A handle surmounts the peak of this beautifully rendered vase by Myagawa (Makuzu) Kozan enclosed in the original signed wooden box titled Seiji-yu Sometsuke Te-oke-gata Kabin (Celadon Handled Bucket Shaped Vase with Blue and White Design). It is 16 cm (6 inches) diameter, 32.5 cm (13 inches) tall and in excellent condition...

This is his Tsutsugaki item, which is impressive with its very surreal pine and bamboo designs drawn in Tsutsugaki during the Edo period. The young pine tree in the center of the picture is drawn in an unbelievably large and surreal manner, and the bamboo, which is also impossibly deformed, is drawn in the background. This is quite an unconventional item among the indigo-dyed items of the Edo period...

A protective deity is carved into this Piece of a pillar from Himeji Castle dating from the Meiji period restoration of the Tenshukaku (main tower). It is branded with the Yaki-in which reads Himeji Jo Ko-zai-in (Brand of the old wood from Himeji Castle). It has long been a method of raising funds in Japan to offer replaced pieces of a historical building to those who donate to the restoration...

A terrific oversized bronze figural Bell, Luristan, c. 1200-800 BC.

The bronze Goat with exceptionally long curving horns and forelegs and with it's body evolving into a large openwork bell. Probably once with a small loop at the end, now lost.

Size: 13,6 cm. long and 9 cm. tall. A high unusual size for these which are normally quite small.

Condition: Near Extremely fine, but for the lost loop finial...

Lovely spherical Ge type crackleware glazed Qing jar with very light celadon tone. There are some chips and cracks so please view enlargements. Authentic antique Ge wares have become very rare in the past 20 years, I was lucky to find this one. H: 7.5cm/2.9in and D: 9cm/3.5in.

A small Cizhou jar was applied on the surface with black glaze.
In fine shape, the jar was adapted with a newly made lacquer cap.

Date: Yuan periods, 13th Century.

Height: 6.1cm.(without cap), 7.1cm (with cap)

A lovely patinated silver box, probably for betel Chewing. High grade silver!

Height 10cm, ø bottom 11,4cm . and weighing 393g.

Cylindrical container with mythical creatures and animals on the lid, body and bottom. An additional section inside. Very nice decoration and quite rarely seen as ornate from Burma.

Condition: About extremely fine, warm old patina.

Ex R. Reichenmeier Collection from 1970s.

Large bowl on three feet with relief depictions from the Ramakien epic. Punched on the bottom Silver 100% / weight 30 baht, Thailland, c. later 19th. century AD.

Very high quality silver work on this bowl, in extremely high relief even for the type. See picture of the many depictions, incl. war, hunting, love etc..

Diameter 20cm. and weighing 459 grams.

Ex R. Reichenmeier Collection from 1970s.

A finely cast Japanese bronze koro and cover modelled as a resting egret, 13 cms. long, Edo/Meiji period.

An ancient Egyptian Scarab, c. 1615 BC, from the famous Mitry collection (see our Homepage). It is 1/2” long (12 mm) and made of crystal quartz. Scarabs empowered life and resurrection and were often placed under mummy wrappings to protect the body and to help it resurrect. This Scarab comes in a jewelry display cup.

An ancient Egyptian Scarab, c. 1250 BC, from the famous Mitry collection (see our Homepage). The bottom depicts 2 antelope heads. It is 1/2” long (12 mm) and made of steatite, an easy-to-carve stone that hardens when heated. Scarabs empowered life and resurrection and were often placed under mummy wrappings to protect the body and to help it resurrect. This Scarab comes in a jewelry display cup.

An ancient Egyptian Scarab, 3000 years old, from the famous Mitry collection (see our Homepage). It is 1/2” long (13 mm) and made of steatite, an easy-to-carve stone that hardens when heated. Notice that the bottom resembles a human face; this was done frequently. Scarabs empowered life and resurrection and were often placed under mummy wrappings to protect the body and to help it resurrect. This Scarab comes in a jewelry display cup.

Buddha in bronze cast with lost wax and gilded with mercury. The walls are very thick, the statuette is heavy. The gilding is original, certainly baked several times to obtain a nice thickness. The reverse of the dress is chiseled with stylized flowers. The base is closed by an incised copper plate of Vajra. The base does not appear to have been opened. The two arm bracelets were originally to have stone beads, today replaced by a colored coating...

A Chinese Blue and White Miniature Guan Jar. Circa, 1368-1644, Ming Dynasty. Found in the Philippines. Its tapering body is horizontally joined in two sections with a bordering underglaze decoration of acanthus leaves running along its shoulders and panels above its foot. Its base is fully unglazed...

A Chinese Qingbai Glazed Box and Cover. Circa, 13th-14th Century, Yuan Dynasty. Found in the Philippines. Featuring a small rounded body supported by a short foot, tapering to its shoulders to a short neck and is topped with a circular cover. Its body is decorated with carved floral scrolls and vertical lines encircling its shoulders...

A Chinese Qingbai Glazed Water-Dropper...

A very attractive large Udjat eye amulet, Egyptian, and probably Late period, mid 1st. millenium BC.

The amulet is vcarved in a hard Diorite stone, very beautiful in hand.

Size: 26-27 mm. wide and very thick.

Condition: Choice and as made, the drill went wrong, visible at the back so the artist drilled another hole just beside the first one.

Private Collection, ex Jürgen Haering, aquired at Galerie am Museum, Freiburg, 2008.

A very thick and massive gold ring with clasping right hands, Roman Imperial Period, 2nd - 3rd century AD.

Typical high shoulders and compressed design. 22+ carats gold.

The depiction of the dextrarum iunctio (handclasp) was highly popular in Roman art. In the Roman world, the right hand was sacred to Fides,the deity of fidelity...

A rare Kuro Raku Chawan by the 7th-generation successor of Raku ware, Kichizaemon Chonyu (1714-1770).

It comes in fine antique condition with a very old red Urushi lacquer Kintsugi and its antique wooden box with an attestation and appraisal of the Urasenke Tea House "Shikien" Kyoto, signed and sealed in 1950.

Born as the eldest son of the 6th generation Sanyu, he took over as the head of the family and didn’t retire until age 49, later passing away at age 57...

Tranquil sitting Nyorai Zen Buddha on a tiered stand. Wood is hinoki or Japanese cypress. Beautifully lacquered with a gold gilt covering. The Buddha has a jeweled forehead and a swirling leaf backdrop. It sits on a lotus stand. The bottom of the stand is swirling Buddhist clouds. c.1885. (11" x 6") (28cm x 15cm). Ask for shipping quote quote.

Chinese Qing dynasty low circular form porcelain brush washer covered overall in a monochrome oxblood red glaze holding a partly submerged moulded recumbent water buffalo at the center. A brown wash was applied to the low flat foot and slightly recessed base...

A set of three Chin puppies by Miyagwa (Makuzu) Kozan II published in the book Miyagawa Kozan and the World of Makuzu Ware (Yokohama Museum of Art, 2001) page 144, figure 174. They are roughly 5 x 10 cm (2 x 4 inches) and in excellent condition. They come enclosed in the original signed wooden box.
The name Kozan was granted by Prince Yasui-no-Miya in 1851 in honor of the tea ware produced during the later Edo for the imperial Court by the tenth-generation head of the Kyoto pottery family ...

An unsually large stone cylinder seal, carved in a glossy black green stone, Middle Assyrian period, c. 14th.-11th. cent. BC.

This cylinder is seal 48 mm. tall and c. 15 mm. thick - a seal that gives a huge imprint when rolled on clay. The seal showing an archer fighting a winged griffin. The archer is probably the Great King and he is kneeling shooting his bow into the face of the Griffin, which is lifting it's left paw. He has a quiver full of arrows on his back, and symbols of the ...

An ancient Egyptian Scarab, c. 1000 BC, from the famous Mitry collection (see our Homepage). It is 1/2” long (13 mm) and made of steatite, an easy-to-carve stone that hardens when heated. Scarabs empowered life and resurrection and were often placed under mummy wrappings to protect the body and to help it resurrect. This Scarab comes in a jewelry display cup.

An exciting ancient Egyptian Scarab,c. 1500 BC, from the famous Mitry collection (see our Homepage). It is 1/2” long (13 mm) and made of steatite, an easy-to-carve stone that hardens when heated. The bottoms of many scarabs were made to suggest human faces. Scarabs empowered life and resurrection and were often placed under mummy wrappings to protect the body and to help it resurrect. This Scarab comes in a jewelry display cup.

A fascinating ancient Egyptian Scarab, c. 1200 BC, from the famous Mitry collection (see our Homepage). It is 11/16” long (17 mm) and made of steatite, an easy-to-carve stone that hardens when heated. Scarabs empowered life and resurrection and were often placed under mummy wrappings to protect the body and to help it resurrect. This Scarab comes in a jewelry display cup.

An ancient Egyptian carnelian Scarab, c. 1200 BC, from the famous Mitry collection (see our Homepage). It is 3/8” long (9.5 mm). Scarabs empowered life and resurrection and were often placed under mummy wrappings to protect the body and to help it resurrect. This Scarab comes in a jewelry display cup.

Keman in cut bronze gilded with mercury. Decorated with flowers and Karyobinga (winged musical deities). Keman are hung in Japanese temples and replace bouquets of flowers. Usually Kemans are only decorated with flowers. The one presented here is exceptional with its 4 karyobinga cast in relief and riveted on the copper plate cut with flowers. Very beautiful carving, thick gilding. In the center the coat of arms (Mon) of the Tokugawa who were shoguns from 1600 to the end of the 19th century. Ja...

Cast bronze "soliflore"vase.The neck is engraved in the archaic Chinese style of stylized cicadas and Greeks, it ends by flaring and closing to create a bulb in the shape of a head of garlic, hence the English term "Garlic" to name this style, the body is modeled in a slice of melon.Small vase, simple but very elegant.. Chinese work early Qing Dynasty.The beautiful old patina of this bronze confirms it as being centuries old.18th century or earlier. H:17cm.

Startled to enlightenment, this is a large Edo period figure of a Rakan (Sanskrit: Arhat), a Buddhist saint kozutsucarved in the Yosegi-zaiku method of joined blocks of wood. Originally covered in polychrome colors, much has grayed and flaked away with time, a fitting aspect of the image. He has glass eyes which seem to burn violently with realization. The image is 43 x 36 x 51 cm (17 x 14 x 20 inches) and is in solid condition. The head is removable, slotted into the body at the collar. For ...

Very nice 16: by 16" calico doll quilt all hand sewn. Some of the calico fabrics are great. The back is a stripe that kind of looks like ticking but is a little hint of floral. There is a batting in between the front and the back and stitched together with diagonal lines. Condition is very good, I don't see anything other than some minor age related discoloring here and there. I had it on the top of an old red blanket chest and it looked wonderful. I also hang them on doors and between windows...

Nice early blue and white cotton homespun handkerchief that has been used and loved and survived pretty well considering it is about 200 years old. It is a strong medium weight cotton with a nice sky blue dye giving nice contrast to the white. Two sides had overcast stitches but one side has lost the stitches giving it frayed appearance and the other two sides are hemmed. The initials are SGS. It has one tiny little discoloration spot. This is a treasure and would look good hanging or placed an...

This is a well washed and loved red calico doll quilt. It is mostly treadle machine stitched with some hand sewing. The backing is a brown and cream calico print with a brown calico boarder on both front and back. It is very soft, faded a couple of tiny holes that gives it that great old worn look. This is my kind of quilt, old and worn and I realize it is not for everyone. It is 16" square and is from the 1890's with a Pennsylvania verbal history. (I love it.)

This is a pair of linen homespun pillow cases that are more like show towels. The linen is very finely woven, the pulled thread work, borders the top and bottom of the name and date. The embroidered name and date is done in a wool floss and has not done as well with use as the body of the pillow case. Her name is Barbara Wismer, I think, and the date is 1829. There is no question they were used and laundered but they are in great condition with a bit of age related toning in places. They are ver...

This Dark blue and white towel is 11 1/2" by 16 1/2" with sides hand hemmed. It has a few light brown stains in two places. This is a great size for a table mat or as a guest towel. The pattern and color are pleasing to the eye. C.1840

This work towel is made for use but is also very beautiful. I think it is linen one way and cotton the other way. (warp and weft). It has a feel and sheen of linen but also has the flat look of cotton. It is in very good condition, has the original loop for hanging it up, and is hemmed on both sides of the towel. The initials are sewn with a brown floss and I think the initials are MLW. The width is 15 ", length 42". It is supple yet sturdy and had a wonderful rustic country look. Made and found...