6 Victorian humorous comical miniature 4-1/4" plates from 1860-80 with relief decoration. These plates have an unidentified shield impressed mark, and the set consists of the following scenes:
- "Satisfaction" (duelling scene, 2 in stock, both with staining and crazing)
- "Tad Too Late" (leaving carriage, crazing)
-attorney office scent (legend obscured, crazing)
-fishmonger scene (crazing, staining)
-"Very Deaf In Deed" (dark staining, crazing, tight crack)...

French Limoges Porcelain Plate, Feu de four pattern, Ca. 1910, 9 3/4" diameter, raised brilliant gold repeated diamond shape design border inside the raised round dots in the outer gold scalloped edge rim, faded and free style of transfer decoration of the Poppy flowers and branches towards to the center. Underglaze green mark "Haviland France Feu de four" and overglaze red mark "Haviland & Co. Limoges, for A. B. Griswold" on the bottom. The condition of gold is in excellent and no damages.

A porcelain napkin ring molded with Neo-Rococo scrollwork in blue and gilt, a present for “G”. Vieux Paris / Old Paris Porcelain c 1870, unmarked. Maximum width "1 ½ / 3.8 cm, inner diameter "1 ¾ / 4.5 cm. Condition: fine.

A blue and white transfer printed plate with the Boy on a Buffalo pattern - one of the first Chinese patterns to be "translated" by the English potteries and first used by Spode c 1795, soon also by other potters. The specific border used for this pattern adapts itself well to the lobed shape of the rim. Around 1800, unmarked, possibly Spode. Diameter "8¾/ 22 cm. Condition: fine.

Eggshell thin cup and saucer of lobed and fluted shape, ivory matt glaze to the exterior, twig handle and raised gilt leaf decoration. French, unsigned, around 1890, the design with a touch of Japonisme. Height of cup "2/ 5.3 cm, diameter of saucer "4 / 10.2 cm. Condition: fine.

Pearlware dinner plate in the Curbing palms pattern, by Job Ridgway, transfer printed in blue, unmarked. Job Ridgway’s manufacture worked for only a short period, 1802 – 1813. A variation of the Willow border and an additional Nankin border surround an Oriental landscape with curbing palm trees and exotic pagodas. Diameter "9 ¾ / 24.7 cm. Condition: fine.

Chinese Export coffee cup with underglaze blue decoration of a diaper border and peony, chrysanthemum and aster(?). Qianlong period, c 1760. Height "2 ½ / 6.5 cm. Condition: a 1 cm hairline to the rim (cf. pics).

A Victorian reticulated platter by Heath & Blackhurst, with the brown transfer printed border used for their popular Park Scenery pattern. The well with the crest of an English family. Marked Park Scenery and H & B for Heath, Blackhurst & Co (1859 – 79) in Burslem, Staffordshire. Diameter “10/ 25,5 cm. Condition: fine.

A sturdy little earthenware salt, French, c 1760-80. Octagonal and decorated with a diaper pattern and cornflowers in a rustic variation of the Louis XVI style. Width "3/ 7.5 cm, height "1 ½ / 3.5 cm. Condition: a small area rough and unglazed, a mishap caused during fabrication (cf. pic 2).

Meissen porcelain cup and its holder, a Turkish “Fincan” and “Zarf”. Unmarked, Marcolini period (1774-1814), for the Ottoman market. Decoration of roses (gül) in Famille rose enamels and gilt. Height when put together "2 / 5.2 cm. Condition: fine.

A pair of dishes, printed and hand painted with flowers in pastel shades, the edges scalloped and gilt. Doulton Burslem mark for 1885-1902. Diameter "8¾/ 22,5 cm (both plates). Condition: fine.

A dish in the Mandarin pattern, from Thomas Furnival & Sons, printed, hand painted and gilt. TF was an English maker, well-known for his export of meticulously decorated transfer ware to the US and Canada. The back with impressed Furnival, T.F. & Sons and Registered Number 13104, indicating 1889 as the year of production. Diameter "9/ 23 cm. Condition: fine.

Black-glazed English small teapot with floral decoration in raised enamels, Victorian, c 1850-70. The glaze is named after Jackfield, a town in Shropshire where pottery with a jet black shiny glaze first was produced in the 18th century. No mark except for a brown S (painters mark?) to base. Height including lid "4/ 10 cm. Condition: chips to the inside of lid (cf. pics). A cup and saucer with very similar decoration is offered in another Global Ceramics listing (cf. the last picture).

This porcelain tea cup and biscuit tray was produced in France by Haviland Limoges in the 1890s. The tray measures 8 inches long, 7 inches wide and the cup is 2 1/4 inches high. The set is made of fine, translucent porcelain. It has molded, high relief detail. The set is decorated with a factory transfer design of pastel colored florals. These wispy flowers float across the porcelain surface and down inside the cup...

Porcelain decanter in the shape of a bellhop, complete with his ring of keys, decorated with overglaze red, black and pink enamels. The bottom is marked "Germany" and also has a decorator's mark.

Origin: Germany, ca. 1920. Condition: Light glaze crazing; a small chip on the cap and three small flakes at the bottom edge are visible in the photos (all could be easily repaired). Size: 9-1/2" tall.

Porcelain vase in a squared baluster form by Coalport. The medium pink color is offset by a beautifully modeled and gilt snail and gilt details along the rim and the base. Ca. 1890. Origin: England. Size: 5-5/8" tall. Condition: some discoloration to the interior; light glaze crazing; no chips, cracks, etc.

This porcelain bowl was produced in France by Pouyat Limoges around 1900. The bowl measures 7 inches in diameter and 3 1/2 inches high. The bowl has a puffy, blown-out shape, and three fancy gold feet. The decoration is in art nouveau style. It is a transfer design of baskets of flowers spilling over the edge. There are also roses and ribbons in the design...

This porcelain plate was produced in the U.S.A. by Lenox between 1894 and 1906. The plate has a diameter of 9 inches. It was commissioned for the retailer Bailey, Banks & Biddle of Philadelphia. The plate is artist signed W.H. Mosley who was a prominent painter at Lenox. The plate has a soft cream colored ground. The center is hand painted in subtle colors in a rather “Impressionistic” manner. The birds are identified as “Rail”, a game bird living in marsh lands...