Small, globular form brushwasher thinly potted and fits comfortably in the hand. Covered inside and outside with a smooth, even clear glaze stopping just short of the narrow, exposed footring that reveals the white porcelain paste. One side is painted in several colors of overglaze enamels depicting a floral arbor. The other side is decorated with three tiny stylized bats...
Jar or bottle vase has a low neck with a flaring mouth and a spherical body supported on a footring. The mouth’s edge is clear glazed, showing the buff-white body. Glazed with a russet-brown rust glaze suffused with silvery-black flecks, that depending on the light, can yield tones from a metallic red-brown to silvery-purple. The footring is unglazed revealing a warm, buff-white porcelain body. Good condition, with no damages...
Bulbous jar with rounded shoulders rising gently to a low, tapering mouth. Glazed overall with a fine clear glaze on the inside and outside as well as the base. Painted with bird and flower scenes within two cartouches in a famille verte palette of greens, yellow, aubergine and iron-red. The two main paintings are separated by a red and green enamel floral arabesque...
Both finely potted bowls are covered with a lustrous clear glaze, then painted in a broad palette of overglaze enamels. The thousand flowers design, known in Chinese as jiacai (mingles colors), covers the entire exterior of each bowl from the foot to the rim. The flowers include lotus, peony, hydrangea, chrysanthemum and more. The small spaces between the leaves and blossoms are filled with gold enamel...
Round box is very well-potted and very skillfully painted in underglaze cobalt blue with a design of a boy, or possibly an immortal, riding on the back of a crane flying among clouds. The brushwork is finely detailed—even picking out tiny feathers on the crane’s back. Encircling both the base and the lid are bands of mille-fleurs decoration executed in minute detail with skillful brushwork...
Small beehive-form pot is covered in a rich, lustrous copper-red glaze that drains to a pale celadon tone on one side. The interior is glazed white with the glaze crackles being highlighted by ink staining from long term use. The copper has drained from the mouth leaving the often seen attractive white ring. The glaze stops at the beginning of the foot which though left unglazed has burnt a pale orange tone in the firing...
The glass is 4 3/8 inches tall, with a bowl diameter of 2 inches and a foot diameter of 2 5/8 inches. Rough, snapped pontil...
5 1/4 inches tall, bowl and foot diameter of 2 1/4 inches. Rough, snapped pontil. No damage, polishing, or restoration.
7 5/8 inches tall, with a bowl diameter of 2 3/4 inches and a generous conical foot diameter of 3 1/16 inches.
Large mountain-form brushrest molded with a fanciful design of a mythical horse prancing over stylized waves. Known as haima in Chinese, this decoration was popular on ceramics in the late transitional period through the early Kangxi period and often seen painted in wucai or enamels on biscuit...
The shape of this lobed dish with three sides was likely inspired by ceramic forms said to be based on the shape of Mount Fuji. The shallow tri-lobed dish is set on a raised foot with its circumference painted in a continuous fretwork pattern in underglaze cobalt blue. In the center of the glazed base is a square seal-form fuku mark. The edge of the flaring rim is enameled brown. A basket of flowers in the standard Kakiemon palette is painted to one side of the int...
The dimensions of copper rodan: 16"w x 16"w at the top (the rim is 2.5" wide) and 10" in heigth. The bottom is 11 1/2" x 11 1/2". Old iron stand, gotoku is , 9 3/4" across and 6 inches tall.
Round, footed bowl-form base and tapering stepped lid are heavily cast in bronze and then finished by lathe-turning to enhance the concentric stepped pattern on the lid and the incised rings encircling the base. The bronze retains its natural patina from age and use. There are areas of reddish-brown and small patches or verdigris on the exterior. The interior of the lid shows overall verdigris with numerous patches of brown encrustation. The interior of the bowl is blackish w...
Interior of dish is decorated with multi-colored overglaze enamels in a pattern known as “thousand flowers” in the West. Most of the various blossoms are painted in thick white enamel which is then shaded with different colors of enamel glaze. Space between the flowers is filled with gold enamel. The reverse is enameled with a design of three flower sprays. A six-character Guangxu mark is painted on the base in red enamel. The plate is raised on a low, inwar...