A dish by preeminent avant-garde artist Yagi Kazuo enclosed in the original signed wooden box titled Haku Ogi Kashizara dating from the 1960s. The plate is ribbed like the surface of a folding fan, thus the name. It is roughly 7 inches (17.5 cm) diameter and is in excellent condition.
Yagi Kazuo (1918-1979) was one of the most influential Avant Garde potters of 20th century Japan...

Two glazes meet in the banded center of this deep Mashiko Tsutsu-chawan by Mingei Master and Living National Treasure Hamada Shoji enclosed in the original signed wooden box titled Kake-Ai-Yu Dohimo Chawan.  The shape is very much in the Mashiko tradition, with a prominent ridge in the center (Do means the midriff, and himo is a line or chord) of a strong form which exudes confidence and strength born from utilitarian purpose.  It is a superb example of work by this most sought artist. 
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Representing the culmination of over 1,000 years of Shigaraki potting tradition, this bold guinomi with rough exterior and natural ash glazing was produced by well-known and admired potter Takahashi Rakusai

Born Mitsunosuke, the eldest son of Takahashi Rakusai III, the fourth Rakusai potter succeeded the family name in 1976 with his father’s passing...

A spectacular Iga Tsubo by Shimizu Hiroshi enclosed in the original signed wooden box. Bidoro, Tombo-no-me, tobi-hai, shiseki…the surface is an exploration of kiln affects, every slight turn bringing new surprises. It is 15 inches (38.5 cm) diameter, 17 inches (43 cm) tall and in excellent condition. Due to size the cost of shipping will be accrued separately.
Shimizu Hiroshi was born the grandson of the first generation potter Shimizu Rakuzan in Mie prefecture in1941...

A large Plate by Living National Treasure Hamada Shoji enclosed in the original signed wooden box titled Mori-sara. Splashes of black supplant the rich red Mashiko glaze. It is 12 inches (31.5 cm) diameter and in fine condition.
Hamada Shoji was born in Tokyo, and enrolled in the Tokyo Technical University at the age of 19. In 1918 he met the important British potter Bernard Leach, and the history of ceramic arts was forever changed...

A faceted bottle-form vase with ukibori designs by Kawai Takeichi enclosed in the original signed wooden box. It is 11 inches (27 cm)tall, 4 inches (10 cm) square and in excellent condition.
Kawai Takeichi (1908-1989) studied the art of pottery under his legendary uncle Kawai Kanjiro in Kyoto from the age of 19. He stayed with Kanjiro for many years, one of his most loyal supporters, and the two were very close...

Like many pottery traditions in Japan, Karatsu takes its name from the city where it originated. As early as the 15th century, Korean potters heavily influenced the development of this form—helping to endow it with the earthy, simple, and natural qualities it is so appreciated for...

This small vessel, similar in a shape to a tokkuri, is a fine example of Oni Shino (carbon trap and natural ash glazing) that Tsukigata is so well-known for. Coining the term in the mid-50’s after countless failed experiments—which ultimately culminated in the discovery of this unique style of pottery—“Oni” translates roughly to demon or ogre...

Fantastic execution of the Shino pottery style in the form of a bold and attractive Henko vase. The feldspar glazing and visually captivating red scorch marks serve as a backdrop for several attractive and well placed kiln effects—overall an exceptional piece by this artist.

Ando Hidetake was born the third generation of a Mino pottery family in Gifu prefecture in 1938. He began as an apprenticeship under Kato Tokuro in 1960...

A set of four unusual small dishes enclosed in the original signed wooden box by Kitaoji Rosanjin (1883-1959), one of Japans most famous 20th century artists. Iron reds underlie the pale earthen glaze, with a dollop of Oribe green on one side. Almost as if planned, the pieces have firing cracks filled with black lacquer, adding a fourth consideration to the standard essentials: form, design and glazing. Each dish is roughly 5-1/2 inches (14 cm) diameter...

This is a stunner; a piece exemplifying the style of this incredible artist! Radical black florals decorate the rich iron sides of the bowl, tapering ever so slightly closed toward the top to help trap the aroma of the green tea within. Imagine the color contrast of dark earth-tones with the foamy maccha inside! It comes enclosed in a fine kiri-wood box endorsed by Kawai Koha, current head of the Kawai Kanjiro Museum...

Running up to the end of our 60s and 70s ceramics, here is a great piece by a student of Yagi Kazuo, Yoshitake Hiromu (Hiroshi) enclosed in the original signed wooden box and dating from the late 60s or early 70s encapsulating the feeling of rage against conformity then rupturing the Japanese ceramic world. It is 6 x 14 x 16 inches (15 x 35 x 40 cm) and is in fine condition...

Highlighting our trip back to the years of change in the sixties and seventies is this masterpiece by Miyashita Zenji exhibited in 1972. The box is titled Ban, Shizukana Kukan no Tame ni (Basin, For a Quiet Space) and signed Zenji-saku, dated inside Showa 47 (1972) with a notation stating this piece was displayed at the 2nd Gendai Nihon Shinjin Sakka Ten (2nd Modern Japanese New Artists Exhibition). The piece is 43 x 51 x 21 cm (17 x 20 x 8 inches) and weighs 16 kgs (35 pounds) plus the box. ...

A thin roughly textured plate by avant garde Yagi Kazuo titled cryptically Nanbanzara (The Southern Barbarians Plate) and enclosed in a fine Shiho Kiri-wood box endorsed by his son Yagi Akira. It is 10 inches (26 cm) diameter and in fine condition.
Volumes have been written about pioneering artist Yagi Kazuo (1918-1979) and I am sure he needs no introduction. His birth on Independence Day seems to have been a portent of things to come. He was the son of the ceramicist Yagi Isso, and gr...

A kaki (persimmon) is playfully rendered in orange and green on the wide white sides of this green bordered square bottle by Avant-garde Sodeisha Potter Kumakura Junkichi enclosed in the original signed wooden box. It is 15 x 6.5 x 12 cm (6 x 2-1/2 x 5 inches) and in excellent condition.
Junkichi began working in ceramics in the 1940s, his works submitted to innumerable National and International Exhibitions including the Japan Art Festival, New York and the international Arts and Craf...

Rope and cloth patterns are impressed creating deeply textured shadows on this free form ceramic sculpture awarded the Kyoto Governors prize, and dated on bottom Heisei 10 (1998) by Yasuda Kayo. A pale ash glaze runs in sheets and rivulets over the lined and creased surface, with the top bursting open. This piece is 15 kilograms, 16 inches (40 cm) diameter, 18 inches (45 cm) tall and in fine condition. All the Yasuda family pieces are from the Matsui family collection of Fushimi, an extensive...

A sculptural Green form by Yamazaki Akira (Yamazaki Koyo II, b. 1927), one of several enigmatic works we have acquired by this artist dating from the 1970s to early 80s. With the right lighting we can see a pattern of large black spots under the glaze on the bottom half of the body reminding me of the flintstones. The vase is 17 x 7-1/2 x 10 inches (43 x 19 x 25 cm) tall and in fine condition, signed on the base Akira. There is no box.
Akira’s father Yamazaki Koyo (1890-1979) was d...

Form and Texture, a beautiful white vase by Taniguchi Ryozo enclosed in the original signed wooden box. It is 8-1/2 inches (22 cm) tall and in fine condition, dating circa 1973.
Ryozo (1926-1996) studied initially under Kiyomizu Rokubei VI. He was first accepted into the Japan Academy of Arts exhibition in 1948, and subsequently into the Nitten National exhibition in 1951 and exhibited there often after, receiving many prizes including the Hokuto-sho, Prime Ministers Prize and Kiku-ka-s...