A pair of sleeve cuffs from Katawaz in Ghazni province, early to mid 20th century. Measuring 36.2 x 54 cm, they are stitched in bergundy silk thread on two fine white linen cloths. The overall design is a densely arranged pattern of repeating whorl designs and curvilinear motifs, flanked by two eight-pointed stars on both ends. The embroidery technique is a tightly worked ladder stitch, a characteristic feature of the small purses from Katawaz...
This man's wedding shawl (known as "malir", or "doshalo") is from Tharparker district in Sindh province and would be a gift from a bride and her family to the groom for his wedding day attire. It is basically an embroidered "ajrak", meaning a red handspun, mordant-dyed, resist-printed cotton, embroidered in the four corners with stylized peacocks symbolizing fertility, and randomly placed mirrors ("shisha") as accents...
Measuring 15.5 x 16 inches (39.4 x 40.6 cm), this textile from Kandahar, Afghanistan is embroidered in silk thread embroidery on a fine silk ground which is stitched onto a fine cotton linen panel. Depicting eight pointed star and rosette motifs in exquisitely fine satin stitching in counted-thread technique, the sheen of the silk is worked so that the light catches it in different settings, a characteristic feature of the embroidery ("khamak") of Kandahar...
Measuring 25.2 x 30 cm, this embroidered cloth from Jaghori in Ghazni province was made by Hazara women. It depicts in vibrant colors four eight-pointed stars and triangular hooked motifs down the center. The stitching is a combination of satin, herringbone and cross stitch, in silk thread. Embroidery is an important winter activity for the women of central Afghanistan, a mountainous region where villages can be isolated by snow for months...
Vintage Chinese ink and color on paper painting by Taiwan artist Huang Hui-jen (Huang Huizhen). The painting depicts a small traditional building barely visible on an outcropping surrounded by rocky cliffs and forested mountains. Signed in black ink with the artist's red seal and dated in Chinese "1974" on the left side. Measures 27"V x 18"H. The painting is bordered in white silk scroll mounting which measures 36"V x 22 1/2"H...
This embroidered shirt panel is typical of the traditional embroidery of Kandahar ("khamak") in its limited range of colors and its depiction of geometric motifs of traditional Islamic art. Silk thread in extremely delicate satin stitch in counted-thread technique on a fine silk background which has been stitched to a cotton linen. It measures 38 x 43.5 cm and is dated to the early 20th century. Condition excellent, only two inconspicuous stains on one side.
A woman's shawl from Waziristan dated to the early 20th century. Woven black cotton field with silk fringes, and intricate silk embroidery throughout. It measures 49 inches in width, 103.5 inches in length (124.5 cm x 262.9 cm). Condition is excellent, just some minor discolorations to be expected from a textile of this age. Waziristan ("land of the Wazir") is a mountainous region near the Northwest of Pakistan, bordering Afghanistan and covering some 11,585 km (4,473 sq mi)...
Signed on the bottom, KANINKOSO, this bronze 'koro' incense burner is from the Showa Period 1950-1960. The main body has a flock of cranes in supurb relief, as well as a lid with a hexagonal turtle diaper and a turtle on top.
In Bhutan, the Land of the Thunder Dragon (Dzongkha), the time spent in embroidering textiles is considerable and can involve as much as a year for certain ceremonial textiles such as this one with a black background, called a "napsham". Surprisingly, the intricacy of the woven design elements that closely resemble embroidery is created on looms, mostly backstrap looms. This textile measures 97 x 243 cm including the fringes and is embroidered in cotton yarn on a raw silk ground...
A night in the summer when fireflies wink their light. The exquisite moment at dusk is finely depicted on the decorative gold leaf background.
It is in excellent condition. This piece is a pair with another fan item# 1118796.
H 9 1/2” x W 9 3/4” (H 24cm x W 24.5cm)
Fine decorative fan featuring two white rabbits under the gleam of the moon. The sumptuous gold background is producing a shimmering effect. Rabbit is often appeared in East Asian folklore as a messenger from the moon, where it is seen pounding in a mortar and pestle...
Embroidered purses ("bushkiri") are used by the Baluch to store and carry valuables and bridal dowry gifts. This little purse is embroidered in extremely fine satin stitch, brick stitch, and ladder stitch in silk thread, forming interlocking lozenge and chevron designs. Condition: some wear throughout. It measures 10 x 18 cm when opened, 9.5 x 10 cm when closed.
Embroidered on a dark purple silk, this pair of Pashtun tablecloths is from Ghazni province, Afghanistan. Each textile measures 27 x 27 cm and is animated by star motifs and repetitive whorl designs in a closely worked ladder stitch in silk thread, framed by gold-thread braid and gold-thread ribbon appliquéd onto the background. There is also some extremely fine metal thread couching on each piece, and beaded fringes all around the edges. A superb example of Pashtun embroidery...
A pair of decorative table cloths made by Pashtun women, with mirrored, beaded discs ("gul-i-peron") on each corner which serve as protective amulets. The blue bead edging is typical of Pashtun textiles, and is used extensively on purses and clothing as a prophylactic against the evil eye. Silk thread in vibrant colors has been applied in mostly herringbone stitch on a pink cotton background with cording. Each panel measures 26.5 x 26.5 cm.
Condition of the pair is excellent...
An important long stock designed Ghurra with a hand carved on top, very fine condition , H 34 cm , more information on request
A long stick design ghurra, very fine condition , H 29 cm
More information on request
A vintage silk purse with mirrors ("shisha"), embroidered in whorl designs in silk thread on a dark purple silk background. A neat example of the couching technique favored by the Pashtuns, where the metal threads form a neat grid of lines and then fastened down with staggered stitches. This purse is from Katawaz (Ghazni province) in Afghanistan. Condition: Excellent. This purse measures 13.5 x 16.5 cm and is decorated with blue turquoise beads along the edges.
Traditional geometric designs embroidered on a plain weave cotton animate this Hazara cloth from Afghanistan measuring 33 x 39 cm.
Cross stitch in multicolored silk thread form an interlocking star pattern. Condition of the textile is excellent. Estimated age: late 20th century. The Hazara are the third largest ethnic group in Afghanistan, inhabiting mostly Bamiyan province but also Orugzan and Ghazni provinces.
This is a vintage textile from Paktya province. It measures 28 x 29.5 cm and is estimated to date between early to mid 20th century. Silk thread is embroidered in extremely fine brick stitch and satin stitch on a tan linen background, depicting interlocking chevron and bricked lozenge motifs. Condition: Excellent.
Chinese polychrome enamel decorated porcelain ovoid vase, the globular body featuring Chinese figures and flowering plants and pine trees,
pair of stylized dragon handles below the dished rim, marked Chinese characters on the bottom, Republic Period. Size: Height of this incredible vase is 15.5
inches. Condition Report: Great condition.
This hand-embroidered Uzbek textile from northern Afghanistan measuring 27 x 28 cm is in great condition. Cross stitch in silk thread on a cotton background. Circa mid to late 20th century.
Korean porcelain celadon vase with black lacquer and MOP overlay. The condition of the porcelain is perfect, but the lacquer is not, some small pieces of mother of pearl are missing and some touch up paint around a section of the shoulder is evident. Still a very desirable vase that will display well. Measurements are 7 inches tall by 3 1/4 inches at the widest.
This very well carved lapis lazuli water bowl is 2 ¾” high, 6” long and 3 ½” wide. It depicts a young boy and a small dragon tortoise riding on the back of a large dragon tortoise...
A pair of vintage Chinese jadeite earrings with full 14k gold backing, in excellent condition. H:3.5cm W:2.5cm weight:16.4g $1350
This is an Uzbek embroidered cloth from northern Afghanistan. The motifs and colors are typical of the embroideries of Tajikistan and southern Uzbekistan (Sukhandarya). Cross stitch and satin stitch in pink, green, yellow and blue yellow silk thread. This textile was probably made for a dowry. It measures 29.5 x 30 cm. Condition: Excellent, no fraying, no stains, no odors. Estimated age: mid or late 20th century.
A beautiful late 19th/20th C. Chinese Tibetan old silver amulet "Gau" prayer box pendant. It's all handcrafted with beautiful gem stones (possible rubies), in side the box has a buddha holding a bucket, in excellent condition. W:7cm H:6cm weight:99.2g
Japanese carved boxwood netsuke, depicting a frog sitting on a leaf in form of a scoop, inlaid eyes, intricately and delicately carved, Signed on the side by the artist. Size: This item has length of 3.5 inches. Condition Report: Excellent condition.
Japanese carved boxwood netsuke, depicting a mouse in sitting position holding a pumpkin, inlaid eyes, intricately and delicately carved. Size: This item has length of 2 1/4 inches.
Condition Report: Excellent condition.
Japanese carved boxwood figure, depicting a Foo Lion in standing position holding an object, inlaid eyes, intricately and delicately carved. Size: This item has a height of 3.25 inches. Condition Report: Excellent condition.
A vintage Japanese split bamboo Ikebana (flower arranging) basket. This 12-1/2" decorative flower arranging basket measures 6-1/2" across the bottom, it is unsigned and it in excellent condition with no cracks, splits, losses, damage or repairs. All
items are thoroughly and conservatively graded and all condition issues are noted; all items are vintage or antique and may have slight signs of gentle use. Surface tracked shipping to the U.S. starts at $28 (other spots may vary, air is higher)...
A framed calligraphy quoting a passage from the Bible, written by famous Christian calligrapher Liu Yiling(1903-1994). The paper is kind of loose inside the frame and there is foxing on it. Chips and scratches on frame. Buyer can choose mailing without the frame to save some shipping costs. Dimensions: Calligraphy: 10"X34"; Frame: 15"X41".
Antique Chinese rug depicting 9 different celestial figures standing on blue clouds, above are 8 Buddhist objects, on a black ground, fringe runs length wise on top and bottom, early 20th century.
Size: 62" long x 35" wide
Chinese rug with fu lion in center, surrounded by Buddhist symbols, celedon greens, blue and beige with cream color ground, early 20th century.
Size: 71" long x 36" wide
A whimsical khaki green-yellow glazed Japanese pottery figural sake pot depicting a tanuki trying to make off with a proportionately larger sake barrel. Early 20th century to turn of that century. Good condition. Height 3 1/2 inches (8.89cm). About 4 1/2 inches (11.4cm) length from tanuki's nose.
This beautiful textile was made by Pashtun nomadic tribeswomen of Hazarajat. It measures 52 x 65 cm without the fringes (57 x 71 cm including the fringes). Shisha (mirrors) illuminate the textile and are fastened by buttonhole stitches, surrounded by volute designs worked in a very fine ladder stitch in silk thread on a dark purple silk background. The design composition is framed throughout with woven metal-thread braid with blue and white beads edging the textile. Condition: Excellent. Circa...
A beautiful vintage Chinese silver enamel vanity set with turquoise & coral stones inlay flower motif, in excellent condition. Box H:5cm, Comb 20cm, Brush 18cm. $1350
This well carved stone laughing Buddha is 3 ¼” high (with wood base is 5” high), 4 ¾” wide and 2” in depth. It depicts a laughing Buddha (Budai in Chinese; Hotei in Japanese) comfortably leaning on his ever present cloth sack. His left hand holds a ruyi scepter; his right hand holds a gold nugget. A young boy is resting on the Buddha’s right knee. Aside from natural blemishes on the back of the statue and two crack lines in the wood base, it is in great condition.
A woman's dress panel from Baluchistan, densely embroidered in Holbein stitch, blanket stitch, chain stitch, and satin stitch in silk, cotton and metal thread. Most Baluchi women labor for years embroidering fine works of art for their daughters’ dowries. Small girls begin to learn basic stitches and patterns at about the age of six or seven years. They do not use charts or diagrams but instead create extremely complex designs from memory, often with assistance and suggestions from family me...
A woman's shirt front from Baluchistan, mid to 20th century, in a combination of blanket stitch, herringbone and satin stitch on green cotton in a diamond repeat pattern. It measures 30.5 x 47 cm. A dress ("pashk") covered with detailed embroidery is everyday attire for Baluch women. The embroidered diamond repeat pattern is known as "paraiz zarto" in the language of the Baluch. Condition: Excellent.
A pair of embroidered ankle bands from Turkmenistan, measuring 20.3 x 22.9 cm. Embroidery technique is extremely fine herringbone and satin stitch on an indigo silk background. Condition: Excellent. Circa early to mid 20th century.
This is a woman's dress panel ("pushk kurta") from Baluchistan, measuring 43 x 52 cm. Embroidered in silk thread in a combination of interlacing, herringbone, long and short stitch, and extremely fine satin stitch, it depicts diamond shape medallions ("paraiz zarto")and arched columns with intricately repeated geometric motifs which are typical of Baluch embroidery. The most intricate pushks are produced in Makran and other coastal areas of Baluchistan. This is a dazzling and beautiful textile i...
An Uzbek mafrash panel from northern Afghanistan, mid to late 20th century. Silk embroidery in cross stitch, measuring 16 1/4 x 40 1/4 inches (41.3 cm x 102.2 cm). Condition: Excellent. The reverse side of this textile is lined in purple silk with an ikat hem.
A beautiful vintage Chinese tiger eye stone earrings in excellent condition. Marked. H:2.2cm $135
A beautiful old Chinese engraved silver belt buckle with Character "Shou" & "Fu" it means longevity and prosperity. In excellent condition. W:10cm H:7cm Weight:51.1g $265
A beautiful vintage Chinese enameled and gold washed pin with coral and turquoise fan shape, in excellent condition. Marked. W:7cm weight:13.2g. $155
A beautiful vintage Chinese red carnelian (Agate) bangle in excellent condition. D:5.5cm (inner). $250
Kokeshi, Naruko-kei, Miyagi Prefecture, by Takahashi Takeo. Birthdate=Taisho 5 (1916) July 26. H. 9.75” x Dia. 2.25” (24.75 x 5.75 cm.)
Dentou, or "traditional," kokeshi hail from the northeastern part of Japan known as the Tohoku region. Tohoku is comprised of Aomori, Akita, Yamagata, Iwate, Miyagi, & Fukushima Prefectures. They are colorfully painted (or bare, in the case of one Nambu-kei kokeshi from Iwate) wooden dolls of female gender that have been around since at least the Edo Peri...
Kokeshi, Tsuchiyuu-kei, Fukushima Prefecture, by Jinnohara Kazunori. H.11.75” x Dia.1.75” (30cm x 4.5cm.)
Dentou, or "traditional," kokeshi hail from the northeastern part of Japan known as the Tohoku region. Tohoku is comprised of Aomori, Akita, Yamagata, Iwate, Miyagi, & Fukushima Prefectures. They are colorfully painted (or bare, in the case of one Nambu-kei kokeshi from Iwate) wooden dolls of female gender that have been around since at least the Edo Period (1600-1868) and are still p...
Kokeshi, Yajiro-kei, Miyagi Prefecture, by Niiyama Keiimi (a rare kokeshi made by a woman.) H.12”(30.5cm) x Dia.1.875”(4.75cm.)
Dentou, or "traditional," kokeshi hail from the northeastern part of Japan known as the Tohoku region. Tohoku is comprised of Aomori, Akita, Yamagata, Iwate, Miyagi, & Fukushima Prefectures. They are colorfully painted (or bare, in the case of one Nambu-kei kokeshi from Iwate) wooden dolls of female gender that have been around since at least the Edo Period (1600...
Kokeshi, Togatta-kei, Miyagi Prefecture, by Satou Tetsurou. Birthdate = Showa 7 (1932) Jan. 25. H.11.75” x Dia.1.5”(30 x 4.5 cm)
Dated (collector's date): 55.5.27 = 1980.
Dentou, or "traditional," kokeshi hail from the northeastern part of Japan known as the Tohoku region. Tohoku is comprised of Aomori, Akita, Yamagata, Iwate, Miyagi, & Fukushima Prefectures. They are colorfully painted (or bare, in the case of one Nambu-kei kokeshi from Iwate) wooden dolls of female gender that have bee...
Kokeshi, Yamagata Tendou-kei, Yamagata Prefecture, by Kamio Keisaburo. H.12”(30.5cm) x Dia.1.875”(4.75cm.)
Dentou, or "traditional," kokeshi hail from the northeastern part of Japan known as the Tohoku region. Tohoku is comprised of Aomori, Akita, Yamagata, Iwate, Miyagi, & Fukushima Prefectures. They are colorfully painted (or bare, in the case of one Nambu-kei kokeshi from Iwate) wooden dolls of female gender that have been around since at least the Edo Period (1600-1868) and are still ...
Kokeshi, Tsuchiyuu-kei, Fukushima Prefecture, by Abe Ichiro. H.11.5”(29cm) x Dia.1.75”(4.5cm.)
Dentou, or "traditional," kokeshi hail from the northeastern part of Japan known as the Tohoku region. Tohoku is comprised of Aomori, Akita, Yamagata, Iwate, Miyagi, & Fukushima Prefectures. They are colorfully painted (or bare, in the case of one Nambu-kei kokeshi from Iwate) wooden dolls of female gender that have been around since at least the Edo Period (1600-1868) and are still produced and...
Kokeshi, Yamagata-kei, Yamagata Prefecture, by Kobayashi Seijiro. Birth date=Taisho 7 (1917) July 14. H.11.75” x Dia.2”(30 x 5 cm).
Dentou, or "traditional," kokeshi hail from the northeastern part of Japan known as the Tohoku region. Tohoku is comprised of Aomori, Akita, Yamagata, Iwate, Miyagi, & Fukushima Prefectures. They are colorfully painted (or bare, in the case of one Nambu-kei kokeshi from Iwate) wooden dolls of female gender that have been around since at least the Edo Period (...
Kokeshi, Togatta-kei, by Satou Jirou, Miyagi Prefecture. Birth date = Taisho 4 (1915) July 13. H.9.5” x Dia.1.375”(24 x 3.5 cm) Dated: 59-sai (59 yrs old)=1974.
Dentou, or "traditional," kokeshi hail from the northeastern part of Japan known as the Tohoku region. Tohoku is comprised of Aomori, Akita, Yamagata, Iwate, Miyagi, & Fukushima Prefectures. They are colorfully painted (or bare, in the case of one Nambu-kei kokeshi from Iwate) wooden dolls of female gender that have been around si...
Kokeshi, Yajiro-kei, by Niiyama Shinji, Miyagi Prefecture. H.9.5” x Dia.1.25”.
Dentou, or "traditional," kokeshi hail from the northeastern part of Japan known as the Tohoku region. Tohoku is comprised of Aomori, Akita, Yamagata, Iwate, Miyagi, & Fukushima Prefectures. They are colorfully painted (or bare, in the case of one Nambu-kei kokeshi from Iwate) wooden dolls of female gender that have been around since at least the Edo Period (1600-1868) and are still produced and sold today at...
Kokeshi, Naruko-kei, Miyagi Prefecture, by Itou Shouichi. H.9.5” x Dia.1.875” ca. 1970-1980.
Dentou, or "traditional," kokeshi hail from the northeastern part of Japan known as the Tohoku region. Tohoku is comprised of Aomori, Akita, Yamagata, Iwate, Miyagi, & Fukushima Prefectures. They are colorfully painted (or bare, in the case of one Nambu-kei kokeshi from Iwate) wooden dolls of female gender that have been around since at least the Edo Period (1600-1868) and are still produced and so...
Kokeshi, Sakunami-kei, Miyagi Prefecture, by
Hiraga Teruyuki. Showa 47 (1972) March 1.
H.11.75” x Dia.1.5”(24 x 3.25 cm)
Inscription: Nagoya Kokeshi-kai, nihyaku kai, Hesei 7-gatsu, 9-nichi.
(Nagoya Kokeshi Club, 200th Meeting, July 9, 1995)
Dentou, or "traditional," kokeshi hail from the northeastern part of Japan known as the Tohoku region. Tohoku is comprised of Aomori, Akita, Yamagata, Iwate, Miyagi, & Fukushima Prefectures. They are colorfully painted (or bare, in the case of one...
A beautiful vintage Chinese silver enameled with filigree and gold washed, fish with a chain, in excellent condtion. Weight:20.7g W:6cm. $155
Antique Chinese small rug, design of peacocks and flowers on beige ground with blue border and details in shades of light salmon color, border has scenes of boats and willow trees over water, c. 1930's.
Size: 59" long x 36 1/2" wide
This carved amethyst snuff bottle is a mid 20th century product. It is 2 1/8” high, 3” wide and 1” thick. It depicts two lotus pods wrapped with lotus leaves. The hard stone lid and bamboo spoon are later replacements. It is in excellent condition.