Height approximately 32.5 cm. In good condition.
Rare Japanese limited edition sosaku hanga woodblock print by Shizuma Uchida (1906-2001) titled "Chichibu Mountainous Region." The title and signature of the artist are in black ink at the lower right with the artist's red seal below. The bottom margin is pencil-signed "S. Uchida," titled in kanji, and numbered 6/20. Paper: 11 1/2" x 14 3/4" (image: 10 1/2" x 14"). This image is undated, but the artist was known to have been active as a printmaker in the 1930s. Very good overall condition...
A long woman’s summer obi made of thin silk, woven in jacquard and openwork techniques with chrysanthemums or asters interlaced with fences of plaited bamboo leaves. On this, in Yuzen dye technique, imitating an ink drawing, several areas painted with cart wheels floating in waves.
The obi has been opened; a practice quite common in order to have the material cleaned. There is a paper (dry) cleaner’s tag on the obi.
Japan, ca. 1950s.
L ca. 13 ft, H ca...
Chinese Antique tooled brass - bronze wine pot , we have attributed t6his to Chine based on the floral pattern with the lotus flower in the center missing a tiny finial lid. 6.5" high 5.2 wide
Vintage pair of cut jadeite pieces to be used as Chinese scholar’s scroll weights. Stone of olive green color with natural lines and differently colored veins, sides showing the skin of the boulder from which the pieces were cut. Nicely polished, very pleasing objects for a scholar’s desk. Height (left one of the first photo) 2 11/16 inches, weight of the left one 265 grams (9.4 ounces), the right one 210 grams (7.4 ounces).
1930's Chinese Famille Rose Porcelain Guardian Figurine 土地公
It is 15 inches (38 cm) tall by 7.9 inches (20 cm) wide. It is 6 Lb.
It has dark spots and surface wears and scratches (as seen in the photos).
Our Guarantee: We stand behind all of the items that we sell. That is to say, if you purchase an item from us and are unhappy with it for any reason, return it for a 100% refund of the amount you originally paid...
Piece #2 Fine Tibetan antique bronze figure with traces of red orange paint. The sculpture shows Vajradhara ( Manjushri), in his tantric aspect in embrace with his consort, Shakti, in a position of sexual union known as Yab-Yum literally Father-Mother in Tibetan and Maithuna in Sanscrit. Size H 4.5" d 2.5" w just under 4"
Long obi, woman’s sash for fastening a kimono. Silk with decoration in yuzen silk painting technique and silk and gold- and silver-thread embroidery. The story of Momotaro, Peach Boy, fully illustrated. The old couple, Momotaro’s foster parents, the boat that brings Momotaro and his friends the dog, the monkey and the pheasant to the island of the demons (Onigashima), the demons surrendering the treasures they stole. Momotaro, with the banner ‘Nihonichi’ (no...
Three(3) Japanese Door Handles, two(2) in shaped Bronzed finish on copper with same design, one(1) is oval shape in black lacquered on copper , 1930's, the condition is used good condition, shows the age.
1930s Japanese studio porcelain vase of modified double gourd shape with delicate Kakiemon palette enamel decoration of a flowering branch with leaves and blossoms. Great potting, fantastic quality painting with red, blue, green, yellow and black enamels, in excellent condition. Signed on the bottom AKIYAMA in red enamel. Height 7 3/8 inches.
Studio Japanese porcelain vase with bulbous body, wide shoulders and delicate Kakiemon palette enamel decoration of flowering chrysanthemums issuing from rocks. Great potting, underglaze blue painting of the rocks, fantastic quality painting with red, lilac, blue, yellow and 2 shades of green enamels, in excellent condition. Signed on the bottom KISEN in underglaze blue. Height 8 1/2 inches, diameter at the widest 7 1/4 inches.
Fukagawa Japanese porcelain vase of square section with indented corners, and underglaze blue and enamel decoration of a flowering prunus tree with chrysanthemum flowers at its roots. Excellent quality painting, skilled use of gold, green, tomato red, yellow and white enamels. Marked in blue enamel on the bottom with a mountain and inscribed FUKAGAWA TSUKURU (made in Fukagawa). Height 7 1/8 inches.
OFUKUSAN
Humorous Japanese *Ofukusan pottery figurine with such powerful face. Showa period, 20th century. approx...
Oversized limited edition Japanese serigraph (silkscreen) print layered with special heavy textured inks to create a dimensional effect by Yukio Katsuda (b. 1941), pencil titled "No. 94," signed Y. Katsuda, dated '76, and numbered 29/100 on the bottom margin. Paper: 17 1/2" x 12 1/2” (image: just over 14" x 9 1/2"). Very good overall condition. Printed on thick laid paper with full margins. The original price of 12,000 yen is on the bottom right corner of the back...
Oversized limited edition Japanese serigraph (silkscreen) print layered with special heavy textured inks to create a dimensional effect by Yukio Katsuda (b. 1941), pencil titled "No. 99," signed Y. Katsuda, dated '76, and numbered 57/100 on the bottom margin. Paper: 17 3/8" x 12 5/8” (image: 14" x 9 1/2"). Very good overall condition. Printed on thick laid paper with full margins. The original price of 12,000 yen is on the bottom right corner of the back...
Conceived by 20th century master ceramicist Kawai Kanjiro—here an abstract depiction of flowers is used to adorn an exquisite “henko” shaped vase. The glaze used is known as “tetsu-yu” for its use of iron compounds to achieve this distinctive look. Though many pieces by Kanjiro remain today, this exact combination of style, shape, and glazing is uncommon, making this a must-have work for serious collectors. Interestingly, though it may likely not have been intentional, the abstract sym...
Antique garment fragment, judging from button loops, the front of a coat, 21" by 14 1/2" framed, a dragon design at center. The fragment shows his age, with a stain at bottom and overall aging of the material. Probably late 19th or early 20th century. Material is likely silk.
A fragment of old Chinese micro stitch needlework, 18" by 9 3/4" (23 1/2" by 15" in attractive black frame and light green backing material), the imagery including classic temples, vegetation, insects, and even two tiny figures (and maybe portions of sampan-style boats). The silk stitch is very small and intricate, the colors bright, though I do note that the edges are frayed and at top stained. Proper framing could hide this.