Wedgwood Historical Plate of The Capital, Washington, DC. Imported by Jones, McDuffee and Stratton of Boston. 9", 1899.. Please see the other plates we have to offer.

This miniature " bullseye with diamond point oil lamp is 5 1/2" from base to collar. The chimney adds another 4 3/4" to the height. There is a copper heat protector under the paper shade. I do believe this lamp is 100% original.

This is a Victorian Staffordshire-style spill vase, of biscuit porcelain shaded to pale green, spill vases were placed on a fireplace mantle to hold spills---the small wood or paper splinters used to obtain light from a fire; modeled as 3 knarled trees joined by leafy branches; surface cracks; 6" high.

A large glass shade in the 'chipped ice' pattern, made by Handel around 1900. The shade is 8 1/2 inches tall, 4 1/4 inches wide and has an opening of 3 3/4 inches. It is in fine condition. It is signed, 'Handel 2916'.

An Early Victorian Copper Lustre Pitcher, with the "Dancing Ladies" design; circa 1850. Dimensions 7" high x 4.25" at base. Some age, but in very good condition.

An American Redware Turk's Head Pudding Mold; late 19th century. Dimensions; 8.5" diameter x 3.25" high. Condition appropriate to age and use.

A Meissen Style Porcelain Bust of a Child (young girl with a bonnet), Probably by Samson. Late 19th century. Height; 9". In excellent condition.

This porcelain tea cup and saucer was produced in England by Royal Worcester in 1878. The date letters in the mark indicate this year. The saucer has a diameter of 5 1/4 inches and the cup is 2 1/4 inches high. The saucer is shaped and molded like a lily pad and the cup is the flower. The porcelain is smooth and creamy imitating ivory. The decoration is Japanese inspired. There are hand gilded butterflies, a heron bird, branches and foliage...

Rare large ironstone platter in the Imari taste with a cobalt blue border by G.L. Ashworth, the successor to Mason’s. The platter’s rim is unusually decorated with reserves showing Japanese ladies with parasols and floral elements surrounded by gilding. The central design shows an Asian-themed still life including peonies, lotus blossoms, pagodas, etc. The back is printed with Ashworth’s mark, is impressed “Real Ironstone China”, and has a decorator’s mark.

Origin: England, ca...

A very rare caneware tureen in the form of a cabbage with a mother rabbit and 3 bunnies peeking out of the lid. The cabbage with tureen rests on a matching plate. In very good antique condition, this item was actually used in its earlier days. Worth noting is that all the color in the rabbits eyes is still intact. Designed and potted by Ferdinand Burgard for Egmondville Pottery in Onterio, Canada, the underside of the tureen is impressed “10” and the letters “FB”. Dates circa 1850...

A large faience shoe, lady’s high heel model, the white ground decorated with floral ropes, roses in bunches, and the toe resembling embroidery. The painting is the palate and tone typical of late 19th century Le Nove at their best. It is 4 5/8 inches (12 cm) tall, 8 5/8 inches (22 cm) long and 2 7/8 inches (7.5 cm) wide...

Beautiful set of jeweled glass finger-bowl and under-plate, made most likely by Moser. The bowl is 5 1/4 inches (13,5 cm) wide and 2 1/4 inches (6 cm) high. The under-plate is 5 3/4 inches (14 cm) wide and 3/4 inches (2 cm) high. Both are in fine condition (some expected usage scratches on under-plate). Unsigned, as expected.

A Green and White Nailsea Victorian Baluster shaped Glass Vase with a Ruffled Top. There is a White Swirl Overall Design on the Green Background, which is Characteristic of Nailsea. Late 19th century. Dimensions 9.25" high x 4.5" wide. Excellent condition.

A lovely Staffordshire pottery inkwell and quill holder in the form of a swan. The wings are painted vivid shades of pink with black and gilt accents. The bird rests on a colorful "confetti" nest. The hole in the swan's back served as the inkwell, while the two holes in the front were to hold quills. This swan is a particularly colorful example.

Origin: England, ca. 1840. Condition: excellent, no damage. Size: 3" x 2" x 3-1/4".

This porcelain vase was produced in England by Royal Worcester in the 1870s. The date letters in the mark are illegible so it is not possible to specify the exact year. The vase is 7 3/8 inches high. The base measures 5 inches long by 4 5/8 inches wide. The form of this vase is known as “elephant tusk” as it appears to be carved ivory. It also appears to be two separate pieces, the vase on a stand, but is actually one...

Two(2) Victorian English Staffordshire Charles Meigh "Indian Stone China" Soup Plates, 10 1/2" diameter with fluted rim, 2" high, impressed mark on the bottom, the condition is good, no damages.

An stoneware cheese keeper or dome decorated with Bamboo and Trellis motif consisting of black enameled trellis surrounded by leaves and cherry blossoms in pink, green, and ochre. The base of the dome and the handle continue the bamboo motif. The exciting feature of the dome is its orange peel texture which adds additional interest to this Aesthetic Movement work of art. The base is raised on short pedestal and s decorated with near scarlet band encircling raised x's...

This Zeh Scherzer & Co. vase bears the portrait of Louise, Queen of Prussia ( March 10, 1776- July 19, 1810) She is admired for unflinching courage in which she bore the sufferings on her and her family during the war between Prussia and France. This vase is chocolate brown with a gold rim. It is 8" x 4". This vase is not hallmarked. This vase is circa 1880. There is what appears to be a hairline on the inside of the lip of the vase...