The Simpson Hall Miller repousse "roses" sugar and creamer have the number 170 on the base of each.

The open sugar has a mouth opening of 3 1/4", the creamer 2 1/2". The open sugar is 2 3/4" tall, the creamer2 1/8".

They are in good condition.

An ornately hand-engraved English sterling silver pierced sifter spoon, fully hallmarked for Sheffield 1893. This 5-3/8" spoon has a finely pierced bowl and a PW monogram; it has the maker's mark for Atkin Brothers and it weighs 29.3 grams. This spoon is in excellent condition with no dents, bends, corrosion, losses, damage or repairs...

Nice Victorian brass ladies' lace-up boot. This example has holes drilled to represent the holes for laces. The Victorians often placed these along their mantles for purely decorative purposes.

Origin: England or America, ca. 1880. Condition: excellent, light scratching near the toe. Size: 4.5" tall.

This is a very nice egg wash chintz brown calico bag with a tan linen lining. It has a ribbon trim across the top and around the edges of the bag. The edges only have a little of the ribbon trim left, it has worn off over the years. The bag is in really good shape and is not fragile, it could be really used. Or great to use to store items while hanging off a hook or peg rack. 10" by 13" not including the straps. Circa 1870-80

Danish Söholm, Bornholm: earthenware dish typical of this factory’s early production. Relief-moulded decoration of laurel leaves and a family scene in classical style, inspired by Danish sculptor Thorvaldsen. Late 19th c. Diam: “9 ¼ /23,5 cm . Condition: slight wear to parts of the figures in the centre

Two pairs of plates with underglaze blue transfer decoration of a woman holding a tray of cakes with a child pulling at her dress and an oriental jardinière to one side surrounded with an elaborate floral swagged border. The smaller are more like shallow bowls than like plates. These two are porcelain and both marked with Hilditch and Sons mark for the period 1822-1830. The larger plates have overglaze lustre highlights and are not porcelain...

Three plates with orange ground lip, transfer border on the edge of the well and the center hand painted with different complex bouquets of wild flowers. All have the Royal Worcester mark on the bottom with the date of 1877 below. Also, the number 9522/A (?) is written in overglaze enamel. The plates are 9 inches (23 cm) diameter.

Condition: no chips, cracks, hairlines or repairs. Some gilding wear on the edges and minor scratches.

A Pair of German Compote or Bon Bon Dishes in an octagon shape, with Hand Painted Florals on Interior and with Relief Florals on the Exterior. With Pierced Sides and a Gilt rim, c. 1895. Dimensions 7" x 2.5". Excellent condition.

Brown banko ware teapot, Japan, late Meiji / early Showa. Unglazed, with the exception of the rim and the top of the handle hooks, some gilt to the molded decoration of a dragon and a lion dog. All handmade, with thumb marks to base and rim of lid. Height including lid "4 ½ / 11.5 cm. Condition: no bamboo handle, otherwise fine.

With the purchase of the lease on the Nymphenburg factory by Albert Baumi in 1887 the factory started to re-produce figures that had been originally made in the 18th century. This figure of a Turk, originally modeled by Bustelli, is one of those. Like many of the 18th century figures this one is not decorated with colors. 4 ¾ inches (12 cm) tall and 5 ¼ inches (13.5 cm) across the base...

A Chinese Export coffee cup, slightly ribbed and foliated, a rather unusual shape. Enameled decoration of flower garlands in European Rococo style. Early Qianlong period (c 1740), a give-away as for the age is a little flower in iron red and gold to each side. Height "2 ¼ / 6.2 cm. Condition: little black spots and two hairlines (cf. pics).

American decorated heavy porcelain ice-water pitcher. The porcelain in probably American, though it might be French. This form, with a bridge near the spout for holding back ice cubes, is also known as a “sweetheart pitcher,” because of the vaguely heart-shaped wreath on either side. On this pitcher, outside the “hearts” is a solid magenta ground, inside the hearts on either side in gilt Gothic letters is written, “Crescent Valley/House.” It is 9 3/8 inches (24 cm) tall...

This porcelain pot de crème with lid was produced by an unknown Paris porcelain manufacturer before 1850. It is 4 1/4 inches high with the lid. The porcelain is molded with panels and ornaments and a perky little finial on the lid. It has a pedestal base and a fancy handle. The piece is hand painted with pink and blue enamel florals. It is trimmed in blue. CONDITION: Excellent

Russian wooden egg, lacquered in black and painted. One side with an orthodox cross and the other probably depicting St Basil’s cathedral in the Kremlin in the late 19th century. It might also show the then newly erected cathedral of the Assumption in Omsk. Height "4 / 10.5 cm. Condition: the painted decoration is flaking, as is the black lacquer (cf. pics).

Faience écritoire / inkwell or desk set, France, c 1800. Unusually bold decoration of flowers in black and blue. The inserts apparently of the period, but not belonging. Width "7 ¼ / 18.5 cm, height "2/ 5 cm. Condition: wear consisting with age.

A blue and white parian pitcher with raised oak leaves and acorns and a “branch” handle and spout. The oak portions in white against a textured blue painted ground. Marked on the underside with the U.S. Pottery Company ribbon mark with “No. 16.” and the number 12. This mark used in the 1850’s. 8 5/8 inches tall and 6 ¾ inches across handle and spout.

Condition: no chips or repairs, but a crack in the base of the handle.

A clear glass scent bottle of profiled shape, mouth blown in a mold, the white enamel decoration underlining the contours of the design. Made around 1850 and probably Scandinavian. Height including stopper "6 ¼ / 16 cm. Condition: small nick to the underside of the mouth rim.

Small and beautiful silver basket bowl made in Germany c 1890. Empire style boat shape, the reticulated and engraved decoration in Rococo style with flowers and rocaille ornaments. Marks for Martin Meyer in Mainz, a leading German silversmith (1888 - ), producer of cutlery as well as Jugendstil jewelry. German control mark: crescent and crown plus 800 for the silver content. On the border a French importation mark, in use from 1864 to 1893: a small insect, a weevil...