Ohara Shoson (Koson)
Egret on Snow-covered Willow Tree at Night
Size: Koban. Approximately 7.25 x 5.0 inches.
Date: 1930s.
Shoson seal lower right.
Made in Japan stamped on verso.
Reference: AS.10 in Crows, Cranes and Camellias: The Natural World of Ohara Koson (Reigle Newland).
Medium: Japanese woodblock print.
Condition: Excellent. Paper at top back corner.

A beautiful Early 20th C. Chinese enamelled copper plate in olive shape with flower motif. In excellent condition. L: 11" x W: 7" $110

The painting is depicted of two beauties in between plum blossom trees and is dated 庚辰年夏 1940 summer (民國29年). Ye Darong, courtesy name as Xiangfu, son of Ye Manshu who was also a famous painter from Shanghai. Size: 20.5 (52cm) inches long.

A Chinese bronze bowl. Diameter approximately 24 cm and height approximately 10.5 cm. There is a repair mark from original production. Good condition.

Kashigata (wooden sweet mold,) Sensu (fan) motif; Japan, early 20th C. L.9.375"(23.75cm) x W.4.125"(10.5cm) x H.1.75"(4.5cm.) Condition Note: one of the posts connecting the top to bottom pieces is missing. Sweet molds, “kashigata,” have been a part of confectionary culture around the world. Well-known examples in Asia come from Japan, China, Korea, and Indonesia. In Europe; countries such as Germany, Holland, and England have a rich history of cake mold production...

Kashigata (wooden sweet mold,) Shiitake Mushroom motif; Japan, early 20th C. L.5.25"(15cm) x W.3"(7.5cm) x H.1"(2.25cm.) Condition Note: Bottom piece only, no cover piece. The wrinkled cap of the mushroom symbolizes old age and long like. It was used for celebratory occasions that called for such symbolism. Sweet molds, “kashigata,” have been a part of confectionary culture around the world. Well-known examples in Asia come from Japan, China, Korea, and Indonesia...

Kashigata (wooden sweet mold) with image of Jou (old man from the Noh play "Takasago.") Early 20th C, Japan. L.7.75"(9.5cm) x W.3.375"(8.5cm) x H..75'(2cm). Bottom portion of mold only. The image of Jou, the old man raking leaves and the companion of Uba, is from the ancient Noh play "Takasago." Alone or accompanied by Uba, Jou is a symbol of a long married life and fidelity. Such sweets could have been used for marriages and New Years...

This is a beautiful and colorful Table Screen with a Circular Famille Rose Porcelain Plaque. It is placed on a dark rosewood Stand decorated with openwork design of floral and foliage scrolls. The plaque depicts a detailed and colorful enameled painted scene of Birds and Flowers. Artist signed. The table screen measures 22 inches (57cm) tall, and 15 inches (38cm) wide. The round porcelain plaque measures 11 inches (30,5cm) in diameter...

Dark glaze covers this beautifully crafted Koro from Kawai Kanjiro dating circa 1936 enclosed in the original signed wooden box. It is 11.5 x 9 x 8.5 cm (4-1/2 x 3-1/2 x 3-1/2 inches) excluding the lid and is in excellent condition. The lid is of exotic hardwood with an agate finial, and is a later addition (Kanjiro did not make lids for his koro). For similar examples see the Katsukawa collection published in the biblical tome by the Kyoto National Museum of Modern Art...

Kashigata (wooden sweet mold,) Berry motif; Japan, early 20th C. 6-piece sweet mold. L.13"(33cm) x W.1.75"(3.5cm) x H.0.375"(1cm.) Condition Note: Bottom piece of mold only. No top cover. Sweet molds, “kashigata,” have been a part of confectionary culture around the world. Well-known examples in Asia come from Japan, China, Korea, and Indonesia. In Europe; countries such as Germany, Holland, and England have a rich history of cake mold production...

Ohara Shoson (Koson)
Two seated and three plowers in flight near the seaside, a full moon above.
Date: 1930s.
Paper size: Approximately 5.0 x 3.25 inches.
Publisher: Watanabe Shozaburo.
Bears the Shoson seal.
Reference: S22.2 in Crows, Cranes and Camellias: The Natural World of Ohara Koson (Reigle Newland).
Condition: Excellent.
A rarely seen design.

A beautiful art deco Cartier 1227A reproduction Paul revere sterling silver bowl. Incised with a "W" on outside of the bowl(wood stand not include). In excellent condition D: 5"

A spectacular silver and gold lid covers this small basin by Tomimoto Kenkichi enclosed in a wooden box titled Aka-e Tsutsugata Yunomi and annotated within: Made by Tomimoto Kenkichi Sensei in 1925 signed by Tsujimoto Isamu (for more on him see below). The cup is covered inside with creamy white, outside in red with decoration of gold plum blossoms. It is surmounted by a solid silver lid pierced with leafy vines and peaked with a gold chrysanthemum...

Japanese wood block print by Shiro KASAMATSU 'Evening Rain at Yanaka Pagoda, Tokyo ' 1932 Image 36x24 cm Strong colour some fading. Currently framed can remove for shipping.

A small Yixing zisha ('purple clay') teapot with enameled decoration depicting prunus blossom on one side and a dragonfly amongst lotus flowers on the other. The base carries the name Meng Chen. This item was probably made, circa 1920 - 1940, during the Republic period. Condition - very good - no damages and no restoration...

Kashigata (wooden sweet mold,) Sakura (Cherry Blossom) motif; Japan, early 20th C. Paddle-type mold to make 2 pieces sweets...

A large shiwan (shekwan) sculpture of an Aesthetic riding a pomegranate red foo lion. The glaze is thick and glass-like with a natural crackle that only comes from age. The clay’s color and some ash residue (a good thing) indicate that this piece was fired in a dragon kiln about 5 - 15 miles upstream from Foshan. The Immortal’s robes are glazed with a rich translucent celadon color. There are two peaches at his side and he is holding a single peach in his upright hand. The detail of the ...

This extraordinary vase is a truly Japanese expression of a classical Chinese form. Fashioned after cylindrical Song Dynasty pieces that are thought to have been introduced in the 9th century from Syria, the handles are of Chinese origin and represent the mythical "Fenghuang" (Hōu in Japanese). This deity, typically depicted with the body of a bird with characteristics of a dragon, is believed to have originated in the sun and is thought to symbolize virtue, wisdom, and grace. Made ...