A Japanese lacquer bowed top box with portrait of a Kabuki actor - presumably named in gold lacquer and the role of Daihachi named in a lustrous iron color. All slightly raised work, the portrait is in gray, black, red, flesh tone, browns and gold. Lines including pattern and folds in the figure's attire and hair in his coiffure and sideburns cleanly defined with raised work. Metal along the facing edges of the top and bottom have no doubt contributed nicely to the preservation of the box...

A well-painted thangka dating to the 19th century depicting White Tara (Sitatara). Sitatara represents longevity, wealth, and beauty. Please send an email when inquire more images.

Antique Chinese late Qing Dynasty Rare black Yixing large teapot and cover of tapering ovoid form set with an S-shaped pewter spout emerging from a pewter plaque shaped in the form of the frog adorned with pierced auspicious symbols, with two pewter bail handles attached by the iron rings to the bulging posts on shoulder which the front one is made of pewter...

A refined antique Chinese painting done in a style similar to Western style paintings. These paintings were thought to be done in the Canton Concessions in Guangzhou during the late 19th century. Often these works depicted scenes of daily life in the streets of the Qing Period. This particular view is showing two martial artists showing their skills. Age: 19th century Size: Length 12.78" Height 9.25"

Dimension: Diamater : +- 12 cm From Song dynasty. Condition : no chips, hairlines or cracks and free from restorations

Standing on hexagon stand with his left arm outstretched, right arm clasped to his chest, wearing tall red hat, painted in green costume glazed.

Age: Chinese, Ming dynasty, 16th-17th century
Measurement: Diameter 10.7 C.M. / Height 37.3 C.M.
Condition: Well-preserved old burial condition overall with some amount of soil adherings (some abrasions and wearings on the piece due to the long burial time underground). Please refer to the enlargement photos for more details...

Yuan qingbai cup with floral scroll decoration on the body, unglazed concave base. Measure W=6.5 cm, H=3.5 cm Yuan Dynasty Condition : perpect, no chips, cracks, hairlines or restoration.

MAID FOR THE NEXT LIFE

Maidservant clay figurine of ancient China (Han Dynasty) that was once buried in a tomb of noble person, H 26 x 9 x 4.5 cm (10.23 x 3.54 x 1.77in), in very fine antique condition as is for this type.


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This hematite Colima miniature effigy axe is 3 1/2" long and was found by the late Dr. Allen Heflin on 12-31-47. It is so inscribed on the back in his distinctive black ink. This is a fabulous extremely rare piece. I have seen only two others and they were not nearly as nice as this one. If you are an axe collector, this is a must have. Please view my youtube video of this item at http://www.youtube.com/watch?v=iQt-yXflSlE. Due

Extraordinary and more than one hundred year old water jar Mizusashi. It is signed by an unknown artist on the bottom.

This Bizen ware Mizusashi has a breathtaking shape and very good yellowish natural glaze called Goma. Great!

Mizusashi are containers of fresh water for replenishing the pot and rinsing bowls in the tea ceremony.

No chips or cracks, heavy weight 2,2 kg. Size: 5.5'' height, 7.92'' width.

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A lovely washer bowl or wan bowl with lotus petal motif on the exterior. PERIOD : Song Dynasty (12-13th Century). MEASUREMENT : 12 cm wide, 5 cm height. CONDITION : fritts on th rim; free from restorations

Chinese pottery green glazed jar with cover.

Age: China, Yuan Dynasty, circa A.D. 1271 - 1368
Measurement: Height 36.8 C.M. / Width 28.3 C.M.
Condition: Well-preserved old burial condition overall with some amount of soil adherings (some abrasions and wearings on the piece due to the long burial time underground). Please refer to the enlargement photos for more details.
Shipment: Worldwide shipping from Bangkok, Thailand at actual cost...

A rare antique, Thai mother-of-pearl inlaid black lac footed cup, or pedestal bowl, Thailand, 18th or early 19th century. The cup of rounded polygonal form with thin sides rising from a decagonal splaying foot, the exterior extremely finely inlaid with various typically Thai designs and motifs in mother-of-pearl against a black lac ground...

A pair of Japanese Keyaki hibachi vessels with black lacquered.

Hibachi is a traditional Japanese heating device.

Age: Japan, Showa Period, Early 20th Century
Measurement: Height 23.1 C.M. / Width 40 C.M.
Condition: Nice condition overall. Please refer to the enlargement photos for more details.
Shipment: Worldwide shipping from Bangkok, Thailand at actual cost. Please e-mail us for the shipping fee.

Antique Buddhist painting depicts thirteen Bodhisattva and Wisdom Kings. Signed and sealed. Painted with ink and pigments on silk.

Some insignificant light marks, light crease, foxing and tiny insect damages are present on the painting itself, some light marks and light crease are present on the mounting itself, otherwise the piece is in fine condition for the age...

A Rare Tang Dynasty White Glaze Xing Ware Bowl. High ping sound with finger tip.Dimension: Diameter 15.3cm Height 4.5cm. Condition: no chips, no cracks, no hairlines, free from restoration.

Japanese Oshi-e Ningyô of a High-Ranking Oiran Geisha. 12 x 8.75 inches, 30.5 x 22.25 cm. These were very popular during the Meiji Period; over 400 million dollars in sales (in current currency) was recorded in 1888. The characteristics of Matsumoto Oshi-e Ningyô are that the design is stuffed heavily with cotton and the faces are painted in Ukiyo-e (the floating world of Edo period) style. It is very rare to find old Oshi-e Ningyô in this quality and size today...

Burmese Bronze Sakyamuni Buddha, the Historical Buddha, making the earth-touching gesture with his right hand, and the meditating gesture with his left hand. From the Northern Shan state of Burma. Traces of gilding. 8.75 inches (22 cm) high.

Chinese Tang dynasty Changsha bowl. Diameter 14 cm Height 5 cm. Bowl in good condition except glaze erosion. Free from any restorations or repainted.

19th century netsuke of carved as a group of eels, elongated nuts and chestnuts, three of which contain deeply carved village scenes. Excellent carving with deep undercutting, eyes inlaid with brown horn, wonderful mellow patina. Signed GYOKUHO on the back of the eel that forms natural himotoshi - the artist is very well known for that kind of work and is discussed on p. 424 of NETSUKE & INRO ARTISTS AND HOW TO READ THEIR SIGNATURES by George Lazarnick. Length 1 9/16 inches.

Ewer from Yuan Dynasty covered with qingbai glaze. Unglaze base. Size : Height = 7 cm , wide = 12 cm Period : Yuan Dynasty 1279 - 1368 Condition : firing fault on the body, no chips or hairlines and free from restorations.

Late 18th - early 19th century netsuke of seated Gama Sennin with his constant companion - 3-legged frog - on his head, and another standing sennin wearing a leaf skirt and leaning on the back of Gama’s toad. Unusual subject, excellent quality carving with great faces and beautifully carved leaf patterns, warm yellow patina. Excellent warm patina, old age lines, great feel of age to the piece. Height 2 3/16 inches.

This very well carved ivory okimono of a Chinese merchant is a late Meiji period product. It is 5” high, 2” wide and 1 ½” thick at the thickest part. It depicts a Chinese merchant with his hands in his sleeves, resting them in front of him. The artist did a great job on his facial expression and dress which includes a typical Chinese old fashioned two piece robe and hat. His goatee and long pigtail make this merchant more interesting and realistic...

A Chinese Iron-Spotted Qingbai Glazed Figure of a Dog. Circa, 14th Century, Yuan Dynasty. Found in the Philippines. Featuring a recumbent model of a dog with its upright head slightly leaning to one side. Its left leg is crossed over the right with its hind legs tucked and the tail resting above its lower body. It is covered overall in a translucent green-white ‘Qingbai’ glaze, adorned with iron-spots. Measurements: height (1.7”inches), length (2.1”inches)...

Netsuke - chestnut and a plump mushroom. Japan Edo 19th.

A nahi-ji and maki-e decorated wood lacquered lidded sake pourer (Hisage). The interior is in red lacquer...

Powerful Buddha image from the Tai Lue ethnic group from the Burma, Lao, Thai border region AKA “Golden Triangle”. Superficially these “folk images” lack the grace and serenity of the urban classical styles, but speak more from the heart of the people, as personal devotional merit making acts. This piece dates to around the 18th century; the “waisted” pedestal is typical of this period. Incorporated into the style is the much loved “bhumiparsha“ mudra, with stylized lotus lea...

This is an incredible, extremely rare, plains Indian copper beads and bird claws necklace. It is from the late 1800's. It has 33 rolled copper beads, 40 trade beads and 8 claws. It is about 32". The copper beads have dark patina and are all about 3/4". The claws are all sharp and the necklace is in pristine condition. This is not a married concoction. It may have been handed down through generations. I purchased it from HD Enterprises in Denver in 1985. It is from the Bob Rock collection. I have...

This beautiful crescent pick bannerstone is 3". It is in perfect condition with no damage or nicks anywhere. It is made from gorgeous concentric green and black banded slate. Found in Williams County, Ohio. From the collection of Dana Staley.

This whopping point is 4 7/8" long and 2 1/4" wide. Lar Hothem calls it a very scarce 1st stage St. Charles Dovetail. Tom Davis authenticated it as a Lost Lake, G-9. It is made from semi-translucent high quality burlington chert. It has excellent mineralization and patina. It has a very clear imprint of a fossilized shell on the upper left about a 1/4" from the tip, making this a no-brainer for authenticity. It was found near St. Louis, Missouri. It is pictured in Who's Who, John A. Atkins, Vol...

Southeast Asian Bronze from the 17th or early eighteenth century mounted on a wooden plinth. The head of typical form of a Buddha measuring 2” in height on a wooden plinth. (Quillen)

Chinese yixing zisha serving set dishes. Good gonditions ( only five dishes found ).

Offered is this very rare early Bohemian glass chalice. It is 6 3/8 inches (16 cm) tall and 3 3/8 inches (8,5 cm) wide at the top. Made on very heavy glass, there is superb enameling and cutting. Unsigned. The deep miter-cut star on the base of the chalice and the lavish gilding on it would strongly suggest that this chalice was made in Bohemia in the Biedermeier period (1825-1845). The chalice fluoresces a gentle-greenish color when subjected to long-wavelength black-light, typical of 19th cent...

A beautiful and rare large iridescent glass tray with an applied scalloped handle, made by Loetz around 1900. The tray is 12 1/2 inches (32 cm) long (to handle-tip), 10 1/4 inches (26 cm) wide at its widest and 2 1/2 inches (6,5 cm) high ( 3 3/4 inches, or, 9,5 cm, tall at handle). The tray is in fine condition (there is a spurious 'LCT' mark on the bottom, and, it was factory-polished on the bottom so that the tray would sit flat on a table). Polished pontil. Unsigned, as expected. A similar tr...

A rare Judaic ceremonial set, made by Moser around 1900. The ornately decorated set, on Venetian glass blanks, consists of an ewer and six glasses. The ewer is 13 inches (33 cm) tall and each glass is 4 inches (10 cm) tall. The glass is in excellent condition (there is a small amount of expected, age-appropriate fading to the gold-gilt - see pictures). Though unsigned, in all likelihood,the set was made by Moser (refer to page 121 of Baldwin's book, 'Moser Artistic Glass edition two', for simila...

This is a large, signed Crown Milano glass jar/jardiniere made by Mt Washington. It is an exceptionally large jar: it is 10 3/4 inches wide and 8 1/4 inches high. The jar is in excellent condition - no chips, cracks or repairs (there is some expected, age-appropriate fading to the paint). It is signed in its polished pontil.