Copper luster and blue mustard pot, a footed salt and small dish, and a copper lustre and green pepper. All made around 1840-50, early Victorian Staffordshire lusterware. Height of pepper "4 ¾/ 12 cm, diameter of salt "3 ½/ 8.7 cm and of dish "5/ 12.8 cm. Condition: nick to the mustard pot lid.

A Spode soup plate in their Cracked ice and Prunus pattern, with inspiration from the blue and white Chinese pattern from the Kangxi period. Black transfer printed cracked ice border and flowers in polychrome enamels and gilt. Printed and impressed Spode marks for c 1820-30. The pattern is known as number 3950 (not visible on this piece). Diameter “9 ¾ /24,5 cm. Condition: slight wear to the well and back.

La Rochelle fayence plate from the late 18th century. Charmingly naïve decoration of a pheasant in a landscape, the border with a twig of pears (?). The back with spur marks near the rim, a sign of age. Diameter: "9 ¾/ 24.5 cm. Condition: fine, with decorative crackling of the glaze and some burst bubbles caused in firing.

Fayence plate from northern France, c 1800. The well with carnelion, tulip and peony surrounded by some other flowers, all in manganese and yellow. Diameter " 9 ½ / 24 cm. Condition: wobbly base, otherwise fine. The back with spur marks near the rim, a sign of age.

Baluster vase with Flambé glaze in red, green and black, where the lighter parts are crackeled and the black is close to mirror black. San-Yang Kai-Tai or transmutation glazed, representing the change of seasons, from winter into spring. China, early 20th century, Republic period. The vase was purchased in Brussels in the 90's from an old Chinese couple who brought it to Europe when they left China in their youth. Height "7 ¼ / 18.5 cm...

1840's English flow blue 9.5" plate, Scinde pattern Marked "Oriental Stone", it was made by J. & G Alcock.

Majolica grape and vine pitcher with a pewter lid with a leaf motif, most likely for serving wine outdoors circa 1880s. It is 8-1/2" tall and hand painted in brown, blue and green colors. It is unmarked except for what looks like a 70 painted onto the bottom. Majolica is an antique form of pottery, with a great revival of interest in the 19thC...

A pretty leaf shaped serving dish by Royal Copenhagen. Panted decoration of flowers, the twig handle with a rose and a forget-me-not flower in relief – the same as the handles used in the famous Flora Danica service. Impressed mark 2 and S, and the three waves of the manufacture in the version used around 1890. Length "7 1/5 / 18.5 cm. Condition: damage to the petals of the little forget-me-not flower.

Earthenware relief-moulded dish by Söholm on the isle of Bornholm, Denmark. Late 19th century, typical of this factory’s early production. Moulded decoration of laurel leaves and an old couple in classical style, the design inspired by Danish sculptor Thorvaldsen. Diameter "10/ 26 cm. Condition: slight wear to parts of the figures in the centre.

Black-glazed English cup and saucer with floral decoration in raised enamels, Victorian, c 1850-70. The glaze is named after Jackfield, a town in Shropshire where pottery with a jet black shiny glaze first was produced in the 18th century. No mark except for an impressed J and a turquoise P (painters mark?) to base of cup. Diameter of saucer "6/ 15 cm, height of cup "2¼/ 6,5 cm. Condition: a few scratches to the saucer, otherwise fine...

A Dutch Delft 18th c tile. Painted decoration in puce of a church in a landscape, within double circles. Width "5 ¼/ 13 cm. Condition: fine.

A Minton wild strawberries A2625 hand painted berry or fruit bowl dated 1866. This Victorian beauty measures 9-3/8" across and it features finely handpainted leaves, flowers and wild strawberries all in high relief. This bowl is similar to other antique Minton patterns however we haven't definitively identified it. It has the impressed MINTON mark (used from 1862-71, later MINTONS) and a date cypher resembling that used for 1866...

Alt Wien / Old Vienna dish or plate – originally a stand for a vase or small tureen – with sparse decoration of stylized little tulips within a dark red border. The modern-looking design is a deceiver: the shape of the Royal Vienna Porcelain factory underglaze blue shield mark on the base shows a production date in the Empire period around 1800. Diameter "9 ½ / 24 cm. Condition: two small spots of glaze wear to the center, from the foot rim of vase or tureen.

Green flambé glazed miniature stoneware vase or perfume bottle, Art Nouveau design with engraved silver overlay, c 1900. Unmarked, probably German. Height "3½/ 9 cm. Condition: the end of one sprig replaced with silver colour, as shown on photo.

An attractive Victorian period china jardiniere, c1880s. It has a repeating somewhat Art Nouveau floral motif, the flowers look a bit like poppies or anemones, all in blue transferware with occasional splashes of gold. It measures 5-3/4" in height and the opening measures just over 5" across (opening only, does not include the wavy rim). Although it is unmarked, which happened more frequently before 1891, it is almost certainly English in origin...

A hand painted Limoges large roses centerpiece or fruit bowl dated 1903. This wonderfully handpainted 10-3/8" across bowl stands 4" high and 8-1/2" deep, it has a handle on one side, and the painting is of very high quality for a painted blank. Typical in this era, china painting was very popular and some very talented pieces were produced by home amateurs...

A nice early Staffordshire pottery child's cup decorated with a transfer scenes of children playing leap frog on one side and "peg top" on the other. The black transfer is highlighted with red overglaze enamel. The cup is accented with a molded foot and a strap handle. Teh glaze has the slight bluish tint found in Staffordshire pottery of this period.

Origin: England, ca. 1850. Condition: normal crackling to glaze, a few small flakes at the rim and two tight hairlines. Size: 2-3/4" tall.

Rich Green majolica plate by Wardle of England with leaf and grape pattern. Note the intentional crackling of the glaze in the large leaf. In excellent antique condition with some expected wear to the higher parts of the design and the edges. There is an old chip on the back (see last photo). The glaze is good throughout, any weird variations you might think you see are cause by my lighting. Plate measures 9 inches across. Dates 1880.