This Soloman island scale model canoe is ornately decorated mother of pearl inlay. It is complete with fixed seats, 7 paddles and rides on the back of a dolphin. Carved from hardwood, presumed to be teak, it was brought back to the US with an American GI, serving in the Pacific islands during WWII.
The canoe spans 29 inches and in beautiful condition.
This dagger was made from the leg bone of a cassowary bird. It was carved and used as a weapon by one of the indigenous tribal groups of Papua New Guinea, aka PNG. Approx 8 inches long with great patina and makes a wonderful example of an ethnographic artifact.
A simple long stick design model with a super tick glossy patina
From Tamang people from central Nepal
Obvious signs of use from early 20th
Height 33 cm, presented on a metal stand
From our African Collection: a Beaded Yoruba Fertility Figure, 12" across base, 40" h. From the 1940s.
Yoruba figurative sculptures for shrines dedicated to various deities often depict female devotees accompanied by children and holding bowls for kola nuts or other offerings. The Lid can be taken off to hold spices, herbs, food, nuts and other offerings to the fertility gods.
Wonderful Japanese figure of the Buddhist deity Bishamonten (Hindu name: Vaisravana), made out of iron. Bishamonten is cheif of the Four Heavenly Kings and is the guardian of the northern direction (in Japan he is one of the Seven Lucky Gods), he holds a small pagoda in one hand symbolizing the divine treasure house, whose contents he both guards and gives away. Signed by the artist: Seiun. circa mid 1930's.
Size: 25" high x 12" wide x 9" deep.
Mounted Chinese painting of goldfishes swimming among lotuses attributing to the Taiwanese artist Ou Hao Nian (1935~). The view appears as if it was a view of the lotus pond during the rain. The painting contains a signature and seal of the artist. Age: Late 20th century Size: length 42.25" height 23.25"
A Chinese hanging scroll portraying a group of lotuses set in a marsh-like environment with a butterfly flying over the flowers. The work contains a seal and signature of the noted artist, Qi Baishi (1864-1957). Qi Baishi became famous through his independent studies in Chinese painting and his energetic brush strokes and styles evolved Chinese art in the 20th century. Age: Late 20th century Size: Height 86" Width 23"
Japanese traditional tribal robe worn by the Ainu people of Northern Japan. Hand woven out of fine strips of elm bark with wide strips of dark indigo cotton cloth with chain stitch embroidery. minor wear consistent with age.
Circa 1920's
Length: 50 inches.
Beautiful scroll painting by Chinese artist Chang Dai-chien (1899-1983) of a variety of blooming monochrome flowers. Signed and stamped by artist Zhang De Qian.
Size: (entire scroll)73.5" height, 32" width (artwork only) 55" height, 24.75" width
Chiura Obata
Rainbow Falls, Inyo National Forest
Series: World Landscape Series - America.
Date: 1930.
Size: 17.5 by 13 inches.
Publisher: Takamizawa Color-Print Studio, Tokyo.
Medium: Woodblock print.
Condition: A conservator has reconstructed missing paper of the upper right corner margin. Other margin edge tears and losses repaired. Toned paper.
Kawase Hasui
Zojo Temple, Shiba. From the series, Twenty Views of Tokyo.
Date: 1925.
Edition: First with the Watanabe B seal (used 1924-1930).
Size: Oban. Approximately 15.25 x 10.25 inches.
Reference: Hotei #147
Removed from the original folder.
Medum: Japanese woodblock print.
Condition: Upper left margin corner reattached by conservator. Toning at back.
A small Chinese agate carving of a tiger and her cub set on a wooden stand with motif of bamboo carved along with jagged rocks. The combination of bamboo and tigers in Chinese art can be seen as early as the Ming dynasty. The tiger, often represented as the king of the earth combined with bamboo a symbol of the mind of a literati, can be seen as the ideals of the individual. Age: 20th century Size: length 3.25" w. 2.5" height 3.25"
Antique Chinese low rectangular table (kangshuo). Made of huanghuali wood with dramatic grain. The apron is carved on all sides in a rounded scrolling vine motif.
19th century
Dimensions: 11" high x 30 1/4" long x 16 1/4" wide
Large scroll painting of a large tree sporting many twisting branches, with bright blooming flowers and leaves, and several playful squirrels climbing about or having a meal. Beautiful coloring and very detailed. Extremely fine brushstrokes are used to create the squirrels' fur. Signed and stamped by artist Huang Chu Xiang.
Size: (full scroll) 31.25" height, 62" length (art only) 26.5" height, 53" length
Ohara Shoson (Koson)
Two wild ducks near water; reeds behind
A well-known woodblock print and the original watercolor on board on which it was based.
Date: 1930s.
Watercolor size: 14 x 7 inches.
Woodblock print size: Approximately 15 x 6.75 inches.
Date: 1930s.
Publisher: Watanabe Shozaburo.
Shoson signature and seal on each.
Reference: S7.4 in Crows, Cranes and Camellias: The Natural World of Ohara Koson (Amy Reigle Newland).
Condition of waterc...
Full 6 panel Japanese screen painting of a sweeping landscape with mountains, low hills and a lake with Mt Fuji rising in the background. Around the edges of the lake are clustered tiny houses. Painted in light mineral colors and ink on paper with gold flecks.
Taisho Period (early 20th century)
Dimensions: 68 1/2" high x 142 1/2" long
A 19th century Chinese canopy lacquered bed of cypress and elmwood (ju-mu). The bed rail has a turned spindle gallery with a low relief carving of scrolling floral panels as the back splash. The canopy spandrel has turned hook-spindles for holding drapes or clothing. The main canopy lattice pattern has a centralized floral medallion. The bed platform stands on a carved gadrooned bun foot on stretcher. The facade apron has framed low relief carvings of a floral motif...
A large Japanese framed print by renown artist Mayumi Oda, born 1941. Mayumi is most well known for her depictions of male Buddhist deities presented as women. This silkscreen print is titled "Daikoku", normally a male, the god of good luck and fortune. The title, number 22/40, and Mayumi's signature are done in pencil along the bottom margin. The print itself is tastefully framed behind special UV blocking glass. Circa 1984...