Shiko Munakata (1903 ~ 1975)
Titled in Japanese: Flower(s) of Vienna, the great Leo Sirota ウィーンノハナ　レオシロタ大人
Dated: April 11, 1965.
Leo Sirota (1885-1965) was one of the world's most famous pianists. Munakata was his friend and produced this print shortly after Sirota's death.
Edition: Not known. A color version of this design exists.
Signed: "Shiko" in Japanese; "Munakata" in English.
Sheet size: 16 x 10.75 inches...

Colorful altar from the Ketu region in Benin. Carved all around with a maternity figure and 3 other figures. At the back there is an opening with a tin frame. Probably this part was originally covered by a small door. H. 40 cm, D 30 cm. Mid 20th century or older. Ex coll. Ursula Voorhuis (1932-2021), The Netherlands. Guy van Rijn archive: ao-0104491-001. Hans Witte commented about this object: this form is typical for the Oshumare shrines from Ketu...

Ashanti doll, 2nd quarter of the 20th century, by a known carver. See Ron van Doorn - Herbert M. Cole : Akua’Ba Asante Wednesday Child, page 154-155. H. 24,5 cm. Provenance: private collection UK.

張大千/山居圖 設色紙本立軸 1980年作 款識：六十九年元月寫寄摩耶精舍八十二叟爰。鈐印：大千長年。張大千是二十世纪中國畫壇影响巨大、又最富傳奇色彩的國畫大師，在繪畫、書法、篆刻、詩詞方面都有相當造詣。早期專心研習古人書畫，特别在山水畫實踐和理論方面頗有建樹。後旅居海外，畫風工寫結合，重彩、水墨融为一體，尤其是開創潑墨與潑彩，发展了中國畫全...

Framed Japanese woodblock print by artist Okiie Hashimoto (1899-1993) Signed in pencil, with inscription and artist's cartouche. Circa 1959. Size: (entire frame) 35.25" height, 29.25" width (artwork only) 22.5" height, 17.5" width

Kobako in the form of a dark brown tree trunk in a cross section. The back of the lid is made of golden hiramaki-e lacquer on a black background, representing in a close-up a branch of a Japanese cherry tree with its three fruits, with light brown outlines revealing a ring of the tree. Inside the box and base in nashi-ji lacquer. The Japanese cherry tree (Prunus serrulata) is an emblematic tree of the country, producing the cherry blossoms (sakura)...

Ohara Koson
Cherry Blossom and Full Moon, 1932.
Size: Oban. Approximately 15.25 x 10.25 inches.
Publisher: Watanabe Shozaburo. Bears the Watanabe C seal, indicating a first edition.
Reference: No. S43.8 and p. 211 in "Crows Cranes and Camellias: The Natural World of Ohara Koson" (Reigle Newland).
Condition: Excellent with very faint mark near lower left corner.
Very rare.

An exquisite image of an emaciated man, the prominent bones about the eyes softly glowing pale white over the hollow cheeks. The mask is of the Yase-otoko type, and is signed on the back by the maker Iwasaki Hisahito in a carved seal above the eye. Superb craftsmanship!
Iwasaki Hisahito is a well known Mask carver currently 78 years old and still going. He was born in Oita prefecture, but moved to Nagoya then Yokohama at a youthful age...

Small and rare fetish figure. Hardwood with feathers, glass, copper, horn, fabric. First half of the 20th century. H. 13 cm (20 cm with the solid brass stand). Ex. JM Desaive, Herve, Belgium. Ex Srdjan Sremac, The Hague.

Superb and very tall lamp by Ercole Barovier. It is in great condition! The hardware has an attractive patina commensurate with its age. The lamp is nicely complemented by the vase and bowl of the previous listings. Lamp measures 28" to the top of the glass and 44" to the top of the finial.

Igbomina region, Omu Aran village. Female figure with scarifications and two bronze bracelets. Early 20th century. Provenance: Ursula Voorhuis, The Netherlands. She owns one of the largest Yoruba collections in the world.

A rare and nicely carved Huanghuali wood Guanyin statue made during the late 19th century to the first half of 20th century. Condition: good. There is an old crack(1-5/8" long, patched) on the back of the statue, please refer to photo #6. Height: 9 inches.

Mint and elegant tea bowl by one of the greatest potters, Rokubei Kiyomizu VI.

This Kyoto-yaki item was made 70 years ago. It has a tasteful painting of pine on it. On the bottom you find Kiyomizu's seal. The tea bowl will be delivered with its original signed wood box.

The Kiyomizu family potters managed one of the most productive workshops in Kyoto’s Gojozaka district throughout the second half of the Edo period...

Art deco oribe ceramic vase by Shigetaka Kato b.1927-d.2013. Shigetaka was born the second son of Kato Tokuro in 1927. He graduated the Seto Industrial School of Ceramics and studied under his father. From 1959-1971 submitted annually to the Nitten where he received the Hokusho prize as well as the Modern Ceramics Prize among others. He also received the Japanese Ceramics Society award and governors prize at the Asahi Togeiten...

This is a tea bowl of Japanese OHI pottery ware, which was made about 50 years ago by famous Chozaemon Ohi (1901-1986).

It has a fantastic black glaze. The work and the box has the sign of the 9th. Chozaemon Ohi. His name is inherited from the Edo era.

The Ninth Chozaemon was the son of the Eigth Chozaemon who had been making tea utencils from age sixteen until his death at age eighty-six...

Maiwai-gi which is a festive kimono of fishermem. It was given to fishermen from a master of fishermen or an owner of a fish boat on the occasion of large catch. It is mostly made of cotton with auspicious motifs with katazome (stencil-resist-dye) and partly hand painting. The original location of the Maiwai-gi is Boso peninsula in Chiba prefecture since late Edo period and spread along the Pacific Coast. This one has thick cotton lining so that it is made into yogi (kimono shaped bedding)...

元釉里紅鴛鴦蓮池螭龍耳扁方瓶 A Rare Yuan Dynasty FLask with Underglaze Red Motifs of Mandarin-Ducks in Lotus-Pond and Four Chi-Dragon Ears The flask boasts of both its ingenious design and superb workmanship. Dimensions: Height: 8 7/8 inches (22.23 cm) Medium: Porcelainware Date: Yuan Dynasty Condition Report: Good Condition Provenance: Property of a LA collection

Stunning Japanese 2 panel silver leaf screen with stylized ink calligraphy poem and signature.

Dates from 1950's

Dimensions: length 71" x height 29"

A beautiful Chinese Rosewood Etagere display stand hand carved in a faux bamboo design. Reticulated corner feet and floating floor panels. An exquisite example of art imitating nature.

Age: Early Republic Period (1912-1925)

Dimensions: 19 3/4" Wide x 30" High x 10" Deep

A vintage Japanese Ranma (transom) made of Kusunoki (Camphor) and Hinoki (Cypress) woods. Hand carved in deep relief depicting an auspicious Plum Blossom Tree with Bamboo and Irises. Celebrating the change of seasons from winter to spring, it shows many flower buds ready to bloom with a few blooming in all its beauty.

Age: Late Taisho through Early Showa Era (1926-1950).

Dimensions: 67 1/4" Wide x 16" High by 2 3/4" Deep

Tsuchiya Koitsu
Takanawa Sengakuji Temple
Date: 1930s.
Size: Chuban. Approximately 10.5 x 8.0 inches.
Publisher: Takemura Hideo. Seals on front and back.
Sealed by Koitsu at lower left.
Koitsu catalog no.: TK-TM-83
Medium: Japanese woodblock print.
Condition: Excellent.

Japanese early 20th century earthenware teapot by SASAKI NIROKU. The wonderful teapot has a Chinese landscape design carved into the side. The teapot measures 5 1/4" wide, 4 3/4" tall and 5" deep.

Antique Japanese Hyotan made from a gourd plant for Sake. Painted with trailing flowers outlined in silver. Original red hanging rope.

Age: Edo Period (18th Century)

Condition: Very good condition, no restoration

Size: Approximately 8-1/4" high by 4" diameter at it's widest point.

A Chinese Porcelain Figurine from 19th/early 20th Century. In the shape of a man smoking a pipe. Good condition. No cracks. The head of the pipe is missing as seen in the picture 1A. On the left hand he is holding a stick which some part is missing as seen in the picture 1B. Free shipping with insurance.

A Chinese Porcelain Figurine from late Qing Dynasty or Republic. Good condition with repaired finger on the left hand as seen in the picture 1A and 1B. A small chip on the base part as seen in picture 1C. Approximate height is 32.5 cm. Free shipping with insurance.

Kawase Hasui (1883-1957)
Meguro Fudo Temple, 1931
Size: Oban. Approximately 15.5 x 10.5 inches.
Publisher: Watanabe Shozaburo. Black, round Watanabe 6 mm seal at lower left, indicating a lifetime edition made between 1946 and 1957.
Medium: Japanese woodblock print.
Reference: Hotei #263.
Condition: Two original drying pinholes at left margin. Top margin has a few faint, diagonal marks.

A heavily jeweled Austrian jewelry box lined in velvet; 4 3/4" by 3 1/4" by 3 1/4"

Ohara Koson
Rooster and two chicks fighting for a butterfly
Size: O-tanzaku. Approximately 14.5 x 7.5 inches.
Date: ca. 1900s-23.
Bears Koson seal.
Publisher: Daikokuya (109)
Reference: K38.3 in Crows, Cranes and Camellias: The Natural World of Ohara Koson (Reigle Newland).
Condition: Excellent. Pencil number on back.
Provenance: The Bedford, NY estate of Eleanor Jay and Arthur Iselin. Eleanor Jay was a descendant of United States founding father, John Ja...

Circa 1920-30, Chinese gem quality six color banded agate of a scholar with dragon. Colors are grey, black, white, carnelian, blue and rare yellow hair. Just a fabulous and superbly worked piece. Carving measures just under 2.5" high, on stand measures 3" high.

Tsuchiya Koitsu
Shiba Zojoji Temple
Date: 1930s. First and only edition.
Size: Chuban. Approximately 11.5 x 7.75 inches.
Publisher: Takemura Hideo. Takemura seal at lower right. H. Takemura stamp on verso.
Koitsu's "kiyoshi" seal at lower left.
Koitsu catalog no.: TK-TM-71.
Medium: Japanese woodblock print.
Condition: Excellent. Top back corners have residue.
This very rare print features beautifully embossed snow.

Kawase Hasui (1883-1957)
Shinagawa (Rainy Season at Ryoshimachi)
Size: Oban. Approximately 15.5 x 10.25 inches.
Date: 1931.
Publisher: Watanabe Shozaburo. Round, black 6 mm seal at lower right, indicating a lifetime printing (1946-1957).
Signed and sealed by the artist.
Medium: Japanese woodblock print.
Reference: Hotei #218.
Condition: Original drying pinhole in left margin. Slight fading.
"Shinagawa was the 1st station on the Tokaido." - Hotei.

Hiroshi Yoshida
A Little Temple Gate
Date: 1933.
Size: Oban. Approximately 15.75 x 10.75 inches.
Signed and sealed in the image. Titled and signed in pencil.
Jizuri seal at upper left margin indicating self-printing by the artist.
Medium: Japanese woodblock print.
Reference: Abe #181.
Condition: Excellent color. Light foxing on back very faintly visible in sky in places. Lighter area at upper right corner is where a conservator removed adhered paper from t...

This eye-catching porcelain composition covered in red-glaze and highlighted with sensational gold-leaf inlay is an iconic design often employed by Ono Hakuko.

Ono Hakuko (1915 -1996) is an important figure in the world of Japanese ceramics and one of the only women in the field to gain wide acclaim and recognition for her work. Taught mainly by her father from a young age, Hakuko later found inspiration in the works of Living National Treasure Kato Hajime (1900 - 1968) whose style...

Ohara Koson
Willow Tit Sitting on a Vine
Date: 1910s-23.
Size: 14.125 x 7.5 inches.
Publisher: Daikokuya.
Koson signature and seal.
Reference: K29.1. in Crows, Cranes and Camellias: The Natural World of Ohara Koson (Reigle Newland).
Medium: Japanese woodblock print.
Condition: Back lower left corner is toned.

This extraordinary vase is a truly Japanese expression of a classical Chinese form. Fashioned after cylindrical Song Dynasty pieces that are thought to have been introduced in the 9th century from Syria, the handles are of Chinese origin and represent the mythical "Fenghuang" (Hōu in Japanese). This deity, typically depicted with the body of a bird with characteristics of a dragon, is believed to have originated in the sun and is thought to symbolize virtue, wisdom, and grace. Made ...

Saito Hodo (aka Nishimura Hodo)
Street in Front of Restaurant
Date: 1920s-30s.
Size: Oban. 19.75 x 13 inches.
Publisher: Takemura Hideo.
Signed "H. Saito" by the artist.
Medium: Japanese watercolor.
Condition: Excellent.
Note: Paintings and woodblock prints variously signed "H. Saito" (Saito Hodo) and "Nishimura Hodo" were published by Takemura Hideo. They are very likely by the same artist. Works with these signatures had similar style and at times depict...