Japanese pink Coral carving of a Geisha pink with white streaks. The base is cut to fit though tightly the base the figure is smooth with no rough spots the base is slightly uneven but polished so it should be as made please ask for more images if needed . Size overall 2.75" figure alone is just under 2.5" and weighs 11 G
Snake carved out of a natural piece of twisted keyaki (paulownia) wood, stained dark brown. Japan, Showa era, perhaps a bit earlier.
H ca. 24 in.
Excellent condition.
Sambaso dancer with the typical high hat (striped eboshi) with a sun disc (round circle) on each side. In his left hand he holds suzu jingle bells; his right hand, on his back, holds a fan. Single block carving (ichiboku); keyaki (zelkova) wood, carved in a faceted way, resembling ittobori, and stained dark brown.
Japan, Taisho era, 1910s-1920s.
H ca...
Small statue of the face of Okame. Her round, full cheeks and Heian period hairdo give her head the silhouette of a penis. Her open mouth is in the form of a stylized vagina. Shunga of sorts.
Cast bronze with dark brown patina. Good details.
H 3 x D 2.25 in.
Few casting flaws, otherwise excellent condition
This type of erotic statues are regarded as funny rather than erotic. In Japan they are called waraimono, ‘something (or someone) that makes you laugh’.
Written on the inside of the original box is the artists' testimonial to this piece. Carved by famed carver Terada Keitaro (artist name : Kei'in) when he was 71 and his retirement piece. Carved in Showa 29 (1954) he went into Ryozen-zan mountain in Shiga Prefecture and found the perfect wild mulberry wood for his final masterpiece. He states he put his whole spirit and soul into this piece. Signed and in excellent condition. Ask for shipping quote.
A male figure sitting in ceremonial kamishimo dress of a striped hakama (pants) and a golden kataginu (vest) over a red kimono, his head shaped like the top of an erected penis.
Soft molded earthenware, painted in cold-applied colors and gold and silver.
Japan, 1960s or earlier.
H 4 in.
Colors and metal pigments chipping, otherwise good condition. Because of the cold application, the colors are fragile and easily wash away.
Rare subject matter
A vintage Japanese Ranma (transom) made of Kusunoki (Camphor) and Hinoki (Cypress) woods. Hand carved in deep relief depicting an auspicious Plum Blossom Tree with Bamboo and Irises. Celebrating the change of seasons from winter to spring, it shows many flower buds ready to bloom with a few blooming in all its beauty.
Age: Late Taisho through Early Showa Era (1926-1950).
Dimensions: 67 1/4" Wide x 16" High by 2 3/4" Deep
The bronze has a fine dark patina. Very fine, expressive sculpture in naturalistic style characteristic of human representation in the Post-War period.
- Signed: Yoshiaki. Japan, ca. 1960–1970. H 22.5 cm. Condition: Excellent.
*****Tachikawa Yoshiaki (1918 - 2017). He began his training as a sculptor at the College for Fine Arts in Tokyo in 1940 where he remained for a period of 4 years. He received the Japan Fine Arts Exhibition Membership Award in 1978...
A large bronze sculpture of a slender young woman undressing rendered in a quote naturalistic manner.
Brown patination. Inscribed and signed storage box and with Japanese Kanji name character on the back side of the base. H 42 cm.
Showa around 1950´s to 60´s. Perfect condition.
Made by Nakagawa Kiyoshi (1897-1977) born in Nagahama City, Shiga Prefecture. Graduated from Tokyo Art School (now Tokyo University of the Arts)...
PORTRAIT BUST OF A WOMAN
Ceramic. Signed as "KIMURA, July, 1967". Japan. approx. H 36 x 22 x 25cm (14.17 x 8.66 x 9.84in). *Other items in the photos are not attached.
selected by titcoRet
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A four panel shoji screen decorated with carvings of cranes, pine, and bamboo framed in a black lacquered frame. The screen is often seen on the side of a Japanese alcove so that the light during the day can shine in and illuminate the alcove while protecting the piece decorating the alcove. Age: Late Showa Era:1970-1980. Size: Height: 39.5" Length: 69.75" Width: 1"
Polychrome lacquered wood sculpture of a tanuki dressed as a pilgrim, carrying its baby on its back. Their eyes are in horn.
The tanuki is a kind of racoon dog which is part of the yôkai (spirits) of Japanese folklore. It is endowed with magical powers: it can metamorphose and take many different forms. This spirit is a symbol of luck and prosperity...
Maquette (scale model) of Faun Sculpture by Yasuhide Kobashi (born 1931), commissioned by Lincoln Kirstein for the Lincoln Center for the Performing Arts in its opening years. Purchased directly from the artist at the time the sculpture was first displayed in Lincoln Center in the 1960s. Signed on the Bottom of the mount...
An exquisite image of an emaciated man, the prominent bones about the eyes softly glowing pale white over the hollow cheeks. The mask is of the Yase-otoko type, and is signed on the back by the maker Iwasaki Hisahito in a carved seal above the eye. Superb craftsmanship!
Iwasaki Hisahito is a well known Mask carver currently 78 years old and still going. He was born in Oita prefecture, but moved to Nagoya then Yokohama at a youthful age...
Fine Vintage Momo Coral carving of a seated Pug French or Japanese, well carved in a seated upright position with beautiful detail no damage signature or holes. Weight is 5.3G and is 23mm h 20mm deep .
Vintage Japanese Momo Coral carved cat with bells pendant figure .75" by .75" and weighs 6.7 g the cat is well carved though one ear has been restored but not really very visible. Loop on top as well as a hole through the back of the collar to the base for stringing as a bead. selling as is .
Pair of Japanese keyaki wood carving of the fortune gods, Ebisu and Daikoku. Ebisu and Daikoku are both known in Japan as the gods of fortune and finance. Both have been worshipped together by businesses in Japan. The work contains a signature on the back, Atsushi. Age: 20th century.Size: length: 6.5" Width: 5.5" Height 17.5"
Wooden sculpture of an old man and woman taking a break from the rice harvest. They are sitting on an elevation. He is preparing his pipe, taking tobacco out of his tonkotsu. She is getting out a lunch box and two tea cups, while the tea kettle is at her feet. Behind them a sheaf of rice and two sickles. Perhaps a modern reference to Jo and Uba, the old couple on the island Takasago who symbolize longevity.
Signed on bottom: the 74 year old man, Tomoyuki.
Probably Taisho era (1912-1926...