A lovely set of twelve sterling silver demitasse spoons by Whiting. This pattern, probably referred to as “39”, was most likely only made as demitasse spoons. Whiting produced a number of patterns in the 1880s and 90s that were limited in this way. The handles, beautifully decorated with a pierced pattern of lilies of the valley, blend into corkscrew twist stems that connect to bowls enhanced with repousse decoration of chrysanthemums...

A large and very decorative press molded and marbled glass shell, purple and (greenish) white with. Mouth blown in the mould, with the rough pontil mark on the bottom side. English, possibly by Davidson & Co, c 1880. Height "3 1/4/ 8 cm, width 5 "¼/13,5 cm. Condition: fine.

Pair of English press moulded and marbled glass posy vases, c 1880, possibly by Davidson & Co.Of cornucopia shape, purple and white, the exterior with scale leaves and a diamond border. Height: 3"/7,5 cm. Condition: fine.

Three copper lustre saucer dishes. Brown transfer printed and hand painted decoration of Chinamen and boys in a garden. English, Staffordshire c 1840. Diameter "5 ½/13,5 cm Condition: fine.

A lovely sterling silver powder box by Gorham. The entire body and matching lid are covered in repousse decoration of swirling acanthus leaves. The sides flare out in an elegant curve that is continued in the lid which rises to point in the middle. The bottom is hallmarked with Gorham’s old mark, the pattern number “670” and the date mark for 1890.

Origin: America, 1890. Condition: excellent, sharp detail, no dings, original interior gilding, no monogram...

A wonderful cut opaline glass egg-shaped perfume caddy by Baccarat. The hinged lid opens to reveal an area that would have been used to store a plain stoppered bottle of perfume. The milky white translucent glass contrasts beautifully with the rich gild bronze acanthus leaf mountings. The crystal is cut simply with vertical parallel ribs. The glass has the fiery shots or orangey-red typical of opaline glass made by Baccarat...

This is a beautiful and elegant 18th lead toasting glass. It is of two part construction, and features a flared drawn trumpet bowl, and a multiple spiral (MSAT) stem on a conical foot with a rough snapped pontil.

Excellent color with good tool marks and striations on the bowl and foot; pristine condition. Please note that what appears to be a disturbance on the front of the bowl is merely a reflection or glare.

A tall 7 1/4" in height, 2 7/16" bowl diameter, 2 11/16" foot diameter.

This is an extremely unusual American 12 tube candle mold, made of tin and painted black. I have seen many candle molds in my time, but don't recall ever seeing one with the type decoration that this one has. The front and side have charming and whimsical squiggles of gold paint.

Overall condition is excellent, with the usual spots of paint loss and wear, and some nicks to the base. All the tubes are present, all the paint is original, and there have been no repairs...

This Antique STERLING LADLE is from a Virginia, USA Estate. Ca. 1800 Marks ......... 6.2 ounces. jpgs of the marks posted soon

A Boxed Set of Four Sterling Silver Napkin Rings by the Noted Victorian Silversmith Hilliard and Thomason and Hallmarked in Birmingham in 1876. The rings are in the shape of a cuff, with buttons and button holes. Maker mark "H & T". Dimensions; 1.75" in diameter x 1.25" high. Weight 4 ounces in total. The rings are in excellent condition, but the box is damaged.

The standard reference book for this type figure is "Staffordshire Portrait Figures of the Victorian Era" by P.D. Gordon Hugh. The figure offered here is so rare that the book does not even show an example, although it does have information about the history underlying it...

An Impressively Grand English Victorian Brass Inkstand or Standish with Double Inkwells. It is 21.25" wide x 9" deep x 7" high and weighs 3 pounds 8 ounces. It dates from the latter part of the 19th century and is in excellent condition, except for a repair one of the legs (only visible from the bottom, see picture).

A Pair of Victorian Bristol Glass Vases, with Hand Painted Florals, Ruffled Rims and Unfinished Pontils. Height 9.5". Excellent condition.

A Blue Bohemian Glass Vase with Enameled Florals. Dimensions 12" high x 5" in diameter. From the late 19th-early 20th century. Excellent condition.

An exceptionally nice English porcelain cup and saucer decorated with pink luster. The body is molded in a net pattern with reserves that are highlighted in overglaze blue, green, yellow and iron red enamels. The center of the saucer is decorated with a strawberry motif that is repeated in the bottom of the cup. The cup is raised on a slight foot. The saucer has very deep and steeply sloped sides so the hot tea could be drunk directly from the saucer, as was the custom.

Origin: England, ca...

A gorgeous pair of Victorian sterling silver serving spoons, the handles and bowls amazingly decorated with repousse, chased and engraved designs. The handles are decorated with reserves of winged cherubs hanging garlands of flowers, the reserves surrounded by rococo shell motifs. The stems are decorated with floral garlands leading to the amazing decorative bowls, covered in repousse floral designs...

A gorgeous Napoleon III white opaline glass baluster-form vase with an everted apple green opaline rim and an applied molded green opaline foot with knopped and ribbed decoration. The overall design is very pleasing and the color contrast is stunning. The quality is comparable to Baccarat, although the vase was probably made at a competing cristallerie.

Origin: France, ca. 1860. Condition: excellent, all original, no cracks or chips. Size: 10-1/2” tall.

A very handsome sterling silver gravy ladle in John R. Wendt’s “Medallion” pattern. Wendt’s version was one of the earliest designs to use classical profiles as the primary decorative element. The medallion, depicting the goddess Pallas Athena, is supported by a reeded stem that leads to the oval bowl with flared edges. The back is stamped with the retailer’s mark for D. H. Buell & Co., and with the “925” that is often found on early Wendt pieces.

Origin: America, ca. 1865...