Tsuchiya Koitsu
Lake Kawaguchi at the Foot of Mt. Fuji
Date: 1938.
Size: Oban...

Kashigata (wooden sweet mold,) Sensu (fan) motif; Japan, early 20th C. L.9.375"(23.75cm) x W.4.125"(10.5cm) x H.1.75"(4.5cm.) Condition Note: one of the posts connecting the top to bottom pieces is missing. Sweet molds, “kashigata,” have been a part of confectionary culture around the world. Well-known examples in Asia come from Japan, China, Korea, and Indonesia. In Europe; countries such as Germany, Holland, and England have a rich history of cake mold production...

Art Deco patinated bronze and copper ashtray, candy or catchall dish with gazelle. Measures 7.5" high x 6.25 diameter.

Kashigata (wooden sweet mold,) Japanese Imperial Army Emblem, early 20th C. L.6.375"(16.25cm) x W.3.625"(9.25cm) x H.1.5"(4cm). This unique kashigata features an emblem of the Imperial Japanese Army; the Star over two crossed swords, with a hammer and chain. The overall outline shape is that is a war fan.This item shows how even nationalism came into the designs of Japanese sweets in the Imperial era at the end of the 19th century and in the early 20th century...

Kamakurabori, the lacquerware of Kamakura City in Kanagawa Prefecture, is appreciated all over Japan. This set of pre-war "chataku" tea cup coasters is a fine example of this craft. They measure 15cm(6") in diameter, with a height of 2.5cm(1"). Plenty of references are available on this craft that has its origins in producing lacquered wood carving for the numerous Buddhist temples of Kamakura during the 11th & 12th centuries.

Ohara Shoson (Koson)
Egret on Snow-covered Willow Tree at Night
Size: Koban. Approximately 7.25 x 5.0 inches.
Date: 1930s.
Shoson seal lower right.
Made in Japan stamped on verso.
Reference: AS.10 in Crows, Cranes and Camellias: The Natural World of Ohara Koson (Reigle Newland).
Medium: Japanese woodblock print.
Condition: Excellent. Paper at top back corner.

Kashigata (wooden sweet mold,) Warabi (fiddlehead fern) motif; Japan, early 20th C. L.5.875"(15cm) x W.3"(7.5cm) x H.1"(2.25cm.) Condition Note: No top cover, bottom piece only. Sweet molds, “kashigata,” have been a part of confectionary culture around the world. Well-known examples in Asia come from Japan, China, Korea, and Indonesia. In Europe; countries such as Germany, Holland, and England have a rich history of cake mold production...

A fine Noh mask, with strong features, representing the character of Ayakashi, the malign aspect of a general killed in battle. Wood, with polychrome and gold painting, eyes made of brass. The mask is signed. Japan, early 20th century. Height: 21.7 cm. The mask is nicely mounted on a custom stand. Very good condition. NOTE: The name "Ayakashi" also refers to an apparition with mysterious spiritual powers, or a vengeful sea-dwelling spirit...

Three pieces of wood plates with red and black urushi (lacquer). The bottom two are same ones but the top one is a bit different. Generally in good condition but have some minor flaws. Top: 10.3cm x 3cm, Bottom two: 10cm x 2.5cm

Kawase Hasui
Miyajima Torii at Night
Date: 1930s.
Size: Koban postcard. Approximately 5.5 x 3.5 inches.
Publisher: Watanabe Shozaburo.
Reference: Hotei #Hp-52 (W-899).
Medium: Japanese woodblock print.
Condition: Excellent. Unused.

Kashigata (wooden sweet mold,) Kiku (chrysanthemum) motif; Japan, early 20th C. L.5.875"(15cm) x W.3.0"(7.5cm) x H.1.75"(4.5cm.) The chrysanthemum is a symbol of late fall and was also a popular motif for celebratory occasions. Sweet molds, “kashigata,” have been a part of confectionary culture around the world. Well-known examples in Asia come from Japan, China, Korea, and Indonesia. In Europe; countries such as Germany, Holland, and England have a rich history of cake mold production...

Kashigata (wooden sweet mold,) Ninjin (carrot) motif; Japan, early 20th C. Paddle-type mold with handle. L.12.375"(31.5cm) x W.3.25"(8cm) x H.1.25"(3cm.) Name of confectionery "Shirokiya" on side. Condition Note: minor insect damage to back of paddle. Sweet molds, “kashigata,” have been a part of confectionary culture around the world. Well-known examples in Asia come from Japan, China, Korea, and Indonesia...

Kashigata (wooden sweet mold,) Biwa (loquat fruit, Eriobotrya Japonica) motif, Japan, early 20th C. L.8.125"(20.5cm) x W.4.374"(11cm) x H.1.5"(4cm.) The image on this mold shows a bunch of loquat fruit, known as "biwa" in Japanese. Biwa are indegenous to SE China, and the Japanese name may refer to the oblong shape of mature fruit that resembles the shape of the musical instrument, lute (also "biwa" in Japanese.) In olden days, a type of cough medication was made from the syrup of the fruit...

Kashigata (wooden sweet mold,) Kame (turtle) motif; Japan, early 20th C. Paddle-type mold to make 4 pieces sweets. L.13.75"(35cm) x W.2"(5cm) x H.1"(2.5cm.) The turtle symbolizes long life in many Asian cultures and was a popular motif for celebratory occasions such as weddings and New Year's. Sweet molds, “kashigata,” have been a part of confectionary culture around the world. Well-known examples in Asia come from Japan, China, Korea, and Indonesia...

Kashigata (wooden sweet mold,) Cherry Leaves motif; Japan, early 20th C. L.8.5"(21cm) x W.5.0"(12.75cm) x H.1.5"(4cm.) As a symbol of spring, the cherry is often depicted in blossoms. But in this case it is the leaves that are featured. There are actually sweets that are wrapped in cherry leaves. Sweet molds, “kashigata,” have been a part of confectionary culture around the world. Well-known examples in Asia come from Japan, China, Korea, and Indonesia. In Europe; countries such as Germ...

Japanese Ambassador Ningyô. These were used as international gifts of cultural exchange. This doll has a poignant face with a compelling expression. She is a very young little girl wearing a rich dark blue kimono with pale flowers and a red obi. It is really just a wonderful doll that will surely enhance any serious doll collection. 29.25 inches, (74.5cm) tall. circa 1930's. From a widely renowned and published collection that has been exhibited at the Metropolitan Museum and Japan Society.

Kashigata (wooden sweet mold,) Kiku (chrysanthemum) motif; Japan, early 20th C. L.7"(17.75cm) x W.3.5"(8.7510cm) x H.1.375"(4.5cm.) The chrysanthemum is a symbol of late fall and also used for celebratory occasions. Sweet molds, “kashigata,” have been a part of confectionary culture around the world. Well-known examples in Asia come from Japan, China, Korea, and Indonesia. In Europe; countries such as Germany, Holland, and England have a rich history of cake mold production. Materials s...

Kashigata (wooden sweet mold,) Noshi Kombu (kelp wrapper) motif; Japan, early 20th C. L.8.5"(21cm) x W.3.625"(9.25cm) x H. .75"(2.25cm.) Condition Note: Only bottom piece of mold. No top cover. The symbol of the kelp wrapper is used for all celebratory occasions. This is the traditional wrapping (now string or ribbon) for offering and gift envelopes. Sweet molds, “kashigata,” have been a part of confectionary culture around the world. Well-known examples in Asia come from Japan, China,...

Kashigata (wooden sweet mold,) Hi No De Tsuru (Rising Sun Crane) motif. Japan, early 20th C. L.7.0"(18cm) x W.3.75"(9.5cm) x H.1.625"(4cm). The Crane symbolizes long life, as does the Tortoise, in many Asian cultures. In Japan, it was a popular traditional motif for celebratory events such as weddings, New Year's, and birth. This particular example shows the rising sun, a symbol of Japan, behind the crane. The sweetmaker has written "Hi No De Tsuru (Rising Sun Crane)" on the side of the sweet mo...

A classic figural sterling silver thimble jigger by Thomae & Co. The rim is engraved "Only A Thimble Full." The interior retains its original gilding. Several companies made variations of this jigger, but those by Thomae are among the best due to their superior weight and workmanship.

Origin: America, ca. 1935. Condition: excellent, no dings or monograms. Size: 2" tall. Weight: 37.8 grams.

A crisply moulded Art Deco style frosted glass bowl on three pear shaped feet and with metal bound rim. This item was probably made in the USA in the 1930s. Condition: excellent - no damages 10.3cm (4.1inches) diameter; 6cm (2.3inches) high.

上世纪三十年代 Art Deco（装饰艺术运动）风格毛面压模梨果形玻璃碗
一&...

An antique Japanese Todana Tansu made of Keyaki (Zelkova) and Sugi (Cryptomeria) woods. Original iron hardware including the Warabite handles. Eight drawers and a pair of sliding doors allows for spacious storage. Original used in Japan as a family multi-purpose storage chest, it would function well as a buffet or sideboard chest.

Age: Showa Era (1930's).

Dimensions: 47 5/8" Wide by 33 3/4" High by 17" Deep

Kashigata (wooden sweet mold) with a dynamic image of a minogame (mino = "straw rain cape," kame/game = "turtle/tortoise.") Early 20th C., Japan. L.13"(33cm) x W.5"(12.5cm) x H.1.125"(2.75cm,) 1 piece paddle type mold. Some minor insect damage to back of mold (see enlargements 4 & 5.) The tortoise is a symbol of long life in Japan, and in Asia in general. In Japan, the image of a tortoise ("kame") of especially ripe old age shows seaweed growing on its shell, which resembles the farmer's straw r...

Kashigata, mold for making Japanese sweets, in the shape of a wasabi root. Carved wood, ca. early-mid 20th century. H.1.5"(3.75cm) x L.8.25"(21cm) x W.3.5"(8.75cm). Kashigata have long been in use for making molded sweets in Japan and many other parts of the world (especially Asia and Northern Europe.) In Japan, shapes often include felicitous or auspicious themes for luck, long life, wealth, etc. This one, shaped as a wasabi root, is unusual and interesting.

A vintage Japanese 2 section Tansu chest made entirely of Kirinoki (Paulownia) wood. All original bronze hardware with straight dovetail joinery and hardened wooden nail construction. 3 drawer top section and 2 drawer bottom section. Both sections can be separated for use and display in different rooms of a home. Side handles used to carry each section from place to place with the lower section handles serving a dual purpose of also securing the top section in place.

Age: Early Showa ...

Shoda Koho
Ohashi Bridge at Atako.
From the Hasegawa Night Scenes series (No. 1253).
Size: Chuban. Approximately 9.75 x 7.25 inches.
Date: 1910-38.
Publisher: Hasegawa/Nishinomiya
Medium: Japanese woodblock print.
Sealed by the artist. "Made in Japan" stamped on verso.
Condition: Slight bend at upper right corner.

Paul Jacoulet
Hokkan-zan, Seoul, Coree (Hokkan Mountains, Seoul, Korea)
Date: December 6, 1937.
Size: Approximately 18.25 x 14 inches.
Jacoulet signature and watermark with tea jar seal.
Edition: 144/350.
Carver: Maeda. Printer: Honda.
Reference: Print #45 in The Prints of Paul Jacoulet by Richard Miles
Condition: Excellent color and condition. The back margin edges are toned. The back top margin has three pieces of archival tape.

Sold. Desirable mark: Boston Peruzzi for Gino M. of the USA Shop bearing the family name who like Cini & Parenti produced fab work in Boston C 1940. Small bracelet: 6 3/4" with Ornate (Cini made same) Wide Hook. 2 Birds, Lady in Distress with cats? and a Man on a Horse. 1.4 oz. or 40 Grams on postal scale. No repairs and No Damage. NOTE: always check mark, if marked Florence or 800, it was Not made by this sought after Boston Silversmith Jewelry maker! This may sound like an inane comment,...

A rare cocktail pick set in the form of a bakelite champagne stopper holding a set of chrome picks. Of the many French Art Deco barware items we’ve handled, this is the first example of this pick set we’ve seen.

• France, circa 1930
• Bakelite is inxcellent condition; light wear to plating on picks
• 4” tall

City in the Rain (after Hasui)
(A rare alternative perspective on "City in the Rain" by Kawase Hasui).
Artist: Not known.
Date: 1930s.
Size: 5.5 x 3.625 inches
Publisher: Takemura Hideo.
Medium: Japanese woodblock print.
Condition: Excellent with very slight bend at upper right corner.

Kawase Hasui
Rain at Shuzenji Hot Spring
Size: Oban. Approximately 15.25 x 10.25 inches.
Date: 1933
Publisher: Watanabe Shozaburo. Bears the Watanabe "E seal" used between 1932-42 and consistent with a first edition.
Condition: Excellent with slight fading.

Sold, no price, no info. Dragon sterling silver square open cut work pin brooch stamped PERUZZI STERLING BOSTON created in the shop founded by Gino M. Peruzzi in the early 1930s, (no relationship to the European ones who worked with 800 silver). Gino's shop was once located at 252 Boylston Street in Boston, MA, where the most unusual figural art nouveau, renaissance and medieval style jewelry was created. This dragon brooch could be worn by a man even as it has heft of 25 grams, and measures ...

Ohara Shoson (Koson)
Peacock and Peahen in a Flowering Cherry Tree
Size: Approximately 5.5 x 3.5 inches.
Date: ca. 1930s.
Shoson seal at right.
Publisher: Watanabe Shozaburo.
Reference: AS.30 in Crows, Cranes and Camellias: The Natural World of Ohara Koson (Reigle Newland).
Medium: Japanese woodblock print.
Condition: Excellent.

Takahashi Shotei
Fuji from a restng-booth
Date: pre-1936.
Size: Approximately 7.75 x 5.25 inches.
Shotei seal at right.
Reference: S-6 in Shotei catalog.
Publisher: Watanabe Shozaburo.
Medium: Japanese woodblock print.
Condition: Very faint diagonal crease in sky. Pencil note on back.

Sold. Here a vintage sterling signed bracelet by the Parenti Sisters who were trained silversmiths in Italy, then later set up their Shop on the still Prestigious Newbury Street of Boston and their second shop on Cape Cod, now both closed these many years. 7 1/2". 03. Sold, no price, no info available.

Woodblock Print "Kin Kaku", Signed Hiroshi Yosida, circa 1933

The print is unmounted. It is 15.5 inches (39.5 cm) long by 10.6 inches (26.8 cm) wide.

It is in good condition with no stain, tears, foxing, or crease, except two pin size holes at the edge ( as seen in the photos).

Large format photos available upon request.

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