Japanese Edo period woodblock print by Toyokuni III (also known as Kunisada) featuring a beauty serving tea to another beauty who is resting in a palanquin smoking a pipe from Act 6 of "Chushingura e-kyodai" (Matching Pictures of Chushingura) dated 1859. "Chushingura" is also known as the "Tale of the Forty-seven Ronin." The censor's seal and the seal of the publisher, Moriya Jihei, are at the lower left portion of the print...

A set of 7 fluted plates decorated with various plants symbolic to Japanese culture and motifs often seen in Japanese porcelains known as Imari ware. The plates contain an inscription, kigyoukuhoutei no chin, that often is associated with a specific type of Imari ware known as Daiseiji Imari ware. The motifs, designs, and at times the inscriptions take inspiration from Chinese Qing dynasty porcelain wares. Age: 19th century. Size: height 1.25" diameter 8"

Chinese Famille Rose Porcelain covered box or jar with cover, Ca. 1850, 4 1/8" high, 4" wide-widest part, 3 7/8" diameter-top opening, drum shape box, top with raised nail head on the lower part of the box and the top. Overglaze Rose Medallion design inside the cartouches, the rest area is decorated with flowers, leaves and stylized flying bats in pink background enamel. The condition is good except very shallow flake chip the size of 1/8" wide inside the unglazed top rim area.

Japanese writing brush in ornate case, case is made of copper with black lacquer and inlaid all over in an ornate pattern with tiny pieces of gold and shell, design of chrysanthemum on hinged ink well cover, 2 sided brush hidden in stem, large shell inlaid cartouch on bottom, beautiful and delicate.

Size: 6 3/4" high x 1 1/4" wide

A Leaf from the album “Keinen Kacho Gafu” issued 1892

Published by Unsodo Co., title and printer’s name on left margin, very good impression and color, margins somewhat trimmed, light soiling, slight creasing in margins and wear to two corners, dated in Arabic numerals for export

Overall size: 9 ½ x 14 ½ in.

Height: 2 cm (0.8 in)
Width: 3.8 cm (1.6 in)
Depth: 3.2 cm (1.3 in)

Finely carved Japanese wooden netsuke of a snake coiled in an interesting way; good old patina; good condition

The right-hand sheet from the Yokohama-e triptych by Utagawa Hiroshige III (1843–1894) titled Yokohama Kagandori no fûkei, ‘Foreign Ships at the Seafront in Yokohama’. Signed Oju Hiroshige hitsu. Published 5th month, 1870.

He was a pupil of Andō Hiroshige.

A striking and decorative depiction of an European trading ship, ‘Black ship’,

Approximately 34.5cm x 23cm. Laid onto thick paper. A few stitching holes on right edge...

Antique Wooden Buddhist Temple Bell (mokugyo), dating from the end of the Edo Period. 15 x 15 cm.

Handcarved and made of one piece of wood. The Buddhist Mokugyo has a nice sound and symbolizes a japanese carp kingyo. It has been used for more than two hundred years in a Buddhist Temple in Gifu. It was once given as a gift to a member of our family, who was a famous ambassador...

Antique Japanese woodblock triptych print of a large samurai battle scene by the artist, Yoshitora Utagawa. Active during the late 19th century, Yoshitora Utagawa was best known for his dynamic battle scenes as well as prints of samurai, firemen, kabuki actors, beautiful women and foreigners. He was born in Edo but the exact year of his birth and death are unknown. He studied with the great print artist, Kuniyoshi Utagawa but later left his school and changed his name to Mosai...

19th century Japanese carved wood obidome (sash ornament) in a shape of a theatrical mask of demon Hannya. Could have been used as netsuke as well. Obidome is worn on an obi cord that holds the obi sash together, and is the only type of jewelry worn by Japanese women on formal occasions. Good design, nice detailing, eyes highlighted with gold lacquer. Height 1.8 inches.

Height: 33 cm (13.3 in)
Width: 16 cm (5.3 in)

Chinese porcelain triple gourd vase; decorated with underglaze blue and polychrome foliage, including peony, orchids and plum blossom; glaze ends accurately just above the base rim; underneath shows a Qianlong mark, but probably later Qing; some age-related wear; good condition

Victorian Forget Me Not ring 15K set with six turquoise stones in a radial pattern, 3 supporting turquoises on each side and a diamond at center. The flower literally means “Forget me not” and the small rose diamond in the centre signifies eternal love. The band is ornately carved to enhance the delicacy of the ring. The ring no longer has hair behind crystal back but few examples have survived with this intact. The ring dates to C1880 and is a size 8.

Japanese Edo period woodblock print depicting a beauty preparing to wash titled "Yellow" from the series "Five Colors of Ink" (Goshikizumi) by Keisai Eisen (1790-1848) published by Aritaya Seiemon between 1843-1846. A pupil of Eizan, Eisen is perhaps best known for his prints of sensual women. The artist's signature, Yoshimura Gentaro censor's seal, and seal of the publisher all appear at the lower left. Vertical oban print measuring nearly 14 3/8"V x 10"H. Very good impression quality and color...

Small Japanese antique jewelry box, decorated all over with scenes of tiny chrysanthemums made of gold and silver mixed metal inlay on a gold lacquer (kinji) ground. The tiny safe box door is hinged and opens to reveal a scene of a golden bird on a blossoming plum branch near a fence. This scene spans both the interior of the door and three tiny interior drawers. The blossoms are made of gold and silver lacquer and the ground is a lovely dense and fine nishiji (gold flecks)...

19th century netsuke in manju (rice cake) shape carved with an image of Fukurokuju (one of the 7 Gods of Good Fortune) pulling a fox costume mask onto his head and holding a 9-tailed whip in his hand. Whip design continues on the back showing an attendant boy, one hand raised in amazement, the other holding a fan. Very unusual subject of a Lucky God as an actor, the whip is a clear reference to a mythical nine-tailed fox...

Edo Period, Ca. 1800s

This candlestick is fashioned from Copper with a ribbed shaft rising from a stylized chrysanthemum-form base terminating into a flower-form top with pricket to receive a candle. It has been attached to a later turned-wood base. It is for use in a Buddhist altar. Good condition.

Height with wood base: 24 in., Width: 5 ½ in.

Toyokuni 111 print, please contact for details

Height: 11.9 cm (4.7 in)
Width: 10.5 cm (4.2 in)

Good quality Chinese porcelain famille rose lidded jar; features figures interacting with mythical creatures; six-character Guangxu mark on the base; good condition