The Eye of Horus/Wedjat was the most inclusive and important ancient Egyptian symbol. It symbolized Horus vs. Seth; life vs. death; good vs. evil; Egyptians vs. foreigners; Egypt; the White, Red, and Double Crowns; a plow; cobra; scorpion; throne; boat; horns; both eyes; female vs. male, the Sun and Moon, and more – see Ancient Egyptian Symbols: 50 New Discoveries abridged...

Chinese hinged triple snuff or medicine bottle made of silver. One side depicting immortals, the reverse with Chinese characters. The stoppers worked en suite, two bottles with spoon. All bases with silvermark. Condition: traces of usage. Dimension: c. 4.2 cm high, total width: c. 6 cm, weight: c. 47 g.

Bronze incense burner with brown patina with shibuishi inlays. Composed of an enormous wave or a dragon also in shibuishi emerging from the waves holds the sacred pearl in its claws. The sphere cover grip represents a tengu also holding a sacred pearl in one paw. The base of the wave is decorated with small crabs and octopuses. Period: Meiji (1868-1912). Height: 51 cm.

Bow adornment of a fibula in the shape of a bird. The body flat and round with a raised tiny head. Wings and feathers are rendered as incised lines. The wings crossed over the short tail.
The bone element is unpierced and was adhered to the fibula’s upper side. Metal components of the fibula missing.
For closely related examples, cf. lot no. 124 in: Cahn Auktionen Basel, September 2008 sale.
For similar examples in the Getty Museum, cf. inv. no...

Tarentine bone fibula body in the form of a leaping dolphin with dorsal fin and incised details.
The pierced eyes to bear inlays.
The head with its pointed snout is merged into a heavy catch plate.
The missing iron pin joined to the dolphin's body through a spiral hinge. Remains of the iron pin inside the tail.
Mounted on an acrylic base.
For related examples, cf. lot no. 123 in: Cahn Auktionen Basel, September 2008 sale.
L...

A very fine and masssive Japanese Edo Period Satuma Vase, measuring 25.5” in height. Satsuma was done in the last quarter of the nineteenth century and after 1900, went out of production as Japan was moving towards modernization. This is an amazing fine decorated with decorations of vignettes of Japanese culture. Done circa 1910-1920 which is remarkable as few are know from this late production. Furthermore, with the original gold leaf pagoda style lid.

IMPORTANT JOSEF HOFFMANN 1870-1956 TURNED WOOD FLEDERMAS SETTEE, circa 1903. Original painted surface with cane seating. The piece complete with its original labeling. 46” width, 36” in height Josef Hoffmann (15 December 1870 – 7 May 1956) was an Austrian-Moravian architect and designer. He was among the founders of Vienna Secession and co-establisher of the Wiener Werkstätte...

Gorgeous Awata cereamic 'suiban' or flower vase by 'Tozan, Ca. 1930 with original box. perfect condition. 11" wide and 8" deep x 3" tall. Ask for shipping quote.

A Burgundian first standard (950/1000 pure silver) tastevin by acclaimed silversmith Marc Parrod. The style of this particular example is a bit of a departure from Parrod’s typical style. The handle is worked in the form of a snake, thought to represent the the snake from the Garden of Evil as a reminder that wine may lead to earthly temptation. But the bowl Parrod experimented with the decoration to the bowl...

A tour-de-force first standard (950/1000 pure silver) tastevin by silversmith Stanislas Pollet celebrating Napoleon’s great victory at the Battle of Wagram. The tastevin is inset with a Napoleonic silver medal surrounded by fleur-de-lis engraving. The outer edges are enhanced with ornate strapwork (a technique particularly mastered by Pollet) depicting fleur-de-lis and acanthus leaves...

A kozuka is a handle of a by-knife that is part of a sword mounting. It is kept in a slot on the reverse of a katana scabbard, often with a matching kōgai (hairdressing tool). Kozuka was used as a craft knife rather than a weapon. This kozuka shows two topless figures and a octopus. It made of bronze and copper-gold alloy (shakudo). Size: 3.75 inches (9.5cm)

Menuki is a kind of metal fitting of the Japanese sword, which was initially put into the hole of the handle. The meaning of menuki varies depending on the design, but they often symbolize strength, power, and courage. Some menuki also have more specific meanings, such as those that depict animals like tigers or dragons...

This Menuki has two hallmarks, “服部製(Hattori The Maker)” and “純銀(Solid Silver)”. Size: 1.75 inches (45mm) long

Both Size 5 Excellent condition.

Size: 1.8 inches (46mm) Very good condition.

Samurai menpo mask with the ressei (fierce) expression, belonging to the me-no-shita "half-face" type, which stands out for its leather surface to simulate finely hammered iron. Remarkable are the generously sized imposing nose and chin, which add a distinctive element to the face of the mask. Origin: Japan Period: Edo 18th century Dimensions: 28 x 23 cm. State of conservation: Very good

Refined silver bowl with embossed irises cast and chiseled inside on a hand-hammered ground on the bulbous body, raised on an oval foot. Signature engraved under the base Watanabe zo and Junjin. Origin: Japan Period: Meiji end of 19th century. Dimensions: 15 x 27 cm. – Weight: 1320 gr. State of conservation: Very good

Ivory netsuke depicting a rat with black horn eyes. The rat is represented resting on its hind legs, while its long tail surrounds an acorn that it is gnawing with its front legs. The object is accompanied by an original label which certifies its origin from the former Tamanini collection in Milan. Origin: Japan Period: Edo 19th century Dimensions: 3.4 x 4.3 x 2.9 cm. State of conservation: Very good