetan plateau. Enlargement #12 shows the use of these sashes in traditional Tibetan nomadic culture (© 1995 East of Lo Manthang by Peter Matthiessen and Thomas Laird)...

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Beautiful Murano Cased White, AVENTURINE and GOLD FLECKS Circus Tent Ashtray, Lighter and Holder SET!!! Attributed and documented to Alfredo BARBINI, circa 1950's!!! They have NO damage (chips, nicks or fleabites). In EXCELLENT Condition!!!

The Bowl measures 5" long (12.7 cm) x 4 1/4" wide (10.79 cm) - The Lighter measures 3" tall + holder ….. International Buyers WELCOMED!!! ........ Questions? Don’t hesitate to ask!

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Beautiful Murano White OPALESCENT, Twisted ZANFIRICO Ribbons and AVENTURINE FLECKS Art Glass Butterfly Shaped Bowl!!! Documented as FRATELLI TOSO!!! It has an unusual shape, with almost black and red orange canes. Would be a great display item on any table! There are NO damages (chips, nicks, or impact marks)...

A Famille-Rose Porcelain Snuff-Bottle with Figure-Motifs and a Qing Dynasty Emperor Qianlong Mark Height: 2 1/2 inches (6.4 cm) Condition Report: Good Condition Provenance: Property of a MA Collecter

SETTING

Old Japanese tool for setting a saw, Showa period, early-mid 20th century, 22 x 47 x 5cm (8.66 x 18.50 x 1.96in). The condition is as is as seen.


selected by Jinta




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A woven wool sash from Tibet, circa mid to late 20th century. Measuring 15.3 x 300 cm including the fringes, it is in overall good condition, but with some fraying. These sashes are used by Tibetans to tie their traditional attire (chuba for women, lokpa for men) and also to secure knives, bundles etc. Enlargement #6 shows the use of these sashes in traditional Tibetan nomadic culture (© 1995 East of Lo Manthang by Peter Matthiessen and Thomas Laird).

Japanese limited edition color etching and aquatint titled "Paris" by Kenji Ushiku (1922-?). Pencil-signed, titled, and numbered 63/150 in the bottom margin. Ushiku was particularly active in the 1960s and 1970s. There is a pencil notation of "4-80-45" at the bottom edge which could perhaps imply a date of April 1980. Paper size: 15 1/2" x 22." Very good overall condition. Printed on heavy rag paper with large margins. Never framed.

TEABURI BRAZIER

Refined Japanese ceramic 'teaburi' (small hand-warmer brazier) of minimally roundish cylinder form coated with calm glossy pale glazing, early 20th century, approx. H 20 x D 17cm (7.87 x 6.69in)...

A bag handmade of bast fiber from Shina tree (Japanese linden), which is very fine inner fiber of the tree. It is used for collected nuts, berries, or tools. From Hokkaido Ainu. 20th century. In excellent condition. W:40cm, L:34cm

STONE INARI FOX HEAD

Tochigi, Northern Kanto region, Japan, early 20th century, H 16.5 x W 9.5 x D 11 cm (6.49 x 3.74 x 4.33in). Stands on its own.


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Measuring 8 x 116 inches (20.3 x 294.6 cm) including the braided fringes, this woven wool sash from Tibet is in excellent condition. The sash is a dark bergundy with indigo stripes and orange thread sewn along the edges to prevent fraying. Estimated age: mid to late 20th century...

Sigi is short for Sigfredo Pineda, who set up his own workshop in the 1950's and is still producing modernist jewelry. He apprenticed under Castillo, not William Spratling as he was born somewhat later, in 1929. He is the sole surviving member of the Taxco silversmith artist colony startedby William Spratling in the 30's and 40's. We love the clean and modern design of these wonderful coiled cufflinks...

An American Pair of Faux Alligator Waste Paper Baskets 11”, And 10” Berlin Estate

Paul Jacoulet
Les Jades, Mandchoukuo
1940s~1950s.
Approximately 6.0 x 4.0 inches.
Self-published, one of a series of surimono.
Signed and sealed by the artist.
Medium: Japanese woodblock print.
Condition: Excellent. Attached along top edge only to original card.