A fine naïve folk portrait profile of a gentleman, signed on the reverse by the artist Samuel Rowell. In the same hand is the location of Amesbury, Mass, and the name of the sitter, Moses Henderson.

The painting is on card, done in watercolor with gum arabic highlights, and is in the original gilded wood frame. An additional piece of glass has been put on the back to protect the written information.

The condition of the painting is excellent, with no folds, tears, or staining...

A stunning cut double-overlay white/cranberry/clear cologne bottle, mostly likely by the New England Glass Company. The broad base is slightly footed and decorated with opaque white casing cut in a classic foral vine pattern to a transparent rose-cranberry base. The panel-cut tapered neck is enhanced with a faceted applied ring. The open-top tulip-form stopper has a long knopped neck and white/cranberry panel cutting on the petals. The concave base is polished.

Origin: America, 1850-70...

An elegant and beautiful English ratafia DSOT (double series opaque twist) glass. Ratafia glasses are quite uncommon, and this is a particularly fine example. The elongated conical bowl is has molded flutes in the lower three quarters and leads into a stem with a 14-ply spiral band outside of a pair of spiral tapes.

This glass is in perfect condition with no chips, cracks, or restoration...

Statue of a traditional god, probably representing Kuan Ti or Kuan Yu, God of War, in formal garb, with a martial posture, sitting on a throne. Wood, with traces of the original gilding. Remnants of animal hair under nose and chin, to represent mustache and beard. At the back of the statue, the votive box is till closed. China, Qing Dynasty, 19th century. Height: 22.7 cm. Abrasion due to age, right arm partly missing, otherwise good condition.

Fine Larger Childs Plate, the centre printed with the name George, the finely moulded border decorated with bright Pratt type colours. The base impressed ROGERS. C1840. Diameter 7 3/16" (18.2 cm). Condition: excellent, there is some staining to the underside.

Fine Childs Plate, the centre printed with the name John, the finely moulded border decorated with bright Pratt type colours. The base impressed ROGERS. C1840. Diameter 5 1/4" (13.4 cm). Condition: excellent, there is some staining to the underside.

Flat cut almandine garnets were the most popular gemstone of the Georgian period shown here in a rarely found naturalistic floral and leaf design necklace set in 18K gold. The pansy shaped flowers represent remembrance.

Porcelain hound head whistle made by Royal Worcester. This sweet faced dog may be worn as a pendant on a chain or just kept as a pet. The hound measures 1 3/8" wide by by 1 1/8" deep by 7/8" high.

Exquisite Berlin Iron cameo necklace consisting of sixteen graduated portrait cameos of classical men and women. This unusual necklace has its original clasp and measures 15 1/4" long by 1 3/8" at its widest.

Wonderful Victorian 18k gold fringe earrings that will swing and sway as you walk down the street or dance the night away. Beautiful cannetille bead work, the earrings measure 2" long from the top of the ear wire to the bottom ball of the longest fringe.

A superb Dr. Wall First Period Worcester porcelain tea canister of oval and fluted "French" shape. This beautiful example is decorated below the neck with a border of deep blue edged with foliate gilding. the body divided into 3 sections by green columns enhanced with a dot design and edged with gilding. Each of the body sections having pendant floral sprays, with the bottom portion of the canister having a wide gilt-edged green border...

Early 19th century Berlin Iron bracelets with a floral motif and cameo clasps of Psyche and Cupid. Berlin Iron jewelry is highly prized for is intricate work and rarity. During the Napoleonic Wars wealthy Germans gave their precious jewels for the war effort and substituted them with iron jewelry. Some of the pieces were inscribed "Gold gab ich fur Eisen" meaning "I gave gold for iron". Today these pieces are as desirable as in the early 1800's...

A fine and rare Bow porcelain coffee cup and saucer painted with the "Dragon Chasing (the Flaming) Pearl (of Wisdom). The interior of the cup also shows the dragon, while the exterior of the saucer is painted with clouds. One of the ways to distinguish this early Bow version is the arrow shaped tongue emanating from the mouth of the dragon. The pieces are very finely potted, and each has a workman's number 13 on the bottom...

Beautiful bronze statue by Eugene Marioton, French, 1854-1925, titled "Vainquer." The statue itself stands 27 1/2" tall, and it sits on a bronze and rogue marble pedestal that measures 44" tall, making the complete set just under 6" tall. The statue is inscribed Eug. Marioton, and Siot-Decauville is the French foundry. There is some minor pitting on the bottom by the signature, but none at all on the statue body or pedestal This beautiful statue and pedestal is being sold as a set only.

This beautiful example of an 18th century English cordial features a round funnel bowl engraved with a flowering rose on a leafed stem with thorns. The stem is a double series opaque twist (dsot) composed of a multi-ply spiral band around a pair of heavy spiral threads. The foot is of the uncommon domed helmet form with a rough snapped pontil. Lead glass with good color, striations, and tooling marks.

Condition is flawless, with no chips, cracks, scratches, or restoration...

A fine and uncommon toastmaster's baluster type glass featuring a deceptive waisted bucket bowl above a collar. The stem has a medial swelling knop and a basal knop. A wide foot with a rough snapped pontil gives this glass a wonderful stateliness. Great color, striations, and tool marks, with a real heft to the weight. For a virtually identical example see Bickerton, the 1987 edition, item #187...

An extremely rare firing glass of drawn trumpet form. The bowl is engraved "The Friendly Hunt". The condition is excellent, with no chips, cracks, restoration or other problems. Lead glass with good color, striations, and tool marks. The height is 3 1/2", with a bowl diameter of 2 1/8" and a foot diameter of 2 1/4".

The Victoria and Albert Museum has a virtually identical piece, their catalog number C.2571925, and described the engraving as most likely referencing a Jacobite hunting club.

This is a beautiful, large bronze cherub standing on a rouge marble base from the late l9th century that was made into a lamp. It measures 45" tall to the top of the light. The cherub itself is 20" tall and it stands on a marble base that is 10 1/2" tall. It is in beautiful condition, the cherub's arms are pinned where they should be and its a beautiful addition to any home. I can find no artist name or stamps on the piece, but it is a great 19th century sculpture.

Antique Chinese embroidered silk tapestry- Additional details for item # 1340772

Late Victorian sterling silver olive spoons/spears such as this are the perfect accompaniment for a sophisticated bar set-up. They can be used for olives, of course, but also for cocktail onions or cherries. They can also be used as a stir in a cocktail pitcher or shaker. The spoon retains its original semi-matte gilding. The stem is marked “925/1000 Sterling.”

Origin: America, ca. 1900. Condition: excellent. Dimensions: 8-1/8” long. Weight: 11.7 gr.

A classic 19th century French silver tastevin of traditional form and the bottom inset with a silver coin from the reign of Louis XV. The sides of the tastevin are decorated with the traditional raised "perles" and recessed "cupules" for viewing the depth of color in a wine. The coin, dating to 1726, depicts the profile of the king surrounded by the legend "Louis XV, by grace of God, king of France and Navarre." The reverse of the coin can be seen from the bottom of the tastevin...

An elegant sterling silver pierced olive spoon with an ornately pierced gilt bowl and and the handle decorated with wild roses enclosed in a curving border. The back is marked “Sterling Pat. 1903”.

Origin: America, ca. 1903. Condition: excellent, sharp detail, original gilding intact, no monogram. Dimensions: 6-3/8” long. Weight: 13.4 grams.

A figural corkscrew in the form of an equestrian boot by the R Blackinton Co. of N Attleboro, MA...

A fine and very uncommon opalescent stem double series opaque twist (DSOT) Georgian wine glass. The round funnel bowl is engraved with leaves and a budding rose on one side, and a shrub on the other. The stem has a pair of 11 ply spiral bands outside of a central corkscrew. Conical foot with rough, snapped pontil.

There are no condition issues or flaws in this glass. The height is 6 1/4", with a bowl diameter of 2" and a foot diameter of 3".

NOTE: The opalescent color is produced by i...

An elegant first standard (950/1000 pure silver) French silver tastevin in typical 18th century Burgundian style. Rather than with the typical "perles" and fluted "godrons", the bowl of this tastevin is decorated with repousse grape leaves and berries in the 18th century style. This treatment is sometimes seen in tastevins made by Parrod, but the particular decoration is different than any other we've seen. Similarly, the handle, in the form of two duck heads grasping an apple is a very exagg...

An especially attractive flint glass mold pressed goblet in the block and star pattern with ruby flashed top. Overall condition is very good although you can see some mild loss to the ruby stain. The glass probably dates to circa 1910. It was most likely made by Tarentum Glass.

This pattern is also known as Verona, Waffle and Star Band

The goblet still retains the identification tag of Lenna Gertrude Clarke Judd (1865 - 1939) who moved to Dalton, GA with her husband c. ...

An exceptionally attractive transferware bowl in the Milanese Pavilion pattern having fruit and floral images around the rim while two elegantly attired ladies converse on the pavilion. The back stamp bears the J H & Co mark of Joshua Heath & Co and dates to c. 1840 While the bowl is visually magnificent, it has a 2 3/4" hairline crack for which we have drastically reduced the price and for which we would consider reasonable offers. Dimension: 10 1/4"

This beautiful turquoise or robin's egg blue goblet is elegant and timeless. Its tall urn shaped bowl sits atop a short stem with globular knop. There are no seams which suggests that it is hand blown. While it is unmarked it is believed to be made by the highly regarded German-French glass maker Vallerysthal & Portieux. My glass expert believes that it dates to c. 1930, although I have reason to believe that it may be earlier.

One interesting aspect of the goblet is that its owne...

A fine matched pair of ceramic recumbent lions of molded construction having maize yellow ware enamel. The careful observer will note that the lions are not a mirror match, but they complement each other and were most likely produced this way. While the condition of the lions is less than pristine, having minor enamel losses and one minor chip as shown in the photos, we believe that serious collectors will appreciate the earliness and uniqueness of these ceramic lions. We believe that they a...

A large and exceptional example of fine American tinsel or foil painting featuring a pair of pheasants on branches, surrounded by a wreath of flowers. The scene has the rare "snowflake" type of background. Although tinsel painting was at its height in America from 1850 to 1890 the snowflake technique appears to have been done primarily in the 1870's period.

The sight size is 19 5/8" by 15 3/4", with a framed size of 23 1/4" by 19 1/4". The condition is excellent, with no cracks or breaks, nor...

A high quality milk glass goblet paneled with 9 facets and decorated with 3D grape and leaf design, most likely Westmoreland No. 1881. Stem is also faceted, standing on round foot. The "milk" alternates between translucence and opacity. This goblet is early 20th C. and in excellent condition.

We have left the original collector's identification tag on the foot, as it relates to the complete provenance of the glass. The goblet was originally owned by Georgian philanthropist Lenna Ger...

Cast iron horse head hitch pair painted black with excellent patina and preservation for their ages which we estimate to date to the 19th C. Unmarked. These horse heads would be fantastic garden conversation pieces. Dimensions: 13" h

A very fine Bohemian ruby cut to clear goblet featuring a sylvan deer at rest frosted with fine texture and relief. The base is scalloped rising to a short faceted stem supporting a large cylindrical ruby bowl. The glass is in excellent condition with no material damage and only the faintest of wear.

This glass belonged to the goblet collection of Lenna Gertrude Clarke Judd (1865 - 1939) who lived in Dalton, GA where she was held in high esteem as a prominent philanthropist through...

A lovely first standard (950/1000) silver tastevin, the bottom inset with a 1658 silver coin depicting the youthful image of Louis XIV surrounded by text translated as "Louis XIV, by grace of God, King of France and Navarre." The sides of the tastevin a decorated with clusters of grapes and elegantly curved godrons in the style typical of Orfevre Parrod. Coin inserts, however, are unusual in Parrod tastevins. The handle is worked in a simplified snake motif typical of Dijon. The handle is ...

As mentioned for other similar items on the site, this type ware is often mistakenly referred to as Leeds and featheredge. In reality, many factories other than Leeds made items of this nature, and the type edge here is more properly called a molded edge. This particular plate was made by Riley, and is indicated as such with an impressed mark on the back. Being able to identify the maker does increase the value to some extent. Also, green-edged wares are considerably less common than blue.

Thi...

A striking oil on canvas rendering of Antietam Bridge done 24 years after the infamous Civil War battle. Signed at the lower right "J.A. Ashley 86". The reverse of the painting is titled by the artist "Antitam Bridge and Battleground 1882." Depicting an idyllic scene, so much in contrast with the horrific battle 20 years earlier, the painting shows grazing cows in the foreground, the stone bridge with covered wagons traversing it, and houses in the background.

The condition of the painting is ...