This is possibly a card or ticket case made of rare piece of bingata cotton cloth. Bingata is katazome ( stencil-dyeing ) produced in Ryukyu islands ( now Okinawa ). This bingata was produced in 19th century, but this case might have been made later, early 20th century ( sewn by machine ). The lining is silk. In excellent condition. 13cm x 7.7cm
This is a very rare round hole coin known as a Yuan, as identified by the single character on the right. Yuan was a city in the state of Liang in ancient China. This coin has not been acid treated nor artificially aged, it is well worn and has the verdigris that is natural and impossible to scrape off by conventional means. These range in size and weight from 41.2 to 43 mm, and range 8.8 to 10.7 grams). Condition is fine. Date: about 300 B.C.E. Warring states period...
This porcelain pitcher was produced in England in the late 19th century. It is not marked but the type of porcelain and the style are indicative of Grainger Worcester. It measures 7 3/4 inches high and the diameter of the base is 3 1/2 inches. The porcelain has a high gloss glaze giving it an almost glass like finish. The ground color is salmon pink. It is decorated with a high relief frieze of classical Grecian figures. The handle is created with the face and horns of a satyr...
This three piece demitasse cup, saucer and plate was produced in Germany by Meissen before 1920. The plate has a diameter of
7 inches, the saucer is 4 1/4 inches, and the cup is 2 inches high. The cup has a split twig handle. All of the pieces have little pointed edges. It is decorated with tiny scattered flowers. They are brightly colored. All of the pieces are trimmed in gold.
Condition: Excellent. This is first quality Meissen porcelain.
This porcelain pot de crème was produced in Austria at the Royal Vienna Factory before 1820. It has an under glaze blue bee hive mark as well as impressed numbers. It is 3 1/4 inches high including the lid. The finial on the lid is in the shape of a flame. It is decorated with hand painted grape leaves that encircle the lid and the cup. The style of the handle and painting are quite similar to Meissen porcelains...
Exceptional Gonin Bayashi Five Musician set for the Hina Matsuri (Girl's Day)
celebration. Just a wonderful grouping: a chanter, flute player, two hand
drummers and a floor drummer, each with an expressive and well-modeled
face, finely carved fingers and hands in precise gestures for their
individual instruments, sumptuous silk brocade costumes, short swords,
silk fiber hair, and large inset glass eyes. They are of the finest quality. 7 inches, 18 cm tall.
Rare Edo Period Kokin-bina Style of Empress & Emperor. Minor wear, fading to textile, otherwise fine condition. A classic, very early example of a Dairi-bina Imperial Couple for the Hina-matsuri Girl's Day celebration. The Emperor and Empress are seated atop a woven ungenberi fronted dais. They are a very fine early example. The emperor is wearing a lacquered court cap and tail, holding a shaku scepter, the me-bina lady is wearing a spectacular crown, and has a fabulous painted fan...
Late Edo Period Takeda Ningyô of Kabuki Actor Dolls Portraying Benkie and Yoshitune. It is rare to find this type in such fine condition. This wonderfully mesmerizing work of art is so striking in its posing and
expression, positioned on a lacquered and wood platform. A fascinating find
for the Japanese theater enthusiast. 14h x 23w inches, 35.5h x 58.5w cm.
Next to the Kabuto (Helmet), one of the most expressive parts of the Samurai's
Armor is the Face Mask. This Middle Edo Period metal "armor for the face" is known by many names: mengu, menpo, mempo, men yoroi, katchu men. Menpo means "face and cheek" and is generally
used for masks with nose pieces. This menpo is covered with a high quality
gold lacquer. The inside is a negoro-like finish of red lacquer. Sporting a
fantastic horse hair mustache...
Rare Kamakura Period Sculpture of a of a Nio Guardian King exhibiting power and fierceness. According to Japanese tradition,
they traveled with the historical Buddha to protect him. Within the generally pacifist traditions of Buddhism, stories of Niō guardians like Kongōrikishi justified the use of physical force to protect cherished values and beliefs against evil. It is rare to find such an early example...
Japanese Needle Work Rozashi Technique Embroidery of the Interior of Asakusa Temple.
Rozashi is embroidery using silk canvas and silk thread. A picture is created and outlined on the canvas and comes alive with the thread and stitching. The difference between Rozashi and other forms of embroidery is the use of
the silk canvas called "Ro"...
Pair of Carved Wooden Koma Inu Temple Dog Figures, each seated in the traditional posture. These are a very rare find from the
early Heain Period, and could be even earlier, possibly Nara Period. The wood is aged to a beautiful patina...
Japanese Edo Period Four Panel Screen Painting of a Court Scene. This elegant
image is finely painted with floating gold leaf clouds, pine and willow trees, and
brings the viewer into the intimacy of the court chamber. The figures are wonderfully animated with expressive faces. 100.5 x 36 inches, 255 x 91.5 cm.
Japanese Edo period woodblock print by Toyokuni III (also known as Kunisada) featuring a beauty serving tea to another beauty who is resting in a palanquin smoking a pipe from Act 6 of "Chushingura e-kyodai" (Matching Pictures of Chushingura) dated 1859. "Chushingura" is also known as the "Tale of the Forty-seven Ronin." The censor's seal and the seal of the publisher, Moriya Jihei, are at the lower left portion of the print. The signature of the artist (signed "Toyokuni ga" in a red cartouche w...
This is one of 2 hexagonal shaped tea cannisters which I have listed separately. This one has an incised scene of a mature bird on one side. The other side has 2 sentences from the famous Tang dynasty poem by Lu Tong. The bamboo has darkened considerably with age.
This cannister style caddy is from an estate in the US...Both the Chinese and Japanese used this shape tea cannister and Lu Tongs poems were also highly regarded in Japan, so it is possible the these tea caddies are Japanese in o...
This is one of 2 hexagonal shaped tea cannisters which I have listed separately. This one has an incised spring scene of two young birds and a butterfly on one side. The other side has 2 sentences from the famous Tang dynasty poem by Lu Tong. The bamboo has darkened considerably with age.
This cannister is from an estate in the US...Both the Chinese and Japanese used this shape tea cannister and Lu Tongs poems were also highly regarded in Japan, so it is possible the these tea caddies are Ja...
This porcelain perfume bottle with stopper was produced in France in the mid 19th century. It has some impressed letters and numbers but they are not legible. The style of the gilding and the lady’s dress are typical of the mid 19th century and so this would be considered “Paris Porcelain.” It is similar to porcelain produced by Sevres. The porcelain is very fine and thin. The ground color is rich cobalt blue. The reserve has a portrait of a lovely young woman dressed in jewels and f...
English Tunbridgeware work/sewing/jewelry box in walnut veneer, decorated with two bands of chevron inlay of various exotic woods and with two hexagonal mother-of-pearl escutcheons. Circa 1880-1900. The interior is lined with paper and fabric, and there is a fitted lift-out tray. Condition: age crack to rear top of lid, several older veneer patches at corners, replaced hinges, faint scratching of a name on cover. All decorative inlay is intact. Dimensions: 9.75" long x 6.75" deep x 5"high.