A pair of very well painted and gilt porcelain compotes. Both with marks that are loosely painted in undergaze blue that more or less resemble the crossed torches that are the registered mark for the Locre factory, also known as La Courtille. The factory was in existence from 1771 until 1840. The high quality of the painting is especially evident in the bouquets in the center of the compotes...

An oval fluted French faience dish with an oval well in the center decorated with polychrome flowers and insects and a purple rim. Painted on the back inside the foot, “No: 4.” The mark and the decoration are typical of Strasburg circa 1740. The well in the center indicates that the dish was probably the undertray for a small tureen. It is 9 x 7 x 1/3/4 inches (23 18 x 4.5 cm)

Condition: Generally good with little wear...

A faience dinner with a shaped edge decorated with flowers, insects and a manganese rim. Painted on the back, “No: 4.” The mark and the decoration are typical of Strasburg circa 1740. The plate has no foot and pontil marks from firing. It is 9 ½ inches (24 cm) diameter.

Condition; Generally good with light wear. Small chips on the rim.

This porcelain tea cup and suacer was produced in Bohemia by Pirkenhammer in the 1890s. The saucer has a diameter of 5 ½ inches and the cup is 2 inches high. The rim of the saucer and the foot of the cup are reticulated. The set has a wine colored ground color with reserves of gilded urns filled with colorful flowers. The hand painting and raised gilding has fine detail. The rims and handle are trimmed with gold...

A beautiful English creamware plate decorated with violet swags with green trim along the rim of the plate and the edges of the swags. Aside from being of unusual structure, the violet color is rare, and the presence of a second color extremely rare.

This type ware is often mistakenly referred to as Leeds and featheredge. In reality, many factories other than Leeds made items of this nature, and the type edge here is more properly called a molded edge...

Exceptional Moser cut to clear 6 sided cranberry red stem glass. Each panel has a raised hand cut medallion. 5 medallions feature finely hand cut and gold gilded bouquets of different flowers. The 6th is monogrammed. Probably used as a wine glass, this is truly an amazing work of art. Dates around 1910, and measures 5.25 inches high.

Really finely carved husband and wife in hand sewn clothes from Tennessee. They are from the 1930's and you can tell that the carver was experienced. You can actually see wrinkles in their faces and the great protruding chins. Her bonnet is lovely but her hair is carved beautifully. They are fully jointed and the joints actually work. They are 9 1/2" tall...

A wonderful Barr Flight Barr Worcester porcelain coffee can painted by Thomas Baxter or William Doe, the two Worcester decorators who did the finest feather painting. This beautiful example features 4 glorious feathers, a gilded Greek key border, and a gilded ring handle. The bottom is marked with an impressed crown above "BFB".

The condition of this little gem is superb, looking fresh from the factory with absolutely no issues. The height is 2 3/8" with a diameter of 2 1/2"

An elegant and finely proportioned antique English toasting wine glass with a drawn flared trumpet bowl atop a plain stem and conical foot. Lead metal with a rough snapped pontil. A beautiful and graceful glass, and quite uncommon in lead.

7 1/4 inches tall, 2 3/4 inch bowl diameter, 2 7/8 inch foot diameter. No condition issues.

A charming example of Abraham Parsell's ability to capture the essential characteristic of a sitter and portray them in a wonderful naïve manner. In the miniature portrait presented here we have a young man with striking blue eyes and a mound of curly hair. He is attired in a dark brown jacket, black vest, and white tie and shirt.

The condition of the painting is excellent, with no cracks, chips, bowing, fading, etc...

A superb Derby porcelain coffee can displaying a scene of two people on a hillside looking at a town in the distance. The scene is identified in blue script on the bottom as "Near Breadsall", Derbyshire" along with the pattern number 531 and the Derby crossed batons and crown mark...

A naïve portrait of a young man holding a book, done in watercolor, ink, and pencil. Although unsigned, every characteristic of J.A. Davis' work is present, from the materials used to the composition, to the painting technique. Similar to lot 834 at the Sotheby's 1/25/15 auction and to lots 119 and 120 at the Skinner 11/2/18 sale. .

Excellent condition with no tears, folds, or restoration...

A beautiful lobed Chelsea porcelain plate, fulsomely decorated with a variety of flowers in a panoply of colors. The reverse with an anchor mark and three stilt marks.

Excellent condition with bright colors, no chips, cracks, or restoration. 8 1/4" diameter.

A pair of extremely large antique English drinking glasses, each with a bucket bowl on a plain stem. Glasses of this size in this form are quite uncommon, and it is very unusual to find a pair. Good color, striations, and tooling marks. Rough snapped pontil.

Their condition is excellent, with no problems whatsoever. A museum label remains on the foot of one of the glasses. The height is 8", with bowl and foot diameters of 3 3/4".

A beautiful and unusual English double series opaque twist (dsot) wine goblet, the large ogee bowl with honeycomb molding above a stem containing a solid multi-ply spiral band outside of a pair of heavy spiral threads. A substantial conical foot with rough, snapped pontil.

This fine example has wonderful color, striations, and tooling marks, and is in excellent condition with no flaws. The height is 7 1/2", with a bowl diameter of 3 3/8" and a foot diameter of 3 3/5".

An English Delft Tile. Well decorated with Christ and the Cross. Liverpool C1760 Diameter of tile 12.7 cm. Good condition.Set into a wood frame

A First Period Dr. Wall Worcester teabowl, of octagonal form, with a slightly everted rim, printed in outline and delicately hand coloured with the "Red Bull" pattern, the borders with half flowerheads alternating with green diaper panels. This is the rare early version of this pattern when Worcester first started using printed patterns. The pattern is based on a Chinese famille rose design from the Yongzheng period and appears circa 1754-56...

A very nicely painted Pratt Ware cottage decorated with a blue tiled roof, children at the windows with an oversize female standing beside it. On one end of the cottage is a woman with a cornucopia (?) and on the other a flowering tree...