Late 16th century
Wanli Period, Ming Dynasty
Porcelain with underglaze cobalt blue
Diameter: 19.8 cm / 7.8 in
From a Soqual, CA estate
A late Ming wanli period blue and white plate, freely painted with a rather abstract landscape scene in the typical late Ming 'outline and wash' method. The charming border is comprised of floral sprigs interspersed with a squirrel, frog, and two birds. The glaze is exceptionally bright and glassy...
c. 1900 - 1910s
Late Qing - Republic period
Porcelain with underglaze cobalt blue and overglaze enamels
Width / Diameter (at widest points): 30 cm / 11.8 in
Height: 14.5 cm / 5.7 in
From a Netherlands estate / private collection
A large, heavily potted late Qing - Republic period porcelain 'gang' or fish bowl, fully decorated with doucai qilong dragons amongst rolling waves. Two cobalt blue lion heads are attached to both ends...
1875-1908
Guangxu Period, Qing Dynasty
Porcelain with overglaze famille rose enamels
Diameter: 17.3 cm / 6.8 in
Height: 8 cm / 3.1 in
From a New Jersey estate
A lovely Guangxu mark and period porcelain bowl, enamel decorated with floral sprigs representing the four seasons: chrysanthemum, hibiscus, camellia, and begonias. The everted mouth is trimmed with a yellow archaistic border...
mid-18th century
Qianlong Period, Qing Dynasty
Porcelain with overglaze enamels
Length (handle to spout): 14 cm / 5.5 in
Height: 11.7 cm / 4.6 in
From a Portland, OR private collection
A mid - Qianlong period export porcelain teapot, potted in the most charming lobed melon shape with a spayed petal-like foot...
19th century
Late Qing Dynasty
Porcelain with overglaze famille verte enamels
Diameter: 36.5 cm / 14.4 in
From a San Diego, CA estate
A large and impressive porcelain charger plate, made in the late Qing dynasty and bearing an iron-red Qianlong seal mark. Enameled in the famille verte palette, this piece is decorated with two sprawling dragons, bordered by a diaper-ground border divided by chrysanthemums...
19th century
Late Qing Dynasty
Silk and gold-foiled threads
Width: 127 cm / 50 in
Length: 62.5 cm / 24.6 in
From a Pennsylvania estate
A large 127 x 62.5 cm silk panel created from fabric originally intended for a chaofu court robe. The five-clawed dragons were created entirely from silk threads covered with gold foil, which couldn't be sewn through the fabric, so they were instead tacked down via a technique called 'couching'...
c. 1875-1900
Guangxu Period, Qing Dynasty
Porcelain with overglaze famille rose enamels
Height: 17 cm / 6.7 in
Diameter: 16.8 cm / 6.6 in
From a Kansas City, MO estate & private collection
A large and unusual late Qing famille rose stem cup, dating from the Guangxu reign. Marks around the stem and on the inside foot reveals it was custom-made as a sacrificial vessel for a 'Li' family's ancestral altar...
Late Ming Dynasty, ca. 1600
Glazed with turquoise, amber and green enamels, this laughing Buddha holds his large belly with one hand, and clasps a rosary in the other. The back is unglazed and a stabilized hairline extends from the foot to the top of the base. There is a collection inventory number incised on the rear base and there is a small chip to the foot. It is accompanied by a later carved wooden base.
Height: 11 in., Width: 6 ¾ in.
Extremely rare. Excellently potted porcelain body with a lipped everted rim, covered with an excellent Celadon-coloured glaze. The base unglazed. Yue ware ( Yueyao ) Tang Dynasty - Five Dynasties ( 10th. century ). Diameter: 14,4 cm. H : 8,3 cm. Condition: One crack and one filled "split-off" to the inside of the rim ( please see the enlargement ). Excellent glaze condition. The body despite the short crack, still with a very nice "ping-tone" when tapped.
Depicting a high ranking mandarin with his three wives.
Dimensions: the painting 89x137 cm, the scroll 103x197 cm. Condition: expected age wear, paint loss, cracks, traces of repainting, remounted on a new scroll.
Antique Chinese pair of hand-embroidered embroidered silk sleeves depicting court scenes with flowers in brightly colored silk thread.
19th Century
Framed behind glass.
Size: 26"H x 7.5" W
Rare Tibetan antique skull drum called a damaru (or damru). Two skulls make up the two sided drum connected in the middle. Two small beads at the end of thin cords attached in the center beat the drum when it held upright and twisted. A long silk sash (chopen) decorated with two tassels and auspicious symbols hangs from the center.
The damaru is a sacred instrument adopted from the Hindu tantric practices of ancient India...
A high quality milk glass goblet paneled with 9 facets and decorated with 3D grape and leaf design, most likely Westmoreland No. 1881. Stem is also faceted, standing on round foot. The "milk" alternates between translucence and opacity. This goblet is early 20th C. and in excellent condition.
We have left the original collector's identification tag on the foot, as it relates to the complete provenance of the glass...
Such fused-rod beads represent one of the high points of Islamic glass-making, and this is one of the best examples on the market. It is manufactured from combed mosaic canes of white, red, yellow and green, into which three vertical panels each composed of four eyes have been set. Each eye has three concentric layers of black and white, red, and yellow. Though only a few of these beads have been found in Fustat itself, they were exported very widely and are found from West Africa to Indonesia...
Oribe is a visual style named after the late-16th-century tea master Furuta Oribe (1544-1615). Typically, black or green glazes are applied to the bodies of these works and light-colored windows are created using feldspar. These high-contrast areas then acts as a canvas upon which abstract, minimalistic, and often naturalistic themes are painted.
Typical of Mino pieces of the time, this Oribe chawan is made of coarse, unrefined clay...
Complete footed cast bronze Hu (wine container), terminating curved and bulbous contour flaring on square mouth. Banded edge and lidded square cover. Has a slight apex top with four serpentine shaped mounted on a terminal bends. The ring handles of the hu measures 2 1/2" diameter with loped and mounted on a taotie mask which is molded in low relief...
Beautiful Japanese antique 2-section Keyaki isho tansu (chest on chest for clothing). Wonderfully dramatic kayaki (zelkova) grain on front. Enhanced by the Original finish in translucent lacquer. Black iron hardware including warabite shaped drawer pulls, safe box in lower right hand corner with 2 small interior drawers. Round iron lock plates with mixed metal raised motif of implements of the Lucky Gods. Original condition and finish.
Early Meiji Period (1868 - 1912)
. Size: 47 1/2" hig...
A very nice and rare Ming Dynasty Yongle period ( 1403 - 1425 ) bowl , decorated in underglaze cobalt blue with a Lotus design. Jingdezhen ware.
Diameter : 9,9 cm. H : 5,4 cm.
Condition: Very nice glaze. There is a crack from the rim downwards, visible to the inside,(from the outside nearly invisible to the naked eye.)
Small scroll painting on paper representing two Taoist gods, the one on top wearing a mandarin attire, holding a banner and riding a white bird, the one on the lower side in military garb, riding a tiger, holding a banner in his left hand. China, mid 19th century. Height: 42 cm. Obvious signs of great age, a few losses, otherwise good condition.
This turquoise based enameled color scheme accents the gold and silver elements of this finely crafted and detailed scholar's brush used to hold calligraphy tools away from the table or paper. It depicts crane and deer on a rock ledge among fungus. We believe this rest to be made of silver with gold enameling. The underside has two marks which indicate dating in the late 18th / early 18th C.
The condition has suffered over time as some enamel on the rocks has been chipped
Dimension: 2 5/...
Cast iron horse head hitch pair painted black with excellent patina and preservation for their ages which we estimate to date to the 19th C. Unmarked. These horse heads would be fantastic garden conversation pieces.
Dimensions: 13" h
A very fine Bohemian ruby cut to clear goblet featuring a sylvan deer at rest frosted with fine texture and relief. The base is scalloped rising to a short faceted stem supporting a large cylindrical ruby bowl. The glass is in excellent condition with no material damage and only the faintest of wear.
This glass belonged to the goblet collection of Lenna Gertrude Clarke Judd (1865 - 1939) who lived in Dalton, GA where she was held in high esteem as a prominent philanthropist through...
This diminutive black basalt wax seal was made by Wedgwood in the late 18th C. as a protest against slavery and features Hercules. The condition is nearly immaculate with no defects to report. The hole at the top was to attach to a lanyard or neck chain or necklace. This item is quite rare and collectible.
Dimension: 7/8" h
Large multi coloured batik on cotton between wood rods. India or Sri Lanka 115 x 75 cm. Beautiful muted colour. Undated, estimated to be early 20th century. Small area of damage, can be viewed in central London by arrangement or sent worldwide rolled in a tube.
Slightly distorted cylinder shaped (hanzutsu) tea bowl made of fine, light, unrefined Mino clay, containining a little iron oxide. Shape and style make it appear contemporary with the late Oribe bowls. The expertly thrown body is covered with the typical black oniita engobe inside and outside - with the exception of the bottom - over which a white, feldspatic Shino glaze has been poured. Just the foot ring and its immediate surrounding was left unglazed. The decoration scratched into the iron...
A very high quality mahogany drop leaf table with turned legs and stretchers with a shaped apron at either end. The three boards, one for the top and one for each leaf are well matched single boards. Excellent proportion and a nice small size. 27 ½ tall X 28 ¾ long X 11 ½ wide in inches. With the leaves up 31 ½ inches wide.
Condition; minor repairs including the replacement of one of the feet. There is an old breakout at one of the joints. Good old finish.
This delicate table has a ...
This rare and interesting ceramic work was done by one of the most renowned and loved waka poets of the 19th century, Ōtagaki Rengetsu (1791-1875). In fact, if you look closely at the attached images, you will see her finger imprints clearly preserved in the molded clay.
Born into a Samurai family but soon after adopted by the Ōtagaki family, from the age of seven to sixteen Rengetsu was a lady in waiting at Kameoka castle where she was trained in the arts and courtly graces. Due...
Massive Japanese Meiji period Kyoto Satsuma earthenware deep scalloped rim bowl with 17 lobes densely painted on the interior and exterior with a profusion of gilt and enamel flowers. Four-character Kinkozan tsukuru mark with Shimazu crest to the base. Very heavily potted (weighs over 8 lbs.). Dates circa 1890 - 1910. 11 7/8” diameter by 7” high. Nicely carved wood stand included. Very good overall condition with no chips, cracks, or repairs. There is some minor typical rubbing of the...
Little distorted half cylinder shaped (kutsugata) tea bowl with flaring mouth made of light, coarse unrefined Mino clay. The expertly thrown body was covered with the typical green copper oxide glaze inside and outside. A 'window' on the side has been left unglazed and is decorated with fern sprouts. This is a typical late Momoyama design, which seems to represent winter and summer. You can find a black Oribe bowl with a similar design in the Nezu Museum.
The somewhat irregular but...
A lovely first standard (950/1000) silver tastevin, the bottom inset with a 1658 silver coin depicting the youthful image of Louis XIV surrounded by text translated as "Louis XIV, by grace of God, King of France and Navarre." The sides of the tastevin a decorated with clusters of grapes and elegantly curved godrons in the style typical of Orfevre Parrod. Coin inserts, however, are unusual in Parrod tastevins. The handle is worked in a simplified snake motif typical of Dijon. The handle is ...
As mentioned for other similar items on the site, this type ware is often mistakenly referred to as Leeds and featheredge. In reality, many factories other than Leeds made items of this nature, and the type edge here is more properly called a molded edge. This particular plate was made by Riley, and is indicated as such with an impressed mark on the back. Being able to identify the maker does increase the value to some extent. Also, green-edged wares are considerably less common than blue.
Thi...
Song dynasty longquan celadon alms bowl. 14cm mouth diameter, 9,3cm high. unglazed mouth rim. crackeled glaze. Good conditions ( only found few kiln fault crack at the base ). no hairlines, no chipped and free from any restorations.
Chinese Xing ware ewer, 10th-12th century. 20,8 cm high. Ewer has some repair at the top part and little bit at the handle (please see at the pictures).
A striking oil on canvas rendering of Antietam Bridge done 24 years after the infamous Civil War battle. Signed at the lower right "J.A. Ashley 86". The reverse of the painting is titled by the artist "Antitam Bridge and Battleground 1882." Depicting an idyllic scene, so much in contrast with the horrific battle 20 years earlier, the painting shows grazing cows in the foreground, the stone bridge with covered wagons traversing it, and houses in the background.
The condition of the painting is ...
Incredibly charming Japanese bronze incenser in the form of a floppy eared dog, with a curly tail and and a real bell handing off of his neck. A pierced lid comes off of his back to place incense inside, which would then pillow forth from the mouth. Original natural patina from antiquity. Early Edo period (1615-1868)
Size: 7" H x 7" L x 2.5" W
This extraordinary piece depicting what appears to be a learned scholar (possibly of foreign origin?) being escorted by a young vassal, is done in fine white porcelain from the Hirado region of Japan. Hirado wares—alternately known as Mikawachi wares in some contexts—are known throughout Japan and also abroad for their high quality and fine craftsmanship and date back at least as far as the mid-18th century when they were produced exclusively for powerful lords and their families. In the 19t...