Antique Korean nong, bedside chests for storage. Made with zelkova elm wood burl panels and cypress wood frame. On the front, black and deep red lacquer frames and highlights the burl wood grain. Hardware is made of brass and features bat drawer pulls and buddhist symbols. The upper portion of the chest has a row of 4 small drawers. Hinged doors open to a large open compartment.

Age: 19th century

Dimensions: 29 1/2" high x 44" wide x 20 3/4" deep

Amazing "Queen Anne" amethyst paste earrings set in gilt metal. This style of jewelry has been historically misnamed for Queen Anne, who reigned from 1695 to 1714, as so called Queen Anne jewelry dates to the mid 18th century. The vivid purple paste stones used are faceted as rose cuts. The earrings have back to front fittings and fit close to the earlobe. There is a matching necklace sold separately.

The natural cobalt had become to be imported to China again at Jiajing period, and so color development of blue had become very clear...

The technique of famille rose has born united western and eastern technology on the Kangxi period...

The Kangxi(康熙）period is the day when the ceramic industry ruined at the last Ming dynasty had been rebuild, and many excellent pieces had been produced at both government kiln and folk kiln. This piece has picture of flushou (福禄寿）and the superlative seal mark of folk kiln on the back. Notable thing is the record in the box indicates it has had by Aixinjueluo Pujio(愛新覚羅溥傑),younger brother of the last emperor. Size: 19.5cm(D) 3.5cm(H) Accessary: box

Circa 1900 Chinese yellow ochre glazed porcelain standing Quan Yin. Nicely rendered and in excellent condition, it measures 10.25 inches high. Note: Any discoloration in the photos is dirt/dust.

Height: 24.9 cm (9.9 in)
Width: 19.9 cm (7.9 in)

Chinese Transitional Period blue and white waisted porcelain brush pot; shows a peasant farmer with a noble woman closely followed by a flag bearer and soldier; another three soldiers about to appear from behind a rocky outcrop; all surrounded by fine depictions of vegetation, water and rocks; two inscribed borders, one below the rim, the other above the base; good condition; email for more pictures

Antique Japanese tall basket for ikebana flower arranging. Woven of narrow split bamboo. The design is slightly open at the bottom, tightens up in the middle and turns into a bold weave towards the mouth of the basket. Comes with a bamboo insert.

Age: Meiji Period 1868-1912

Dimensions: 16" high x 5 1/2" wide

Japanese antique choba tansu (merchant's chest) with locking bars and safe box. Made with keyaki (zelkova) wood frame, hinoki (cryptomeria) wood drawer fronts, sugi (cypress) wood top and side panels. The upper portion has three large full-width drawers held into place with a locking bar. The lower portion has two medium sized drawers held in place with another matching locking bar. The lower right hand side has a safe box opened by a hinged door...

Unusual Japanese Edo Period (1603-1868) Mino-Yaki Tea Bowl, rough and wild with a Chinese Tang Dynasty reminding Sancai green glaze and a splendid wabi-sabi atmosphere.

It has very aesthetically pleasing natural inborn kiln cracks, very heavy (0,5 kg) and ready for use for the tea ceremony. This tea bowl is a delight to hold in the hand

Great antique condition with no repairs.

Size: 7,3 cm height x 13,5 cm in diameter.

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Antique Japanese rectangular bronze letter box. Decorated with a highly raised design of Benten, the Goddess of knowledge, music and eloquence. She is standing on a water dragon who looks up at her admiringly. With a plectrum in one hand, she plays her biwa. Waves churn around Benten and her dragon. The sides of the box are decorated with raised waves and remnants of gilding. The interior of the box is lined with wood...

Antique Japanese ikebana basket for flower arranging. Woven of both wide and narrow split bamboo with a gnarled root wood rim and handle. Tall and narrow with elegant natural form.

Age: Meiji Period (1868-1912)

Dimensions: 21" high x 9 1/2" wide

Antique Japanese bronze temple bell or bonsho, with a handle of dragon heads called a ryuzu, protrusions called chi chi or nyu to improve resonance of sound, the tsuki-za striking panels, and the mei-bun inscription of the bell's history. Inscription dates the bell to Meiwa 4, 1767, during the Edo period. Commissioned by Ninomiya Juemon, village head and rest of villagers...

This attractive antique full length 18K watch chain has alternating carved ornamental solid gold by-pyramid link (what we call a "fancy" link) which connects to a pair of linked rings, which connects to simple solid gold by-pyramid link. The C1880 chain measures 59 inches long. It can be worn in various lengths, doubled or tripled, with a locket or pendant, or just as is, shown in the images below. A screwed in bolt clip allows you to add a pendant, if desired...

Antique Japanese 2-section isho tansu (chest on chest for clothing) made all of kiri (paulownia) wood. The top section has two large drawers and the bottom section has two large drawers and two small drawers on the lower right hand side. Iron hardware includes large round lock plates on the large drawers and matching small round lock plates on the small drawers.

Meiji period (1868-1912)

Dimensions: 41 1/2" high x 34" wide x 15 3/4" deep

Antique Japanese 2-section isho tansu (chest on chest for clothing), made all of kiri (paulownia) wood. Top section has two large drawers and the lower section has two large drawers and a safe box in the lower right hand side. The safe is opened by a hinged door to reveal two small interior drawers. Iron hardware with unusual daikon (radish) shaped lock plates. Lovely foliated iron corner bracing and safe door hardware...

Cotton Wa-sarasa produced in Kyoto, called Kyo Sarasa. The word "Sarasa" means cotton cloth with designs which are hand-painted, woodblock printed and copper plate printed, Those sarasa cloth were brought by trade from India, Europe, Persia (Iran), Java etc. in 16th and 17th century. Cotton with colorful and exotic design fascinated Japanese people, especially tea ceremony masters and rich civilians...

Although it is smaller than other examples of this genre, this tea caddy packs a big punch with its gorgeous blue and white hand painted Chinese scenery. It depicts both natural scenery as well as different structures such as home and pagoda. The rim of the shoulder is accented with pale gold enamel.

The cannister is constructed of two halves fused together...

It is Japanese antique Tsutsugaki yogi cotton kimono textile dyed with natural indigo Edo Period (1830-1867). The big Uchiwa (japanese washi fan) and family crest are very impressive. A Cotton is a thick hand-spun item and wonderful hand-spun cotton with a warm feel. There are indigo fading in several places. There are repair marks in several places, but overall the condition is good. It is the largest size among Tsutsugaki textile items...

This is Japanese antique Hikeshi Hanten (fireman coat)used in the Edo period.( 1830-1850) of natural indigo dye cotton. It is a very nice cotton hand spun with warm hands. It is drawn with Tsutsugaki and with natural indigo dye. There are slight stains, but they are not noticeable. There is a slight rubbing mark. The state can be worn well. Length 93 cm / 36.6inch　Cuff to cuff, across the back: 127.5cm / 50.1inch Box.F

Vintage silver bracelet set with 7 Egyptian faience scarabs. Each beetle is mounted so that the hieroglyphic writing on the underside could be seen...

Pair of ancient Persian small cast bronze mythical creatures. Each figure has a rounded head, the short horns of a bull, an arching neck and a single hoofed foot. Various holes and slots point to a utilitarian as well as decorative function. Most likely these were feet used for a ritual incense vessel. The holes were for the censor to hang from above but the tripod vessel could also stand. Lovely coloring and encrustation of bronze consistent with age. (ref sources: Luristan, Persia. mod...

Antique Tibetan Buddhist small reliquary in stupa form. Carved of quartz crystal in two sections with traces of gold leaf, this votive offering would have once been housed in a larger container and placed at the foot of an architectural stupa acting as either a funeral mound or housing relics of an important person. The shape, with it's rounded body and terraced lid, imitates the larger stupa, a three dimensional mandala and symbol of Buddha. With a small wooden collector's box.

...

A lovely Chinese Northern Song dynasty Qingbai white glaze bowl. Dia. 15.8cm. Condition: no chip, no restore, in good condition as shown. Shipping from Taipei, Taiwan via EMS at actual cost. Item selling at various platforms, please ask before ordering.

This is a Japanese antique indigo dye cotton Shonai Sashiko noragi boro hanten jacket. A slightly thin indigo-dyed cotton cloth with two threads in one, and hand sashiko. Cotton cloth is a thin hand-spun cotton. It is an item around the end of the Meiji era. The shade of indigo dyeing is beautiful and it is a little thin, so it is ideal for wearing. There are 3 holes that have been fixed. There are light stains, but they are not noticeable. Size: Length 82 cm / 32.28inch ...

Japanese Studio Vase with Flower Marked Makuzu Kozan, circa 1920

It is 7.7 inches (19.6 cm) tall by 3.3 inches (8.6 cm) wide. It is 0.8 Lb.

It is in good condition with no repairs, or cracks.

Our Guarantee: We stand behind all of the items that we sell. That is to say, if you purchase an item from us and are unhappy with it for any reason, return it for a 100% refund of the amount you originally paid. All you need to do is return the item to us within 10 days of receipt and in ...

A pair of soft paste porcelain underglaze hand painted blue and white porcelain plates in the “La Mouche” pattern. These have a mark that I can’t identify, though they may well be a workman’s factory mark. The pattern of the fly buzzing a bush is distinctively from the Tournai factory. The pair of shallow soup plates are 9 1/8 inches (22.86 cm) diameter.

Condition: No chips, cracks, hairlines or repairs. Use and stacking wear on both sides of both soups.

Antique Korean pair of small Koryŏ porcelain cups. Elegant form with small feet and sharply flared sides. Fine celadon glaze in pale blue with high transparency. The interiors are a paler translucent glaze. Each cup has a simple blue underglaze dot in the underside of the foot.

Goryeo (Koryŏ) Dynasty (918 (935)-1392)

Dimensions: 2 3/4" high x 1 5/8" wide diameter each

Chinese late Qing to early Republic period lady’s robe embroidered in polychrome silk and gold couched thread on a black silk ground. Eight gilt dragon and phoenix bird roundels are on the front, back, and shoulders. The bottom of the robe is gilt decorated in the traditional pattern of waves, stylized mountains, and diagonal bands of upright water (li shui) permeated with auspicious symbols. Black silk decorative borders accent the front opening, side slits, and neck. Sleeve cuffs are embroid...

An elegant second standard (800/1000 pure silver) French tastevin. Rather than the typical “perles,” "coupules," and fluted “godrons”, the bowl is decorated with repousse grape leaves and berries in the 18th century style. This treatment is sometimes seen in tastevins made by Marc Parrod, one of the most influential makers of tastevins in the early 20th century. The handle is in the traditional form of two entwined duck-headed snakes grasping an apple in their mouths, thought to repre...

Large and intricately created old tribal necklace, made of old glass beads of various colours and sizes, with bone separates and bronze tiny bronze bells. North East India, Naga ethnic group. Length: around 64 cm. Very good condition. Provenance: 1) old European collection, 2) auction sale.

Old tribal necklace, made of old glass beads of various colours, with a bronze ornament in the shape of a human head, indicating head-taking status in the tribe. North East India, Naga ethnic group. Length: around 36 cm. Very good condition. Provenance: 1) old European collection, 2) auction sale.

French Silver Louis XVIII Burgundian Style Wine Taster Tastevin An unusually heavy first standard (950/1000 pure silver) French tastevin decorated in the classic Burgundian style with punchwork grape clusters and a coiled snake handle. The grapevines are also accented with engraved flowers. The bottom has the center pinpoint found in tastevins from this period and is finished simply with a ring or shallow godrons around the edge to help reflect light through the wine. The snake is engraved w...

Antique Japanese choba tansu (merchant's chest) made with all kiri (paulownia) wood on the front and sugi (cryptomeria) wood on the sides and top. The tansu has a full-width drawer on the upper portion above a compartment with sliding panels on the left and two small drawers on the right. The lower portion of the chest has two medium sized drawers on the left and a safe box above a small drawer on the lower right. The safe has a door with heavy iron hardware which opens to two small interior ...

Antique Japanese small ko tansu made all of sugi (cryptomeria) wood with lovely raised akita sugi wood on the front. Three large drawers with squared iron drawer pulls and rectangular locks. On the lower right hand portion are two small drawers with ring pulls.

Late Edo/Early Meiji Period (circa late 1800's)

Dimensions: 21 1/2" high x 23 1/4" wide x 12 3/4" deep

Antique Japanese low Todana tansu with one large drawer and a compartment opened with sliding panels. Mostly made of Sakuranoki (Cherry) wood, the sliders have horizontal slats over Keyaki (Zelkova) wood panels. As well, the side panels of the tansu are also made of Keyaki. The sides and back of the tansu are reinforced with sakura wood bracing. Hardware includes iron Warabite drawer pulls and lock on sliding panels.

Age: Edo Period (1603-1868)

Dimensions: 20" high x 34 3/4"...

Small head of Buddha, the face reflecting a serene expression. Bronze, with a nice partly encrusted green patina. Graeco-Buddhist art of the Gandhara Civilisation, 1st to 5th century. Height: 8.3 cm. Very good condition

A fine cricket cage, composed of a body made from a gourd and a rim and lid made of ivory. The lid itself is nicely carved to represent a lotus and foliage around surmounting an openwork geometric design. Its silk case, partly damaged, is joined to the cage. China, 19th century. Length: 7.8 cm. Very good condition.

The censer in the form of a woven basket with a domed open-work lid, suitable for the transportation of avian livestock especially the Gallus domesticus. The base with the mark Seimin chu (cast). Meiji period.

The censer comes with the original box with inscriptions on the lid and front panel, alongside a paper label.

Approximately 6.7 cm by 6.7 cm, 9 cm high. Perfect condition with only a little wear to the patina from use. This is exaggerated by my lighting. The tomobako is ...

An unusual Arita blue & white porcelain plate, circa 1700 - 1750. A smaller dish with similar moulded and gadrooned edge and border of spiky foliage is in the Victoria & Albert Museum, London. FE.66-1970. An identical dish, dated from the first half of the 18th century is kept at the Rijksmuseum in Amsterdam.

The base with an apocryphal Chinese Ming Chenghua reign mark and 5 spur marks.

Approximately 21.2 cm diameter. Perfect condition.

Please study the photog...

An Arita Export porcelain plate in Dutch ‘Kraak’ style. A plate with the same border is illustrated in the Impey Collection “Japanese Export Porcelain, Catalogue of the collection of the Ashmolean Museum, Oxford. Hotei Publishing, Amsterdam, 2002”, item 12. The border pattern shows a striking similarity to that used for V.O.C. orders produced at the Hikeoba and Sarugawa kilns. Circa 1680.

Approximately 21.7 cm diameter. Perfect condition.

Please study the ...

Wonderful Japanese Kutani Celadon statue of Sen no Rikyū (千利休, 1522 – April 21, 1591), the mastermind of chanoyu, the Japanese Way of Tea. It was made during the Meiji Period (1868 - 1912) by an unknown artist of Kutani. There is his seal. The statue has a fine Celadon crazing with no cracks or repairs.

Size: 19 cm height x 18 cm width

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Sen no Rikyū (千利休, 1522 – April 21, 1591), also known simply as Rikyū, is considered the histor...

A very good first standard (950/1000 pure) silver small-size tastevin by the highly regarded Dijon silversmith Marc Parrod. This example retains the classic round shape with a convex bottom, but the usual "godrons" and "cupules" are replaced by repoussé grape clusters alternating with "cupules". Each grape cluster is accented with stylized vines. Parrod was particularly noted for this unique variation. The handle is in the traditional form of two snakes grasping an apple, alluding to the the Ga...

A very good first standard (950/1000 pure) silver small-size tastevin by the highly regarded Dijon silversmith Marc Parrod. This example retains the classic round shape with a convex bottom, but the usual "godrons" and "cupules" gare replaced by repoussé grape clusters alternating with raised "perles". Each grape cluster is accented with stylized vines. Parrod was particularly noted for this unique variation. The handle is in a rather unusual shape slightly suggestive of the double snake handle...

Antique Japanese biwa, a plucked string lute instrument. Made of hardwood with kiri (paulownia) wood front, inlaid with bone and bamboo details. The four strings (missing) are struck with a wooden plectrum. This instrument is often used in narrative story telling. The biwa is the chosen instrument of Benten, the goddess of music, eloquence, poetry and education.

Age: Taisho Period (1912-1926)

Dimensions: 35 1/2" long x 12" wide

Antique Japanese scroll painting of a mountain scene. A pagoda rises in the distance, behind it, a misty mountain range. In the foreground a small figure crosses a bridge. Signed by Kano Tsunenobu (1636-1713). Sumi ink on silk. Provenance Collection of Vlasheslav Batov, Illinois

Age: Edo Period (circa late 1600's to early 1700's)

Dimensions: Total: 51 1/4" high x 29 3/4" wide (32 1/2" wide including rollers). Size of art: 15 3/4" high x 25 1/2" wide.

Exceptional and very important Edo period chawan by legendary master potter Hirasawa Kuro (1772-1840), a famous Samurai and potter who produced tea ceremony ware for the Tokugawa clan in Nagoya. His work is rare and mostly exhibited in Japanese museums.

The bowl comes with the original silk shifuku and its antique fitted lacquered box.  It does present a couple of aesthetic repairs and a very fine hairline running from the mouth rim, but that is not unusual for that kind of fragil...

Antique Japanese Bronze Dragon and Phoenix Pedestal Stand, beautifully modeled and unusual with dragon encircling diameter of the neck with the phoenix above him. key lappet border at base. Good overall condition. Some wear to finish on top.

Size: 31"H x 10.75" Diameter at top and 12.5" Diameter at base.

Age: Meiji Period (1868-1912), circa 1900

An early Arita porcelain bowl made for export to the Far East. The decoration is based on a Ming Chinese dragon & phoenix bowl, the interior with a fish rising from waves. Fuyoyama or Tengudani kilns. See Impey, ‘The Early Porcelain Kilns of Japan, Arita in the First Half of the Seventeenth Century. Clarendon Press, Oxford.1996’ where several sherds are illustrated. Circa 1650 - 1680. Found in Cambodia. Must be of the earliest wares specifically made for export.

Approximately ...

A Very Fine Korean Mother of Pearl/Shagreen Inlaid/Phoenix/Dragon Low Table-19th C.: Korea, Joseon dynasty, late 19th century. The rectangular low table is lacquered with dark brown lacquer over all, and top decorated with a confronted large four-clawed dragon and a long-tailed phoenix inlaid in tortoise shell, twisted wire and mother of pearl, and amid clouds enclosed in a floral-form border, on the rectangular section cabriole legs ending in hoof feet, joined by a scrolling apron de...

From our collection of unique Japanese Tea Bowls we present you another rare piece of art: a Japanese Wan-Nari Chawan with Urushi lacquer, shaped in wabi-sabi tradition in the 19th century (late Edo Period 1603-1868). Wan Nari (椀形) Chawan are quite rare and a fine addition to any collection of Japanese Chawan. It is the only one we were able to acquire in the 20th century.

No chips or cracks.

Size: 7,5 cm height x 16,5 cm in diameter.

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A jewel-like miniature ‘Imperial’ Satsuma vase, of baluster form with elephant head handles. One side is decorated with flowering lotus, the other with a gourd vine. The base has the signature Hogetsu beneath a blue Shimizu mon.

Approximately 9.7cm high. Perfect condition. Remarkably fresh looking with no wear to the enamels.

Please study the photographs.

For new customers resident in China sadly I have to state that I am no longer prepared to accept payment...

Ming Dynasty, Chongzhen period, 1628 ~ 1644.

The twelve sided dish with brown-dressed rim is decorated in enamels that appear to be an attempt to reproduce doucai wares. The decoration features a bee, a monkey, a bird and a deer in a landscape.This forms a rebus on the auspicious line ‘feng hou jue li’, “enfeoffment and emolument”.

A dish of the same design and size is included in the catalogue of the exhibition “Transitional Wares and Their Forerunners”, The Oriental...

A Ming Blue and White porcelain Kaiseki dish made for the Japanese Market, Late Ming, Transitional Period, Chongzhen 1628-1644. Decorated with the Three Friends of Winter, Pine, Bamboo and Prunus. The gnarled pine tree in the center is twisted to form a Chinese `Shou` character meaning Luck and Blessings. The border is of informal scrolling plants including Lingzhi fungus.

Approximately 21.6 cm diameter. The dish has warped during the firing, this unintentional effect much apprecia...

A Chinese bronze censer with stylized fish handles. The recessed base with a cast apocryphal Ming Xuande reign mark. 18th century.

An almost identical censer was auctioned at Christie’s “Interiors”, London, South Kensington, lot 795. 9th November, 2011. Results available on the Christie’s website.

Approximately 9.5 cm mouth diameter, 8 cm high.The censer weighs 414 grams. The censer has been polished in the distant past but is now achieving an attractive patina, a litt...

Sample book of fragments which are mostly hand-spun cotton with katazome (stencil-resist-dye) and also has ramie and hemp with kasuri pattern and bashofu with katazome. It has about 80 different fragments. In good condition. The second half of the 19th century. 8cm x 24cm x 3cm

Antique Japanese rectangular bronze censor with four legs. The lid has a pierced floral motif and a fu-dog finial. The body of the censor has dragons for handles and is encircled with a scrolling key fret motif. The front has a highly raised makara-like elephant-headed water serpent while the back has a raised peacock. The bottom has a six character mark.

Age: Meiji Period (1868-1912)

Dimensions: 12 1/2" high x 9" long x 7" wide

A late 16th.century Azushi-Momoyama Period (1573–1600) vase in elegantly-shaped meiping form, with a gradual outward curve on the shoulder, with short-knopped neck, incised beneath the greenish-yellow / olive glaze.

The vase is decorated with kanji letters. It is written, that this vase is a tribute to the art which was made during the great Einin-Era.

A similar vase - but made during the Kamakura Period - was also part of our collection (item number 0083) and is sold al...

A very fine beaded dance panel from the first quarter of the 20th century. Dimensions: 29 x 29,5 cm. Good condition. Provenance: private collection Lanaken, Belgium.

This beautiful vase is a truly Japanese expression of a classical Chinese form. Fashioned after Song Dynasty pieces that are thought to have been introduced in the 9th century from Syria, the fine Kinuta celadon glaze is masterfully recreated by one of the most skilled Kyoto potters of the Meiji period. The outer ring of the foot is unglazed showing the fine porcelain clay this piece is constructed from and the glazed center bears the seal of the Imperial Court Artist who fashioned this piece. ...