Late renaissance memento mori skull ring. "Memento mori" jewelry translates to "remember thou must die", a reminder to all to live life fully, as death awaits. Memento mori rings were meant to encourage the practice of reflection on one's mortality. This is a very early ring with black enamel etching along the sides and back and a perfectly shaped skull in intaglio on the front. The ring is silver gilt with black enamel carving. Circa 1620. US size 8 1/2.

A Ningxia Pillar Rug, China, Early 19 C. A beautiful Ningxia Dragon Pillar rug from the early Nineteenth Century. The condition is excellent with full pile. Dimensions: 246 x 92cm Provenance: Private Australian Collection

Offered is this exceptionally rare Tiffany Studios glass 'Pulled-feather' vase with gold Favrile application. The vase is 4 1/4 inches tall and 3 3/4 inches wide. It is in good condition. Polished pontil. Unsigned, showing its status as a 'special order' item. Please refer to pages 39 and 52 of Albert Christian Revi's book, 'American Art Nouveau Glass' for Tiffany Studios vases with similar applications and shapes (shown in last two pictures here for your convenience).

Belle Epoque Rococo 950 silver jardiniere centerpiece, ca 1900. Bombe oval bowl with wide and tapering rim. Embossed twisted fluting and applied round frames (vacant) with scallop shell crown supported by winged cherubs. Elaborate end handles, each with cast figure of lunging cherub, holding drapery in one hand and flowers in the other, between leaf-wrapped double-scrolls. Four leaf-mounted scroll supports. A sumptuous homage to the 18th century. Detachable brass liner...

German 800 silver figural bird bowl, ca 1910. A big beautiful swan with graceful downturned neck terminating in closed and tapering bill. Fan-shaped tail and hinged wings ready to spread for taking flight if the party chat gets too dull. Finely chased and engraved feathering from dense and imbricated to fluffy and plumy, and tucked-up taloned and webbed feet. Capacious hollow body for holding treats or flowers...

This intricately woven gold necklace with enameled serpent biting its tail, known as an ouroboros, is classically Georgian and circa 1790. Woven gold necklaces like this one took weeks to make and created enormous precision and painstaking detail. Our ouroboros snake necklace, with blue and green enameling and gold paint to denote the snake's scales and amethyst paste eyes, is a treasure to behold. It is quite a miracle that this necklace has survived over 200 years.

Stunning early 19th Century Berlin Iron earrings with a floral motif which is highlighted with polished steel. Berlin Iron was sought after by Napoleon who invaded German and captured the factory, confiscated the molds and took them back to France in 1806. Today this unique and fascinating jewelry is as prized as it was back then. The earrings measure 2 1/2" long and 3/4" at their widest.

Six Victorian Classical sterling silver goblets. Made by Charles Stuart Harris in London, 1884-9. Medici urn bowl with bellied bottom and flared rim. Spool shaft with flange flowing into raised foot. Chased and engraved garlands and two leaf and cattail wreath frames of which 1 vacant and 1 with applied coat of arms. Super fancy and capacious for ceremony or dining. Very much the special occasion set. Fully marked including date letters 1884 (2), 1886 (1), 1888 (1), and 1889 (2)...

Pair of English Neoclassical sterling silver 3-light candelabra. Made by Tiffany & Co. in New York, ca 1928. Each: Two leaf-wrapped arms, each terminating in single socket, wrapped around a central socket. Arms set in single socket mounted to tapering shaft on raised foot. Each socket tapering with detachable bobeche and wax pan. Faceted and reeded. Applied acanthus leaves on sockets and foot. Leaf-and-dart borders. Converts to candlestick. Fully marked including maker’s stamp, pattern no...

Large Victorian Classical sterling silver tray. Made by Dominick & Haff in New York in 1890. Rectangular with curved corners. Fluted sides and gadrooned rim. Stylistically restrained with nice heft. Fully marked including dated maker’s stamp, retailer’s stamp (JE Caldwell), and no. 772S. Very good condition.

Dimensions: H 1 1/8 x W 24 x D 18 in. Weight: 145 troy ounces. #BZ212

George V sterling silver tea tray. Made by Alexander Clark & Co. in Birmingham in 1928. Shaped rectangle with molded curvilinear rim and bracket end handles; stepped oval supports. Fully marked. Very good condition.

Large overall dimensions: H 1 5/8 x W 28 x D 18 1/4 in. Heavy weight: 123.5 troy ounces. #BY069

Edwardian Classical sterling silver coffee and tea set. Made by Tiffany & Co. in New York, ca 1910. This set comprises 5 pieces: Coffeepot, teapot, creamer, sugar, and waste bowl. Tapering and fluted ovoid bodies. Feet domed. Covers double domed with vasiform finial. Handles scroll bracket (coffeepot and teapot stained-wood). Ornament acid-etched and stylized: Curvilinear fretwork and leafing borders, paterae and, on front and back, wreaths of which 1 engraved with symbol or cryptic monogram...

Pair of English Neoclassical sterling silver 3-light candelabra. Made by Tiffany & Co. in New York, ca 1930...

Tall Classical sterling silver wine ewer. Made by Moore for Tiffany & Co. at 550 Broadway, New York, ca 1855. Ovoid bowl with helmet mouth and raised round foot; cast high-looping fruiting grapevine handle. Foot rim encircled with same. Chased and engraved outsized leaves and squiggly tendrils, and bunches in relief. Irregular round frame (vacant). Early marks (1854-70) including maker’s stamp and retailer’s stamps, and pre-1860 pattern no. 488. Very good condition with deep patina.

Over...

Edwardian mixed metal sterling silver ewer. Made by Tiffany & Co. in New York. Helmet mouth with high looping leaf-mounted handle; ovoid body on domed foot. Mouth, neck, and foot have copper ground. Applied meandering border on shoulder. Acid-etched palmette and leaf-and-dart borders as well as scrollwork heightened with copper; scrolled frame with acid-etched interlaced script monogram. A stylish mix of Japonesque technique and early 20th-century Classicism. Fully marked including maker’s st...

Pair of Edwardian Georgian sterling silver covered serving dishes. Made by John Round & Son Ltd in Sheffield in 1904. Each: Rectangular with chamfered corners and tapering sides. Cover raised and chamfered with twist-lock ring handle. Handle, covers, and rim gadrooned with scallop shells and leafing scrolls. A gorgeous twosome—make that foursome because the covers convert to bowls. Fully marked. Excellent condition.

Overall dimensions: H 6 1/4 x W 13 x D 9 1/2 in. Heavy total weight: 115 t...

George V sterling silver bowl. Made by Lionel Alfred Crichton in London in 1912. Curved with flared rim and stepped foot. Cast lion’s head side mounts in leafing-scrolled frames with loose-mounted rings. Four cast lion couchant supports with extended forepaws. Allover spot hammering. Engraved interlaced script monogram. A beautiful Edwardian Classical centerpiece. Fully marked. Excellent condition with nice shimmer.

Overall dimensions: H 9 1/4 x W 13 x D 11 3/4 in. Heavy weight: 85.4 troy o...

Olympian sterling silver centerpiece bowl. Made by Tiffany & Co. in New York. Curved and tapering bowl on domed foot. At top a dense repousse frieze of love-making, harp-stumming nymphs, gods, and cherubs. Foot rim has rinceaux border. A beautiful piece in the celebrated Beaux-Arts pattern that was conceived by French designer F. Antoine Heller and debuted at the Exposition Universelle in Paris in 1878.

Fully marked including maker’s stamp, pattern no. 6798, and director’s letter C (1902-7...