An ornate vintage c1900 Towle sterling silver souvenir spoon depicting the Light House & Harbor Lorain Ohio. this 5-3/4" spoon has excellent graphics in the bowl, which retains some its original gilding. It has an early 925/1000 Towle mark, it weighs 20.8 grams, and it is in excellent original condition with no dents, bends, corrosion, losses, damage or repairs...

Exquisite Dresser Set with yellow guilloche enamel beautifully set off by tortoiseshell. Both the mirror and clothing brush are hallmarked: Birmingham, England 1928. Size: mirror - 9.5" L x 6" W; brush - 7" L x 2" W.

This is an assortment of hand painted over transfer French dinnerware pieces in the Moss Rose pattern, made by Haviland Limoges c1871. Made by many firms over many years, this collection was made by Haviland & Co. Limoges, France. All pieces are stamped with the H&Co. or H&Co/L mark; the entree dishes have an impressed English registry mark (for 1871) plus an underglaze impressed H & Co...

An early English 7-3/4" high large footed comport or tazza made by Wedgwood in 1878-9. This elegant Neoclassic design table serving piece measures 12-3/4" across the two handles and features fine hand painted gilding, a black transfer design (on top and underneath the plate) and relief molding to the handles, edge and foot...

German pewter vase by Kayserzinn, c 1900. Relief decoration of Marguerites in Jugendstil/Art Nouveau. Impressed marks 50, Kayserzinn, 4081 and an incised P. Height "3¼/ 8,5 cm. Condition: a few nicks to the lower part of the vase as seen on photos.

An English sterling silver spreading or butter knife, marks to handle and to knife for Sheffield 1892 and silver smith's mark W.G, I.L within shield mark. Softly modelled mock-Georgian design, with harmoniously curved profile and a finely engraved crest of a lion rampant. Length "8¼/ 20,5 cm. Condition: small fusion mark on upper ridge, otherwise fine.

Pair of gilt brass and rhinestone shoe buckles or clasps with cut and engraved leaves motif. Unmarked, probably French, c. 1900. Width "2/ 5 cm. Condition: some stains to the gilt surface as seen on photo.

This porcelain plate was produced in Germany by Nymphenburg in the 1890s. It measures 10 inches in diameter. The artist’s initials are on the back. The plate has twelve sides and has molded beading in the porcelain around the edge. It has a hand painted scene in the center. There is a hen and a rooster among a field of wild flowers. It is styled in the art nouveau fashion. Condition: Excellent

This pair of porcelain plates was produced in England by Royal Crown Staffordshire in the early 20th century. They have a diameter of 8 1/8 inches. They are made of fine, white bone china. The reserve in the center is hand painted with landscapes. There are oval reserves on the borders of the plates with bunches of brightly colored flowers. The borders have lavender stripes alternating with panels of gilded leaves...

This bisque porcelain figure was produced in the mid 19th century. It has the initials L&M impressed in the base. We do not know the country of origin but it most likely is Continental. It is 10 1/2 inches high and the base has a diameter of 4 inches. It is made of unfired bisque porcelain. The piece depicts a sweet faced child holding a basket of fruit in one hand. There is a feeling of calmness and purity emanating from this figure. Condition: Excellent

An Edwardian Arts and Crafts hammered brass crumber and tray. This hand made brass crumb scoop and tray dates to the 1900-10 Edwardian era. This high quality hammered serving set is in the Newlyn school style and it features rivet construction, a screw-mounted black-painted wooden handle and cast handles and mounts. It is unsigned, and the crumber measures 11-1/2" long with the pan measuring 9-3/4 x 7-3/8"...

This porcelain dish was produced in France in the late 19th century. It has an underglaze mark that says Limoges, France but there is no factory name. The dish was evidently sold undecorated to an amateur artist who painted it. The dish has cut out handles on the sides. It is 8 1/4 inches across the handles. The roses are painted with delicacy. You have buds to full blown blooms in pink and rose. The dish is trimmed with gilding. Condition: Excellent

This porcelain plate was produced in Germany by Royal Vienna around 1870. The diameter of the plate is 8 1/2 inches. The plate has sections of the border cut out with reticulated designs and painted with flowers and birds. There are also panels with colorful hand painted birds on branches. They are reminiscent of bird painting done by Meissen and Herend. The center of the plate has a branch of hazel nuts and sprigs of berries. The decoration is beautifully done...

This porcelain basket was produced in England in the mid 19th century. It is unmarked. It measures 8 1/4 inches long and 4 1/2 inches high. It is made of fine quality, white bone china. You would expect this quality from factories such as Minton, Worcester, Davenport, or Coalport. The handle and rim has decoration molded into the porcelain which is accented with gold. There is a hand painted scene of a sailing ship in rough seas. It is expertly portrayed...

A Bohemian cased and parcel gilt glass beaker, c 1870. Of octagonal shape, the sides facet-cut leaving eight oval reserves in ruby red surrounded by gilt ornaments in the style typical of this period. Height "5 ¼/ 13,5 cm. Condition: wear to the gilt decoration.

Fine antique 19th century Afshar bag complete with back and closure system, circa 1880, all natural dyes, fine weave. Measurements are 27" by 23" not including the flat woven back.

A pair of small white-glazed Nymphenburg candlesticks or candle holders with octagonal base, modelled on a Nymphenburg design from as early as 1790. Impressed shield mark and green stamped mark, c 1900. Height "3 ¼/ 8 cm. Condition: fine.

Six little fruit plates and a dish. German Majolica, c 1900, unmarked, with palmettos in light blue surrounding a relief-moulded twig of leaves and apples. The colours are lighter on the dish and three of the plates than on the rest. Diam: "6¼/ 16 cm and "9 1/2/ 24 cm. Condition: wear to the outer rim on two of the plates.

Very rare European neo-classical dark blue glass paste Intaglio Ring, circa. 1800 AD - 1900 AD, depicting the God Pan or a Faun challenging a Capricorn in the forest. 18k. gold

Antique Kurdish bagface, or bag front, Northwest Persia, late nineteenth--early 20th Century, 14" by 19". Single Memling gul in blue-green, brown-black, dark ivory, several shades of red, apricot, midnight blue, etc. Multicolored diagonal stripe border. Original selvedge, good condition. All dyes appear natural, including the beautiful apricot often found in this type of bag.

6 Victorian humorous comical miniature 4-1/4" plates from 1860-80 with relief decoration. These plates have an unidentified shield impressed mark, and the set consists of the following scenes:
- "Satisfaction" (duelling scene, 2 in stock, both with staining and crazing)
- "Tad Too Late" (leaving carriage, crazing)
-attorney office scent (legend obscured, crazing)
-fishmonger scene (crazing, staining)
-"Very Deaf In Deed" (dark staining, crazing, tight crack)...

This pair of porcelain plates was produced in France by Delinieres & Co. Limoges in the 1890s. They measure 9 inches in diameter...

This porcelain plate was produced in Germany by Hutschenreuther before 1920. The plate has a diameter of 10 1/2 inches. It is artist signed by Greiner. The painting was originally done by Paul Reubens and is in a museum in Brussels. This is written on the back of the plate. This painting is among the finest quality produced by companies such as KPM, Royal Vienna and Meissen. Looking at the features on the faces and delicacy of the hands, the artistic ability of this painter is evident. The...

A wonderful French first empire tole ware monteith, the sides hand painted with bouquets of colorful flowers against ivory-colored reserves flanked by gilt grapevine designs. The sides rise to handles cast in the form of swans’ heads--a feature very rarely seen. Verrieres are typically oval in shape, but this example is round. The bowl is unusually raised on four lion’s paw brass feet. As a whole, this is one of the more elegant and interesting early tole verrieres or monteiths we’...

Antique Galle etched cameo art glass vase acquired pre internet era. Frosted background with salmon - coral - persimmon color lush layered foliate floral Art Nouveau designs wrapped around ending in a wispy leaf above his star and the Galle mark. The five pointer is his widowed wife's "mourning mark" following this master glass maker's 1904 death. His name can not be mentioned without thinking Art Nouveau era.
Note: The star was discontinued ~1914, therefore when not present, it does Not ...

A New Hall coffee can and saucer bowl, c 1810. Blue underglaze and gilt decoration of Persian (Paisley) flowers against a "seaweed" pattern typical of the period. Unmarked, but the pattern is registered as number 585 in the production of the New Hall factory. Height of can "2¼/ 6 cm, diameter of saucer bowl "5½/ 14 cm. Condition: a hairline and wear to the gilt, esp. of the can, otherwise fine.

Tea bowl with printed decoration in brick-red in the Chinese style, and hand painted in various colours. English, possibly by Ridgway or Hicks & Meigh, c 1810-20. Height "1¾/ 5 cm, diameter "3¼/ 8 cm. Condition: chip to foot rim and an early restoration with two rivets (cf. photos).

Elegant English Staffordshire cache-pot / flower pot by Shorthose or Enoch Wood, in imitation of Wedgwood’s purple jasperware. Decoration of classical groups and grape vines against a dark purple lustre background, the upper rim a lighter shade over shell-shaped mock ring handles. Around 1830. Height: "3 ¾ /10 cm. Condition: some crazing and loss to the smallest reliefs as seen in photos

English blue and white transfer printed plate by Clews, Staffordshire, c 1820. Clews (1818-1834) produced patterns with motifs intended for the American market. This pattern in a soft blue shade, however, is of a guide demonstrating some Italian classical ruins to a lady traveller seated on a donkey, all viewed as from inside a grotto. Flat back with impressed mark: Clews, warranted Staffordshire. Diameter "9½/ 24 cm. Condition: two chips, one to the underside of rim, as shown in photos.

A blue and white English tea bowl, c 1750, probably by Bow. Painted in blurred blue with a version of the Rock Warbler pattern, and with slightly flaring upper rim. Diameter "3/ 7,5 cm, height "1½/ 4 cm. Condition: two small rim chips, as seen in photo.

An English 18th century porcelain pickle dish made at the Limehouse Manufactory, in perfect condition. This exceptionally rare piece is molded in the form of a scallop shell, and is painted in underglaze blue, based on a K'ang Hsi pattern, with a Chinese vase containing two feathers. The vase is in front of a partially unrolled scroll, with an insect to the right and three flocks of birds in the distance. The border has three feathers entwined with ribbons, while the reverse has two branches of ...

An early magenta transfer cup and saucer from the 1830s-1850s. This nice early example of transferware is a 2-3/8" high footed cup and matching 6" saucer with a fine magenta (purple/red) colour floral transfer with handpainted highlights. It has a painted 2/441 pattern mark and a formed fluted column design. The saucer is deep for drinking from (an 18th and 19th century custom) and it is typical for the era. This attractive item is in very good original condition with no cracks, crazing, los...

A lovely sterling silver fancy serving fork in an unnamed Art Nouveau pattern by the Baird-North Co. The handle is beautifully decorated with a thorny vine of wild roses. The back is decorated in a simpler design of roses. The splayed tines are ornately pierced. A fork of this shape would probably have been used to serve bacon, but it might also be useful for cold meats. The reverse is marked “Sterling/Pat. 1903”. There is no maker’s mark (maker’s marks were not legally required un...

A Samuel Gilbody of Liverpool porcelain small mug or coffee can with a flattened round loop handle and a flat unglazed base. Painted in famille rose colors with stylized peonies and a prunus bough issuing from a jardiniere. There are sacred Chinese scrolls and a larger peony spray to the right. The interior of the rim has a diaper border with prunus blossoms.

A similar mug was sold during the Watney Collection auctions, and the pattern is also illustrated in the Gilbody section in "Liverpool ...

This porcelain charger or platter was produced in Germany by Donath Dresden before 1920. It has a diameter of 12 1/4 inches. The charger is beautifully hand painted in the Meissen style. There is a bouquet of realistic flowers rendered in vivid colors. Lacy gilding trims the rim. Condition: Excellent. This is a splendid charger for use or decoration.

This glass vase was produced in France in the mid 19th century. We do not know the maker since the vase is not signed. The glass has a lead content and rings when pinged. The vase is hand blown and has a polished pontil. The vase is 13 3/4 inches tall. The diameter of the opening is 6 1/4 inches. The vase is wonderfully hand painted. There is a life-like parrot perched on a branch with his wings out-spread. The tropical greenery around him is painted with fine detail and surrounds the who...