A Canton enamel squash blossom jewel or trinket box from the 1880s 1890s. This lovely and large Chinese enamel on metal box measures 4-1/2 x 3-1/2" and it stands 2-3/4" high on its foot rim. It is nicely worked with a fine life-like appearance and the hand applied enamel is in yellow, green and blue. The interior is light blue as is the underside...

A small Bilston patch box, enamel on copper, mid-18th century, in a design somewhere between Rococo and Louis XVI: the outer shape softly rounded, the pattern more strict, of diaper type, textile-like. Patches, often in black silk, were used to conceal scars or blemishes from smallpox or other diseases. At the time Bilston, a town in West Midlands was famous for their enamel boxes. Width "1 ¾ / 4.8 cm. Condition: enamel flakes to lid and base (cf. pics).

A Dutch Delft 18th c tile. Painted decoration in puce of a church in a landscape, within double circles. Width "5 ¼/ 13 cm. Condition: fine.

A Japanese 19th century Banko ware teapot. Modelled as a leather pouch with a plissé edge and ties forming a handle (where the potter’s finger prints are visible). Enamelled flowers and relief moulded decoration of geese in white clay. Traces of gilt around edge and spout. Banko mark. No lid. Height “3½/ 9 cm, width including handle “6/ 15 cm. Condition: fine

Opaline glass bowl in the Brocade pattern, from the John Walsh Walsh glassworks. The opalizing effect was obtained by adding cobalt oxide to the glass, and a complicated procedure of heating and cooling. The opaline patterns made by John Walsh Walsh were produced as early as the turn of the century 1900. Height "3 ¼ / 8 cm, diameter "4 ¾ / 12 cm. Condition: fine.

Alt Wien / Old Vienna dish or plate – originally a stand for a vase or small tureen – with sparse decoration of stylized little tulips within a dark red border. The modern-looking design is a deceiver: the shape of the Royal Vienna Porcelain factory underglaze blue shield mark on the base shows a production date in the Empire period around 1800. Diameter "9 ½ / 24 cm. Condition: two small spots of glaze wear to the center, from the foot rim of vase or tureen.

La Rochelle fayence plate from the late 18th century. Charmingly naïve decoration of a pheasant in a landscape, the border with a twig of pears (?). The back with spur marks near the rim, a sign of age. Diameter: "9 ¾/ 24.5 cm. Condition: fine, with decorative crackling of the glaze and some burst bubbles caused in firing.

A lovely sterling silver fancy serving fork in an unnamed Art Nouveau pattern by the Baird-North Co. The handle is beautifully decorated with a thorny vine of wild roses. The back is decorated in a simpler design of roses. The splayed tines are ornately pierced. A fork of this shape would probably have been used to serve bacon, but it might also be useful for cold meats. The reverse is marked “Sterling/Pat. 1903”...

1840's English flow blue 9.5" plate, Scinde pattern Marked "Oriental Stone", it was made by J. & G Alcock.

This is an outstanding American sterling silver repousse napkin ring in the style of Kirk although the mark is too worn to distinguish, ca 1880, heavily repousse with centered monogram GLJ, Wt. 18.9g; Condition is excellent; Measurement: 1 5/8 in. diam. x 1 in. high.

Black-glazed English cup and saucer with floral decoration in raised enamels, Victorian, c 1850-70. The glaze is named after Jackfield, a town in Shropshire where pottery with a jet black shiny glaze first was produced in the 18th century. No mark except for an impressed J and a turquoise P (painters mark?) to base of cup. Diameter of saucer "6/ 15 cm, height of cup "2¼/ 6,5 cm. Condition: a few scratches to the saucer, otherwise fine...

Baluster vase with Flambé glaze in red, green and black, where the lighter parts are crackeled and the black is close to mirror black. San-Yang Kai-Tai or transmutation glazed, representing the change of seasons, from winter into spring. China, early 20th century, Republic period. The vase was purchased in Brussels in the 90's from an old Chinese couple who brought it to Europe when they left China in their youth. Height "7 ¼ / 18.5 cm...

A Spode soup plate in their Cracked ice and Prunus pattern, with inspiration from the blue and white Chinese pattern from the Kangxi period. Black transfer printed cracked ice border and flowers in polychrome enamels and gilt. Printed and impressed Spode marks for c 1820-30. The pattern is known as number 3950 (not visible on this piece). Diameter “9 ¾ /24,5 cm. Condition: slight wear to the well and back.

A Minton wild strawberries A2625 hand painted berry or fruit bowl dated 1866. This Victorian beauty measures 9-3/8" across and it features finely handpainted leaves, flowers and wild strawberries all in high relief. This bowl is similar to other antique Minton patterns however we haven't definitively identified it. It has the impressed MINTON mark (used from 1862-71, later MINTONS) and a date cypher resembling that used for 1866...

A pair of Staffordshire waste or slop bowls, c 1820. To one side transfer printed in black with an English mansion in classic style, in the foreground a lake and to gentlemen fishers, to the other side a lady and a small girl in a garden (traces of the same motif to the inside of the bowls). Height "3½/ 8,5 cm and diameter "6/ 15 cm. Condition: wear to the decoration and a hairline to one bowl.

A lovely and unusual Victorian sterling silver jelly knife in Towle’s 1880 “No. 128” pattern. Also known as “No. 28”, this pattern is characterized by a twisted handle, accented with beautiful bright-cut engraving. The serving end is shaped in the form of a leaf and is matte-gilt to highlight the floral engraving. Originally intended to serve savory jellies, the piece could now be used for pastries. The back is hallmarked by Towle and has the pattern number.

Origin: America, ca...

A nice 19th C. black wool spaniel dog with a red tape collar. He has wire enforced legs. His wool shows areas of wear but no holes. He is 7" long and 7" tall. He has a great little face.

Majolica grape and vine pitcher with a pewter lid with a leaf motif, most likely for serving wine outdoors circa 1880s. It is 8-1/2" tall and hand painted in brown, blue and green colors. It is unmarked except for what looks like a 70 painted onto the bottom. Majolica is an antique form of pottery, with a great revival of interest in the 19thC...