A rare example of stunning pear shaped bottle vase with slim shaped.. Condition with crack to the body and mouth rim, a bit unglazed firing imperfection to exterior mouth rim, otherwise is good sample of Southern Song Yaozhou celadon vase. Height: 20,8 cm.
Early edition Japanese Edo period woodblock print titled “Snowfall at Shimasaku in Iki Province." The image is No. 68 from the series “Views of Famous Places in the Sixty-odd Provinces” by Utagawa Hiroshige (1797-1858) dated 1856. Signed within a red cartouche at the left. The title and subtitle cartouches are at the upper right. The seal of the publisher Koshimuraya Heisuke is at the lower right. This is one of Hiroshige's most sought-after snow scenes with a bokashi cloud in the sky...
A large Chinese Eastern and Western Jin (256-420 A.D.) Yue ware celadon basin with handle. Dia. 23.6 cm including handle. Condition: no restore, glaze crack, firing fault in the middle as shown. Shipping from Taipei, Taiwan via EMS at actual cost. Item selling at various platform, please ask before ordering.
A fine Ming dynasty underglazed blue and white jar with lid, Yuxi kiln Yunnan, China. Total Ht. 8 cm. Condition: no chip, no restore. Shipping from Taipei, Taiwan via EMS at actual cost. Item selling at various platform, please ask before ordering.
A classic 19th century French second standard (800/1000 pure silver) silver tastevin of traditional form and the bottom inset with a silver coin from the reign of Louis XV. The sides of the tastevin are decorated with the traditional raised “perles,” recessed “cupules,” and elongated “godrons” for assessing the depth of color and concentration of a wine...
Antique Japanese bronze sutra container of a pagoda form with very tall finial and calligraphy inscription. The bronze shows beautiful green patina inside and on the foot and the lid shows old corrosion.
The burial of sutras in sutra mounds began in 1007 when Fujiwara no Michinaga had a gilt bronze sutra container inscribed upon its burial at the Kinpusen sutra mound in Yoshino. It is apparent that a variety of reasons lay behind the creation of these sutra mounds...
Antique Japanese 3 drawer gyosho bako or merchant's box, with original red lacquer finish. The top of the box has a carrying handle and the 3 drawers are opened by hirute shape iron pulls with square locks and corner hardware.
Dates Edo age c1800
Dimensions: 17" x 14" x 15 1/2" H
Antique Chinese hardwood altar table with hand carved lingzhi spiral apron joined in upturned flanges. The feet are spanned by an openwork of hand carved panels with drapery motifs. Original warm finish. Very sturdy, condition consistent with age.
Mid 19th Century
Dimensions: 63 1/2" L x 15" D x 33 3/4" H
Unusual Japanese Kiri (paulownia) tansu with 8 drawers and a lift away panel opening to a shelved interior with spacious room. The 8 front drawers feature small round locks and warabite pulls. Original finish and condition.
Meiji period (1868-1912)
Dimensions: 25" L x 12 1/2" D x 19 1/2" H
A nice Song/Yuan dynasty Jiangxi Jizhou ware black glazed bowl, decorated to interior with paper-cut design of a pair Phoenix on flight below key-fret pattern. Underside with Tiger-Fur glazed. Condition is perfect, no any chip, no any cracks, and free from any restoration. Diameter: 11 cm and height: 5,2 cm.
A fine and rare large bowl with thinly potted and pristine glazed in conical shaped, decorated to the interior with two large blooms flower among vividly leafy scrolls. Southern Song Dynasty in perfect condition, no any chips, no any cracks and free from restoration. Diameter: 23 cm.
A set of Chinese Liao to Jin dynasty gilt bronze costume accessories. Dimension please refer to the enlargement. Condition: no restore in good condition as shown. Shipping from Taipei, Taiwan via EMS at actual cost. Item selling at various platform, please ask before ordering.
A rare and fine Northern Song Dynasty Yue ware celadon stem cup,
Japanese lacquer suzuribako or calligraphy writing box. The box is wood with lacquer, gold gilt sprinkled lacquer, and inlaid shell on the lid, adorned with scrolling leaves, floral medallions and motifs of sparrows. The box interior is red lacquer with gold lacquer patterns. The inside box contains an attached inkstone, a brush, and a small brass water dropper. Underneath is a shallow compartment for the storage of calligraphy papers...
Antique Chinese porcelain serving vessel with green and blue enamel dragons accented by gold and red fireballs and floral motifs on the outer and inner rim. The handle has a braided form with gold enamel design. The foot is slightly recessed and outlined in green enamel.
Dimensions: 7 1/4" x 4" x 3"
A Ming dynasty 15th century Interregnum period blue and white dish, decorated with a fish in the center among water weeds. Underside with continuously lotus scrolls. Minor hairlines and the long one is in the base but isn't transparent to interior surface. Diameter: 17 cm.
Buddhist statue of a guardian deity ("dvarapala"), standing on clouds, in martial posture. Bronze, with fine dark green and reddish patina. China, Tang Dynasty. Height: 5.7 cm. The statue is nicely mounted on a custom stand. Left arm missing, some abrasion, otherwise very good condition
Fine Tibetan "damaru" (ritual drum), made of silver and leather. The silver part is in the form of two "kapala shaped" parts, separated by a central silver belt, decorated with several turquoise and coral inserts, to which the handle is attached. This silver part is lavishly decorated with an embossed relief design representing foliage and Buddhist symbols. The leather part is painted in green. Two cotton cords, ending in two small balls are also attached to the drum to strike it...
A superb Rococo-style first standard (950/1000 pure silver) tastevin by the master silversmith Marc Parrod. This large example retains the round shape of a traditional tastevin but replaces the usual bowl decoration with ornate bunches of grapes tied with ribbon bows and a remarkable handle treatment illustrating a young couple stomping grapes while holding hands. Parrod created excellent classic Burgundian tastevins, but his fantasy pieces stand apart from all the other Dijon masters...
A fine pair of gilt bronze appliques, possibly belt or harness fittings, of square shape, with well cast relief decorations of musicians sitting cross-legged and playing the flute and what seems to be a lute. China, Liao Dynasty (916-1125). Height:3.1 cm. Very good condition.
Japanese small Kiri (paulownia) tansu, with pair of sliding panels concealing a shelved interior compartment, and five drawers of various size with metal pulls and locks. Original condition and finish.
Taisho period (1912-1925)
Dimensions: 24" L x 12" D x 19" H
This phenomenal 7 3/16" Llama Bone Flute is highly engraved with human effigy carvings with crown or headdress and was recovered in Pisac, Peru near Machu Picchu. It is highly polished. It is so translucent that when backlit with a flashlight, light passes through both sides of the bone. It has beautiful patina. A lot of work and pride went into creating this beauty. I purchased it from Jim Bennett who has written several books on detecting fakes and reproductions.
Matching pair of Japanese scrolls. Seed syllable depictions of the
Womb World (Taizokai Mandara) and companion Diamond World
(Kongokai Mandara). Beneath the 8 Patriachs. 150x50.5 cm.
Paints on paper with silk borders. Undated, estimated to be late 19th/early20th century. Repairs to border. Can be viewed in central London and shipped worldwide.
Japanese carved wood Natsume tea caddy, with high relief lacquer imagery of ripened peaches growing on a branch, and a flying hornet on the top of the lid in lacquer. The side of the box is signed with red lacquer cartouche.
Meiji period (1868-1912) c. 1900
Dimensions: 2 1/2" W x 2 3/4" H
Beautiful hand carved Japanese wood panel with stylized openwork carvings of various scrolling chrysanthemums and peonies. Each flowing one to the next layer out longitudinally on a single slab of wood. Hand chisel marks visible on the reverse of the panel. Ready to be wall mounted. Very good original condition. Natural finish consistent with age.
Early Meiji Period (1868 - 1912)
Dimensions: 39" L x 4" x 6" H
Antique Chinese bronze incenser of a cylindrical form on tripod feet, standing on a carved wood base. The interior of the censer has natural green patina indicative consistent with age. The base is impressed with a six characte Xuande cartouche (1426-1435).
The Xuande Emperor, personal name Zhu Zhanji (朱瞻基), was the fifth emperor of the Ming dynasty, ruling from 1425 to 1435...
Antique Japanese tansu with 7 exterior drawers of various sizes. The lower right hand side has a safe box door with 2 small interior drawers. Made all of kiri (paulownia) wood. Hardware includes warabite shaped drawer pulls, heavy lock plates and hinges.
Meiji Period (1868-1912)
Dimensions: 23 1/2" high x 28 1/2" wide x 14 1/4" deep.
A Very Rare Korean Wood Carved/Painted Standing Dongja-18th C.:
Korea, Joseon dynasty(1392-1897), 18th century.
A small wood elaborate carved Dongja (Buddhist boy attendant) shown standing
with his hands held together as if to clasp a ritual object, the robes painted in red,
black, green and the face and hands with traces of white pigment, set on an inverted lotus pedestal...
Antique Korean bandaji, or blanket chest made with hardwood with original finish, iron plates and mounts on the front of the piece with floral cut-out motifs. The front has a drop-down lid with two iron pulls on decorative plates.
Dates c1900
Dimensions: 41" L x 16 1/2" D x 32" H
Jimmmie Koots(James Koots, Jimmy Koots, James Kootshongsie, James Kotshongsi, [2nd] Jimmy K., James Danaqyumptewa), 1916-1996, Hotevilla, Third Mesa, Arizona
Hopi polychrome Katsina doll Koshare or clown katsina. c.1940-50, Height 7" X Width across the shoulders 2 7/8"
Shima-cho, a sample book of cotton stripes and checks (check pattern was also called "shima" before. Some has both stripes and kasuri. Mostly vegetable indigo dyed but some of colored warps are chemical and some fragments are machine woven. 40 pages with 613 fragments. In excellent condition. Meiji (1868~1912)
24.5cm x 18.5cm x 2.5cm
A large and powerful polychromed wooden carving of a Chinese demonic altar guardian figure, possibly Shun-Feng Erh, dating to the 17th century. Multiple coats of polychrome confirm the piece's great age. Intact, with, most probably, a reattached break in the figure's sash, visible in the photos. A full exposition of the role played by similar figures can be found in Arts of Asia, September-October 1998, "Demonic Images on Chinese Altars." The piece stands just over 16 inches in height...
An elegant pair of Chinese monochrome yellow peking glass gu vases with relief carvings of waves, archaic scrolling serpents, one vase with a pair of flying dragons and the other vase with many auspicious Buddhist symbols - a lotus, a treasure vase, a pair of fish, the endless mandala knot, and the wheel of Dharma. The foot of each vase is marked with a four character cartouche.
Circa early 1900's
Dimensions: 5 3/4" W x 9 1/2" H
A beautiful stand mounted Japanese architectural (corbal) carving of ocean waves. One of this detail and design would have been built into the architecture of a temple. The carving is highly stylized with large openwork areas. The Keyaki (zelkova) woodgrain is visible on the reverse of the carving. Mounted on black iron plates.
Mid Edo Period (1603 - 1868)
Dimensions: 32" L x 3 1/2" D x 17 1/4" H, 13" H carving only
Shima-cho, a sample book of cotton stripes. It has more than 600 fragments, mostly hand-spun and vegetable dye but some warps are chemical dye and also some fragments have silk threads. The second half of the 19th century. In good condition but some fragments are mildewy. 38 pages. 18.5cm x 13cm x 2cm
Antique Tibetan repousse plaque depicting a flying Kinnara or Apsara, celestial beings similar to the Western concepts of angels. The high relief image is done with gold gilt over copper with natural patina from oxidation.
Late 18th Century
Dimensions: 17 1/4" L x 6 1/2" H
Japanese 3 section kimono tansu, made with Kiri (paulownia) wood in its original, natural finish. The top unit has three medium size drawers underneath two sliding panels. The left upper compartment with single shelf and the right upper compartment with the two smallest drawers below a shelf space. The two lower sections are comprised of 3 drawers each.
Taisho period (1912-1925)
Dimensions: 45 3/4" L x 16" D x 61" H
Chinese Qing dynasty bronze censer / Incense Burner with stand, decorated with Lion or Kilin as a the handle. Xuande mark. 17 cm wide, 14 cm rim diameter. 1115 gram censer weight. good conditions.
A rare late Tang Dynasty 'Sancai' offering dish with standing on three legs, decorated to the center with typical Sancai flower medallion of green, reddish on creamy ground glazed. Condition is good excepted tiny flake chip visible to the last enlargement. Diameter: 16,1 cm.
A rare example of blue and white Meiping, decorated with five claws powerfully Dragon among clouds to chasing flaming pearl above waves and rocks to the lower part, all painted in brilliant cobalt-blue tone. Ming dynasty Xuande period. Condition of the vase were broken defect without missing pieces with almost completed pieces then re-glued and chips. Height : 37 cm. Please compare to the drawing of Dragon Jar in Metropolitan Museum of Art which dating Xuande mark and of the period.
A Very Rare/Important Map of Straits between Korea and Japan “Korea Sea” Named-late 18th C.: 1794 printed by Laurie & Whittle,
The map is one of very important documents of evodence/written as “Corea (Korea) Sea”
between Korea and Japan in 1794 as “Corea Sea” in the international map, but by now,
the most of the world maps and the most influential world news papers or the public
medias are printing/writing it as “Japan Sea”(Sea of Japan).
So, this is one of the very ...
Free of any loss or repair, this beautifully enameled vase on a copper base stands some 7-1/2 inches in height. Wonderfully elegant and understated.
A charming, diminutive Ming sculpture of a musician, measuring 4 inches in height. The face has been carefully modeled, as the photos will, hopefully, confirm. The glaze is in excellent condition. Please be sure to look at the last photo, as you will see that the head has been almost invisibly reattached.
Antique Japanese single section mizuya (kichten chest). Made of hinoki (Japanese cypress) wood frame with Sugi (cedar) sides. The upper section have two pairs of sliding panels. The top panels are all wood while the lower panels have inset frosted glass. The bottom section of the chest has two large sliding panels with decorative cut outs ...
A rare and beautiful sweetmeat with a double ogee bowl with an everted rim. The bowl is atop a set of 3 merises, below which is an opalescent stem with a double series opaque twist (dsot) composed of a 17 ply spiral band around a lace twist. At the bottom of the stem is a nicely domed and folded foot.
The glass is in overall excellent condition with no chips, cracks, or restoration. There is a tiny 1/16" inclusion in the side of the bowl, not at all uncommon and truly of no importance. Excel...
An interesting Japanese Arita saucer form dish decorated in a transitional style incorporating elements of the Kakiemon style, notably the asymmetric elements within the reserves to the outer rim of the dish, with Katamono style motifs dating to the late 17th century or early 18th century and made for the domestic market. For a more sophisticated version of this type of design in Katamono style dated 1680-1700 see Shibata Volume II no 422. The dish probably date from the period 1690-1710.
The ...
An interesting Japanese Arita saucer form dish decorated in a transitional style incorporating elements of the Kakiemon style, notably the asymmetric elements within the reserves to the outer rim of the dish, with Katamono style motifs dating to the late 17th century or early 18th century and made for the domestic market. For a more sophisticated version of this type of design in Katamono style dated 1680-1700 see Shibata Volume II no 422. The dish probably date from the period 1690-1710.
The ...
A Chinese apple green Peking glass brush washer with a graduated lip and a globular , tessellating hexagonal body. The bottom on the brush washer is carved with a recessed foot.
19th century
Dimensions: 3" w x 2 1/4" h
Chinese pair of monochrome porcelain vases with a speckled raspberry glaze. They are of an elegant, elongated tapering form, the bases of each vase marked with Hongxian red seal. In the year 1916, Yuan Shikai attempted to reinstate monarchy by naming himself the Emperor of China after the Qing Dynasty was overthrown in 1911. Due to extreme backlash, his reign lasted for less than 100 days, ending on March 1916.
Dimensions: 3 1/4" w x 8 3/4" h
The Hannya (般若) mask in Noh theater represents a jealous female demon. She possesses two sharp bull-like horns, metallic gold eyes, and a leering mouth with jagged teeth. The mask is all hand-carved with open eyes, nostrils, and mouth so the Noh performer can see, breathe, and speak. There are also two pierced holes at the temples to be secured against the head with cord. The Hannya is lacquered in a ruddy flesh tone, with black hair and blackened teeth, red and gilt lacquer eyes, red lips, ...
A moulded rinka-gata form dish decorated in underglaze blue with additional enamels in the so-called Kakiemon palette. The outer register painted in underglaze blue with repeating pattern of a landscape with small weathered rocks from which grow auspicious Pomegranates and Peonies. The centre painted with a Chrysanthemum spray. The reverse painted with a simple Karakusa scroll and a six character mark for the Ming Emperor Chenghua. See British Museum Franks 516 for a similar Kakiemon dish with i...
A good quality large Japanese porcelain mug or tankard decorated in under-glaze blue with iron red, green and yellow enamels with Peonies and Chrysanthemums. It weighs 444 grams and has a capacity of over a Pint. It stands 15.5cm high and has a mouth diameter of 7.8cm, foot-ring diameter of 7cm and a body diameter of approximately 10cm. Tankards with a letter “B” are not unknown, they appear on mugs with applied floral applique, but examples of this plain form do not seem to appear in the ma...
A Japanese porcelain wine ewer or Chosi of cylindrical form decorated in underglaze blue with alternating horizontal bands of flowers (auspicious gobenka)and pinnate leaves (resembling Asters). The design perhaps influenced by the Chinese Aster pattern of the Kangxi period and the later, Mid Qing, provincial Chrysanthemum pattern (see the Desaru Wreck). The ewer dates to the first half of the 19th Century.
The Chosi measures 10.5cm in diameter and stands 15cm high. The foot-ring measures 7cm. ...
Diameter approximately 29 cm. In good condition.
Diameter approximately 29 cm. There is a soft chip at the rim. In good condition.
A framed Indonesian tapis, a woman's ceremonial skirt hand-woven with striped and scrolling motifs. Warp ikat, supplementary weft weave, and embroidery with silk thread, gold thread, and mica chip composition.
Late 19th / Early 20th century
Dimensions: 48" x 47 1/2"
A well-modeled figure measuring 8 inches in height. The figure is shown kneeling, with a cape or cloak draped over the left arm, the right hand resting on a knee. A twisted turban sits on the figures head, and prominent "ear-flares" are present. Intact, with losses and abrasions to the surface.
Antique Sino-Tibetan repousse hanging censer with iron chain. The hexagonal shaped body has the repeating image of a coiling serpentine dragon with lingzhi clouds of smoke, with inlaid turquoise on each side and touches of gold gilt. The base of the censer with a pomegranate form finial, the top of the censer with a finial in the shape of a fierce deity's head.
Dimensions: 10" w x 20" h (52 1/2" total length w/ chain)
Fine head of Harpocrates, wearing the sidelock, with prominent facial details, strong nose, creased forehead, and pleasant facial expression. 1st/2nd Century AD. 2 5/8 inches high. Intact as shown. Ex. old New Jersey art market.
This is a large, gilt terracotta head of an official, dating to the 15th-16th century. The face shows great character and was, evidently, meant to represent someone of importance, given the extensive gilding, much of which remains. The "beard" consists of (I believe) horsehair. The figure was attached to the body of the statue with a wooden peg, which remains. While I have made no attempt to clean the figure, it appears to me that the original gilding/lacquer is present underneath the surface en...