A substantial and nicely carved stamp seal in a black serpentine stone, carved as a tall pyramid, North-West Mesopotamian city states, after the colapse of the Hittite Empire, late 2nd.- Early 1st...

Japanese bronze peacock with artist sign.

Age: Japan, Showa Period, 20th Century
Size: Length 33.3 C.M. / Width 11.7 C.M. / Height 16.8 C.M.
Condition: Nice condition overall. Please refer to the enlargement photos for more details.
Shipment: Worldwide shipping from Bangkok, Thailand at actual cost. Please e-mail us for the shipping fee.

First edition Japanese Meiji Period woodblock print titled "Otsu Inari" from the series "The Calendar of Events in Edo Theater" by Adachi Ginko (1874-1897). Three editions of this series are known. This print is from the first edition and contains the publisher's information and date of Meiji 30 (1897) 7th month 10th day in the left margin and the artist's red seal at the lower right...

Two antique steel-line engravings drawn by Thomas Allom (1804-1872) and engraved by Arthur Willmore (1814-1888) titled “Chinese Boatman Economizing Time & Labour, Poo-kou” and "The Fortress of Terror, Ting-hai" from “China in a Series of Views” published in London in 1843 and reprinted through 1859. The images were derived from sketches executed on the spot by Captain Stoddart, R. N. Purchased from Teresa Coleman Fine Arts in Hong Kong, with the certificate of authentication included...

Chinese porcelain jar. On a very beautiful underglaze lavender blue background are painted, in dark cobalt blue also underglaze and in white enamels, characters Shou (happiness) and Swastika (eternity) surrounded by fumaroles, around the base and the neck are represented respectively friezes of waves and stylized clouds. Below the mark of Emperor Qianlong in underglaze blue. This jar was a vase whose neck was certainly damaged...

Partly gilt wood statue of Buddhist goddess Sho Kannon Bosatsu (one of the many forms of Bodhisattva Avalokiteshvara), wearing formal robes, and a diadem with a small stylised Amithaba on the front, standing, her hands joined to hold a bowl. The goddess face reflects a profound meditation. Fine age patina. Japan, Edo period, early 19th century, maybe earlier. Height: 24.2 cm. Old insect attack on the right side (no more danger), otherwise very good condition.

Great example of a Durand champagne glass with ruby red cup and foot joined by an ambergris stem. The cup, stem and foot are nicely ribbed and measure 6 inches tall. The cup is 4 3/8 inches in diameter and the foot is 3 1/16 inches in diameter. The foot has a rolled rim and has a small polished pontil mark. This example is pristine.

An attractive large stamp seal of the stylized scaraboid form, oval with a round back and carved in the base in deep relief with a standing lion, tail lifted and a bird with spread wings above it's back, Mesopotamia, Middle-Assyrian period, later 2nd. millenium BC.

Size: 26 x 22 mm.

Condition: VF, intact with some wear and patina...

A very attractive large stamp seal of the hemispheric design / round gable form, Late Ubaid to Uruk period of central-northern Mesopotamia, 4th. millenium BC.

Finely polished seal in a nice black serpentine stone, and carved with a scarce and peculiar pattern of cross angles under symethric horisontal lines!

Size: 31 mm. in diameter.

Condition: Nice VF, some smooth wear but intact and with a nice ancient patina...

A thick cylinder seal of greyish stone showing a worshipper introduced to a seated god by a Demigod, probably another godess in the field but weak. Ur III Period, 3rd millennium BC.

Size: 15,5 mm. thick and 21 mm tall.

Condition: Near VF, intact but with some wear and embedded earthern encrustations. Never the less quite attractive in hand.

Provenance: The Karl Müller collection, Germany 1950-1977. Comes with COA and our imprint.

Dark brown patina bronze sculpture of a praying mantis.

The praying mantis (in Japanese, kamakiri) is considered an auspicious symbol.

Japan – Meiji era (1868-1912)
Height: 0.79 in / 2.3 cm – width: 1.18 in / 3.5 cm – depth: 3.15 in / 8.8 cm

Ivory netsuke of a group of three compactly intertwined monkeys, the smallest holding a longevity peach against him. Their eyes are inlaid horn. Their coats are carefully incised and their fingers are finely sculpted. Natural himotoshi through one of the legs.
Signature on the right flank of the largest monkey, in an unidentified rectangular reserve.

Japan - Meiji Era (1868-1912)
Width: 0.8 in (2.5 cm) - Depth: 1.6 (4 cm) - Height: 1.6 in (4.5 cm)

Ivory sculpture okimono of a kingfisher on its base, with a fish in its beak. Its eyes are in hard stone.

Japan - Meiji Era (1868-1912)
Width: 1.6 in (4 cm) - depth: 2.8 in (7.2 cm) - height: 1.6 in (4.3 cm)

Chinese pottery lion panel.

Age: China, Song Dynasty, 10th - 12th Century
Size of panel only: Length 29.6 C.M. / Width 18 C.M. / Thickness 2.7 C.M.
Height including stand: 38.5 C.M.
Condition: Well-preserved old burial condition overall with some amount of soil adhering (some abrasions and wearings on the piece due to the long burial time underground)...

An incredible lacquered screen decorated with a Bugaku Dancer wearing an angry devil mask opposing a snake in incredibly thick relief opposite three gentlemen heating sake over a fire under the changing leaves of a maple, their oxcart off to the side. An inlaid cartouche near the snake reads Kan. The two-sided panel is set into a frame with matt black iron texture over a raw kiri-wood panel inset with three windows...

A very fine and elegant Chinese octagonal gold lacquer and Pewter TEA CADDY, 19th Century, with extremely fine and meticulous hand painting, depicting various figures in an Imperial Palace Setting. Comes with the original key and the locking mechanism works well. Overall in good condition, with a few climatic cracks. Some very minor flaking of the lacquer work above the 2 hinges on the back side of the tea caddy, but not very noticeable, especially not from the front view...

Cotton cloth with katazome (stencil-resist-dye) and dyed with pigments, which is called "wa-sarasa", Japanese chintz. It was produced from late Edo to early Meiji period. This one is "Sakai-sarasa", made in Sakai in Osaka. The second half of the 19th century. In excellent condition. W:34cm, L:120cm

An antique set of 4 Huanghuali lamp chairs. Marble frame inset on back splat. Ancient archaic motif with beautiful Huanghuali grain. With a carved square floating medallion hard seat and a refined carved Han archaic style apron. Four bracing stretchers support each of the chair legs.

Age: Late Qing Dynasty

Dimensions of each: 19 3/8" Wide by 27" High by 15 3/4" Deep

A Very Rare/Fine Korean Joseon Sword (朝鮮環刀) -18th 19th C.: Korea, Joseon dynasty, 19th century. Korean medium sized sword gently curved blade, leather-wrapped handle with chased brass cuff, blackened wooden scabbard with handle thread wrapped and the blade handle with leather wrapping. It’s in good condition with aged patina original scabbard and wrapped handle. It is in fair condition with its use and age, it measures Overall:72cm, sword and shealth:66cm and only blade: 33cm.

Song dynasty longquan celadon washer bowl with bluish green glaze, good condition no damage no chip no crack no restoration, size: 13 cm diameter.

Song dynasty longquan celadon washer bowl with good bluish green celadon glaze, good condition no damage no chip no crack no restoration, please see picture for detail, size: 12 cm diameter.

Yuan dynasty blue and white bowl with Anhua (secret) flower motif. good condition with T shape damage at the rim restored no missing part please see picture for detail, size: 17 cm diameter.

An elegant large and important bronze oil lamp, c. 1st-2nd. Century AD.

The cast lamp with foot-ring, pear-shaped body and spreading nozzle, the handle terminating in a finely cast head of a horse with slightly open mouthThe circular hole in the nozzle holds the wick. Interestingly, BMC has an almost identical style lamp, reportedly found at Qasr Ibrim, an important archaeological site in Lower Nubia, in the south of modern-day Egypt, which was then part of the Roman empire...

Burmese wooden Buddha sitting in Mara Vijaya (calling the earth to witness) posture on a base.

Age: Burma, Shan Period, 18th Century
Size: Height 53.5 C.M. / Width 20.5 C.M. / Depth 9.8 C.M.
Condition: Nice condition overall (some expected degradation due to its age). Please refer to the enlargement photos for more details.
Shipment: Worldwide shipping from Bangkok, Thailand at actual cost. Please e-mail us for the shipping fee.

IOnteresting lot of some scarcer keys, all dating late 17th.-early 19th. century.

Size: 82-116 mm. in length.

Condition: Near VF to EF, the later ones of very good metal and quite attractive!

Ex. Danish Collection of keys.

A pair of attractive early European iron keys, with remnants of copper on the larger one, c. 16th. century.

Lot includes a large 14,5 cm. long key with remnants of copper plating and cross cut bit, early 16th. century, perhaps even earlier. The other key with a hearthshaped bow, measuring 10,7 cm. c. 16th. century.

Condition: Very fine, nice metal with a thick and stable iron patina.

Ex. Danish Collection of keys.

Cotton futonji with katazome (stencil-resist dye), which is remade from yogi (one kind of futon in the shape of kimono). It is made of hand spun cotton and dyed with vegetable indigo. The reddish-brown color is bengara (iron oxide red pigment). 19th century. In good condition except for three mending patches. one snag and some small holes. W:153cm, L:165cm

The size of Plate: 5 7/8" Dia x 1 1/8" High. This is beautiful Japanese Ko Imari Porcelain plate with polychrome colors with Fence Design and flowers. All flowers and fence design has gold works around. All designs are intricately hand painted. Backside plate with Karakusa design around the border. Inside foot rim has "Taimin Seika Nensei" (Great Ming Chenghua Nian Zhi) in Japanese; Kanji letters...

Tang terra cotta image of a Fat Lady. Traces of original pigment with legible facial features (note noted in enlargements). This is the smallest one I have ever seen- miniatures are extremely rare. H: 6.2cm. The bottom is uneven (just appears to have been made that way) there are traces of glue where it was probably once attached to a stand, otherwise, good condition- no damage or repair.

A colorless Webb ewer or cruet decorated with an acid etched floral design and having an acorn stopper. The 7 ½ inch tall piece is 10 inches tall with the stopper in place. The stopper is not the original but is the correct style of stopper for this piece.

The surface of this black glazed bowl signed on the base Dohachi has been impressed all over with seals in a style known as In-chirashi. It comes in an ancient wooden box with ebony rim titled inside Dohachi Saku (Chirashi-in) Chawan, while outside a much-worn paper label reads In-chirashi Dohachi Saku Chawan. The original silk pouch, much deteriorated, is included, but no longer strong enough to hold the bowl. Without a box signed and sealed specifically by the artist, it is difficult to attr...

Lanna Thai wooden Buddha sitting in Mara Vijaya (calling the earth to witness) posture on a base, with gilded gold.

Age: Thailand, 19th Century
Size: Height 40.8 C.M. / Width 14 C.M. / Depth 12.1 C.M.
Condition: Nice condition overall (some expected degradation due to its age). Please refer to the enlargement photos for more details.
Shipment: Worldwide shipping from Bangkok, Thailand at actual cost. Please e-mail us for the shipping fee.

A large brooch of Chinese export silver made in filigree technique backing and embellished with enamelling and a very good carved red coral piece in the shape of a beautiful lady. Stamped: “Silver China” on the back side. Size: Diam 5 cm x 5 cm. Early 20th cent. around 1910/20. Condition: good with only some wear to enamel.

This pretty crystal clear Minerva aka Roman Medallion Early American Pattern Glass Milk Pitcher or Footed Creamer was made by The Boston Sandwich Glass Co., Sandwich, Mass, introduced in 1870. This pitcher measures 5 3/8 inches high X 5 1/4 inches across the top. It is in very good condition with no chips, cracks or scratches. We guarantee items to be as described. THANK YOU.

Tang terra cotta image of a Fat Lady. Traces of original pigment. Miniatures are extremely rare. H: Some shallow chips at the bottom- noted in enlargements. H: 7.8cm.

The mouth of this vase opens like the thickly petaled chrysanthemum flower over a body decorated in thin blue with a roiling landscape of lakes and trees dotted with pavilions. It is an excellent example of the Hirado tradition in the 19th century. The vase is 14 cm (5-1/2 inches) diameter,28.8 cm (11-1/2 inches) tall and is in excellent condition.
The story of Hirado porcelain begins with the Matsura clan, who ruled over the Hirado domain during the Edo period (1603-1868). The feudal lor...