1900's Chinese Solid Silver Reticulated Dragon Scholar Brush Pot Marked

It is 4.65 inches (11.8 cm) tall by 1.8 inches (4.6 cm) wide. It is 69.2 gram.

It is tarnished and has oxidations, bent at the top rim, cut marks, repaired at the bottom, and surface wears and scratches (as seen in the photos).

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1930's Chinese Famille Verte Porcelain Vase with Fu Dog Lion

It is 17.7 inches (45 cm) tall by 8.4 inches (21.3 cm ) wide. It is 8 Lb.

It has 2 holes drilled at the bottom and side, dark spots, mild skip glazes, surface wears and scratches (as seen in the photos).

Our Guarantee: We stand behind all of the items that we sell. That is to say, if you purchase an item from us and are unhappy with it for any reason, return it for a 100% refund of the amount you originally paid...

On a fundame lacquer base, the decoration, on one side, black and red, of a rooster, hen and chicks under bamboo with the sea in the background and on the other side a fisherman's hut by the sea in front of the imposing presence of Mount Fuji. The lacquer work is particularly subtle in hira and taka maki-e. The interior of the compartments is nashiji lacquer. The ojime is made of malachite. Signed: Nikkosai. Height: 8.4 cm.

An antique Chinese Coromandel screen in 3 parts made of hardwood with lacquer and hardstones. Depicts a pair of nursemaids watching over the Imperial children at play.

Made for export for the European market possibly for use as a fireplace screen.

Age: Early Republic Period (1910-1920)

Dimensions: Overall 38 3/4" Wide by 34 3/4" High

An antique Hindu/Buddhist temple bell cast of bronze. Exquisite detailing with 4 surrounding dieties and a 4 prong Vajra finial. Striking nodes on four sides with a beautiful clear resonating sound when struck.

Age: 1920's-1930

Dimensions: 36" High by 18" Diameter

An antique Japanese Buddhist family altar called Butsudan in 2 sections. All lacquer finish with gilt lacquer interior. Exterior doors open to inner sanctum doors. Upper transom was hand carved with religious figures meditating in a wooded forest. The altar features a centerpiece dragon with 3 flying Phoenix birds above each compartment. Hanging ornaments on each side...

Antique Chinese cabinet made of jumu (elm) wood with natural finish. The two doors open to a large compartment with a shelf. The interior has traces of original deep red lacquer finish. Nice patina and beautiful wood grain over all.

Age: 19th century

Dimensions: 44 1/2" high x 38" wide x 18" deep

Antique Japanese Butsudan, Buddhist shrine for a home. This butsudan is in two sections. The top section has four folding doors that open to a shrine interior: An multilevel altar with carved details, gold leafed silk and columns. There is a small storage compartment closed by carved sliding panels. The bottom section has two storage drawers...

Antique Japanese tansu with original deep-red lacquer finish. The top portion of the chest has three full-width drawers and locking bar. The lower portion of the chest has two medium sized drawers with a locking bar on the left hand side, a safe box on the right. The safe box door has heavy iron work and opens to reveal 3 small interior drawers. Other iron hardware includes warabite drawer pulls, extensive corner bracing and handles for carrying...

Early 19th century boxwood netsuke of yamabushi - wandering warrior priest recognizable by tokin (skull cap) on his head - sitting inside a huge shell made into a trumpet, and blowing into yet another trumpet shell. Usually for this subject the person in the shell is considered to be Benkei. Horagai - (trumpet shell - Charonia Tritonis) were often fitted with a mouthpiece on the thin end, and used as war trumpets...

19th century ichii (yew wood) netsuke of a resting wild boar, its feet tucked beneath it, head raised. Netsuke is skillfully carved by the master of the Hida school in characteristic ittobori (one cut) style with clever use of wood texture to represent the creature’s fur and add to charm of the piece. For similar examples see Bushell’s NETSUKE FAMILIAR AND UNFAMILIAR, p. 128. Excellent rendition of facial expression, wonderful mellow patina...

Early 19th century boxwood netsuke in a shape of a hexagonal ema plaque with low relief carving of a horse galloping among flowers. In some early Shinto traditions of Japan, horses were seen as carrying messages from the kami (spirits or gods), and were usually used to transmit requests during droughts or famines. Ema (literally “picture-horse’) are small wooden plaques with painted images, they are commonly sold in Shinto shrines, and on which worshippers write prayers or wishes...

Two Chinese Qing dynasty hardwood carved panels with tabs at the top and bottom indicating they likely were originally inset into a larger piece of furniture. Each panel features a bat above a central double-happiness symbol flanked on both sides by ruyi forms. Gourds hang from vines. The slightly smaller panel includes a deer at the center bottom. The backs are flat. The smaller panel is mounted for hanging...

A Chinese, white ware, ewer of an elegant double-gourd form and incised line delineations; from the Northern Song dynasty...

Beautiful Chinese antique vase, 18th century (Kangxi Period, 1662-1722). It is sculpted in double gourd shape and painted with various scholar scenes and glazed in white and blue. Continuous scenes depicting figures in a landscape are a common motif in Transitional porcelain, they often referenced popular plays, histories or poems.

Very fine Kangxi mark on the bottom.

PROVENANCE

A Private German Collection, acquired in the 1930's in Japan.

Dimension...

Enamelled copper dish. Decor, in the center, of a palace scene painted in enamels of the "Famille Rose", surrounded by a deep Sèvres blue on which Chinese emblems stand out in gold and in silver armfuls of flowers which have lost their shine, silver having oxidized over the centuries. On the margin are represented in gold on a blue background dormouses feasting on grapes, this theme was very popular around 1800.  The white reverse clearly shows the stains of the old restorations which have yel...

Pakharu – pA-xArw Worker

Bab el-Gasus Shabtis - Cache II - Tomb of the Priests of Amun.

Also known as Ahaneferamon, Ahaneferamen, Pakharou, Pacharu, Pachel

The foreign name Pakaru means ‘The Palestinian’, he was also named Ahanéferamon, the brave fighter of Amen (Aubert). The name Pakharu is used on his shabtis and Book of the Dead. Both names can be found on the shabti boxes and Amduat papyrus

God’s father of Amen, the king of the gods, ...

19th century netsuke of Hotei wading through a swirling water as he carries a boy in a woven straw high rain hat on his back. The subject is a wonderful mitate (humorous reference) to Ikkaku Sennin crossing a stream with the Lady of Benares. Nicely carved, wonderful smiling faces, beautifully rendered robe lines and incised textile patterns, wear consistent with age, great patina. Signed TOMOYUKI on the bottom - the artist is listed on p. 1167 of NETSUKE & INRO ARTISTS AND HOW TO READ THEIR SIGN...