A sterling silver wine funnel in a classic Georgian design by the luxury English silversmith Asprey & Co. The upper rim is simply decorated in a beaded pattern. The strainer bottom is pierced in a starburst design. The piercing will strain out the larger sediments, and the funnel opens so a piece of muslin or a screen can be inserted to filter even the smallest sediments during decanting. The funnel is fully hallmarked by Asprey and bears the date letter for 1984.

Origin: England, 1984...

A very large and heavy sterling silver double jigger with a turned ebony handle by Quaker Silver Co. The cups are decorated with an ornate acanthus leaf and bead design reminiscent of Jensen and other Nordic designers of the early 20th century. The jigger is stamped with Quaker's hallmark.

Origin: America, ca. 1925. Condition: excellent, a couple of very tiny pinpoints along the rim of the smaller cup. Dimensions: 4-15/16" tall; 10-3/4"long...

An Art Deco sterling silver handled double jigger by silversmith John Hasselbring (Brooklyn, NY). The angularity of the handle contrasts nicely with the traditional shape of the cups. Stamped with Hasselbring's hallmark.

Origin: America, ca. 1930. Condition: very good, a few pinpoints on handle and cups visible in strong, raking light; no monograms. Dimensions: 5-3/8" x 4-1/8". Weight: 78.7 gr.

A silver jigger engraved with the pennant of the Norwegian-American Lines and the name of the passenger liner SS Stavangerfjord. The ship was commissioned in 1917 and sailed until 1963. In 1964, it was anchored in Tokyo Bay for use a hotel during the Tokyo Olympics. This jigger is engraved "Olympiske Leker", indicating that it comes from the short time the liner was used during the games. The bottom is marked "S830". Origin: Norway, 1964...

A silver jigger decorated with a raised ocean liner pennant enameled in the colors of the Norwegian-American Lines and engraved with the name of the passenger liner SS Stavangerfjord. The ship was commissioned in 1917 and sailed until 1963. In 1964, it was anchored in Tokyo Bay for use a hotel during the Tokyo Olympics. This jigger is engraved "Olympiske Leker", indicating that it comes from the short time the liner was used during the games...

A vintage sterling silver napkin ring, the front decorated with three bears, probably an allusion to the children's story, "Goldilocks and the Three Bears." The back is engraved "Tony" and the interior is stamped "Sterling".

America, ca. 1940. Condition: very good, light wear from polishing, no dings. Weight: 23.4 gr.

Kawase Hasui
Evening Snow, Edo River, 1932
Size: Oban, approximately 16.0 x 10.5 inches.
Publisher: Doi. This edition posthumous.
Condition: Excellent.
Provenance: The estate of Henry Colyer, father of woodblock print artist Ted Colyer.

This is a wonderfully hand-carved netsuke depicting Bakemono "Unreal Thing or Goblin" with a Rokuro-Kubi (whirling Neck), in other words a Goblin creature with an expanding neck like the spring of 'Jack-in-the-box", that, according to legend, twists its head around and leers in the faces of sleepers. The creature is standing on one foot and appears to be praying. Amber Double inlaid eyes. Unsigned, but attributed to the 20th century Japanese artist Koraku...

Height approximately 26 cm. A chip at the hat. In good condition.

Chinese calligraphy painting of a famous poem "Li Bai" originally written in the Tang Dynasty. This poem has been rewritten by artist Zhongshan in Autumn of ??22 in Nanjing. Approximate translation of the poem is as follows: "The sun shining (white), the furnace being prepared and the smoke spreading throughout. The waterfall bubbling in front of the river and flowing (with drops of water splashing)..." Size of paper: 53" high x 18 1/4" wide...

A very large albumen print of the statue of St. George by Donatello. Originally sculpted about 1416 for the Orsanmichele in Florence, the statue and niche are now at the Bargello. The photograph is very large and dates to the last quarter of the 19th century. Since at that time there were no enlargers, the glass plate negative would have been of the same size as the image...

A very rare pair of hand guards or constructed from a course woven fibre each incorporating three rows of shark's teeth secured with a fine hand made string or cord. These 'gloves' were made on the Gilbert Islands (now Kiribati) probably during the first half of the 20th Century. Condition: excellent - the fibre is frayed in places but apparently no damages or losses...

Ohara Koson
Playing Monkeys
Size: O-tanzaku. Approximately 14.5 x 7.5 inches.
Date: 1920s-30s.
Reference: K41.17 on pages 57 and 200 of Crows, Cranes and Camellias: The Natural World of Ohara Koson (Reigle Newland).
Publisher: Daikokuya/Adachi.
Koson signature at lower left.
"Made in Japan" stamped on back.
Condition: Excellent. Uncirculated. Bend at tip of bottom left corner.
Provenance: The Robert O. Muller estate.
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An unusual mid-Century Taxco version of the classis sterling silver thimble jigger. Like most Mexican silver of the era, this piece has tremendous weight and a simple charm. The rim is engraved “Just A Thimbleful 1-1/4”. The bottom bears the hallmark of A. Dominguez and the Eagle stamp used in the late 1950s.

Origin: Mexico, ca. 1955. Condition: excellent, no dings. Dimensions: 1-11/16” tall. Weight: 41.4 gr.

An interesting sterling silver double jigger in an inverted cone shape. Interestingly, every surface is hand engraved in an ornate paisley-like pattern. The interior is marked “Sterling”.

Origin: America, ca. 1900. Condition: excellent, two small dings only visible from the interior. Dimensions: 4-1/16” tall. Weight: 47.1 gr.

This eye-catching porcelain composition covered in red-glaze and highlighted with sensational gold-leaf inlay is an iconic design often employed by Ono Hakuko.

Ono Hakuko (1915 -1996) is an important figure in the world of Japanese ceramics and one of the only women in the field to gain wide acclaim and recognition for her work...

A very large size 12" (30cm) high Chinese mid 20th C. porcelain famille rose with five boys climbing to the Buddha's body. In excellent condition. H:30cm

This small vessel, similar in a shape to a tokkuri, is a fine example of Oni Shino (carbon trap and natural ash glazing) that Tsukigata is so well-known for. Coining the term in the mid-50’s after countless failed experiments—which ultimately culminated in the discovery of this unique style of pottery—“Oni” translates roughly to demon or ogre...

A mid-Century frosted glass cocktail shaker by the Federal Glass Co. The shaker is decorated with a colorful scene of dancing Native Americans with teepees and smoke signals in the background.

Origin: America, ca. 1950. Condition: excellent, all original, no chips or cracks. Dimensions: 10" tall.

Tattoo ink container of cylindrical shape decorated with a monkey in relief, in a rather aggressive posture, holding the container with its four paws. Wood, with a fine dark brown patina. The piece is nicely mounted on a custom plexi stand. Height (without stand): 6.5 cm. Old restoration on one of the limbs (almost invisible), otherwise very good condition.

A Peach Bloom Taibaizun Pot with Six-Character Mark of Qing Dynasty Emperor Kangxi Condition Report: Good Condition Provenance: Property of a NY collector Dimensions: Height: 3 3/4 inches (9.53 cm) Medium: Porcelainware

A Very Rare Blue-White Vase with a Portrait of Lao Tzu, Founder of Taoism and Mark of Ming Dynasty Emperor Chenghua Reign The vase is exceptional in both its design and figure-painting motif. Condition Report: Good Condition Provenance: Property of a CT Collection Dimensions: Height: 15 3/4 inches (40 cm) Medium: Porcelainware Terms & Conditions of Sale NYDJ Chinese Art Gallery advises its prospective buyers to evaluate each lot of its auction with discretion and self-provided professional...

A Rare Junyao-Styled Sky-Blue Glazed Brush-Washer with a Rosy Splash Motif and Two Year-Handles Condition Report: Good Condition Provenance: Property of a MA Collection Dimensions: Height: 3 inches (7 62 cm) Diameter: 5 3/4 inches (14.7 cm) Medium: Ceramic

A Rare and Exquisite Jade/Jadeite Marla Bead-String for Meditation Weight: 213 grams Length: 14 1/4 inches (36.2 cm) plus a 4-inch-long fringe Condition Report: Good Condition Provenance: Property of a MA Collection

Unavailable

A Rare Tang Dynasty Bronze Mirror with Archaic Shanzi Motifs Diameter: 7 5/8 inches (20 cm) Condition Report: Good Condition Provenance: Property of a MA Collection

A Rare Ming Dynasty Tianhuang Stone Seal with a Tiger-Knob The seal is carved with four Chinese characters Hao Qi Chang Cun, meaning the deed of bravery will forever exist as Heaven and Earth. Weight: Approximately 420 grams Width & Thickness: Approximately 2 X 2 inches (5.1 X 5.1 cm) Height: Approximately 4 (10.2 cm) Condition Report: Hand-Carved, Good Vintage Condition Provenance: Property of a MA Collector

A long Japanese ranma / transom Finely hand carved from Keyaki (hardwood), beautifully carved with a scene of cranes underneath the branches of a pine tree. Edged in black with attractive woodgrain. Original Condition Size: 73.5" length, 17.5" height, 1" depth

Pilgrim's coat made of asa (hemp) with hand-written Buddhist sutra. It also has stampted Zao Gongen who is a main image of the Kinpusen-ji temple and Ominesan-ji temple. It has many red stamps of holy places where the pilgrim had visited such as Ominesan-ji, Kinpusen-ji, Zaodo etc. which are located between Wakayama and Nara prefecture where "shugen-sha ( holy man )" has been practicing Shugendo. The area was designated as "World Heritage". The first half of the 20th century. In excellent condit...

Fantastic execution of the Shino pottery style in the form of a bold and attractive Henko vase. The feldspar glazing and visually captivating red scorch marks serve as a backdrop for several attractive and well placed kiln effects—overall an exceptional piece by this artist.

Ando Hidetake was born the third generation of a Mino pottery family in Gifu prefecture in 1938. He began as an apprenticeship under Kato Tokuro in 1960. A testament to his skill, he was accepted for the first...

Japanese framed print by sosaku-hanga artist Haku Maki (1924-2000) titled "Work 73-122". Depiction of a bright embossed persimmon against black background. Signed in pencil with red artist's cartouche. Set in a black and gold wooden frame. Size: 17.25" height, 14" width (entire frame) 11.25" height, 8.5" width

Kawase Hasui
Rain at Shuzenji Hot Spring
Size: Oban. Approximately 15.25 x 10.25 inches.
Date: 1933
Publisher: Watanabe Shozaburo. Bears the Watanabe "E seal" used between 1932-42 and consistent with a first edition.
Condition: Excellent with slight fading.

Japanese framed sumi print by abstract artist Toko Shinoda (1913-present). This print is titled "The Shade", with very light shadows and intersecting calligraphy lines with a streak of red. Number 14/50, signed in pencil. Size: (entire frame) 16.75" length, 13.75" width, 1" thick (artwork only) 11" height, 8" width

Located at the foot of an active volcano, the Ougaku kiln specializes in a type of pottery know as Sakurajima-yaki. The kiln is headed by Hashino Midori and run entirely by female potters who strive to infuse each piece they produce with the “energy” of the surrounding environment. Pieces such as the one featured here are made from volcanic ash and mineral-rich onsen spring water giving them a unique luster that is difficult to reproduce. In addition, each pieces is made by hand, one-at-a-ti...

Paul Jacoulet
Tatooed Woman of Falalap, West Carolines
(Femme Tatouée de Falalap Ouest Carolines)
Date: July 5, 1935.
First edition: 91/150 numbered in kanji. Fewer than 100 impressions produced.
This edition was issued without a title. The title label at the lower right was added by the original collector.
Size: Approximately 19.50 x 13.75 inches.
Jacoulet signature and watermark with mandarin duck seal.
Seal of carver Yamagishi.
Reference: "This print...

This lovely white Hagi chawan rests firmly on a wari kodai or “split foot.” The crackled milky glaze varies in consistency across the curves and contours of the bowl with some areas tending towards a faint brown, adding an interesting dimension to the landscape.

The creator of this piece Matsuura Mugen (1944 - ) has spent his life in the pursuit of perfecting the art of Hagi. In his formative years as a potter, he was fortunate enough to study under Living National Treasure Miwa...

This simple and elegant green porcelain vase was made by a student of Kiyomizu Rokubei (VI) who was well-known for creating fine porcelain pieces modeled on ancient Chinese forms.

Kato Keizan I (1886-1963) was born in Tajimi, Gifu prefecture but later moved to Kyoto and opened a kiln in Gojozaka in 1912. He specialized in Longquan style celadon ceramics—often referred to as "tenryuji seiji”—and the bulk of Keizan's work closely approximated the style of the Chinese Yuan to Min...

Takahashi Shotei (1871-1945)
Rain at Igusa
Date: Pre-1923 earthquake. Muted color version with full title.
Size: Mitsugiri-ban. Approximately 15.25 x 6.5 inches.
Publisher: Watanabe Shozaburo.
Reference: M-76 in Shotei catalog.
Provenance: From the collection of Canadian missionary Sybil Courtice, who was in Japan from the early 20th century up until WWII.
Medium: Japanese woodblock print.
Note: Blocks destroyed in 1923 earthquake.
Condition: Excell...

Unusual Low root wood table, beautiful golden color wood, the top is a cross section with dramatic burl grain radiating from the center like run rays, the base is made of a section of tree trunk. Size: 20" high x 36" long x 27" wide

Ohara Koson
Crows.
Size: O-tanzaku. Approximately 14.5 x 7.5 inches.
Date: 1910s.
Publisher: Daikokuya.
Reference: K5.10 and plate 111 in Crows, Cranes and Camellias: The Natural World of Ohara Koson (Reigle Newland)
Medium: Japanese woodblock print.
Condition: Excellent. Never framed. Full original margins.

A very rare French first standard silver (950/1000 pure silver) tastevin, the bottom bearing the coat of arms of the Confrerie des Chevaliers du Tastevin. The arms depict St. Vincent, patron saint of winemakers. The body is further decorated with the traditional raised "perles" for highlighting the reflections in the wine and recessed "cupules" and elongated "godrons" intended to concentrate the color during tasting. The handle is worked in the snake motif traditional in Burgundian tastevins....

A sterling silver vermouth dispenser in the form of a watering can. These were made by Boardman and retailed primarily at Cartier's flagship store in New York and by Tiffany. This particular example was retailed by Schroth's jewelers in Montville, NJ. When tipped, the dispenser lightly sprinkles just a drip of vermouth into the glass for the perfect martini. The bottom is marked “Sterling” and is signed “Schroth”.

Origin: America, ca. 1955. Condition: excellent. Size: 3-1/8” tall. ...

A beautifully painted porcelain blue and white Chinese vase with four maidens in elaborately designed robes, holding various objects such as flower baskets, a paint brush, and a book. Scholar's objects have been painted around the neck. The body has an interesting raised speckle texture. Unusual signature on bottom with beautiful floral design outline. Comes with hardwood stand. Dimensions: 17 1/4" Tall X 7 1/2" Wide (without hardwood stand) 1" Taller with Stand. Republic period (circa 1...

Raised, undulating ridges on a field of cobalt blue highlighted with white slip and bronze flecks around the rim, this piece conjures images of the deep and stormy sea or possibly of the vast swirling cosmos. Conceived by 20th century master Kawai Kanjiro (1890 - 1966), the combination of “gosu” and “doro hakeme” used in the creation of this work is one of his most sought after motifs.

Like so many great artists throughout history, Kanjiro refused to confine himself to one g...

A classic mid-century porcelain water jug advertising Ricard anisette. In the south of France, tradition dictates that a pitcher of water should be served alongside anise-flavored aperitifs to dilute the drink. Makers such as Ricard and Pernod provided advertising pitchers to local bars and cafes to increase their sales. The squared-off shape is less common than the traditional globe-shaped pitcher, and only became popular after World War II. This is a miniature version, about half as tall a...

A very nice cut crystal cocktail shaker in amethyst overlay. The design is a classic pattern of angular mitres emanating from oval printies. These shakers were almost always acid-signed “Japan” on the base, but someone scratched out the signature on this one. Cut glass in the Art Deco style was one of the industries established in Japan during the occupation at the end of World War II. The products were of fine quality and easily competed with European glass from the era. This shaker is...

Ohara Koson
Owl and Moon
Size: O-tanzaku. Approximately 14.5 x 8.5 inches.
Date: 1930s. This edition post 1950.
Reference: K20.6 and page 97 in Crows, Cranes and Camellias: the Natural World of Ohara Koson (Reigle Newland)
Publisher: Nishinomiya Yosaku
Condition: Excellent. Full original margins. Never framed.

Ohara Koson
Cormorants at Coast
Size: Dai-oban. Approximately 17.25 x 11.25 inches.
Date: 1930s. This edition ca. 1960.
Reference: K3.3 and page 141 in Crows, Cranes and Camellias: the Natural World of Ohara Koson (Reigle Newland)
Publisher: Nishinomiya Yosaku
Condition: Excellent. Full original margins.

Ohara Koson
Cawing Crow
Size: Dai-oban. Approximately 17 x 11.5 inches.
Date: 1930s. This edition post-1950.
Reference: K5.15 and page 140 in Crows, Cranes and Camellias: the Natural World of Ohara Koson (Reigle Newland)
Publisher: Nishinomiya Yosaku
Condition: Excellent. Full original margins.

A set of four unusual small dishes enclosed in the original signed wooden box by Kitaoji Rosanjin (1883-1959), one of Japans most famous 20th century artists. Iron reds underlie the pale earthen glaze, with a dollop of Oribe green on one side. Almost as if planned, the pieces have firing cracks filled with black lacquer, adding a fourth consideration to the standard essentials: form, design and glazing. Each dish is roughly 5-1/2 inches (14 cm) diameter. As mentioned there are firing flaws a...

Japanese woodblock print by artist Mayumi Oda (1941-present), titled "Ancient Sea Spider Conch", number 19/45 in its series. Signed in pencil. Pairs with another print titled "Ancient Sea" Largest prints she has made. Size: 38.5" height, 25.5" width

Japanese woodblock print by artist Mayumi Oda (1941-present), titled "Ancient Sea", number 19/45 of the series. Signed in pencil. Pairs with another print titled "Ancient Sea Spider Conch". Largest Prints she has made. Size: 38.5" height, 25.5" width

Tsuchiya Koitsu
Spring Rain at Matsushima
Date: 1936.
Size: Oban. Approximately 16.5 x 11.25 inches.
Publisher: Doi Hangaten, also bears Doi watermark.
Carver: Harada, printer: Yokoi.
This seal combination indicates an early post-war edition.
Condition: Excellent.

Beautiful clear and frosted glass powder box by Rene Lalique. The box consists of two pieces, a lid and lower powder section. The lid has an overall floral design and the lower section has a more restrained version of the same floral motif. The box is 3.5 inches (9 cm) in diameter and is approx 1 3/8 inches (3.5 cm) tall. The design is commonly known as "Emiliane" or Model 70. It is circa 1920 and has no chips, cracks or repairs. The base is frosted and it is signed R LALIQUE.

Paul Jacoulet
Une Averse A Metalanim Ponape, Est Carolines (Downpour at Metalanim Ponape, East Carolines)
Date: October 1, 1935. First edition. This edition was issued without a title. The title label at the lower right was added by the original collector.
Size: Approximately 18.75 x 13.75 inches.
Jacoulet signature and watermark with mandarin duck seal.
Edition: 053/150 numbered in kanji. (The edition of 150 is the earliest. Fewer than 75 impressions produced.)
Ref...

Paul Jacoulet
Jeune Fille de Saipan Et Fleurs D'Hibiscus. Marianes" (Young Girl of Saipan and Hibiscus Flowers. Marianas)
Date: June 30, 1934. First edition. This edition was issued without a title. The title label at the lower right was added by the original collector.
Size: Approximately 18.5 x 13.75 inches.
Jacoulet signature and watermark with fan seal.
Edition: 067/150. (The edition of 150 is the earliest.)
Reference: Print #1 and frontispiece of The Prints of ...

Ohara Koson
Sailing boat near sandy coast
Date: 1900s-1910s.
Size: Chuban. Approximately 10.5 x 8.25 inches.
Reference: K44.21 in Crows, Cranes and Camellias: The Natural World of Ohara Koson (Reigle Newland).
Condition: Excellent. The original "Made in Japan" stamp on the verso shows through a bit in the sky.
A very rarely seen seascape and Fuji view.

Ohara Koson
Matsushima - A bay with rocky islands and a sailing boat seen from above
Date: 1900s-1910s.
Size: Chuban. Approximately 10.5 x 8.25 inches.
Reference: K44.15 in Crows, Cranes and Camellias: The Natural World of Ohara Koson (Reigle Newland).
Condition: Excellent.
A very rarely seen seascape. "Made in Japan" stamp on verso.

A beautiful early 20th C. Chinese silver enameled square opium box in excellent condition. W:5cm x 5cm Marked. Sold to Australia

Looking as though it were cast from molten rock, this chawan has a very earthy and primal feel to it. The rich clay shows through in places hinting of ochre, yellow, and even a subtle metallic blue—cleverly mimicking the way mineral formations appear in nature. The uneven texture and pitting of the glaze serve to enhance this effect.

The artist, Asao Sosen (1897 - 1978), was known for making chagama furo (Japanese ornamental brazier used in tea ceremony) as well as “Unge” ston...