Antique Japanese ranma (architectural transom carving for over a door). Made all of hinoki (Japanese cypress) wood, this carving is a rare beauty in it's detail. A cross section view of a gnarled plum branch in bloom along side a stand of bamboo. The straight leaves of the bamboo contrasts sharply with the curving tendrils and round blossoms of the plum tree...

An Arita foliate form dish decorated in underglaze blue with a band of auspicious shippo, cash, connoting a wish for wealth combined with mounds of evergreen Japanese Forrest grass, a symbol of longevity. Similar designs are to be found on Kakiemon porcelain of the Empo period where the same stylised motifs are used. The reverse painted with a sketchy small leaf arabesque combined with a spiral fuku in a double square...

A porcelain dish from the Nagasaki area, so not strictly “Ko Imari”, meticulously painted with an elaborate Leiwen border and a stylised Chinese style landscape in a light blue gosu. The reverse painted with three Lotus flowers with trailing Acanthus type scrolls in a contrasting dark blue gosu with a seal for the Kameyama kiln...

A nagazara of conventional rectangular form with compressed indented corners decorated in underglaze blue with a Chinese style landscape featuring a small viewing pavilion on a bridge. The reverse decorated with a stylised peony and a “classic” comb border to the footring, This dish was produced at the Nabeshima fief’s official kiln at Okawachi in Arita for the Shogun in the late Edo period c.1820-60. The dish measures 20.8cm long and is 11cm wide...

A fine quality Kameyama-yaki auspicious Peach form, momogata, bowl delicately and painstakingly painted in the Chinese Literati style with Sansui scene for which the Kameyama kiln was renowned. The reverse decorated with auspicious Lotus motifs to the reverse and a small seal mark for the Kameyama kiln. A similar moulded dish with sprig decoration to the rim is in the Metropolitan Museum of Art New York (Accession number 93.3.453 and there dated 1820)...

A rare small Longquan celadon washer with well balance potted, covered overall with grayish green near bluish green glazed. Southern Song Dynasty in perfect condition, no any chip, no any crack and free from any restoration. Diameter: 9,8 cm and Height: 3,2 cm.

Amazing boro cloth which is one side of body part of noragi (farm wear). The ground cloth as well as mending patches are hand-spun cotton and vegetable indigo dyed. Sashiko thread is also indigo dyed cotton. Asa (hemp) thread is seen in the side seam and that means it is rather old. The second half of the 19th century. 32cm x 184cm

A fine Chinese Northern Song dynasty Yaozhou celadon bowl with unclear molded sea waves decoration inside and carved outside the bowl. Dia. 10cm. Condition: glaze degraded, one thin hairline, no chip, no restore in good condition as shown. Shipping from Taipei, Taiwan via EMS at actual cost. Item selling at various platform, please ask before ordering.

Antique Japanese small box made all of sugi (cryptomeria) wood. 5 shallow drawers and one larger drawer on the bottom. Iron rings for drawer pulls.

Meiji Period (1868-1912)

Dimensions: 17 1/4" high x 12" wide x 14 1/2" deep

Song dynasty longquan celadon green glaze large plate with two fish motif at the center, outer wall with carved lotus petals motif, good condition no damage crackled at glaze surface please see picture for detail, size: 21 cm diameter.

A nagazara or long dish dating to the late 18th or early 19th century with a central motif of a Chinese style landscape framed by a pattern of spirals and flower-heads, Asters or Chrysanthemums a deconstructed version of a contemporary Chinese Qing dynasty pattern (see Diana Cargo etc). a staple of the Chinese export trade to South East Asia, produced both at Jingdezhen and at provincial kilns in South China...

A pair of late Ming dynasty blue and white saucer dish, decorated with bird on the fruit tree pattern to interior, underside base with small seal mark. Condition is very good, no any chips, no any cracks and free from any restoration. Diameter each; 10,5 cm and 10,3 cm.

An antique Japanese Choba (merchant) Tansu, constructed of hinoki (cypress) natural finish wood. With hand-forged iron hardware and plates. The Choba has iron handles, lock plates, a pair of sliding doors and three drawers in the middle, a pair of sliding doors with slats at the bottom, and a corner bottom safe box with three drawers inside and a small secret drawer.

Date: Meiji Period (1868 - 1912)

Dimensions: 35" high x 15" deep x 33.5" wide

An antique Japanese Choba (merchant) Tansu of hinoki wood and iron hardware. The top section has one large drawer with two handles. The middle section has two sliding doors with slats. The lower section has 5 drawers with a safe drawer with two interior drawers.

Date: Meiji (1868 - 1912)

Dimensions: 34.5"long X 35"tall X 14"wide

An antique Japanese tall Tansu with multiple drawers and bar lock. The interior of each drawer is configured differently with compartments for a diversity of items.

Date: Meiji Period (1868 - 1912)

Dimensions: 24" tall X 15.5" deep X 11" wide

A fine Chinese Ming to Qing dynasty persimmon glaze dish. Dia. 17.6cm. Condition: crack to base rim, no restore, in good condition as shown. Shipping from Taipei, Taiwan via EMS at actual cost. Item selling at various platform, please ask before ordering.

An elegant classic-style French silver tastevin of traditional form. The bowl is decorated with raised "perles", concave "cupules" and elongated "godrons" for assessing the depth of color in both red and white wines. The curved sides help concentrate the aroma, so only a very small amount of wine has to be poured to judge quality. The looped handle allows the tastevin to be worn suspended from a chain. Tastevins with round thumbpieces are generally from the Paris region...

A nice drawn of blue and white dish, decorated to the interior with a bird on the tree and continuously flower scrolls to the exterior, all under blackish cobalt material appearing without any uneven. Ming dynasty 15th-16th century. Condition with four tiny chips and one slight long hairline. Please add $ 50,00 for restoration to chips and would be invisible, not recommended to cover the hairline. Diameter: 19,4 cm.

Cotton futonji with katazome (stencil-resist-dye) whose motif is paulownia flower but the design looks more western painting rather than traditionl katazome paulownia flower. Made of hand-spun cotton and dyed with vegetable indigo and partly sumi (ink) is used in the plant. Generally in good condition but has some mending patches and slightly indigo faded panels. Also, washed but still has some light stains. Late 19th to early 20th century. 124cm x 142cm

Here is a really rare example of Ko-Agano-yaki from the early Edo Period (1600-1630) with a fine Kintsugi gold repair: regular wan shaped Ko-Agano tea bowl, showing very fine slightfinger marks from throwing.

The foot ring has been cut with a potters knife on a hand wheel. A glaze of rice straw ash has been poured with a laddle, while the potter held the bowl at the unglazed foot. Its unglazed finger marks show a fine, little iron bearing clay of a brownish color...

An antique Japanese Choba (merchant) Tansu made of solid keyaki (zalkova) wood with Burl keyaki sliding doors. The upper portion of the Tansu has a sliding door with interior shelf. The lower portion has 5 drawers with iron hardware locks. Matsumoto is a special city located in Nagano Prefecture, Japan.

Date: Edo Period (1603-1868)

Dimensions: 33" tall X 32.5" wide X 15.5" deep

A pair of silvered copper (copper and nickel) Persian vases. the vases have a flared rim with long neck, round middle and collet foot. The surfaces is embellished with floral design of fine, and impressive scrolling.

Date: 1900's

Dimensions: 15" tall X 9" wide

A highly interesting and very accomplished Blackware vessel with the portrait head of a living man, Precolumbian Peru, Late Moche or early Chimú, 7th.-9th. century AD.

Superbly detailed and rather substantial vessel, made as a grinning man with his tungue between his teeth and wearing larger earrings and headdress, the spout of the vessel prodruding from the top of his head. Rather scarce piece!

Size: 22 cm. tall and 16 cm...

A very nice small-size silver plate wine taster in the classical style. The bottom features the typical convex bottom surrounded by concave "godrons" adn "cupules." intended to create high and low spots to better appreciate the color of the wine as light is reflected through it. The open shape also allows the bouquet to develop quickly so the wine can be tested easily. The snake handle is generally seen on tastevins from the region of Bourgogne...

A fine Chinese Ming dynasty tea dust glaze meiping. Ht. 15cm. Condition: glaze deterioration to mouth rim, no restore, in good condition as shown. Shipping from Taipei, Taiwan via EMS at actual cost. Item selling at various platform, please ask before ordering.

Surely an extraordinary confluence of circumstances must have come into alignment in order to bring this remarkable composition into existence. Done in the Korai style - referring to the heavy influence from Korean forms and glazing - this exquisite late Momoyama/early Edo period (1590-1620) Karatsu-ware tea bowl is really rare.

Regular formed wan shaped, showing fine finger marks from throwing...

A rare large Antique Japanese Kuruma Tansu (wheeled chest) made of solid quartered sawn Keyaki (zelkova) wood with hand forged iron hardware and wooden wheels. The upper portion of the chest has a large compartment opened by sliding panels with horizontal slats and a heavy iron latch. The bottom portion has one large drawer and two smaller drawers side by side...

Rare faience (blue green glazed) clay Egyptian scarab amulets on a custom stand. Scarabs were popular amulets and impression seals in Ancient Egypt. Egyptian faience is a non-clay based ceramic composed of crushed quartz or sand, with small amounts of calcite lime and a mixture of alkalis, displaying surface vitrification due to the soda lime silica glaze often containing copper pigments to create a bright blue-green luster. Each mounted on a single custom antiqued bronze mounts.

Prov...

This is a hand sewn and hand quilted antique doll quilt circa 1850-60. It is random and naïve and very pleasing to the eye. It has been professionally mounted. I love hanging these doll quilts on fronts and backs of doors. (I have run out of wall space!) This one is 16" by 16" and mounted 18" by 18".

A faience (blue green glazed) clay Ankh is an ancient Egyptian hieroglyphic symbol that was most commonly used in writing and in art to represent the word for "life" and, by extension, as a symbol of life itself. Egyptian faience is a non-clay based ceramic composed of crushed quartz or sand, with small amounts of calcite lime and a mixture of alkalis, displaying surface vitrification due to the soda lime silica glaze often containing copper pigments to create a bright blue-green luster. Mounted...

A rare hand painted clay figurine of the Tibetan god, Yamantaka. Yamāntaka is the "lord of death" deity of Vajrayana Buddhism. Sometimes he is conceptualized as "conqueror of death". He belongs to the Anuttarayoga Tantra class of deities popular within the Gelug school of Tibetan Buddhism. Tsa-Tsas are small sacred images that are hand crafted from clay. The clay is often consecrated with medicinal ingredients and relics and then filled with mantra rolls or stamped on the reverse with mantras. ...

Tang dynasty Changsha ware bowl. 15,3 cm diameter. Conditions free from any repair. There is has some small chipped at the rim and glaze degradation.

Ancient well-carved head of Lord Bhairava of wood on a custom stand. Bhairava (Sanskrit: frightful) is a Hindu Tantric deity worshiped by Hindus. Ritually given liquor spirits during ceremonies. In Shaivism, he is a fierce manifestation of Shiva associated with annihilation. Provenance: Spinks London, Handley Collection

Date: 15th C

Dimensions: 33" tall X 17.5" wide with stand, statue alone is 27" tall X 18.5" wide and 5" deep

Here is magnificent example of the beauty of Raku ware, a pottery tradition born more than 400 years ago in the ancient Japanese capital of Kyoto, from the collaboration between great tea master Sen Rikyu (1522-1591) and a potter named Chojiro ( - 1592), the forebear of the great Raku family of potters.

Sublime half cylinder shaped (Hanzutsu) tea bowl with a rounded brim, in the typical hand built style of the Raku family. The body is fully covered with a white engobe before the red...

A large 4 sided jar in sea-green glass, having a wide ridged strap handle and folded lip. The base is decorated with a segmented circle in the center of which is another circle. Smaller circles are at each corner of the base. This is NOT a reproduction, but an original period piece.

The jar is in excellent condition, with no cracks, chips, or repairs. It is 9 1/2" tall, and 3 1/4" on each side of the square base.

NOTES: 1. For similar examples see "Italian Blown Glass by Giovanni Mariacher f...

This jade carving depicts two dragons, seated back to back and is, as best I can tell, the real deal. Not only are there no signs whatsoever of modern tooling, but each of the holes at the snout has been drilled from both sides, using a conical bit. The jade itself does not lie 100% flat, which would be another "telltale" of modern production. Instead, it is slightly curved. Dating archaic jade is, of course, extremely difficult, so please have a close look at the photos and feel free to ask any...