A beautiful glass vase with 'chariot decor', made most likely by Moser. The vase is 8 1/4 inches (21 cm) tall and 6 inches (15 cm) wide at the top. It is in good condition (some flea-bites at bottom-rim from usage). The vase is artist-signed, Brandt'. Unsigned, but made most likely by Moser - usage of gold and platinum in the decor is a particular Moser trait.

A beautiful and rare Wilhelm Kralik vase on metallic stand (Kralik was a contemporary of Loetz). The vase has the 'Sea Urchin' surface decor. The vase is in excellent condition - the metal has age-appropriate tarnishing. The vase has a polished pontil. Overall, the vase is 8 1/2 inches (21,5 cm) tall and 6 inches (15 cm) wide. Though unsigned, the vase is guaranteed to have been made by Kralik (refer to page 4 under Kralik at the loetz website for similar type of Kralik surface decoration).

Offered is this beautiful, aquatic-themed, crackle-glass ewer, made most likely by Bohemian master, Moser, around 1910. The ewer is 7 inches (18 cm) high and 6 inches (15 cm) wide (to handle-tip). It is in good condition. Unsigned, as expected (for similar Moser crackle-glass, aquatic-themed objects, please refer to page 96 of Gary Baldwin's book, 'Moser artistic Glass - edition two').

Offered is this pair of beautiful hand-painted vases. Made on acid-dipped frosted glass, each vase is 14 1/2 inches (37 cm) tall. Unsigned, but probably made by Mont Joye. In very good condition (the inner-rim of one vase looks chipped, but is smooth and gilded, so perhaps it occurred during fabrication - see last picture).

A large, heavy, French crackled glass vase with various color splashes. The vase is 12 inches (30,5 cm) tall and 6 inches (15 cm) wide. It is in good condition. Rough pontil. Unsigned - attributed to Rousseau or Leveille, based on glass decor.

Offered is this rare antique opaline glass perfume bottle with a serpentine rigaree. The hand-painted bottle is 6 1/2 inches (16,5 cm) tall and 3 3/4 inches (9,5 cm) wide at the bottom. It is in good condition except for a small flake on the rigaree (see last picture). Polished pontil. Unsigned - most likely made by Baccarat of France.

Offered is this wonderful, hand-painted, Victorian glass epergne. The epergne is 10 3/4 inches tall and 5 1/2 inches wide at its widest. The set is in very good condition (there is a fabrication flaw typical of hand-made glass items, a burst bubble - see last picture). Unsigned.

A large glass shade in the 'chipped ice' pattern, made by Handel around 1900. The shade is 8 1/2 inches tall, 4 1/4 inches wide and has an opening of 3 3/4 inches. It is in fine condition. It is signed, 'Handel 2916'.

A beautiful Peachblow vase made by the New England Glass Company, around 1890. The vase is 7 1/2 inches (19 cm) tall and 2 3/4 inches (7 cm) wide at its widest. The non-cased vase is in excellent condition and has beautiful coloration...

A beautiful, hand-painted creamer and sugar set in ornate Wilcox quadruple-plated silver holders. Both pieces of glass are decorated with flowers, butterflies, etc. The metallic holders have superb wrap-around decor. The creamer is 5 1/4 inches wide and 4 3/8 inches high, while the sugar container is 4 1/2 inches wide and 4 1/4 inches high. Except for a rim-chip in the sugar container (see last picture - hidden with lid in place), the pieces are in good condition. Polished pontils...

A wonderfully rendered pottery Staffordshire portrait bust of the philosopher John Locke. The name is incised on the back of this piece. Raised on a faux marble socle, the figure is effectively modelled and strongly colored. The condition is superb, with no chips, cracks, restoration, inpainting, or enamel loss. The whitish lines on his robe were intentionally done to highlight folds...

Pencil on paper with added color in crayon, 13" by 19 1/2", (unframed, but a damaged frame in which it was found is available with it). The scene, of a circa 1870 house with barn, outbuildings and neat haystacks, and a man on a horse drawn carriage, is titled at bottom "RES. OF HON. CHRISTIAN PARKER. SKETCHED BY. ED. A...

A fine Victorian sterling silver sugar sifter with a medallion handle, possibly by George Sharp. Rather than the usual relief medallion, the handle features an applied medallion of considerable depth and detail looking straight forward. The medallion is surrounded ornate engraving that extends the full length of the handle. The engraving, as well as the overall outline of the handle, are very similar to known George Sharp patterns...

This porcelain coffee cup and saucer was produced in England by Worcester between 1772 and 1780. It is a First Period product under the ownership of Dr. Wall. It has an open crescent marking. The saucer measures 5 1/8 inches in diameter and is 1 1/8 inches deep. The cup is 2 1/2 inches high with a diameter or 2 1/2 inches at the opening. It has cobalt blue borders, cascading flowers and a turquoise diaper at the bottom of the cup and around the well of the saucer...

A finely carved and exceptional early wooden Mangle board, Friesland (coastal regions of the Netherlands and northwestern Germany), dated 1674.

Mangle boards are rarely seen dated earlier than 1700s and this is a significant piece, carved in a wonderful geomethric style with micro carving of tiny details. Dated at the top and initialized further down.

Size: c. 70 cm. long and c. 14 cm. wide.

Condition: Choice Very fine for this extremely old piece in wood...

A totally charming box from, and decorated in the style of, Snyder County, Pennsylvania; grain painted with gilt and gray highlights; polychrome stencil painting of fruit on top; terrific painted keyhole escutcheon; 9 1/2" by 6 1/2" by 5 1/4"

Top has scrapes and scratching, but 99% of the paint is still intact, and the uncommon nature of the overall decoration on this piece far outweighs the damage

A classic second standard (800/1000 pure) silver tastevin from the Loire Valley of France...

A beautiful Art Deco cobalt blue overlap cut crystal perfume bottle in “Design 7623” by Cristalleries de Nancy. The bottle is cut alternately with clear pillars accented with stars at either end and blue pillars accented with printies rising to a step-cut shoulders and panel-cut neck. The hollow-blown stopper is cut to match with a large star cut at the apex. The base is stamped with the acid signature “Cristal Nancy France.” Cobalt blue is probably the rarest color in this particular pa...