Here is an amazing vase by the most sought after of all Japanese potters, Kawai Kanjiro dating from the 1940s, enclosed in a fine kiri box endorsed by the Kawai Kanjiro Museum. The box is signed Kanjiro Saku, Gosu Hana-ire Hentsubo, Kawai Koha (Made by Kawai Kanjiro, a Gosu blue flower vase of altered urn shape, endorsed by Kawai Koha. Koha is Kanjiros daughter, and the current head of the Kawai Kanjiro Museum...
Rough stones can be seen protruding from the unrefined ferrous clay—darkening near the base and graduating to a lighter shade as it approaches the feldspar laden lip. The inside—also covered in a smooth and viscous feldspar glaze—creates a magnificent contrast with the rough exterior...
Chinese carved hardwood stand, carved with gnarled natural motif, very heavy dense hardwood. Great condition
Early 20th century.
Size: 2" high x 22" long x 8 1/4" deep.
A large sculptural vase by Eiraku Zengoro XVI (Sokuzen, 1917-1998) enclosed in the original signed wooden box dating from the 1950s, an era when Japan was redefining its own views on art. This is an excellent example of work from that time. Born into traditional tea ware, Zengoro XVI was with the rest of his compatriots, experimenting with new ideas and new forms, unafraid of a dawning new era. This piece is 35.5 cm (14.5 inches) tall, 17 cm (7 inches) square and in fine condition...
Small protector figure in the sitting position and namaste gesture. Old and encrusted patina. H 20 cm
More information on request
Artist: Uchima (Aohara) Toshiko (1918-2000). Aohara would marry the renowned artist Ansei Uchima.
Scene: Girl in Costume.
Image area: 5.5 x 3.5 inches. A woodblock print tipped at the top to original cardstock.
Bears the "Aohara" seal.
Publisher: Kyoto Hanga-In.
Condition: Excellent.
Important and rare mask carved in wood fungus, of the tinder fungus type (fomes fomentarius), of rounded triangular form, with perforated oval eyes, incised mouth and nose in relief, probably added. Length: 30 cm. Height: 18.7 cm. The mask is nicely mounted on a custom stand. Very good condition.
NOTE: the tinder fungus is a parasite which grows particularly on the birch tree...
Kawase Hasui
Chion Temple, Kyoto (Kyoto Chionin)
Series: Collection of Scenic Views of Japan II, Kansai edition
Date: 1933.
Publisher: Watanabe Shozaburo. Black 6mm Watanabe seal lower left corner, indicating a lifetime edition printed between 1946-1957.
Size: Oban. Approximately 15.5 x 10.25 inches.
Reference: Hotei #322.
Medium: Japanese woodblock print.
Condition: Excellent color. Top back margin has one piece of tape from previous hinge...
Kawase Hasui
Mt. Fuji in Winter
Size: Koban. Approximately 5.75 x 4 inches.
Date: 1930s.
A mid-century edition tipped along the top edge to original cardstock measuring 7 x 4.75 inches.
Publisher: Watanabe Shozaburo.
Hasui oval seal at lower right.
Reference: Hotei #Hp-10.
Medium: Japanese woodblock print.
Condition: Excellent.
Ohara Koson (Shoson)
Egrets
Size: Oban. Approximately 15.25 x 10.25 inches.
Date: 1926. This edition 1946-1957.
Publisher: Watanabe Shozaburo. Watanabe 6 mm in lower left corner of image.
Shoson signature and seal.
Medium: Japanese woodblock print.
Reference: S14.4 in Crows, Cranes and Camellias: The Natural World of Ohara Koson (Reigle Newland).
Features embossing on the birds' bodies.
Condition: Back of print has toning...
A bunch of grapes in slight color under shadowy cool leaves decorate the milky white and sand toned surface of this very unusual plate by Kitaoji Rosanjin enclosed in a wooden box annotated by Living National Treasure Arakawa Toyozo dated 1968. It is 19 cm (7-1/2 inches) diameter and in excellent condition.
Kitaoji Rosanjin (1883-1959) They say adversity is the mother of invention, and Rosanjin can be said to epitomize that expression...
張大千 拄杖聽泉圖(碧綠山水畫屏系列之四) 設色鉤金紙本立軸 1959年作 款識:松雲新裹濤千尺,杖履人扶走一丘。長物随身渾已盡,看山留得两青眸。己亥五月大千居士爰。鈐印:張爰之印、大千居士、雲璈錦瑟爭為壽。出版目錄: 2006年4月:《詩外簃藏張大千書畫》(文物出版 社)施萬逸著 ; Plate 151。 2009年3月:《張大千畫集》(福建美術出版社中國名家畫集系列);Pl...
Vintage Japanese Tea Bowl of Kyo ware with laquered wooden box. This tea bowl was made around 50 years ago. The inside of the bowl is covered with gold glaze. Very rare.
Size: 7,7 cm height x 10,8 cm in diameter.
Shipping included.
Japanese large print entitled "Fruit" by the artist Reika Iwami. She was born in 1927, graduated from the Tokyo Bunka Gakuin Art College. She studied the art of doll-carving and worked under the national treasure, Hori Ryūjo before becoming a print artist in 1954. This print exemplifies her use of large abstract shapes and a muted pallet. In this print, Iwami has used mica and an embossing technique. Signed in graphite, dated 1959...
Vibrant tusty red splashes across the black glazed surface of this sculpted vase by Kawai Kanjiro dating from the 1950s enclosed in a wooden box annotated by his daughter Koha, the head of the Kawai Kanjiro Kinenkan Museum. The vase is roughly 8 by 4 by 4-3/4 inches (20 cm x 12 x 10 cm) and is in perfect condition. Kanjiro was a true artist by nature, and together with Hamada Shoji, set a pattern of study for modern potters...
Large Chinese pedestal desk, 4 sections, 4 drawers across the top, each pedestal has 2 additional drawers on either side, separate foot rest with cracked ice design, made of dark hardwood with light hardwood burl in three panels on top of desk, light hardwood burl also used on drawer fronts and on the top panels on the sides and around the back of the desk, Republic Period.
Size: 33 3/4" high x 69" wide x 27 1/2" deep.
Charming Japanese child's kimono, made of silk and printed with scenes of bird in bamboo, straw hats and Mt Fuji, lined with yellow silk, beautiful and sweet, Showa Period.
Size: 33" wide x 36" high
A vintage Japanese Okidoko (Tokonoma alcove chest) made of a dense grain Akita Sugi (Cryptomeria) wood. Originally it was used to showcase Ikebana flower arrangements, special porcelain vases, Japanese sculptures, or seasonal displays...
This large traditional Suriname Maroon wood comb has identical carvings on both sides and would have been worn for ceremonies.
The Suriname Maroons were originally sub Saharan African slaves that were brought to and escaped from the Caribbean plantations. They fled to the hills where they established their own villages far beyond the the Spanish "authorities"who then ruled the Caribbean Islands at the time.
The comb is 14.5 inches tall and 3.5 inches at the widest.
It dates from the ...
Vintage Woman's Jacket from Miao Ethnic Minority of Southern China.
Indigo Dye fabric, covered with intricate batik pattens.
lower panel on back has rows of hand woven decorative tape...
comfortable to wear or use as great wall decoration.
36 inches long x 21 inches across shoulders.
Fits med size woman...field tested...
Kawase Hasui
Carp Banner (Koi Nobori), Toyohama, Kagawa Prefecture
Date: 1948.
Size: Oban. Approximately 15.625 x 10.625 inches.
Publisher: Watanabe Shozaburo.
A first edition bearing the 6mm seal in the lower right corner, indicating a first state printed between 1946-1957.
Hasui signature and seal at lower left.
Reference: Hotei #508.
Medium: Japanese woodblock print.
Condition: Excellent. Two original drying pinholes at left margin have been sealed...
Kawase Hasui (1883-1957)
Evening Rain in Kawarago
Date: 1947
Size: Oban. Approximately 14.75 x 10.5 inches.
Publisher: Watanabe Shozaburo.
Edition: First. Watanabe 6mm seal at lower left corner. Used 1946-1957.
Reference: Hotei #504.
Stamped "Original works of art" on back.
Medium: Japanese woodblock print.
Condition: Excellent. Pencil notation at upper right margin. Partial stamp at lower right margin.
Rare "Mbangu" deformity mask, showing a distorted face. Wood, with traces of black and white pigments. Africa, Gabon, Pende Peoples. Height: 12" (30 cm). The mask is nicely mounted on a custom metal stand. Old accident restored locally, chips, age cracks, otherwise good condition. NOTE: Representations of distorted faces are rare in African art. They symbolize the effects of epileptic crisis, which are supposed to be a manifestation of the spirits. The use of black and white pigments enhances th...
Toshi Yoshida (1911~1995)
Snowy Red Temple
Date: Early 1950s.
Size: 5.5 x 3.75 inches.
Signed and sealed by the artist.
Medium: Japanese woodblock print.
Condition: Excellent.
Kawase Hasui
Title: Kawaguchi
Date: 1950s ~ 1960s.
Size: 5.75 x 3.75 inches.
Publisher: Watanabe Shozaburo
Hasui seal lower left.
Medium: Japanese woodblock print tipped along its top edge to original blank card.
Condition: Excellent.
Dance mask,of the "zakpai" type, with typical red textile around the eyes and lips. Wood, fine dark semi-glossy patina. Eyes circled with white metal. Hair arranged in braids made of weaved rope, likewise the long beard. Teeth made of animal claws. Africa, Ivory Coast/Liberia, Dan ethnic group. Total height: 44 cm. Height of mask: 24 cm. The mask is nicely mounted on a metal custom stand. Obvious signs of long use and wear, otherwise very good condition. Provenance: old French collection.
NOTE...
This large size phur-bu shows twin horsemen, height riders 20 cm, nice encrusted patina , indicating a good age at least mdi 20Th,, overall size 40 cm. More information on local origin, Presented on metal stand
Tsuchiya Koitsu
Morning Fuji, Lake Kawaguchi, 1936.
Size: Oban. Approximately 16.75 x 11.25 inches.
Publisher: Doi Hangaten. Doi watermark.
Carver: Ikeda. Printer: Onohiko. This seal combination indicates printing between 1948-1950.
Reference: Koitsu catalog no. TK-DH-38.
Medium: Japanese woodblock print.
Condition: A couple of very faint foxing spots in the sky.
Arai Yoshimune
Fishing Boat
Date: 1910s.
This edition late 1950s or later.
Size: Chuban. Approximately 11.5 x 8.25 inches.
Artist's seal at left.
Publisher: Nishinomiya Yosaku. Seal at left margin.
Medium: Japanese woodblock print.
Condition: Excellent. Top margin has faint yellowish spot.
African Colon Figures
From our African Collection: Colon figures from the Ivory Coast made in the craft of the Baule people.
$2,500 for the pair. Both are 8" at base, 42" h.
The Baule or Baoulé are an Akan people and one of the largest groups in Côte d'Ivoire who historically migrated from Ghana. The Baoulé are traditionally farmers who live in the centre of Côte d'Ivoire (Ivory Coast), in a triangle shaped region (the Baoule “V”) between the rivers Bandama and N'Zi. This area broa...
Kawase Hasui
Winter Moon Over Toyama Plain, 1931
Publisher: Doi Hangaten.
Carver/printer: Harada/Yokoi. This seal combination indicates an early post-war edition. Its pre-war use has also been widely debated.
Size: Oban. Approximately 15.5 x 10.5 inches.
Condition: Slight ripple at top margin. Otherwise excellent.
An Old 20th C. Chinese scholar ink stick. In very good condition. It weights 119g. L: 5-3/4" x W:1-1/2" x T: 1/2"
Kawase Hasui (1883-1957)
Snow at Shiba Park, 1931.
(Shiba Koen no Yuki)
Size: Oban. Approximately 15.5 x 10.5 inches.
Publisher: Watanabe Shozaburo. Watanabe 6 mm seal at lower right, indicating a lifetime edition produced between 1946 and 1957.
Reference: Hotei #244.
Condition: Excellent. Very faint mark near left side of top margin.
From our African Collection: A Maasai Woman Wooden Bust, 9" at base & 22" h.
The Maasai people originated in South Sudan. Their language, known as Maa, is the southernmost of the Nilotic group, including idioms spoken in Ethiopia and Sudan.
They migrated to their current homeland between Southern Kenya and Northern Tanzania during the late 17th and early 18th centuries. They displaced some of the other tribes that had previously settled in the region, while others were assimilated into the...
A beautiful old Chinese Yi Xing clay formed tea caddy, in excellent condition. Marked. H:12.5cm
Kasamatsu Shiro (1898 - 1991)
Spring Night, Ginza
Publisher: Watanabe Shozaburo
Size: Oban. Approximately 15.25 x 10.625 inches.
Date: 1934.
Publisher: Watanabe Shozaburo. 1946-57 edition.
Watanabe black 6mm seal at lower left corner.
"Printed in Japan" and "Original Works of Art" stamped on back.
Medium: Japanese woodblock print.
Condition: Pencil note "Shiro" and tape residue at top margin.
Paul Jacoulet (1896-1960)
Nuit de Neige, Coree (Snowy Night, Korea)
Date: 1940s~1950s.
Size: 6.0 x 4.25 inches.
Publisher: Self-published, from a series of surimono.
Seal: Boat
Medium: Japanese woodblock print tipped along its top edge to original blank card.
Condition: Excellent. Card is slightly creased.
Reference: Miles catalogue #57.
Jacoulet uses "gofun for snow, and an unusually subtle gauffrage to indicate light from the lantern." - Richard Mil...
Leaf images in various seasonal shades decorate the raw earth of these expertly crafted dishes by legendary artist Kitaoji Rosanjin, the set enclosed in a double box, the inner box the original age darkened kiri-wood box signed by Rosanjin, the outer box later covered in black lacquer showing the esteem for which both this dish set and box were afforded. On bottom is the star mark, indicating these were made for use in his restaurant. Each dish is roughly 18.8 cm (7-1/2 inches) diameter and in...
Bi faced "ghurra" (churning rod holder) finely carved to represent a back to back, squatting, human couple, man opposite woman. Wood, with nice dark brown glossy patina. The ghurra was carved in Nepal, and is nicely mounted on a custom metal stand. Its height (without the stand) is 22.7 cm. Very good condition. NOTE: The ghurra is a tool which has been used for centuries by Nepali people for churning milk into butter. Aside from its use as an important household implement, the ghurra also has a ...
Dramatic waves are combed into the clay surface of this large Toban Platter by Living National Treasure Suzuki Osamu (Kura) covered in glass-like copper green; unusually signed and dated on bottom 1957 and enclosed in an artist signed wooden box. This has the wow factor in truckloads! A quintessential piece by this influential artist showing not only the innovation early in his career, but the consistency with which he approached Mino pottery, Museum quality, sure to become a centerpiece of an...
Kawase Hasui (1883-1957)
Lakeside Shower, Matsue
Date: 1932
Size: Oban. Approximately 15.5 x 10.25 inches.
Publisher: Watanabe Shozaburo. Round, black 6mm seal in lower right corner, indicating a lifetime printing (1946-1957).
Reference: Hotei #269.
Medium: Japanese woodblock print.
Condition: Excellent. Pencil notation on back.
A heavily glazed early square pottery dish by Kimura Ichiro enclosed in the original signed wooden box. The sandy clay appears to have been twice fired, the first firing unglazed with a simple ash burn later a very thick feldspathick glaze wiped on and re-fired. It is roughly 11 by 11-1/2 x 2-1/2 inches (28 x 29 x 6 cm) and is in good condition, no chips or cracks but some color has soaked into the crackled white glaze. Originally from Mashiko, Kimura Ichiro (1915-1988) went to study ceramics...
Toshi Yoshida (1911~1995)
Depicting: Snow scene
A woodblock print tipped at the top to a Japanese Christmas card from the early 1950s. Please photo of the inside of the card.
Signed "T. Yoshida"
Condition: Excellent.
Important mask from Himachal Praddesh area , mainly used during the Phagli festival in mid Fébruary. Strong and hard wood, reddish dominant color. perfect condition, presented on an iron custom stand . H 33 cm
Kawase Hasui
Shichirigahama, Soshu
Size: Oban. Approximately 15.375 x 10.375 inches.
Date: 1930.
Publisher: Watanabe Shozaburo: Watanabe round, 6 mm seal at lower right indicating a lifetime printing (1946-57).
Artist's signature and seal lower right.
Reference: Hotei #200.
Condition: Excellent. Removed from original folder. Two original drying pinholes in top margin.
"Narazaki writes that 'This is an image of Enoshima when a wooden bridge, connecting an i...
Horses dash past in a fervent black mass both carved into and built up onto the paddled surface of this large vessel ballooning open from a narrow base by Nakazato Tarouemon XIII enclosed in the original signed wooden box. Inside the box is written Tataki Tsubo (Paddled Vessel), Kurabe Uma (Horse Race), exhibited Autumn 1958 at the Tokyo Mitsukoshi Sports Theme Art Exhibition; Ochawangama, Nakazato Tadao (given name of Nakazato Tarouemon XIII) followed by the artists seal. An excellent exampl...
Kawase Hasui (1883-1957)
Zentsuji Temple, Sanshu
Series: Collection of Scenic Views of Japan, Kansai edition.
Date: 1937
Size: Oban. Approximately 15.25 x 10.25 inches.
Publisher: Watanabe Shozaburo. Watanabe 6 mm seal at lower right, indicating a lifetime edition produced between 1946 and 1957.
Reference: Hotei #334.
Condition: Tape at top margin. Upper left image edge has slight tonal difference.
Toshi Yoshida
Autumn in Hakone Museum
Date: 1954.
Signed and sealed in Japanese. Signed in English.
Size: Oban. Approximately 16.25 x 10.5 inches.
Medium: Japanese woodblock print.
Condition: Excellent. Soft corner margin creases.
Notes: I've included photos of Toshi Yoshida's vintage envelope and the collector's notes of the previous owner, both of which accompanied this group of Yoshida prints. The collector's notes will be included.
- The pencil signature ...
Kawase Hasui
Kenchoji Temple in the Rain
Size: Approximately 5.5 x 3.75 inches.
Date: 1930s-50s.
Condition: Excellent. Tipped at top to original cardstock.
Medium: Japanese woodblock print.
Kenchoji is a Zen temple in Kamamura.
Takahashi Shotei (Hiroaki)
"Tama" (aka. White Cat on Black Background)
Date: 1924. This edition printed between 1946-1957.
Publisher: Watanabe Shozaburo. Bears the red 6 mm seal at lower left.
Size: Oban. Approximately 13.25 x 9.5 inches.
Condition: Trimmed margins. Light scuffing.
The cat is beautifully embossed as shown in photo 2.
Eiichi Kotozuka
Night Scene of Kiyamachi Street
Date: 1950s
Size: 17.75 x 11.5 inches. Full margins shown in additional photos.
Publisher: Uchida Woodblock Printing Co., Ltd.
Artist's seal and publisher's seal at lower right.
Full margins (Shown in enlargement 2).
Medium: Japanese woodblock print.
Condition: Excellent. Removed from original folder. Lower margin slightly wavy.
Muto Katei (b. 1910)
Engakuji Temple in Kamakura
Publisher: Watanabe Shozaburo. Bears the Watanabe 6mm seal, indicating an early edition.
Date: 1954
Size: Oban: Approximately 15.5 x 10.5 inches.
Condition: Pristine. Never displayed. Removed from original folder for archival storage.
Muto Katei studied printmaking under Kawase Hasui.
The unusual color palette works beautifully in this image.
Raised designs in slip decorate the yellow glaze of this deep bowl by Kawai Kanjiro enclosed in a kiriwood box titled O-yu Tsutsugaki-mon Wan annotated by Kawai Toshitaka, current head of the Kawai Kanjiro Museum. This piece dates from later in the artists illustrious career, 1950s-1960s. It is 4 inches (10 cm) diameter, 3-1/4 inches (5 cm) tall and in excellent condition.
Kawai Kanjiro was a true artist by nature, and together with Hamada Shoji, set a pattern of study for modern potter...
Japanese woodblock print by Yoshida Hiroshi, oban yoke-e, dated Showa 10 (1935), signed in pencil ¡°Hiroshi Yoshida,¡± very good color, impression and condition (void of jizuri seal).
Fashionable Vintage Black Jade Bangle. Thick 1/4 inch band. Color appears black at first glance, but is a deep emerald green with natural specks and coloration.
Dimensions: Inner Diameter 2.25", Outer Diameter 3"
This man's beaded hat aka skullcap is typical of the Pashtun people in the region of Southern Afganistan. Because of the extensive beading pattern, it is rather stiff and heavy.
Presumably, the interior layer of fabric was from pieced of fabric from other garments.
Here we have a very unique ceremonial tea implement made by one of the most important figures from Japanese tea culture in the past century. While most tea scoops (chashaku) are made of bamboo, this piece is fashioned from the branch of a plum tree and retains part of the bark on the handle. Fashioned by the 14th Tea Master of Urasenke, this is a very rare and interesting implement.
Matcha tea culture in Japan stretches back nearly 1,000 years, when it was first brought to its shore...
Original design phurba, very fine and precise carving with 3 protectors on top and 3 double Naga interlaces on each face of the triangular blade. Light brown patina
H 23 cm
More information on request
A rare sculptural basin by Kiyomizu Kyubei dating from the late 1950s signed on the base Yo. Very heavy, it is 11 x 8 x 9 inches (28 x 20 x 23.5 cm) and is in excellent condition. This came from the Rokubei family estate. No box. Early works by Kyubei are rare because, according to the catalog: Yagi Kazuo to Kiyomizu Rokubei (exhibited at the Muse Tomo in Tokyo, 2017) “he changed names several times and is said to have destroyed the works he produced in those days. Judging from the ceramic...
A stunning pair of Himachal Pradesh bracelets with double Makara heads. Made of high grade silver (acid tested) with details in green and blue enamel. Finely engraved details. Inner size: 5,5 x 4 cm. Outer size 7,3 x 5,5 cm. Weight 361 gr. Very good condition. Provenance: Collection Baobab, Amsterdam, collected in situ in the 1980’s. Private collection Amsterdam.