3 pieces of early 20th C. Chinese porcelain scholar ink box all in excellent condition, marked Qianlong but it's Republic period. D:6.5-7cm Sold to UK

Kashigata (wooden sweet mold,) Kame (turtle) motif; Japan, early 20th C. Paddle-type mold to make 4 pieces sweets. L.13.75"(35cm) x W.2"(5cm) x H.1"(2.5cm.) The turtle symbolizes long life in many Asian cultures and was a popular motif for celebratory occasions such as weddings and New Year's. Sweet molds, “kashigata,” have been a part of confectionary culture around the world. Well-known examples in Asia come from Japan, China, Korea, and Indonesia...

Kashigata (wooden sweet mold,) Cherry Leaves motif; Japan, early 20th C. L.8.5"(21cm) x W.5.0"(12.75cm) x H.1.5"(4cm.) As a symbol of spring, the cherry is often depicted in blossoms. But in this case it is the leaves that are featured. There are actually sweets that are wrapped in cherry leaves. Sweet molds, “kashigata,” have been a part of confectionary culture around the world. Well-known examples in Asia come from Japan, China, Korea, and Indonesia...

Japanese obi, nagoya style, painted with two noh masks on soft satin silk. The base color is a gentle pink/wisteria color with earth-tone. Taisho/Early Showa.

Kashigata (wooden sweet mold,) Kiku (chrysanthemum) motif; Japan, early 20th C. L.7"(17.75cm) x W.3.5"(8.7510cm) x H.1.375"(4.5cm.) The chrysanthemum is a symbol of late fall and also used for celebratory occasions. Sweet molds, “kashigata,” have been a part of confectionary culture around the world. Well-known examples in Asia come from Japan, China, Korea, and Indonesia. In Europe; countries such as Germany, Holland, and England have a rich history of cake mold production...

Kashigata (wooden sweet mold,) Noshi Kombu (kelp wrapper) motif; Japan, early 20th C. L.8.5"(21cm) x W.3.625"(9.25cm) x H. .75"(2.25cm.) Condition Note: Only bottom piece of mold. No top cover. The symbol of the kelp wrapper is used for all celebratory occasions. This is the traditional wrapping (now string or ribbon) for offering and gift envelopes. Sweet molds, “kashigata,” have been a part of confectionary culture around the world...

Kashigata (wooden sweet mold,) Hi No De Tsuru (Rising Sun Crane) motif. Japan, early 20th C. L.7.0"(18cm) x W.3.75"(9.5cm) x H.1.625"(4cm). The Crane symbolizes long life, as does the Tortoise, in many Asian cultures. In Japan, it was a popular traditional motif for celebratory events such as weddings, New Year's, and birth. This particular example shows the rising sun, a symbol of Japan, behind the crane...

Size: 19.5 cm high. Condition: excellent.

Kashigata (wooden sweet mold) with a dynamic image of a minogame (mino = "straw rain cape," kame/game = "turtle/tortoise.") Early 20th C., Japan. L.13"(33cm) x W.5"(12.5cm) x H.1.125"(2.75cm,) 1 piece paddle type mold. Some minor insect damage to back of mold (see enlargements 4 & 5.) The tortoise is a symbol of long life in Japan, and in Asia in general...

Kashigata, mold for making Japanese sweets, in the shape of a wasabi root. Carved wood, ca. early-mid 20th century. H.1.5"(3.75cm) x L.8.25"(21cm) x W.3.5"(8.75cm). Kashigata have long been in use for making molded sweets in Japan and many other parts of the world (especially Asia and Northern Europe.) In Japan, shapes often include felicitous or auspicious themes for luck, long life, wealth, etc. This one, shaped as a wasabi root, is unusual and interesting.

Lifetime edition Japanese shin hanga woodblock print titled "Yumoto Spa, Nikko" by Kawase Hasui (1883-1957) dated in the left margin Showa 12 (1937). The artist's black ink signature and red seal are at the right edge of the image. Post-WWII edition bearing the round 6mm Watanabe publisher's seal at the lower right corner. Paper: 15 1/8" x 10 5/16" (image: 14 1/4" x 9 1/2"). Good overall condition. There is a fade line evident across the top of the image...

Japanese. Woodblock print by Kawasaki HASUI 'Evening at Itako' 1930. Image 36 x 24 cm. Currently framed but can be removed for shipping. Strong colour some fading.

Statue of a Taoist exorcist ("yingong"), in formal attire, sitting on a throne, holding his commandment baton in his right hand and a bowl containing the lustral water in his left. Wood, coated with polychrome painting. Animal hair used to represent the moustache and the beard. Votive box at the back, lid missing. China, early 20th century. Height: 25 cm. Painting partly flaking, otherwise very good condition.

Tsuchi Ningyo, Clay Doll. Kintaro with Giant Carp. ca. early 1900's...

Japanese silken kimono with bright shades of orange, goldenrod, and tan in a mist pattern, with triangular patterned silk panels and military style buttons in front. It is lined with pretty ivory silk with light pink grapes and grape leaves. Taisho period (1912-1925) Size: 35" h eight, 49.5" width

A Tsuiki Jippo Cloisonne Enamel Writing Box (Suzuribako), 
Ando Company, early 1930’s .

The box is formed from heavy gauge copper, the lid decorated with tsuiki-jippo enamels in relief on a raised design of a Shinto shrine in a wooded setting, a Torii and lantern also present. The interior has been applied with a coarse cloth lacquered with both clear and red lacquer in an abstract design and contains a hardwood tray with fitted inkstone and tsuiki-jippo water-dropper. The base ext...

This is a truly beautiful large pair of Japanese cloisonne vases. They stand 8 inches tall and are 8 1/2 inches across. The workmanship on these is tip-top quality. Not signed but were probably made by Ando or Gonda.Condition is excellent and the rims are silver.

Freeform crimson oriental poppies on a rich yellow ground, silver wire and rims.

This 6.125" vase is in excellent condition with only minimal pitting.