School girl hand embroidered sampler from New Hampshire, late 18th or early 19th century. Measures 6 5/8" x 10 1/4", in frame measuring 10 1/2" x 14 1/4", with green mat and tan paper backboard. The scene is very folky, obviously a creative design by the child doing the embroidery. Often samplers were copied from images provided by the "school" of handwork, but this is clearly an imaginative work...

It is indigo dyeing cotton Yogi of the Edo era. It uses technique of the ombre dyeing. It is dyeing of the high technique. It is handspan, handwoven and it is dyed with an indigo plant of nature. It has several places of repair traces. There is not the stain. It is all original in the Edo era. Size 147cm x 126cm(57.8"x49.6")

A fine famille rose vase with neatly painted, decorated with two windows filled with peacock bird on famille rose ground of Indian lotus, emblems and colorful design. Qianlong seal mark to the base and possibly of the period or slight later to at least Daoguang period. Condition is perfect with no any crack, no any chip and free from any restoration. Height:

Amazing "Queen Anne" amethyst paste earrings set in gilt metal. This style of jewelry has been historically misnamed for Queen Anne, who reigned from 1695 to 1714, as so called Queen Anne jewelry dates to the mid 18th century. The vivid purple paste stones used are faceted as rose cuts. The earrings have back to front fittings and fit close to the earlobe. There is a matching necklace sold separately.

A pair of early 19th century beaded deer hide moccasins. Seed beads, deer skin, clear beads, silk ribbon. The moccasins are probably from Niagara Falls area. c. 1830-40 Length 9" Provenance: Owned by Thomas Wistar (1798-1876) a Quaker, who was commissioned by President Grant to arrange treaties with Indian tribes. His papers are in the collection of Haverford College. Sale 1262 Lot 167, Freeman's Auction House in Philadelphia, Pennsylvania, on November 18, 2006.

An amazing japanese table composed of two beautifully decorated shelves. The upper shelf depicts a waterfall, high waves and pine trees in gold and brown takamaki-e, hirakami-e lacquer and kirigane on a base of nashi-ji. It lies on two openwork side panels.
The lower shelf is more sparsely decorated but still finely executed. It depicts a cottage surrounded by hills and trees in gold and brown takamaki-e and hiramaki-e lacquer, kirigane and nashi-ji...

A pair of Ironstone plates with Chinese style decoration of a willow tree, a Chinese fence and flowers. With a lobed edge they have an elaborate border between the rim and the center of the plate. The blue is underglaze decoration while the colors and gilding were applied after the glaze. The underside with the Royal Warrant, “STONE CHINA/No. 7.” 8 ¼ inch (21 cm) diameter.

Condition: Neither have chips, cracks, hairlines or repairs. One has some gilding wear and slight scratching...

Two pewter plates with old patina right out of a New Hampshire house. They are 8 1/4" across and one has a touch mark that I cannot make out. The other I don't see any mark. They have nice old patina. Circa 1820

A JAPANESE ARITA PORCELAIN SQUARE DISH, EDO PERIOD.

An attractive Japanese Arita porcelain square dish with canted corners, decorated with an oversized sage lost in reverie by a lake. The unusual borders completely painted with figures in a landscape. Late 18th ~ early 19th century.

By repute once part of the Bigelow Collection and disposed by auction in New England a few years ago.

Approximately 15.5cm square...

An armorer's (katshushi) tsuba by Miochin Munekane (signed.) Of smaller size associated with wakizashi. Engraved katakiri-bori flowers and vine decoration (six petals on vine, possibly clematis.) Artist line active between 1818 and 1887. Ex Robert Haynes collection. Good condition. A larger, sukashi tsuba at least by the same line, also signed Miochin Munekane, is in the Brooklyn Museum. 2 9/16 inches (6.5 cm) X 2 3/8 inches (6.1 cm) and 1/8 inch (.4 cm) thick.

This is a finely hand carved, 19th Century Wood Netsuke depicting Ikkaku Sennin (the Single Horn Sage) carrying on his back the beautiful Lady Sendaramo. According to Legend, Ikkaku is an inmortal who could no resist the sight of women on the earth, and he was punished by the loss of his power. He fell in love and married the beautiful Lady Sendaramo, with whom the Sennin is often depicted, carrying her home on his back. Wonderful carving with very fine details. Unsigned...

This is personal ornaments of a horse used in the Tohoku district for Edo period. The item giving glory to a horse is called Umakake. This is dyed with a natural indigo plant and other dye. As for this, a thread spun by hand by cotton cloth is used. The influential person of the village had this type of item. In this district, the upper Tsutsugaki technology was used for the personal ornaments of the horse...

Statue of a traditional god, probably representing Kuan Ti or Kuan Yu, God of War, in formal garb, with a martial posture, sitting on a throne. Wood, with traces of the original gilding. Remnants of animal hair under nose and chin, to represent mustache and beard. At the back of the statue, the votive box is till closed. China, Qing Dynasty, 19th century. Height: 22.7 cm. Abrasion due to age, right arm partly missing, otherwise good condition.

A pearlware child’s mug with the stencil inscription in blue on the front, “A Gift from the Pottery,” in a cut corner rectangle with a seaweed surround. The top and bottom of the mug with a single blue band. The ends of the oval handle spread like a leaf. 2 1/8 inches (5.4 cm) tall, 3 ¼ inches (8.3 cm) across the handle.

Condition: no chips, cracks, hairlines or repairs. Tiny rough spot on the lip and a little wear on the base...

A piece of Iyo-zome cloth which was futonji (bedding). It is made of hand-spun cotton and has katazome (stencil-resist-dye) pattern. The name Iyo-zome is originated from Iyo sudare (bamboo screen) since the pattern looks like wood grain by looking through two layers of them. Stripes are dyed with two katagami (stencil paper), one is vegetable indigo and the other is natural brown dye. Two katagami are dyed by displacing them so that they make wood grain like pattern...

A beautifully rendered watercolor and pencil portrait of a woman done by Jane Anthony Davis, more commonly known as J.A. Davis. The sitter, as was usual with Davis' portraits, is dressed in black, with color being reserved for decorative objects, such as books, flowers, or jewelry, as in this case. What is highly unusual is that Davis signed very few of her works, and on this piece, on the cardboard insert behind the painting, is written "Caroline Mathilda Brown Wife of Nicholas Brown"...

A beautiful pair of French Empire Gilt Bronze candelabra, a very ornately done Measuring 14 inch in height

A fine Georgian period silver plate rococo revival chamber stick with snuffer, manufactured in Sheffield England circa 1800. From the Lumiere Collection of chamber sticks lovingly collected over the course of 50 years by Pete Macdonald.