19th century Japanese small lacquered wood netsuke representing a theatrical mask, appears to be of Nogaku type. Uncommon image, excellent intense face, great patina. Crisp detailing, nicely lacquered, some wear to the surface. Signed RYUUN on the back bar - the artist is listed in NETSUKE MASKS by Raymond Bushell, p. 175, signatures 241-243. Height 1.1 inches.

19th century Japanese small lacquered wood netsuke representing a theatrical mask, probably that of Kentoku. Excellent intense face, great patina. Crisp detailing, nicely lacquered, some wear to the surface. Signed RYUUN on the back bar - the artist is listed in NETSUKE MASKS by Raymond Bushell, p. 175, signatures 241-243. Height 1.13 inches.

19th century Japanese small lacquered wood netsuke representing a theatrical mask of a bat with large ears and characteristic snout. Uncommon image, excellent intense face, great patina. Crisp detailing, nicely lacquered, some wear to the surface. Signed RYUUN on the back bar - the artist is listed in NETSUKE MASKS by Raymond Bushell, p. 175, signatures 241-243. Height 1.05 inches.

19th century Japanese small lacquered wood netsuke representing a theatrical mask of Shishiguchi - a lion mask used in scene 2 of the play Shakkyo. Uncommon image, excellent intense face, great patina. Crisp detailing, nicely lacquered, some wear to the surface. Signed RYUUN on the back bar - the artist is listed in NETSUKE MASKS by Raymond Bushell, p. 175, signatures 241-243. Height 1.23 inches.

19th century Japanese small lacquered wood netsuke representing a theatrical mask of horned green skinned demon. Uncommon image, excellent intense face, great patina. Crisp detailing, nicely lacquered, some wear to the surface. Signed RYUUN on the back bar - the artist is listed in NETSUKE MASKS by Raymond Bushell, p. 175, signatures 241-243. Height 1.15 inches.

19th century Japanese small lacquered wood netsuke representing a theatrical mask of Beshimi. Excellent intense face, great patina. Crisp detailing, nicely lacquered, some wear to the surface. Signed RYUUN on the back bar - the artist is listed in NETSUKE MASKS by Raymond Bushell, p. 175, signatures 241-243. Height 1.01 inches.

19th century Japanese small lacquered wood netsuke representing a theatrical mask of horned demon Hannya, its mouth wide open. Excellent intense face, great patina. Crisp detailing, nicely lacquered, some wear to the surface. Signed RYUUN on the back bar - the artist is listed in NETSUKE MASKS by Raymond Bushell, p. 175, signatures 241-243. Height 1.33 inches.

19th century Japanese small lacquered wood netsuke representing a theatrical mask of Emi-men. Uncommon image, excellent face with a wide smile, great patina. Crisp detailing, nicely lacquered, some wear to the surface. Signed RYUUN on the back bar - the artist is listed in NETSUKE MASKS by Raymond Bushell, p. 175, signatures 241-243. Height 1.07 inches.

19th century Japanese small lacquered wood netsuke representing a theatrical mask of horned green skinned demon. Uncommon image, excellent intense face, great patina. Crisp detailing, nicely lacquered, some wear to the surface. Signed RYUUN on the back bar - the artist is listed in NETSUKE MASKS by Raymond Bushell, p. 175, signatures 241-243. Height 1.27 inches.

Interesting stamp seal carved in fine serpentine stone almost black, Mesopotamian, c. 4th. mill. BC.

Rectangular seal, carved with an animal in the base and also finely decorated on the other side.

Size: 19 mm. x 14 mm. 8 mm. thick.

Condition: Choice Very fine.

Added to the Oberländer collection in 1992...

A rare and fine condition for type cylinder seal made in a piece of bone utilicing the original shape, carved with dynastic triangular patterns, Mesopotamian, c. 4th.-3rd. mill. BC.

Size: 21 mm. tall and 15 mm. wide.

Condition: Nice Very fine, smaller chipping too the ends, fine patina.

Added to the Oberländer collection in 1995...

A fine Anatolian stamp seal of the Uruk style of the 4th.-3rd. mill. BC.

A finely engraved larger stone stamp seal, and with a horned animal in the base in deep relief.

Size: 26 mm. in diameter and 13 mm...

A lovely eastern Anatolian stamp seal of a rectangular gable form, Eastern Anatolia, 4th. mill. BC.

The seal carved with animal on the base probably birds flying?.

Size: 41 mm. wide and 21 mm. tall, 7 mm. thick.

Condition: Nice VF, slight wear but attractive and with a sharp imprint.

Added to the Oberländer collection in 1995...

A triangular stamp seal with handle, Western Mesopotamia, c. 3rd. millenium BC.

Very large for type and with an interesting two colour stone where the upperside is calsified white and the base is in the original brown stone. The seal is engraved with a reclining animal on it's base.

Size: 29 x 29 mm. 18 mm. tall.

Condition: Very fine, intact and very attractive, with much even wear.

Added to the Oberländer collection in 1995...

18th century netsuke of a recumbent cow and a calf who licks the face of its mother. Strong early carving excellently captured mood of the scene, superbly carved to the last detail, their hooves bent beneath their bodies, the cow wearing a halter with a length of rope lying across her back, eyes are inlaid with dark horn. Beautiful wear consistent with age, yellowing on the bottom where netsuke was touching the silk of kimono and picked up oil from the body of the owner...

A Chinese, Nephrite jade, Jue; Neolithic. 1000-4000 BC. You are free to return the item for a refund if not fully satisfied. Dimensions, 3.5 cm Provenace: I was happy to be able to buy the collection of Chinese, Neolithic jades from the deceased estate of a distinguished Professor and collector of Chinese art. The collection formed in the 1980s to 90s.

Early 19th century lacquered wood netsuke of a boy climbing onto a huge double gourd. Nice subject (most probably a reference to a rebus), excellent face with a wide smile. Wood is lacquered in Negoro style - red lacquer over black, so as it wears the black and later wood start showing. Wear consistent with age, wonderful patina. Length 1.85 inches.

19th century netsuke carved out of burl wood, its natural shape resembling reishi fungus (Fungus of Immortality, and with low relief carving of a snail on its top. Very clever piece, excellent carving of the mollusk and its shell. Signed on the stem ISHIKOKU (alternative reading is Sekitani). Himotoshi is formed by a natural branch on the bottom. Head of the fungus length 1.95 inches.

19th century netsuke carved out of burl wood, its natural shape resembling a mushroom or a reishi fungus (Fungus of Immortality. Very clever natural piece with practically no carving, superb patina, very pleasant to hold. Length 2.57 inches.

A marble head of the ancient Phrygian god of vegetation and consort of the great Mother of the Gods, Cybele. Wearing the Phrygian cap, with bulging eyes and with prominent facial details. 3 1/4 inches high. 1st-2nd Century AD. Formerly in a Tucson, Arizona old private collection.

BRONZE SPEAR-HEAD
CANAANITE, Late Bronze Age, 1550 B.C.
Time of Moses
Found in the Holy Land

Condition: Perfect condition with natural patina.

Measurements:
Length: 15 cm
Height on stand: 18 cm

Nicely mounted on a custom plexi-glass “Lucite” display stand.

Condition: Good condition with natural patina

They will beat their swords into plowshares and their SPEARS into pruning hooks...

TAKEDA DOLL

Japanese traditional folk doll dressed in such characteristic textile with embroidery, representing the poses of Edo period's popular Kabuki actor playing the famous scene. Late Edo period, 19th century. H 32 x 15 x 26cm (12.59 x 5.90 x 10.23in). Slight discoloring due to aging as is...

This porcelain tea cup was made in Germany by a Up-scale Dresden decorator in the 1890s. The saucer has a diameter of 5 5/8 inches...

This porcelain demitasse cup and saucer was produced in Germany by the Ambrosius Lamm Dresden studio in the 1890s. Both pieces are marked with the blue lamb marking. The saucer has a diameter of 4 1/2 inches. The cup is 1 3/4 inches tall with a diameter of 2 3/4 inches. The borders are trimmed with royal blue coloring. The front of the cup has an 18th century couple dancing. They are beautifully hand painted with fine detail. The sides of the cup and interior of the saucer are accented wi...

This porcelain tea cup and saucer was produced in Germany by the Ambrosius Lamm Dresden Studio in the 1880s. Both pieces are signed with the hand painted lamb marking. The saucer measures 5 5/8 inches in diameter. The cup is 2 1/2 inches tall with a diameter of 3 7/8 inches. The cup features a split branch handle and rococo pedestal base. The ground color is sky blue. The exterior of the cup has a hand painted panoramic scene. Children are playing in the woods. They are painted in fine d...

A Famille Rose Saucer Dish. Brightly decorated with flowering peony. Qianlong C1750. Diameter; 8 5/8″ (21.8 cm). Condition; excellent, one shallow frit in the brown rim

Andon-sara which is a bobeche to receive oil in "andon", a paper shade lamp. It is made in Seto in Aichi prefecture, which is one of major six old kilns in Japan. It has hand-drawn flowers and a butterfly design. 19th century. In good condition. Diameter:22cm, H:1cm

Small ceramic vase of globular form, with a curved flaring neck and two tiny ears on the shoulders, decorated with a series of oblique lines in relief over the whole body. Light celadon colour. Crackle glaze. China, Song Dynasty. Height: 10.8 cm. Very good condition.

A Japanese rare ivory netsuke depicting the Buddha’s Hand (also known as Fingered cedar) among the leaves, an ornamental and fragrant citrus fruit that is segmented into multiple sections resembling a hand. It is native to China and Japan, where it is cultivated for religious purposes. The Buddha’s Hand is a highly significant symbol in Buddhism and is considered a symbol of prosperity, fertility, and longevity. The choice of ivory as the material for the netsuke provides a smooth and ...

Ivory seal carved to represent a lion resting on a rectangular base. Inscription in archaistic style beneath. China, Ming Dynasty. Height: 5.5 cm. Very good condition.

Very finely detailed hand carved bone lime box from Timor, circa mid 20th century, with wooden stopper. L 10cm/4.1in. Included is anthropomorphic stopper from the Bataks near Lake Toba, Sumatra. They’re unrelated but somehow look like they belong together.

Lovely Negoro lacquer'Yuto' water pot from the Meiji Period, Ca.1900. Natural cylindrical body carved out of cypress wood and flush fitting cover all with beautiful negoro lacquer finish. Copper metal fittings. Slight tiny wear on the handle corner. (see picture). H:12" x W: 12" x diameter 8". Ask for shipping quote.

Splendid set of Oribe ceramic tea pot with 5 stunning cups, each side of each cup with a daruma figure hand painted. Ca. 1920. Tea pot 6" wide by 3 1/2" tall. each cup 2 1/2" tall and 2 1/2" wide. Ask for shipping quote.

Tiffany Studios gilt bronze Venetian pattern note pad holder. Marked on bottom: Tiffany Studios, New York, 16910. Fits pad 4 3/8" wide. Measures 4.75ʺ wide × 0.05ʺ deep × 7.66ʺ high. The last photo shows all the pieces we have in this pattern.

Rustic round platter, called ishizara in Japanese, used in kitchens and commoners’ households. Pale yellow glaze that typically leaves the foot free. The plate is slightly warped, as is common with ishizara. Seto ware, Edo period.

In the Meiji era this plate was additionally decorated in moriage technique with overglaze enamels that required lower kiln temperatures. Images is a warrior hare, dressed in more or less Chinese warrior dress, a spear and war-fan in his hands, a halo with thre...

Confirmed by the experts at Sotheby's in Hong Kong to be the only surviving painting by 13th Century Chinese Southern Song Artist Chen Jue 陳珏(款). Signature and two seals. Ink and colors on silk, framed. 19.5 x 12.75 inches, 49.5 x 32.5 cm.

During the Kamakura period in Japan (1185-1333), a remarkable form of Buddhist sculpture known as the votive Buddha emerged. Commonly referred to as kakebotoke (hanging Buddhas), pieces like this would have been mounted on spherical plaques made of bronze or copper and hung in a Buddhist temple or possibly even in a Shinto shrine. These small-scale sculptures were created to serve as objects of devotion and were often commissioned by wealthy individuals or temples. The Kurakama perio...

Pair of Victorian Georgian sterling silver serving trays. Made by William Ker Reid in London in 1846. Each: Serpentine and gadrooned with oval well. On shoulder engraved armorial with lion rampant and Latin motto “Vive Ut Vivas” (Live That You May Live). Sturdy with nice heft and balance. Fine examples of the enduring popularity of 18th-century design well into the reign of the young queen. Fully marked. Very good condition.

Dimensions: H 1 x W 13 1/4 x D 9 3/8 in. Heavy total weight: 68.8...

English Edwardian crystal match strike with sterling silver mount. Globular with fine ribbing. Central well has flat and plain sterling silver collar. Crystal clear. Fully marked including maker’s stamp (Grinsell & Sons), assay stamp (Birmingham), and indistinct date letter. Very good condition with minor wear.

Dimensions: H 3 3/8 x D 3 1/2 in. #BW006

American Edwardian Classical sterling silver tray, ca 1910. Octagonal with curved sides, flat shoulder, and beaded rim. Fully marked including stamp for Boston retailer Shreve, Crump & Low and no. 245S. Very good condition.

Dimensions: H 7/8 x W 13 x D 12 in. Weight: 24 troy ounces. #BX749

1900's Large Japanese Satsuma Vase with Relief Flower

It is 18.1 inches (46 cm) tall by 9.45 inches (24 cm) wide. It is 12.9 Lb.

It has firing cracks, rubbing gold and paint, mild skip glazes, surface wear and scratches (as seen in the photos).

It has firing cracks, rubbing gold and paint, mild skip glazes, surface wear and scratches (as seen in the photos).

Our Guarantee: We stand behind all of the items that we sell. That is to say, if you purchase an item from us and are un...

Chinese 18K Gold Jadeite and Pearl Bead Bracelet Marked

It is 6.5 inches (16.6 cm) in inner circumference by 2.25 inches (5.7 cm) in inner diameter. The jadeite is 6.2 mm- 13.6 mm long by 4.1 mm- 4.6 mm wide. The weight is 12.9 gram.

It has inclusions at the jadeite, surface wears and scratches (as seen in the photos).

Our Guarantee: We stand behind all of the items that we sell. That is to say, if you purchase an item from us and are unhappy with it for any reason, return it ...

ntique Chinese embroidery on silk, gold thread depicting dragons, flaming pearls, birds, lions and scrolling designs, outer banks of silk in blue and grey, back is black material, appears to be cotton, 19th century or earlier. Measures 40' x 10". The center of the panel (it was made in 2 sections, joined at center) depicts birds in flight, next to them are foo lions in gold and white or silver thread, with large dragons next, all in bright gold thread, eyes of black and white. The dragons are...

An antique Korean money chest or trunk made entirely of heavy Red Pine wood. All hand forged iron hardmounts and fittings. Strong box design to withstand the heavy weight caused by the storage of coins.

Age: 19th Century (Yi Dynasty)

Dimensions: 42" Wide by 16 1/4" High by 20" Deep

An antique Chinese altar table made of Huanghuali wood with a work surface incorporating a cloisonné insert. Cabriole legs with claw feet each holding a ball leading up to the mitered corners profiling the Fu Dogs. Central carved image on the front and back shows the Fu Dogs. Scrolling vines throughout the apron with an archaic Ching dynasty key fret below which are lotus petals surrounding the table. The Cloisonne surface features the 7 Buddhist symbols among an arabesque design of lotus ...

An antique Indian celestial maiden wood carved panel. Shown holding a conch shell in the left hand and an ax in the right hand. Originally displayed outdoors in a Hindu temple.

Age: Early 1900's

Dimensions: 11 1/2" Wide by 31" High by 3 3/4" Deep

Hard porcelain vase covered with a crackle glaze. Decor of two facing dragons enamelled in an exceptionally bright electric blue, their eyes enamelled in yellow. Two friezes enamelled in green and a frieze of stylized flowers molded in relief on a celadon background. The style and quality of the drawings, enamels and technique suggest a creation by Makuzu Kozan. There is no mark, but the base seems to have been ground, if so, it was probably to erase a mark which would have made it possible to i...

Antique Japanese gyosho bako (peddler's chest for a traveling salesman). Made with sugi (cryptomeria - cypress) wood on the outside and kiri (paulownia) wood on the inside, this box would have been light enough to carry. The single door opens to reveal a series of 10 light weight stacking trays which slide out like drawers. Each is marked with a character in light ink for organization. There is also an exterior drawer with a round iron lock and square handle. The door closes with an iron ...

Antique Chinese set of 6 painted panels. Painted with scenes of mountains in rolling mist, tall waterfalls, and hidden pavilions. Accented here and there with charming vignettes of scholars, noble ladies and children enjoying the the beauty of nature. Painted in ink and mineral colors on silk.

Age: circa 1800's

Dimensions: 71" high x 22 3/4" wide (each frame)

Antique Chinese small cabinet with six open shelves originally intended for displaying small precious artworks. There are two small drawers between the upper and lower shelves. The bottom portion of the chest has two cabinet compartments opened by hinged doors. The entire surface of the wooden cabinet is lacquered and detailed with vine and floral motifs.

Age: Ming Dynasty

Dimensions: 24" high x 21 3/4" wide x 7 1/4" deep

19th century Asakusa school staghorn netsuke in a ryusa shape with openwork carving of a water dragon among lotus leaves, flowers and buds. Superb design and excellent quality sharp carving, extraordinary warm patina, darker porous areas as is usual with staghorn. Diameter 1 5/8 inches.

1920s 2-toned chosen matsu (Korean pine wood) netsuke of himono (dried fish). Well captured essence of the object, carved in characteristic Hida school style with clever use of wood colors and structure to add to the charm of the piece. Excellent sense of volume, beautiful patina. Length 3.21 inches.

Unusual 19th century bronze netsuke of a seated monk. Nicely cast, beautiful patina, some wear. Characters on the bottom appera to read ROKUSHIN, possibly the name of the artist. Height 1.23 inches.

A thick early Mesopotamian cylinder seal in white-grey marple, carved with a characteristic and significant design for the Period of Jemdet Nasr, 3200-2900 BC.

The Jemdet Nassr Period in seal manifacturing,3300-2900 BC, were spreading from Southern Mesopotamia, where a great number of administrative cuneiform tablets and seals came from. Such seals was used to impress pictures or descriptions into soft, prepared clay. These seals guaranteed the authenticity of marked ownership: as suc...

A rare Tang dynasty bronze standing figure of attendant, figure is in good condition with good patina please see picture for detail, size: 22 cm height.

Several years ago we were invited by our very talented kintsugi craftsman to what is known as a “kura-ake” or storehouse opening. Many reading this may be familiar with the traditional storehouses in Japan (kura) with their thick plaster walls used to store valuable items—sometimes for hundreds of years—safe from humid air, insects, and the like. On occession, after the passing of a parent or relative, these storehouses are opened up and the art pieces and valuables inside ar...

A pair of lovely gold lacquered zen temple lotus offering stands Ca. 1930. Very good condition with minor wear. see picture. Height; 11" x Diameter of 5". Ask for shipping quote.

19th century Asakusa school staghorn netsuke in manju shape engraved with a falcon seated on a pine branch. Nicely made, clever use of natural texture and brown color of outside patches on an antler as parts of design. Porous center of the antler can be seen on the sides, very good patina. Diameter 1.4 inches.

19th century Japanese carved wood obidome (sash ornament) in a shape of a theatrical mask of demon Hannya. Could have been used as netsuke as well. Obidome is worn on an obi cord that holds the obi sash together, and is the only type of jewelry worn by Japanese women on formal occasions. Good design, nice detailing, eyes highlighted with gold lacquer. Height 1.8 inches.

Late 19th century marine netsuke of a scholar holding a scroll. Nicely carved, decent face, good patina. Height 1.84 inches.