Conceived by 20th century master ceramicist Kawai Kanjiro—here an abstract depiction of flowers is used to adorn an exquisite “henko” shaped vase. The glaze used is known as “tetsu-yu” for its use of iron compounds to achieve this distinctive look. Though many pieces by Kanjiro remain today, this exact combination of style, shape, and glazing is uncommon, making this a must-have work for serious collectors...

With pottery shards from excavated kilns dating back to the 5th Century, Mino-ware is one of the oldest and most revered pottery traditions in all of Japan. Though the piece featured here does not fit neatly into any of the typical categories of Mino pottery such as Kiseto, Setoguro, Oribe, or Shino; the shape and overall feel of this piece unmistakably places it within this pottery tradition...

Yuzo Kondo is one of the more recognized names in the world of modern Japanese pottery of the 20th century. Though known mainly for his sometsuke creations (blue and white porcelain), he did not settle on this style until well into his potting career that lasted over seven decades. The piece shown here then would be from an earlier period and is evidence of his competency with varied styles and glazes—not just the one he is most well-known for...

A fine, antique handmade pure silver tea kettle (ginbin) with knobbed surface covering the body. Each knobbed, Arare, is meticulously formed and added. Open-work knob on lid with finely worked details. Signed in the botton: Dai (great) including small pure silver mark (gin). Fitted kiri-box. H 17 cm (with handle), D 13 cm. Weight: 387 g. Condition: Excellent, used item , a slight dent on the left side of the sprout.

This is a set of a vintage Japanese porcelain tea plate, which was made by a Human National Treasure, Kaiji Tsukamoto (1912-1990) about 40 years ago.

This legendary star potter was honored in 1983 with the most importend award "Living National Treasure/Japanese Human National Treasure.

Flowers are molded on the plate. The seal of his kiln is stamped on the bottom.

The original wooden box with the signature of his kiln name & his profile are also included...

Sophisticated Hagi Chawan by Living National Treasure Miwa Kyusetsu X (Kyuwa) (1885-1981) with warekodai made 70 years ago.

Many of Miwa's chawan have a split cross footring called a warekodai that was favored by busho chajin (warrior tea men); it traces its origins to Korean chawan. This chawan has a rare warekodai with only one split.

Miwa Kyusetsu X was a member of the group around Rosansin an Arakawa, which revived the momoyama ceramic...

This small vessel, similar in a shape to a tokkuri, is a fine example of Oni Shino (carbon trap and natural ash glazing) that Tsukigata is so well-known for. Coining the term in the mid-50’s after countless failed experiments—which ultimately culminated in the discovery of this unique style of pottery—“Oni” translates roughly to demon or ogre...

The term “Raku” was once reserved for a style of pottery produced by a specific household in Kyoto that began over 450 years ago. Over the years, as it gained popularity, several branch kilns were established (Ōhi, Tamamizu) and a number of other lineages arose making pieces in the style of Raku, though they were not formally associated with the Raku household...

Over 400 years ago the first Takatori potter known as “Hachizan” was brought to Japan by the powerful Kuroda clan and was tasked with establishing a kiln in the town of Fukuoka...

A beautiful example of Ohi inspired Raku-ware; the body of this stylish tea vessel is a mix of a dark black gradating to charcoal grey with undertones of reddish maroon. A hasami-no-ato mark can be seen where the tongs were used to remove this piece from the kiln, and the potters mark can be seen near the foot of the bowl. Simple and refined, perfect for collectors and practitioners of tea alike.

Born into a generational line of tea-ware potters from Kanazawa, Fumiaki Kaihatsu (b...

Unusually large ca.1935 iron tea pot made for the hearth 'irori' in old japanese minka farmhouses. Stamped with the famed Nambu Iron Foundry in Tohoku Northern Japan, the inscription reads, 'Tetsubin Nambu Seido' iron teapot made at the Nambu Foundry. What makes this tea pot special besides the size is the 'arare' (hail) pattern of raised protrusions. Very art deco. 47cm tall x 43cm wide. Ask for shipping quote.

Unlike many of the pieces in the genre of Kyo-ware, this tea bowl is decidedly demure in appearance. Milky, flowing glaze pools in places along a backdrop of ivory and coral pink sides, contrasting nicely with the rough, unrefined clay of the base. In the center of the kodai is a decorative swirl pattern reminiscent of the yin and yang.

The potter, Kanpu Kawanabe (1873 - 1947) was born into a family of weavers but went on to be trained in many of the arts related to tea ceremony...

Exceptional tea ceremony ceramic sweets box from the Taisho Period C. 1925. Natural dyes used to achive the stunning art deco alternating striped look. We have it on a tansu and it fills the room. Sits on 3 delicate legs and the top has a glazed pull to open the lid. 5" wide x 3 1/2" deep x 2 1\2" tall. Ask for shipping quote.

Crafted by one of the most well-known potting families from the Meiji period (Ito Tozan), this black Raku tea bowl displays a glossy sheen and gentle swells rippling through the clay body. The shape of the this tea bowl is known as “tsutsu” in Japanese and is regarded as being especially attractive. Tsutsu bowls are used mainly in the depths of winter to keep in the heat and prevent the tea from cooling too quickly...

Occasionally while browsing through the temple markets of Kyoto or perusing backstreets tea-ware shops, an attractive piece will catch my eye for no particular reason. When this happens, I typically buy it immediately without hesitation, trusting that I will be able to place it to a specific period or kiln given enough time and research...

Our favorite style of tetsubin iron tea pot. From the famed Nambu foundtry in northern Japan, this 'arare' or hail style design is very art deco. Stamped with the foundry seal, the tea pot is 9" tall and 8" in diameter. Excellent condition. Ask for shipping quote. Ca. 1950

Wonderful Art Deco-like Taisho Period c.1925 bronze ususbata flower vase. Thick bronze with bamboo in raised relief and very rare and unusual 3 ring tripod base. Used for tea ceremony. Ask for shipping quote. (H:10" ; W:8")

Rare Nezumi Shino Chawan depicting Manji symbol made in the middle of 20 century.
Manji Buddhist symbol has Sanskrit roots and means “the mark of well being.”

Size
8cm high
12.8cm wide.


No damage